Tag: Nandita Das

  • Campaign celebrating India’s diversity of skin colour released

    Campaign celebrating India’s diversity of skin colour released

    MUMBAI: Celebrating a decade of Dark is Beautiful, a new campaign has been released – “India’s Got Colour”. A call for action is captured in a fun music video that intends to continue and amplify the conversation around inclusiveness and colour bias, specifically within the Indian context. Continuing to lend her name to the campaign against Anti-Colourism in India, Nandita Das joins hands with Mahesh Mathai, Ankur Tiwari and a slew of Indian actors to celebrate India’s Got Colour.

    Joining hands with filmmaker Mahesh Mathai, music composer Ankur Tewari, and Sangita Jindal, Chairperson – JSW Foundation, film actor-director Nandita Das, believes that words like 'dark' and 'beautiful’ do not need further reinforcement and hence the shift from ‘Dark is Beautiful’ to ‘India’s Got Colour’ which she believes better embodies the rich diversity of India.

    The new PSA which was premiered this evening at the JSW Centre in Mumbai has the support of a number of artists who have embraced the issue. They and all the key crew members have volunteered their time, effort and voice to this campaign pro-bono. The music is composed by Ankur Tewari, who has penned the lyrics along with Nandita Das and the three young Mumbai rappers from Dharavi – Amogh Baine, Joshua known as MC Josh and Huma Sayyed. The G5A Foundation for Contemporary Culture has also extended its support to this initiative.

    Commenting on the launch of India’s Got Colour campaign, Nandita Das shared, “I have been supporting the Dark Is Beautiful Campaign since 2013 and while we must combat the various forms of discrimination based on caste, religion, gender and sexual preference, the least we can do is to end the bias bases on skin colour. I felt it was time to reinvent the campaign and create a PSA that would be catchy and youth-friendly. It is our young minds who will change the public discourse around this issue and can make a tangible difference. The PSA intends to change the narrative to a more holistic celebration of the diversity. After all, we are more than 1.3 billion people and have that many shades of skin tones. "

    Among the actors who participated in the PSA are Ratna Pathak Shah, Kanwaljit Singh, Gul Panag, Swara Bhaskar, Radhika Apte, Suchitra Pillai, Tillotama Shome, Tannishtha Chatterjee, Vikrant Massey, Shweta Tripathi and Ali Fazal, to name a few.

    Co-director of India’s Got Colour, a fellow campaigner for the cause, filmmaker, Mahesh Mathai reiterated Das’ thoughts, “Colour bias is deep-rooted into our society and mindsets. It needs to be recognised and called out. India is a country of a fabulous variety of ethnicities, faiths and cultural diversity. We can be proud that India's Got Colour. Though we are doing this campaign on a shoestring budget, we also realize that our contribution to this cause faces formidable obstacles as the fairness cream industry spends crores and crores on its own marketing campaigns. We are grateful to Sangita Jindal and the JSW Group for agreeing to support the campaign and be its exclusive corporate sponsor as they too feel strongly about the issue.”

    Music composer Ankur Tewari, added, “I have always been appalled by discrimination against skin bias. So when Mahesh and Nandita reached out, I immediately agreed. I have tried to create a fun and catchy foot-tapping song that I hope will have a major impact on social media and help reset perceptions and start a dialogue amongst the youth.”

    With the campaign receiving support from the JSW Group, Sangita Jindal, chairperson – JSW Foundation showed appreciation for all the effort and cause and was voluble in her support saying, “As countries, economies and organizations progress, many Indian women are taking roles of leadership & significant prominence across the globe. She is confident in her shade of colour and wears it with pride. This confidence stems from what they know, and how they feel about themselves as women. Through our association with Nandita Das and India’s Got Colour, we celebrate diversity as a critical need for progress and development.”

    India’s Got Colour is an extension of the Dark is Beautiful Campaign that was launched in 2009 by Women of Worth (WOW), the objective of the campaign was to challenge the belief that the value and beauty of Indian women is determined by the fairness of their skin. This belief—shaped by societal attitudes and reinforced by media messages—is corroding the self-worth of countless girls and women in this country, but also across the world.  The campaign aimed to instigate and inspire change in traditional attitudes, perceptions and definitions of beauty.  And while it would appear that skin colour is an issue that affects women, the campaign has also drawn a strong response from men.

    “Amidst a global craze for fairness products and careless advertising, we aim to educate and empower consumers to make wise choices. From the start, our objective has been to combat gender discrimination and have been working towards the empowerment and safety of women,” concluded Kavitha Emmanuel, founder of WOW.

  • ShemarooMe to Premiere 52 movies in 52 weeks with their new offering – Bollywood Premiere

    ShemarooMe to Premiere 52 movies in 52 weeks with their new offering – Bollywood Premiere

    Mumbai: ShemarooMe, the over-the-top (OTT) platform by India’s leading content powerhouse Shemaroo Entertainment Limited, launched its new offering Bollywood Premiere for all the movie buffs across India and US. To satiate the needs of Bollywood lovers, ShemarooMe will be premiering entertaining and critically acclaimed movies every Friday for the next 52 weeks, starting September 13. Taking the legacy of the parent company forward, ShemarooMe understands the pulse of the audiences and has been at the forefront to deliver to the needs of the viewers time and again. Bollywood Premiere will aim at engaging the audiences at the comfort of their homes, through their hand-held devices, every Friday.

    After a successful spell of Shemaroo’s service called Miniplex which offered around 200 richly curated movie premieres across four DTH platforms from the last 4 years, ShemarooMe now brings the similar concept to its viewers directly to their hand-held devices through Bollywood Premiere. Today’s audiences prefer new and personalized content at their luxury and this new service fittingly serves their demand. ShemarooMe’s new service will offer Bollywood movies that have a strong story line and great entertainment value that the audiences have missed out on watching during their theatrical release. ShemarooMe Bollywood Premiere will be the destination that will bridge this gap and ensure entertaining content reaches to the intended audiences, thus making it one of the most sought-after innovations on the digital platform.

    Commenting on the announcement, Mr. Hiren Gada, CEO, Shemaroo Entertainment Limited said, “The increase in Internet penetration and growth of online video streaming platforms has revolutionized the entertainment business. With the launch of Bollywood Premiere, we are not only strengthening ShemarooMe’s content catalogue but also fulfilling audiences’ demand for movie premieres on our online video streaming platform. Consumers look out for weekend binge and here we are presenting them with movie options that are premiering for the first time on digital platform which they can look forward to over the weekend.”

    Consumers will be in for a treat as Bollywood Premiere will showcase movies like Albert Pinto Ko Gussa Kyu Aata hai, 22 Yards, Sharma Ji ki Lag Gayi starring Krushna Abhishek and Mughda Godse Battalion 609 and many more. The movie will release at 12am (midnight) every Friday exclusively on ShemarooMe. Besides ShemarooMe, the movies will be available to stream through Vodafone Play, Idea Movies & TV, Apple TV and Amazon Fire TV stick.

    Commenting on the occasion of the World Digital Premiere of Albert Pinto ko Gussa Kyu Atta Hai, the award-winning actress Nandita Das said, “The film Albert Pinto Ko Gussa Kyu Aata Hai is special in many ways. These days independent films often get sidetracked by more mainstream films in getting adequate screens, good timings and enough number of days for it to have a good word of mouth. I am happy that the film is going to are Premiere digitally on ShemarooMe. We all know Shemaroo Entertainment for long as they have had a huge bank of films, across all genres. The film has much to say and reflects the angst felt by the youth, which is quite relevant today. It is good that audiences have so many choices in OTT platforms and ShemarooMe is the new one to be launched. I wish them and the film the very best.”

    Lead actor of Albert Pinto ko Gussa Kyu Atta Hai, Manav Kaul said, “I am actually quite excited to see our film Albert Pinto Ko Gussa Kyu Aata Hai to be premiered digitally on ShemarooMe. Our film is in line with Saeed Akhtar Mirza’s 1980 classic movie.  I had to do a lot of preparation in order to get into the skin of the character and match the brilliance of ace actor – Naseeruddin Shah. Also, I feel privileged that an entertainment house like Shemaroo who has been in the business is showcasing the movie on their OTT platform ‘ShemarooMe’. The OTT medium is becoming very exciting and it would be great to connect with the audience, reaching out not only to the hinterlands of India but also to global audiences in the USA who enjoy Bollywood.”

    Director of Albert Pinto ko Gussa Kyu Atta Hai, Soumitra Ranade said, ‘In the earlier days, a Friday would decide the fate of a film but that’s not the case anymore. There are many more avenues now, especially for independent cinema. ShamarooMe comes at perfect time and it is fabulous that our film Albert Pinto Ko Gussa Kyun Aata Hai? is releasing on this OTT. Shemaroo has a huge track record of being in the entertainment industry and I am sure the film will become accessible to hundreds and thousands of people across the country. I wish them the very best.’

    Barun Sobti, the talented actor from the movie 22 Yards said, “I am happy about my movie 22 Yards premiering on ShemarooMe. With changing times and audiences getting hooked to OTT platforms, it is nice to have an OTT platform like ShemarooMe who is giving Indian filmmakers a stage to showcase their movies and connect with a larger set of audience. '22 Yards' does not focus on the game of cricket but rather on the life of a sport-agent and the challenges he faces. I hope this movie is able to connect with the audience and provide complete entertainment.”

    Catch the TVC’s here for a visual treat Bollywood Premiere Launch –

    Bollywood Premiere Launch

  • New initiatives at FICCI Frames 2018

    New initiatives at FICCI Frames 2018

    MUMBAI: The 19th edition of FICCI Frames to be inaugurated by the I&B and Textiles minister Smriti Irani on March 4 is all set to be a grand event.

    There are a lot of interesting sessions lined up with few new initiatives this year.

    The annual media and entertainment global convention will kick-start on the 4th evening with the launch event, which will be followed by the CEOs round-table addressed by Maharashtra Chief Minister Devendra Fadnavis.

    The 4-day event that will commence from the 4th and conclude on the 7th will see the who’s who from the media and entertainment industry attend, including the likes of Karan Johar, Shabana Azmi, Siddharth Roy Kapur, Nandita Das among many others.

    One of the major attractions will be the launch of a content market, which is expected to bring over 70 buyers and sellers of content from across the world to this platform.

    FICCI FRAMES CONTENT MARKET – A CONTENT BUYER AND SELLER PARADISE

    The 1st edition of the Content Market is aimed at facilitating the business of Content. Over 70 buyers from across the globe have been invited for the bazaar, including the likes of 102 Distribution, Edko Films, Shoreline Entertainment, Spuul, Top Entertainment, Aurora Global Media Capital, Front Row entertainment, Alpha Violet Sarl and Indian companies like Zee enterprises, Star, Eros Now, Reliance entertainment among others.

    In the first edition of the market, a special screening facility has also been set up to introduce festival programmers and key buyers to a highly curated slate of new Indian films. Festival programmers from International film festivals such as London, Venice, Edinburgh among others will also be in attendance.

    With over 100 sellers and over 70 buyers of content expected to be part of the 1st content market organized by FICCI, this sets the ball rolling for greater content exchange.

    Speaking about the 1st content market Leena Jaisani, FICCI said “This is being organized with the support and advise from the media and entertainment industry professionals. There was a dearth for such a market and with this first step, we hope to move ahead towards filling this void and facilitating more business for content.”

    International Women’s Day Celebrations with Women Leaders at FICCI FRAMES

    On 5th March, few women leader will get together to discuss women empowerment in the digital era, the rise of women movements, and how the community can support the development of more women leaders in the future.

    Led by Maya Hari, Managing Director of Asia Pacific at Twitter, who will be moderating the session, the panel will feature Director of Lipstick under my burkha Alankrita Shrivastava Actor Gul Panag, Author of Face at the window Kiran Manral; Deputy Editor of Rolling Stones India, Nirmika Singh and film producer and founder of IconicBot, Vishakha Singh

    Other Important sessions
    Few of the other important sessions would include discussions on Film Tourism, The future of TV in India, Box Office Collections of films, Biopics made in India, Women Power in Films, Screen density in India, Digital Revolution, Investments in Sports, Fake News, Low budget content heavy films, Regional Films going beyond regions, Films making money internationally, GST in Entertainment sector and Cyber security.

    There will also be a masterclass with Director Anand L Rai, a case study on web series Breathe along with a workshop on Facebook.

    Annual Media and Entertainment reports to be launched

    The annual media and entertainment report on figures related to entertainment industry and an Economic Contribution Report (ECR) for 2018 will also be launched.

  • Om Puri Foundation unveiled in Cannes to help arts, farmers

    NEW DELHI: The Om Puri Foundation has been unveiled today at the 70th Cannes Film Festival to carry forward his legacy and the high standards set by him as an actor on films, television and the theater.

    Ms Nandita Puri and his son Ishaan were present as the Foundation was unveiled yesterday first at the British Pavilion and later at the Indian Pavilion.

    This was followed by a discussion with veteran critic Derek Malcolm, actor-director Nandita Das and actor Nawazuddin Siddiqui along with the Puris, moderated by eminent critic and wrier Uma Da Cunha.

    The Foundation aims to take forward Om Puri’s legacy, philosophy and values that he cherished.

    Initially, the Foundation will initiate the Om Puri Scholar for the most deserving student from the Film and Television Institute of India in Pune, the Om Puri Fellow for the most deserving student from the National School of Drama in Delhi where the actor had his initial training before joining FTII; and the Om Puri Grant for promising and deserving filmmakers to go to international film festivals to broaden their understanding of world cinema.

    Ishaan told indiantelevision.com from Cannes that the Foundation intends to take the actors films and work in television to schools, colleges and universities worldwide to keep alive the rich body of his work.

    It will also work to take forward a social cause that saddened Om Puri very much – the state of Indian farmers. The Foundation will offer scholarships to deserving children of farmers to pursue their higher studies and thus help farmers to make ends meet.

    Recipient of the OBE (Order of the British Empire) and the Padma Shree, Om passed away on 6 January 2017, leaving behind a large body of work that included theatre, television (one of the best being Shyam Benegal’s ‘The Discovery of India), and around 150 films in Hollywood and the United Kingdom apart from India.

    Best known for his author-backed roles in early years, he also excelled in comedy as well as action films and was known as the angry young man of art cinema in his early years. His powerful voice has been used to advantage by Shyam Benegal in ‘The Discovery of India” as the narrator apart from his appearance in more than ten different roles in that series, and by many makers of animation films.

    He made a mark overseas with ‘East is East’ apart from Richard Attemborough’s ‘Gandhi’ where he had a short but impactful role and then went on to act in more than a dozen films overseas.

  • ‘Freedom of speech’ vital in progressive society, says Nandita Das

    NEW DELHI: Three short films made by renowned filmmakers Sudhir Mishra, Nandita Das and Ram Madhvani on meaningful subjects marked the India Today conclave on its closing day in Mumbai. India Today Group editorial director Kalli Purie said the films had been commissioned by the group to mark four decades of its existence.

    Nandita Das said: “Freedom of expression is needed for any society to be progressive else we will go back in time if there are no diverse views or analysis, if a child cannot ask questions.”

    The three films addressed poignant and almost dark issues as compared to the power play in politics to the bloodshed of the Partition.

    The 30-minute-long screening began with Mishra’s “Life Support” that revolves around the play of power in politics with three protagonists. “It doesn’t show anyone in particular; it’s about power and its sad stories,” said Mishra. Explaining his film in which a young politician and “heir apparent” of a political party condones his father’s killing ordered by a powerful politician, he added, “There are people who have compromised. We don’t have an answer to everything and that’s the power of a story, it’s all about many things.”

    Das’s film was on celebrated Pakistani writer Saadat Hasan Manto played by Nawazuddin Siddiqui, “In Defense of Freedom”. The film explores the need and importance of freedom of expression, as Manto questions why he should not write about the not-so-pleasant things in society. Through Manto’s life and preachings, Das emphasizes the need for freedom of expression in our society as well. “Manto is still so relevant even after all these years,” she said. “In any democratic or progressive society, freedom of speech, although ambiguous to define, should be cherished,” she added.

    Even as Nandita’s film drew attention to the freedom to express, the last film screened brought back to public memory the pain of the Partition. In his film “This Bloody Line”, filmmaker Ram Madhvani tells the story of Mohamed Ali Jinnah and the Partition and the fact that the Radcliffe Line led to the biggest mass migration in the history of mankind. He used poignant videos and pictures from the Partition of filled trains carrying people to their new country, of assaulted and injured women and children. “Till today, this line makes us bleed” said the concluding message. “This film is a reaction to the sadness and anger we feel,” he said.

  • Actors give up fees to remake ‘Albert Pinto Ko Gussa Kyun Aata Hai’

    Actors give up fees to remake ‘Albert Pinto Ko Gussa Kyun Aata Hai’

    MUMBAI: In this age when most actors compete amongst each other in the number game, Nandita Das, Manav Kaul and Saurabh Shukla, who play the lead roles in the remake of the cult film Albert Pinto Ko Gussa Kyun Aata Hai, did not charge a penny as remuneration.

    The move was to support the independent film directed and produced by Soumitra Ranade that faced budget constraints.

    “Firstly I don’t equate money with work. There is a lot of work that I do without charging anything. Films of course, help me pay my bills and hence I don’t do them without any fees. But seldom do you get a project or a director where you know that they genuinely don’t have the money – and they just want to make a good film,” said Das, who is known for her critically acclaimed performances.

    Shukla too echoed the same thoughts as an artist. “Soumitra approached me and told me that there is no money but you be a partner. So all of us are partners in this project and I think it is great idea, because there are scripts in which the ‘mainstream market’ doesn’t believe in. But as artists we know that it has content and also has commercial possibilities. So what should we do? Should we be slaves to the market and not do these films? Or should we try it? So when we try it, we have to cut down costs,” he said.

    Touched by their gesture, Ranade has made them partners on the project and will be sharing the box office profit with the three actors once the film is released.

    “It was a very challenging film but I could pull it off only because of my supportive actors who worked for free,” said the director.

     

    The film is raising Rs 30 lakhs through a two-month long crowdfunding campaign on Wishberry, with 2 October, 2015 being the last date to contribute. The campaign started on 3 August to collect money for the post-production, animation and VFX of the film.
     

    The original film, directed by Saeed Akhtar Mirza, was released in 1980 and starred Naseeruddin Shah, Shabana Azmi, Smita Patil and Om Puri in the lead roles.

  • Govt working to provide seamless work environment to film industry: Rathore

    Govt working to provide seamless work environment to film industry: Rathore

    NEW DELHI: Minister of State for Information and Broadcasting Rajyavardhan Rathore today said that the government was rigorously working towards providing a seamless work environment for the film industry by establishing a single window clearance mechanism.

     

    Inaugurating the India Pavilion at the Cannes International Film Festival in France today, he said a centre of excellence for gaming and visual effects had been announced. The government would do its best to be an infrastructure partner and would like to have faculty coming from the industry itself and looks forward to more faculty exchanges. 

     

    Rathore said, “India had already signed coproduction agreements with a slew of countries. In the last one year, five co-productions had been undertaken with France alone. We need to take these partnerships to the next level now.”

     

    He said the film industry is an important part of campaigns like ‘Make in India’ and ‘Skill India’ given its tremendous potential towards job creation. 

     

    The session also saw unveiling of the 46th IFFI 2015 regulations and ‘India Film Guide’ by the Minister.

     

    The India Film Guide is a comprehensive booklet with information on policy initiatives by the government pertaining to film sector, the listing of Indian companies at Cannes Film Market, Indian Films at Cannes and contacts of important people in the business of filmmaking. 

     

    The session was attended by Indian Ambassador to France Mohan Kumar, Bobby Bedi, Nandita Das, Karnataka Information and Public Relations Minister Roshan Baig, I&B ministry joint secretary (films) K Sanjay Murthy and Film Federation of India former president Ravi Kottarakara. 

     

    Bedi in his welcome address said, “India’s presence at Cannes had increased tremendously over the past decade and we have seen an increase in representation in terms of quantity and an improvement in the quality of content as well.”

     

    Kumar added that the aim should be to get Indian films in the most important category of films at Cannes. He added that over the next two to three years he would strive to work on that. The quality of films from India had been rich in content and quality. 

     

    Kottarakara felt that India has on offer some of the best shooting locations. “There has been a tremendous change in the Indian film landscape and the sector is definitely going to grow by leaps and bounds. We should try to experiment more to have a wider global acceptability. Also, India’s linguistic cinema which includes films in Tamil, Malayalam, Bengali, Marathi, Bhojpuri are as good as mainstream Bollywood films and should get an equal opportunity to be showcased,” he said.

     

    Talking about the much-debated issue of censorship in India, Das said, “As we mature, it is important to promote freedom of expression rather than curtailing voices.”

     

    On his behalf, Baig suggested that it will be great if the regional film industry is showcased as a part of the delegations to some of the major international film festivals.

     

    Murthy added that over the next few days,he hoped to learn from various film commissions and carry back new partnerships and learning experiences.

  • Jet Airways partners with Cineplay for on board entertainment

    Jet Airways partners with Cineplay for on board entertainment

    MUMBAI: When it comes to inflight entertainment, passengers are bound to find more choices than ever before. Jet Airways, in a bid to constantly provide greater value to its guests, has partnered with CinePlay founded by Subodh Maskara and creatively mentored by Nandita Das.

    CinePlay is a new genre of cinema, a cinematic experience of the vast and content-rich stories from theatre and was recently named one of the coolest ideas of 2014 by a leading global publication.

    This exclusive affiliation will see the presentation of CinePlays, a new genre of Cinema on board the airline starting December 2014.

    Beginning the partnership, the CinePlays of Mohan Rakesh’s Adhe Adhure and Nandita Das & Divya Jagdale’s Between the Lines, amongst others, will be made available to Jet Airways passengers exclusively on board.

    Speaking about the association, CinePlay CEO and founder, Subodh Maskara says, “This is a one of a kind partnership and we see tremendous value in it. CinePlay presents stories from theatre in a cinematic form and we are positive that passengers on board Jet Airways will truly relish this exclusive experience. We look forward to an ongoing and successful collaboration with Jet Airways as we forge ahead”

    Jet Airways CEO Cramer Ball states, “It is our constant endeavour to provide content that is enriching and entertaining to our guests. Further with this novel idea we will be able to bring the joy of theatre to a larger audience who may not be able to find time during on-ground. This partnership comes at an opportune time, allowing holiday travellers to access this one of a kind content. This further bolsters CinePlay’s commitment to ensuring that stories from theatre find greater accessibility and reach.”

     

  • France 24 readies itself for Indian audiences

    France 24 readies itself for Indian audiences

    MUMBAI: This week, France 24, the international English news channel has lined up a number of shows that are focused on India, as part of its campaign to boost viewership in the country.

     

     The channel launched on two DTH platforms earlier this month – DD Direct+ and Dish TV making it available to an additional 31 million households in the country. Seven million homes already receive it through cable.

     

    A cultural show depicting the Rajasthan International Folk Festival, 100 years of Indian cinema and Indian gastronomy along with three personalities speaking – fashion designer Ritu Beri, actress Nandita Das, Impresario restaurant CEO Gresham Fernandes – was telecasted yesterday with repeats throughout today.

     

    A debate on ‘at the heart of the next world power’ will see the likes of HRD minister Shashi Tharoor, BJP spokesperson Nirmala Sitaraman, founder of Kali Urvashi Butalia and Sunstone Business school co-founder Rajul Garg on the show tonight. Interviews with Godrej group chairman Adi Godrej, screenwriter Anand Gandhi, JSW Steel chairman Sajjan Jindal and Future Group CEO Kishore Biyani will be shown this week.

     

    Reports on the rollout of the UIDAI (Unique Identification Authority of India) in the country and an online platform called Digital Green will also be a part of their upcoming FCP (Fixed Chart Point).

     

    The channel wants to make a space for itself in the heart of Indian audiences. The channel was officially launched in Delhi yesterday.

  • Festivals give independent filmmakers an opportunity to showcase talent: Nandita

    Festivals give independent filmmakers an opportunity to showcase talent: Nandita

    The lady has always been admired for her skills in front of the camera but very few know that she received enough critical acclaim even for her directorial debut Firaaq. Yes, we are talking about actor Nandita Das.

    She is often compared to the yesteryear actor Smita Patil for her looks and complexion, besides the kind of roles she has portrayed on the silver screen. Das will soon be seen with husband Subodh Maskara in upcoming Spanish film, Traces of Sandalwood that will go on floors in a month’s time. The film will be shot in Mumbai and Barcelona.

    “I will be in Barcelona at the end of the month. The last time I was there I happened to have the best meal of my life at the Roca brothers’ El Somni,” said Das at the inauguration of the Mumbai Film Mart on 18 October.

    Das added, “The most interesting part of the movie is that it has an all-woman crew, not just in front of the camera but also behind it. It’s so wonderful to see a woman cinematographer and a woman art director.”

    Das finds it really encouraging to see this kind of a platform being provided to young talented filmmakers these days. “Having done close to 30 movies – of which the majority have been in the independent space – I don’t even have the DVDs for most of the films because of various issues around their release,” remarked Das.

    I always try and champion independent films and try and create more space for them says Nandita Das

    The independent filmmakers suffer the most because of either not having the skills; or because of being unaware of the know-hows; or lack of space or platform to release or showcase their films. “Even without having much knowledge of the market space, I directed Firaaq and faced a lot of hurdles. But having said that, I always try and champion independent films and try and create more space for them,” said Das. According to her, all these various festivals that are now becoming a common phenomenon in various parts of the country is a very good sign for upcoming filmmakers.

    “We need to learn more about world cinema and get out of our little well. We do make nearly 1,000 films a year, but are we really proud of all of them?” she remarked and went on to state: “Just like how we learn about new places by travelling, films are a great way to open up the mind and be less prejudiced and get into people’s heads and hearts.”

    “A festival is a great platform for independent filmmakers like us to meet people and understand how to go about taking our film to different parts of the world,” she added. Das went on to explain that there exists a mindset where only a few film festivals are considered prestigious and if the film makes it to that fest then it’s good, else it is not. “Well, that should not be the case, as any festival is a great place to showcase your creativity that you thought of and then translated it onto the screen,” she said.

    Nandita says that she has been fortunate to travel with her films to various parts of the globe. “I don’t get to shoot in these beautiful locals but thankfully I do get to travel to numerous festivals be it big or small. And the one thing you learn is that human emotions and stories are universal,” Das remarked.