Tag: Namak Haraam

  • Tata Play Classic Cinema celebrates Diwali with eight timeless blockbusters

    Tata Play Classic Cinema celebrates Diwali with eight timeless blockbusters

    Mumbai: Diwali, the festival of lights, is when traditions and nostalgia take center stage. What better way to celebrate this beautiful occasion than by revisiting the timeless classics that have enriched our cultural heritage alongside family and loved ones. With Tata Play Classic Cinema, take a journey through the enchanting world of old Bollywood classics that have not only entertained generations but continue to light up our lives, much like the festive lamps of Diwali. These films have stood the test of time, offering a glimpse into the golden era of Indian cinema, making them the perfect cinematic companions for the Diwali season.

    Milan


    Directed by Adurthi Subba Rao, Milan, a 1967 Hindi movie, is a remake of his successful Telugu film ‘Mooga Manasulu’ from 1963. The film features Sunil Dutt, Nutan, and Jamuna from the original cast, along with Pran and Deven Varma. It revolves around Gopi, a ferryman, and Radha, a rich girl, falling in love. However, they are accused of having an illicit affair. When fate turns unkind to them, a tragic incident changes their lives forever. A timeless classic, the film also features memorable music scores created by the award-winning duo Laxmikant Pyarelal.

    Kati Patang


    Kati Patang, a 1971 Hindi film directed by Shakti Samanta, features a noteworthy cast, including Rajesh Khanna, Asha Parekh, and Prem Chopra. The film tells the story of Madhu, a young woman who takes on a new identity to escape a loveless marriage. She crosses paths with a charismatic man, leading to a complex web of relationships and emotional turmoil. The film builds on themes of love, tragedy, and resilience. The film also witnessed Asha Parekh win her first Filmfare Award for Best Actress for her role. Moreover, Kati Patang also has some of the greatest hit songs, composed by the legend Mr. R.D. Burman.

    Guddi


    Directed by Hrishikesh Mukherjee, Guddi, a 1971 Hindi film, stars a talented ensemble cast, including Jaya Bachchan in the titular role as Kusum alongside Dharmendra, Sumita Sanyal, Utpal Dutt, and Asrani in pivotal roles. The story revolves around Kusum, a young and impressionable girl who is a fervent Bollywood fan. Her deep admiration for the film industry makes her blur the lines between reel and real life. When she encounters a charming and straightforward film actor portrayed by Dharmendra, her perspective on the film world begins to change. Guddi is a heartwarming exploration of the boundary between reality and the glamour of the movie industry, brought to life by its talented lead cast members. The movie marked Jaya Bachchan’s debut as an adult actor following her first appearance on screen as a teenager in a Satyajit Ray movie.

    Bawarchi


    Bawarchi, the 1972 Hindi film directed by Hrishikesh Mukherjee, stars Rajesh Khanna as Raghu along with a stellar cast including Jaya Bachchan, Asrani, A.K. Hangal, and Durga Khote. The film tells the story of Raghu, a cook who enters a troubled joint family and uses his culinary skills and kindness to mend relationships and resolve conflicts. Bawarchi is a heartwarming tale of simplicity and its transformative power within a family, making it a unique Diwali watch!

    Namak Haram


    Namak Haraam, the 1973 Indian film directed by Hrishikesh Mukherjee, stars Amitabh Bachchan and Rajesh Khanna in lead roles. The film explores the intricate friendship between Somu (Amitabh Bachchan) and Vicky (Rajesh Khanna) and how it’s tested when they find themselves on opposing sides of a labor-management conflict. With powerful performances from the lead actors and a strong supporting cast, Namak Haraam remains a compelling classic known for exploring complex human relationships and moral dilemmas. Amitabh Bachchan won the Filmfare Award for Best Supporting Actor and Govardhan Asrani won the Filmfare Award for Best Comic Actor

    Jurmana


    Directed by Hrishikesh Mukherjee, Jurmana, the 1979 Indian film stars Amitabh Bachchan and Raakhee Gulzar. The movie tells the story of a couple, Inder (Amitabh Bachchan) and Suman (Raakhee Gulzar), who must confront unexpected challenges that test their love and resilience. Jurmana is a touching classic in Indian cinema, exploring themes of love, loss, and redemption.

    The Great Gambler


    With an iconic cast of Amitabh Bachchan, Zeenat Aman and Neetu Singh, The Great Gambler is a 1979 Indian film directed by Shakti Samanta. The movie follows Jai, a master of disguise and a professional gambler, on a high-stakes mission to capture a notorious criminal. Known for its thrilling narrative and international intrigue, The Great Gambler is a classic in Indian cinema.

    Khubsoorat


    Khubsoorat, a 1980 Indian film directed by Hrishikesh Mukherjee, starring Rekha and Rakesh Roshan, is an award-winning film of its time that secured the Filmfare Award for Best Film with lead actress Rekha winning the Filmfare Award for Best Actress. The movie follows Manju (Rekha), a strict and orderly woman, as she brings laughter and disruption to a royal family known for their eccentricities. This delightful comedy explores the clash between tradition and modernity within the household, making Khubsoorat a timeless classic in Indian cinema, celebrated for its humor and endearing characters.

    Celebrate Diwali with Tata Play Classic Cinemas on 318 with timeless classics

  • News18 exposes ‘Namak Haraam’ Pakistani artistes

    News18 exposes ‘Namak Haraam’ Pakistani artistes

    MUMBAI: News18 India has carried out an exposé that revealed top Pakistani film actors and singers in India are involved in large-scale black money transactions. The channel, under its sting operation Namak Haraam, exposed top Pakistani personalities such as Fawad Khan, Rahat Fateh Ali Khan, Shafaqat Amanat Ali, Mawara Hocane and Imran Abbas.

    In line with its motto of ‘Danke Ki Chot Par’, News18 India conducted the sting operation over a fortnight in Mumbai and Delhi. The channel’s undercover reporters caught on camera the agents of the Pakistani artistes demanding a majority of their fee in black money. The fee was for appearance in wedding ceremonies. While a few demanded a part of the fee in cash, others wanted it transferred to their bank accounts in Australia or Dubai. The formal contract reflected a paltry sum as compared to the amount agreed upon.

    Renowned actor Khan’s manager demanded Rs 50 lakh for a two-hour appearance. He demanded the payment should be made in black and white. The black money component was to be 25 per cent of the deal amount and rest was to be transferred to Khan’s UAE (United Arab Emirates) based bank account.

    While singers Amanat Ali and Fateh Ali Khan’s managers demanded Rs 35 lakh and Rs 65 lakh, respectively, the former’s contract showed just Rs. 8 lakh and the latter’s 23 lakh including taxes. It is notable that Rahat Fateh Ali Khan was detained at IGI airport in February 2011 by the Directorate of Revenue Intelligence. He was carrying around Rs 60 lakh at the time. He was released only after paying a penalty. Abbas’s manager demanded Rs 35 lakh for a performance with Rs. 32 lakh to be paid in black while the contract was to reflect a fee of just Rs 3 lakh.

    Similarly, Hocance’s Pakistan-based manager demanded Rs 50 lakh for a two-hour appearance and asked for Rs 25 lakh in cash to be paid to her contact in Mumbai. The rest of the amount was to be transferred to Hocane’s Australian bank account.

    Since all the Pakistani artistes come to India on a work permit obtained through the Ministry of External Affairs (MEA) for professional engagement, these activities violate statutory laws. The insistence for payment in black money also violates service tax and income tax laws. This conduct of the agents and managers of the Pakistani artistrs violate work permits rules and clearly go against the laws of the land

  • News18 exposes ‘Namak Haraam’ Pakistani artistes

    News18 exposes ‘Namak Haraam’ Pakistani artistes

    MUMBAI: News18 India has carried out an exposé that revealed top Pakistani film actors and singers in India are involved in large-scale black money transactions. The channel, under its sting operation Namak Haraam, exposed top Pakistani personalities such as Fawad Khan, Rahat Fateh Ali Khan, Shafaqat Amanat Ali, Mawara Hocane and Imran Abbas.

    In line with its motto of ‘Danke Ki Chot Par’, News18 India conducted the sting operation over a fortnight in Mumbai and Delhi. The channel’s undercover reporters caught on camera the agents of the Pakistani artistes demanding a majority of their fee in black money. The fee was for appearance in wedding ceremonies. While a few demanded a part of the fee in cash, others wanted it transferred to their bank accounts in Australia or Dubai. The formal contract reflected a paltry sum as compared to the amount agreed upon.

    Renowned actor Khan’s manager demanded Rs 50 lakh for a two-hour appearance. He demanded the payment should be made in black and white. The black money component was to be 25 per cent of the deal amount and rest was to be transferred to Khan’s UAE (United Arab Emirates) based bank account.

    While singers Amanat Ali and Fateh Ali Khan’s managers demanded Rs 35 lakh and Rs 65 lakh, respectively, the former’s contract showed just Rs. 8 lakh and the latter’s 23 lakh including taxes. It is notable that Rahat Fateh Ali Khan was detained at IGI airport in February 2011 by the Directorate of Revenue Intelligence. He was carrying around Rs 60 lakh at the time. He was released only after paying a penalty. Abbas’s manager demanded Rs 35 lakh for a performance with Rs. 32 lakh to be paid in black while the contract was to reflect a fee of just Rs 3 lakh.

    Similarly, Hocance’s Pakistan-based manager demanded Rs 50 lakh for a two-hour appearance and asked for Rs 25 lakh in cash to be paid to her contact in Mumbai. The rest of the amount was to be transferred to Hocane’s Australian bank account.

    Since all the Pakistani artistes come to India on a work permit obtained through the Ministry of External Affairs (MEA) for professional engagement, these activities violate statutory laws. The insistence for payment in black money also violates service tax and income tax laws. This conduct of the agents and managers of the Pakistani artistrs violate work permits rules and clearly go against the laws of the land