Tag: Nach Baliye

  • ‘Star One is repositioned to become suitable for youth audiences’ : Ravi Menon – Star One EVP and GM

    ‘Star One is repositioned to become suitable for youth audiences’ : Ravi Menon – Star One EVP and GM

    Star One was launched as an upmarket Hindi general entertainment channel, second to Star Plus. Pioneer of big ticket shows like Nach Baliye and The Great Indian Laughter Challenge (TGILC), the channel is now on the path of repositioning.

     

    In an interview with Indiantelevision.com’s Richa Dubey, Star One executive vice president and general manager Ravi Menon talks about Star One’s road ahead as the channel takes up a new positioning to address the youth while tapping family audiences.

     

    Excerpts:

    Star One has deviated a lot from its earlier positioning of an upmarket channel. What made you to shift from your earlier positioning?
    You can’t target the urban market with less money. And when you put in huge amounts, there has to be good returns. So we wanted to expand the market – for viewers as well as revenues.

     

    Upmarket audiences are also not very sticky in nature. We found this in some of our popular shows like Sarabhai vs Sarabhai.

    Is Star One on its way of getting revamped?
    I would not call it a revamp. But from the time it was launched, Star One’s positioning and programming has changed.

     

    Our programming has now become suitable for youth. Our fictions are focussed towards youth, though families can still watch. In reality shows like Zara Nach Ke Dikha, we have roped in young participants and included family elements in it.

     

    Our channel is primarily for youngsters. But we also respect family viewing.

    What would you identify as your target group (TG)?
    Star One targets the 10-30-year-olds. The core TG, though, is 18 to 22 years. But we are definitely not addressing the kind of TG that channels like Bindass or Channel [V] have. Our content is for the homogeneous market. We produce shows for youngsters wherein the entire family can sit and watch. We get family audiences, but on the back of these youngsters. People from all age groups can connect with all our shows like Annu Ki Ho Gayi Wah bhai Wah, Dil Mil Gayi, Pari Hoon Main and Choona Hai Aasmaan.

    How have the advertisers responded to your current repositioning?
    We have become a platform for the brands that want to address the youth. We foresee more brands that will come in. Advertisers are ready to pay money for new kind of shows.

    Don’t you think that the youth positioning is risky as we have seen in the case of Zee Next which has a mere 1-2 per cent of market share in the GEC space?
    When you are addressing such a TG, there has to be a habit formation. We have been very successful in keeping consistency in viewership.

     

    As I said earlier, we get the entire family to watch our channel on the back of youngsters. This strategy will lift Star One above the rest of the other new comers.

    We have been a trend setter in the stand up comedy front. Other channels have started cloning us soon after the success of The Great Indian Laughter Challenge

    Though Star One became the number three GEC for a week in January, since then there has been a constant dip and presently it ranks number 6. How do you explain this?
    The important thing is that we are continuously reaching out to our TG. We are a GEC focussing on youth. But the new entrants in the market are targeting to compete with Star and Zee. So though we have become number 6 from number 3, in our target audience we are still the leader.

    Overall, the GEC market share has got segmented because of new entrants. Do you see that affecting Star One?
    The GEC market is segmented but brands are still willing to pay money. Presently if Kyunki Saas Bhi Bahu Thi gives a rating of 4 TVR, that is good enough in a fragmented market for media buyers and advertisers to put money behind them.

    What kind of money is being pumped in for programming?
    The programming budget depends on the requirements of the channel. We rework on it every quarter.

     

    But GECs today roughly spend around Rs 7-8 billion. That is because the reality shows are very costly, – jury, studio, star costs have surged.

    With such high money being pumped in, does it become to protect profitability of channels?
    A good thing about reality shows are that they come with 10 to 12 sponsors and become popular – and they are for a short period. Although fictions do not come with so many sponsors, they are for long term and become popular gradually. So every show has a break even. Although the market is cluttered, that does not affect the bottomline because there are many brands ready to advertise.

    Your weekday prime time fresh programming is of two hours. In the other day parts you show repeats of your present as well as older shows like India Calling and The Special Squad. Are you going to expand original content on the channel?
    We sell advertisers our original programmes. Putting fresh shows on every time slot is expensive; we, thus, run repeats of the older shows. We have bulk deals with advertisers.

    For Star One, reality shows like Bol baby Bol and Funjaabi did not become as popular as Laughter Challenge?
    Bol Baby Bol did fairly well, delivering a rating of 1+ TVR in some weeks. We experimented with Funjaabi and Kisko Milega Cash. While announcing the launch, we had said that the show will run for a month and if it does well, then we would continue it further.

     

    Doling out prize money daily was a mistake that we did. Probably if we were to bring another series of the show, we would give money only once a week.

     

    But we have been a trend setter in the stand up comedy front. We hunt the talents and raise the stars. Other channels have started cloning us soon after the success of The Great Indian Laughter Challenge.

    How will you create an equally big property like Nach Baliye?
    Now our aim is to create equally clutter breaking shows like Zara Nach ke Dikha.

    What big shows are coming up?
    We have Zara Nach Ke Dikha which is a celebrity dance competition between boys and girls. It will go on air somewhere in mid July. The slot and day has not been decided yet. There are a few more shows which will be unveiled soon.
    Can we expect this show to be slotted for weekend prime time while other shows will fill up the weekday primetime band?
    Currently the slotting of shows has become very crucial, especially for the prime time. After IPL, many channels have launched shows at the prime time; they were all waiting for IPL to get over. Colors will launch in July and we will monitor everything closely before we fix the timing of our shows.
  • Star Vijay banks on format shows

    Star Vijay banks on format shows

    MUMBAI: In a market heavily dominated by Sun TV, Star India’s Tamil channel Vijay, is toying with new genres of programming to make a mark.

    having flirted with Star shows like Nach Baliye and Koffee with Karan as early as 2005, this year Vijay has lined up shows like Airtel Super Singer-Junior, What do you want to watch at 8:30 pm? and a new edition of Lollu Saba.

    Says Vijay general manager Ravi Menon, “Sun TV is a clear leader in the fiction category with its mega serials format. We decided to fill in the gap so far as non fiction programming is concerned – quiz shows, game shows, talent contests and laughter challenge shows – these have clearly been the ticket for our success.”

    An example of this is Jodi No.1 which is modelled along the lines of Star’s Nach Baliye. It was one of the top drivers for the channel with the culminating episodes of the season earning a TVR of 7.39 (Market:Tamil Nadu TG:4+) for the month of December 2006, according to Tam data.

    Says Menon, “The non-fiction genre has really worked for us and we will continue to explore new format shows.”

    The channel will replace Jodi No.1 with its new show Airtel Super Singer-Junior.

    “The show starts on 24 February.The final auditions are currently in the process.The earlier version was quite popular and going by the response of the ‘little champs’ series by another rival channel (Zee TV), we decided to attract younger contestants on the show,” says Menon.

    There are also plans afoot to replicate a show along the lines of Big Brother. “The programming team is discussing the nitty gritties,” he says.

    While the channel has firmed up its non fiction programming, Menon also reveals plans for a new show which will replace the current soap ‘Kandein Seethe’.

    “The new show is loosely named What would you want to watch at 8:30 pm? We have certain criteria like – it should be a fictional show, the target audience will be female in the age group of 17-34+ and it will be aired on weekdays Monday through Thursday at 8:30 pm.”

    So far so good. But here’s the interesting part. The channel has appointed six production houses – Yantra Media, Travelling Talkies, Magic Karma amongst others to produce four episodes of the show as they perceive it.

    “Within the four episodes, the basic plot and grip of the story should be revealed and the various characters must be introduced. We have given the production houses equal time, money and opportunity to produce four episodes, which have to be submitted by March-end.

    Thereafter, each week a studio audience along with the viewer will sit in judgement over these episodes. Director/actress Suhasini Ratnam will act as host and moderator. The studio audience will discuss the episodes and the phones will be thrown open for voting to the public. In short, the television viewer gets to choose what he/she wants to watch.”

    Once the winning show is selected, the channel will provide the production house with a Rs 14 million contract to produce 124 episodes to be aired on the 8:30 pm slot.

    The channel has also tightened its weekend programming with the second edition of Lollu Sabha, a satire which re-enacts popular Tamil films and gives a comic twist to them. Lollu Sabha was re-launched early this year.

    But any discussion on Star or Star Vijay would be incomplete without the mention of KBC3. The show is being dubbed in Tamil and unlike KBC2 which was telecast at the same time , the new series now airs a day later from Tuesday to Friday at 7 pm.

    Says Menon, “In the interiors Shah Rukh is still recognized as the actor from the movie Hey Ram although his popularity is catching up amongst the masses. KBC3 is likely to be a slow gainer.”

    With a host of new shows lined up in the fiction and non fiction genre, Star Vijay has set its sights on capturing the second position in the Tamil entertainment channel stakes.

     

     

  • Big 92.7 FM announces Nakli No.1 winners

    Big 92.7 FM announces Nakli No.1 winners

    MUMBAI: Big 92.7 FM announced the Nakli No.1 winner of its Mumbai leg at Atria Mall, Worli.

    The FM mimicry hunt involved contestants impersonating their favorite celebrities. The contest offered mimics the opportunity to display their talent to the public. The winner would win a yearlong contract with Big 92.7 FM as an RJ.

    Big 92.7 FM RJs Rohit and RJ Baburao were the hosts of the evening and the judges panel consisted of celebrity couple Delnaz Paul & Rajiv Paul of Nach Baliye fame and, voice over artist Siddharth Kannan.

    After auditions and short-listing of candidates, the 3 finalists put their best mimic foot forward in front of the judges & the audience. Nitin Zagade was crowned the Big STAR with a yearlong contract on the station.

  • Star One brings back horror show ‘Shh…Phir Koi Hai’ on 3 November

    Star One brings back horror show ‘Shh…Phir Koi Hai’ on 3 November

    MUMBAI: Star One has announced the launch of the second season of horror show Shh…Phir Koi Hai which is slated to kick off on 3 November 10 pm.

    The show air every Friday and what’s interesting is that every show will have a different story.

    Announcing the new programme, Shailja Kejriwal Star India senior creative director, said, “Star One was launched in November 2004 with the promise to push the boundaries of Hindi general entertainment programming. In the past year, we have delivered on this promise with innovative programming like The Great Indian Laughter Challenge, Nach Baliye, Siddhanth, Sarabhai vs. 
    Sarabhai, Remix, The Comedy Show Ha Ha Ha amongst others. Shh…Phir Koi Hai will be weaved into an exciting line-up of programmes that will make Friday prime time viewing on television a whole new experience. With this we keep up with the promise of offering innovative and the best content to our viewers.”

    From production perspective Contiloe Films Abhimanyu Singh said, “The series would have a mix of conventional horror, concept based horror and backdrop horrors thus giving variety and avoiding any fatigue. This one-hour weekly will be a start to finish story with a twist in the tale at the end. The entire drama will be extremely gripping and ensure that the viewers are hooked to their television sets right from the beginning.”

  • ‘Nach Baliye’ opens well for Star One

    ‘Nach Baliye’ opens well for Star One

    MUMBAI: Nach Baliye returned to TV screens in its second season and has shot straight to the top, claims the channel quoting the Tam numbers for the opening week.

    The first week’s studio performance episode, which aired on Monday, 25 September, 2006, for two and a half hours, entered the charts of the Top 50 shows CS4+ HSM category.

    The ratings were 4.9 in CS4+ HSM. The show has captured over 9.8 million viewers across the country and has registered TVRs as high as 6.61 in Mumbai and 5.54 in New Delhi (CS4 + HSM), as per Tam.

    “Show after show, season after season, Star One continues to rewrite benchmarks of success on Indian television. The launch performance episode of Nach Baliye 2 has garnered a significant rating, it has been one of the most anticipated returns of any show and once again it has proved its worthiness.” says Star India EVP Content Deepak Segal.

    A new addition to the Nach Baliye story this year is the Voting Special, which airs every Tuesday at 8 pm. Moreover, a lifeline been given to the couples who stand on the verge of being eliminated by the contestants who are already in the ‘suraksha chakra’, informs an official release.

  • Star replants ‘Nach Baliye’ in Tamil; Vijay TV set to launch ‘Jodi No.1’

    Star replants ‘Nach Baliye’ in Tamil; Vijay TV set to launch ‘Jodi No.1’

    MUMBAI: If it is Nach Baliye 2 set to sizzle television’s Hindi entertainment space, the Tamil language will soon get its own celebrity couple dance show. Star India’s Tamil language channel Vijay TV is all set to launch Jodi No.1, the Tamil version of Nach Baliye.

    Jodi No.1, launching on 7 October, will run Friday-Saturday at 8 pm.

    “Jodi No.1 is going to be a revolutionary show for Tamil general entertainment television. It’s going to change the way media looks at television stars here. Like Super Singer, we will push the envelope every time we come up with a new show,” says Vijay TV GM Ravinath Menon.

    Vijay TV has roped in four real life couples and four reel life couples for the show. There will be both reality and studio episodes on this version as well. The reality episodes will capture the candid moments, while the studio episodes will reveal the performance episodes on the set where the celebrity showcase their dancing talents in front of the judges, states an official release.

    The introductory episode of the show will witness the performance of all the pairs. Each pair would be assisted by a dedicated choreographer. Every week one couple gets eliminated. There would be a wildcard round in the seventh episode, which would provide an opportunity to one of the eliminated couples to have a look in again.The wildcard winner would then compete with the final shortlisted couples for the title. Interesting themes have been planned for the couples to perform, the release adds.

    The 4 reel life couples: Shilpa & Bharat Kalyan / Kutty Pooja & Prem / Pooja & Rishi / Tharika & Deepak

    The 4 real life couples: Devadarshini & Chetan / Rashna & Vijay Adhiraj / Latha Rao & Rajkamal / Preetha & Raghav

  • Star One revamps Friday prime time

    Star One revamps Friday prime time

    MUMBAI: Star One has revamped its Friday prime time, adding two new properties to its line up. The erstwhile Sab TV show Office Office takes a re-birth in Star One as Naya Office Office. On the other hand, the channel is re-launching its detective serial D.O.N on 14 July.

    Titled Naya Office Office, the new version of the popular sitcom Office Office will launch on 21 July and has been placed in the 8:30 pm slot. The Great Indian Laughter Champions Dwitiya will air at 9 pm, followed by the new D.O.N at 10 pm. Mano Yo Na Mano retains its 11 pm slot.

    Announcing the launch of Naya Office Office, Star India senior creative director Shailja Kejriwal said, “Our success with comedy continues and once again we have looked at fresh concepts that we believe will appeal to our viewers. In its previous avatar, the show has won many hearts and many accolades and we are confident of the continued success with Naya Office Office. Our march to the number two position will be strengthened with a show of this caliber.”

    Star One has adopted the strategy of launching the second seasons of its successful programmes in order to win back its lost position in the Hindi GEC space. As already reported, following Naya Office Office and D.O.N in the launch schedule would be the new versions of its celebrity talent hunt property Nach Baliye and the youth-oriented serial Remix.

  • Star One plans a turnaround; to bring back ‘Nach Baliye’, ‘Remix’

    Star One plans a turnaround; to bring back ‘Nach Baliye’, ‘Remix’

    MUMBAI: Last year around this time, Star India’s young launch Star One was enjoying a successful run in the market.

    Properties such as The Great Indian Laughter Challenge and Nach Baliye saw the channel making SET, the then number 2 in the Hindi GEC space, sit up and take note. However, the channel was derailed from its successful run due to a stern fightback from the competition. Certain distribution issues have also been bugging the channel in the Mumbai market.

    Now, what has boosted the channel’s morale is the good ratings The Great Indian Laughter Challenge Dwitiya delivered. According to Tam, the two-hour finale episode, which aired on Friday, 23 June, delivered a rating of 7.94 on CS4+ and became the fourth highest ranked show amongst the Hindi General Entertainment channels.

    Driving the turnaround plans for Star One would be two of its 2005 successes: Nach Baliye and Remix. While presenting a session on the journey of Star One at this year’s edition of Promax BDA 2006, Star India EVP Marketing & Communications Ajay Vidyasagar offered a glimpse of the plan of action.

    “If you have strong products to woo viewers, distribution is never a challenge. The success of The Great Indian Laughter Challenge Dwitiya has proved this. Now, we are targeting December 2006 to win back the lost position. We will be launching the second seasons of Nach Baliye and Remix in the coming months. The plans will be unveiled in a couple of weeks. You can expect a lot of surprises in both the formats this time,” says Vidyasagar.

    Vidyasagar also claimed that, the channel’s homegrown properties including Laughter Challenge and Nach Baliye created a lot of interest in the international market. “We have been getting lot of enquires from the global market. The players over there are very keen to buy these formats from us,” he says.

  • ‘Create high impact content to unite audiences and then monetise’: Nair

    ‘Create high impact content to unite audiences and then monetise’: Nair

    MUMBAI: “Distraction is a one night stand, attraction is a marriage,” said Star Entertainment CEO Sameer Nair. Speaking at FICCI Frames on ‘Attraction in the age of distraction,’ Nair stressed on the fact that creating compelling content for an audience who is constantly on the move and has multiple choices available was of utmost importance.

    “Content will continue to remain king. A new generation of media consumers has risen who want and demand content delivered to them when they want it, how they want and where they want it. Power is moving away from the old elite in our industry,” Nair said.

    Nair stressed on the fact that the broadcasters required to create high impact content to unite audiences and then monetise the fragments over time, space and applications. Examples of these that Nair mentioned were The Simpsons, which gained popularity with the television series and also proved to be a rage in the U.S when it diversified into various areas like merchandising and T-Shirts. Also, another example was The Walt Disney Television International with its various divisions like theme parks, merchandising, publishing, licensing, television, theatre, television production and distribution.

    “The number of television channels in the country has also grown tremendously in the last few years. Almost a 100 channels were launched in the last four years,” Nair said.

    He also threw light on the different delivery platforms namely IPTV, DTH, broadband, mobile SMS, multiplexes, gaming, internet that more and more consumers were accessing increasingly.

    Some formats that have worked well for the Star India network are Kaun Banega Crorepati (KBC), Nach Baliye and The Great Indian Laughter Challenge (TGILC). Star launched mobisodes around TGILC, went online with the KBC game on their website and garnered a huge response from the audiences around the shows. “The important thing is to use 360 degree communication in order to reach unified audiences in a fragmenting environment,” said Nair.

  • Create high impact content to unite audiences and then monetise: Nair

    Create high impact content to unite audiences and then monetise: Nair

    MUMBAI: “Distraction is a one night stand, attraction is a marriage,” said Star Entertainment CEO Sameer Nair.

    This rather strange turn of phrase was what Nair chose as part of his presentation at Ficc Frames ‘Attraction in the age of distraction.’ Nair stressed on the fact that creating compelling content for an audience constantly on the move and having multiple choices available was of utmost importance.

    “Content will continue to remain king. A new generation of media consumers has risen who want and demand content delivered to them when they want it, how they want and where they want it. Power is moving away from the old elite in our industry,” Nair said.

    “The number of television channels in the country has also grown tremendously in the last few years. Almost a 100 channels were launched in the last four years,” Nair said. He also threw light on the different delivery platforms namely IPTV, DTH, broadband, mobile SMS, multiplexes, gaming, internet that more and more consumers were accessing increasingly.

    Nair stressed on the fact that what was required was for broadcasters to create high impact content to unite audiences and then monetise the fragments over time, space and applications.

    Examples of these are: The Simpsons, which gained popularity with the television series and also diversified into various areas like merchandising, T-Shirts, which were a rage in the US. The Walt Disney Television International with various divisions like theme parks, merchandising, publishing, licensing, television, theatre, television production and distribution, was another example that Nair gave.

    Some formats that have worked well for the Star India network are Kaun Banega Crorepati, Nach Baliye and The Great Indian Laughter Challenge (TGILC). Star launched mobisodes around TGILC, went online with the KBC game on their website and garnered a huge response from the audiences around the shows.

    “The important thing is to use 360 degree communication in order to reach unified audiences in a fragmenting environment,” Nair said.