Tag: NAB

  • NAB Show New York registration opens, event to be held on 17–20 Oct

    NAB Show New York registration opens, event to be held on 17–20 Oct

    Mumbai: Registration has opened for the National Association of Broadcasters (Nab) Show in New York. The event will run from 17–20 October 2022 (exhibits 19–20 October) at the Javits Centre. The event’s mid-point timing, six months following the Nab Show in Las Vegas, aims to provide an opportunity for the Nab Show community to connect at a major East Coast venue. Attendees will gain strategic insight and engage with technology that is transforming broadcasting and the larger media & entertainment business.

    The National Association of Broadcasters’ Nab Show New York will provide hands-on learning and exploration of cutting-edge product features, applications, and workflows that support improved audio and video experiences. It will take place concurrently with the AES New York 2022 Convention.

    Exhibits Pass registrants will have full access to the NAB Show New York and AES exhibits as well as educational opportunities on the show floor, including an experience area with unique theatre, networking opportunities, and demonstrations.

    Conference programmes requiring separate registration include: cybersecurity for broadcasters retreat (October 17-18); post|production conference NYC (October 18); the streaming summit (October 18); TV2025: monetizing the future (October 19); the radio experience at NAB Show New York (October 19-20) and lastly, NAB Marconi radio awards (October 19).

    Nab EVP & MD-global connections and events, Chris Brown said, “We are thrilled to be back in person in New York and look forward to delivering an exceptional experience for exhibitors and attendees. The success of the Nab Show in Las Vegas reinforced the power of live events and the desire for a return to in-person trade shows. Nab Show New York is an important touch point for the industry to re-engage with the technology and thought leaders who are revolutionising the art of storytelling and moving the business forward.”

  • Fevicol A+ partners with NAB & school students to create more than 2 lakh Rakhis for Army Jawans

    Fevicol A+ partners with NAB & school students to create more than 2 lakh Rakhis for Army Jawans

    Mumbai: Fevicol A+ – an innovative crafting glue from Pidilite – celebrated the auspicious festival of Rakshabandhan with its nation-wide endeavor: A Bond Of love. As part of this initiative, Fevicol A+ associated with the National Association for the Blind India (NAB), to create 1.5 lakh exquisite rakhis as a mark of support to the jawans of the Indian armed forces.

    The visually challenged women of NAB created unique designs of rakhi using Fevicol A+ and specialized designs created for them by the Pidilite team. For the first time, the rakhis made by NAB were stuck-on rather than stitched which made the process a lot easier for the women. Besides, the endeavor also encouraged school students to create handmade rakhis and cards for their brothers in the Armed Forces, as a token of gratitude and respect for them. One Lakh students across 600 schools participated in the rakhi making activity and created One Lakh Rakhis.

    The rakhi making activity commenced in July 2019 and lasted till Aug 2019. The initiative was organised across nearly 16 cities of the country.

    Around 2.5 lakh rakhis were created and sent to the Army Jawans on the occasion of Raksha Bandhan   

    Mr. Shantanu Bhanja, CEO, Consumer Products, Pidilite Industries Ltd, said, “As a part of our Fevicreate initiative to foster creativity for everyone, the ‘Bond Of Love’ endeavor was a way to express our love and respect to national heroes. It is wonderful to see the enthusiasm with which the women at NAB and school students created hand-crafted rakhis to thank the Jawans for protecting our nation. The skills demonstrated by the visually challenged women are remarkable, and they are an inspiration for everyone who wishes to take up art & craft and ignite their inner creativity. It gives us immense pleasure to offer a product like Fevicol A+ to students so that they can utilize their creative art and craft skills to pay tribute to the Jawans.”

  • Rajneel Kumar joins ZEE5 as Business Head – Expansion Projects & Head of Products

    Rajneel Kumar joins ZEE5 as Business Head – Expansion Projects & Head of Products

    Mumbai, September 19th, 2018:  ZEE5 India, India’s largest platform for multi-language content, today announced the appointment of Rajneel Kumar as the Business Head –Expansion Projects & Head of Productsfor the digital Business of Zee Entertainment Enterprises Ltd.

    At ZEE5, Kumar has been tasked with leading the charge on the Product Function as also building on the Expansion Projects on the platform.A championof the cause of Digital innovation across industries, Kumar comes with a robust body of experience spanning almost two decades across Digital, Telecom and Media and Entertainment sectors.

    Prior to joining ZEE5 India, Kumar has worked with industry leaders including Viacom18 Media Pvt. Ltd., Balaji Telefilms, Mobile2Win Pvt. Ltd and so on, while also testing entrepreneurial waters. 

    Commenting on the new appointment,Tarun Katial,CEO – ZEE5 India said, “This is a very exciting juncture of our journey at ZEE5 India, and we are thrilled to have Rajneel join us to strengthen the team. He brings invaluable insights that will be instrumental in shaping our journey towards achieving leadership position in the entertainment space.”

    Speaking about his role, Rajneel Kumar, Expansion Projects& Live Head of Productsshared, “The ZEE Group has always inspired me in my journey as a media professional, and it is indeed humbling to be chosen to lead the Product Function as also Expansion Projects for ZEE5. The platform has been rolling out an interesting repertoire of multi-language content and I am sure this is going to be an interesting journey ahead.”

    Kumar has been championing the cause of digital innovation and growth through his participation in industry forums such as IAMAI, DMAi, etc. and speaking at major Indian & International forums such as IBC, MWC, NAB, etc. In his personal time, Kumar is a passionate biker and also supports multiple causes and organizations through his continual contribution to the Give India Foundation.
     

  • Integrated video platform: Ooyala to showcase solutions at NAB

    MUMBAI: Ooyala, a global provider of video monetisation technology and services, will showcase the full breadth of its video solutions for media and entertainment companies at the NAB Show 2017 in Las Vegas in April.

    With its full set of offerings, Ooyala is leading the way towards delivering a fully Integrated Video Platform (IVP) specifically to meet the needs of today’s modern media content owners and production companies. With a common data set to drive insights and inform strategies, IVP is the next generation of OVP, evolving well beyond online video platform capabilities to deliver sophisticated solutions to understand the costs and return-on-investment of video content.

    “Publishing video online today is a rather mundane task, but building a sustainable business model around online video is a totally different animal,” said Frost and Sullivan senior director, Mukul Krishna. “IVPs, or Integrated Video Platforms, better reflect the new demands placed on the traditional OVP. An Integrated Video Platform extends traditional OVPs capabilities to include functionality to meet challenges spanning production, distribution and monetisation.”

    Ooyala Flex, the company’s versatile and customizable solution for video production and distribution workflows is designed to get content to market faster. It is a cornerstone in Ooyala’s transformation into an IVP, complementing its full set of product offerings across ad tech, analytics and video platform solutions.

    With Ooyala Flex’s tight integration with the Ooyala video platform, the solutions can streamline the entire process from creation to syndication and ultimately distribution across devices. Content owners have complete control over their operations, as well as insights into video performance and audience engagement. By combining Ooyala solutions customers are able to:

    * Sync metadata across Ooyala Flex and Ooyala’s video platform, simplifying asset search and management

    * Transform assets into any format in Ooyala Flex for distribution to any device with Ooyala’s video platform

    * Automate transcoding, packaging and syndication using Ooyala Flex to get content in front of audiences faster

    * Leverage metadata from Ooyala Flex for more personalised content recommendations with Ooyala Discovery, driving higher audience engagement and monetization

    * Understand video performance across properties with Ooyala IQ to inform future content production decisions and distribution strategies

    * Benefit from a single provider, versus many, supplying all solutions with aligned roadmaps and integrations

    “Ooyala Flex customers see significant time savings throughout their media operations, with some reducing project delivery times by more than 75%. Customers are realizing the return as Ooyala Flex connects silos and integrates systems, teams and processes, providing greater efficiencies and visibility into bottlenecks that are costing time and money,” said Ooyala co-founder and SVP of products and solutions Belsasar Lepe.

    He added, “Using simple APIs, Ooyala Flex acts as an integration layer connecting nearly any existing production system or software together, whether on-premise or cloud-based. This includes integrations with Adobe for editorial needs, Microsoft Azure for storage, and tailored integrations with Pebble Beach Systems for broadcast playout, along with a host of other commonly used solutions.”

    In addition to Ooyala Flex, Ooyala will provide demos at NAB 2017, including:

    Ooyala Pulse – Ooyala’s holistic sell-side video advertising platform, combining the ad server and programmatic trading platforms, designed exclusively for media companies and publishers to make smarter, more lucrative ad decisions. Plus, Ooyala Pulse Unlock, its client-side ad-reinsertion technology. With rich data and analytics, Ooyala Pulse provides unique, real-time insights through customizable reports to improve forecasting and decision-making, while enabling clients to pivot in real-time as a campaign runs.

    Ooyala Video Platform – Ooyala’s full set of video technology includes live streaming; live server-side ad insertion (Live SSAI) for seamless TV-like playback and ad-block prevention; its award-winning analytics product, Ooyala IQ; customizable HTML5 player; Ooyala AppStudio for getting OTT apps to market quickly; as well as Ooyala’s full back-end management system and services. At the heart of Ooyala’s video solutions is big data, empowering customers with a complete view of video performance and audience behavior to help strategically distribute video content and maximize ROI.

  • Bittree’s redesigned website has real-time price quoting tool

    Bittree’s redesigned website has real-time price quoting tool

    MUMBAI: Bittree, a leading manufacturer of high-quality audio and video patchbays and patching systems, has announced launching of a redesigned website. The new web portal, Bittree.com, improves upon their already responsive and user-friendly experience with enhanced technical data on all their products and real-time price quoting. Customers can now visit the web site to view the large number of available products ready for immediate shipping.

    “The primary goal of our new website is to replicate the outstanding customer service experience our partners receive when communicating one-on-one with our sales representatives,” says Bittree general manager Ari Baron. “We also wanted to create a unified multi-channel user interface that could benefit our growing international presence as well as serve as a one-stop-shop for any technical data our integrators and installers might need.”

    Established in 1978, Bittree is dedicated to offering state-of-the-art patching systems that streamline signal routing and troubleshooting in media and entertainment operations of all sizes. The company offers an innovative line of audio, video, and data patchbays for use in broadcasting, postproduction, and pro A/V operations.

    New benefits of the updated website include a real-time price quoting tool that provides international partners with precise and up-to-the-minute shipping quotes, a dynamic interface that changes to reflect user input, and a simplified ordering process. These features allow international purchasers in different time zones to bid more accurately without having to speak directly with a customer service representative.

    Bittree.com also features enhanced search and download functions for obtaining technical product documentation like DWG’s, designation strip templates, circuit schematics, programming and cleaning instructions, technical and pinout drawings, and warranty information.

    Additionally, custom orders can be initiated directly through the website, and legacy products are still supported. Bittree’s international programs are designed to give their global partners the tools, support, and incentives to grow their businesses and become more profitable through the sale and service of Bittree High-Performance Patching Systems.

    Tailored for use in the post-production, pro A/V, systems integration, and radio and television broadcasting fields, Bittree’s patching solutions are rigorously tested to ensure long-term functionality and dependability, especially for mission-critical operations and live events.

    To ensure consistency, performance, and adherence to rigid quality standards, all of the company’s patching products are designed, assembled, and tested in its state-of-the-art facility in Glendale, California. Bittree is an active member of industry trade organizations NAB (National Association of Broadcasters), NAMM (National Association of Music Merchants), and SMPTE (Society of Motion Picture & Television Engineers).

  • Bittree’s redesigned website has real-time price quoting tool

    Bittree’s redesigned website has real-time price quoting tool

    MUMBAI: Bittree, a leading manufacturer of high-quality audio and video patchbays and patching systems, has announced launching of a redesigned website. The new web portal, Bittree.com, improves upon their already responsive and user-friendly experience with enhanced technical data on all their products and real-time price quoting. Customers can now visit the web site to view the large number of available products ready for immediate shipping.

    “The primary goal of our new website is to replicate the outstanding customer service experience our partners receive when communicating one-on-one with our sales representatives,” says Bittree general manager Ari Baron. “We also wanted to create a unified multi-channel user interface that could benefit our growing international presence as well as serve as a one-stop-shop for any technical data our integrators and installers might need.”

    Established in 1978, Bittree is dedicated to offering state-of-the-art patching systems that streamline signal routing and troubleshooting in media and entertainment operations of all sizes. The company offers an innovative line of audio, video, and data patchbays for use in broadcasting, postproduction, and pro A/V operations.

    New benefits of the updated website include a real-time price quoting tool that provides international partners with precise and up-to-the-minute shipping quotes, a dynamic interface that changes to reflect user input, and a simplified ordering process. These features allow international purchasers in different time zones to bid more accurately without having to speak directly with a customer service representative.

    Bittree.com also features enhanced search and download functions for obtaining technical product documentation like DWG’s, designation strip templates, circuit schematics, programming and cleaning instructions, technical and pinout drawings, and warranty information.

    Additionally, custom orders can be initiated directly through the website, and legacy products are still supported. Bittree’s international programs are designed to give their global partners the tools, support, and incentives to grow their businesses and become more profitable through the sale and service of Bittree High-Performance Patching Systems.

    Tailored for use in the post-production, pro A/V, systems integration, and radio and television broadcasting fields, Bittree’s patching solutions are rigorously tested to ensure long-term functionality and dependability, especially for mission-critical operations and live events.

    To ensure consistency, performance, and adherence to rigid quality standards, all of the company’s patching products are designed, assembled, and tested in its state-of-the-art facility in Glendale, California. Bittree is an active member of industry trade organizations NAB (National Association of Broadcasters), NAMM (National Association of Music Merchants), and SMPTE (Society of Motion Picture & Television Engineers).

  • Prime Focus Technologies bags award for ‘Digital Next’ campaign

    Prime Focus Technologies bags award for ‘Digital Next’ campaign

    MUMBAI: Prime Focus Technologies (PFT), the technology arm of Prime Focus, has bagged two Platinum Awards as part of the 2015 MarCom Awards competition.

     

    PFT was recognised for its sales collateral, part of a larger, ongoing campaign, Digital Next, launched in April 2015 at National Association of Broadcasters (NAB).

     

    MarCom Awards is a creative competition for any individual or company involved in the concept, writing and design of print, visual, audio and web materials and programs.

     

    The Digital Next offerings help address the challenges faced by the media and entertainment industry to meet the demands of the digital consumer, with a focus on building a connected enterprise and digital ecosystem, over-the-top (OTT) solutions and distribution.

     

    Designed in the shape of an iPhone that emulates various well-known Apple iOS interface menus, the collateral won Platinum Awards in both Brochure for Business to Business and Print Creativity for Brochure categories.

     

    “By utilising a nearly ubiquitous design interface, we are able to communicate the shift to Digital Next realities in a manner that resonates with these exact customers who are struggling to cater to the needs of hyper digital consumers. Receiving these MarCom Awards is an honour and further validation that we’re presenting our offerings in an effective way,” said Prime Focus Technologies vice president and head, global marketing & communications T. Shobhana. 

     

    At the forefront of PFT’s Digital Next offerings is the CLEAR Media ERP Suite, an enterprise software for virtualising the content supply chain.

  • Dish, NAB & others urge FCC to deny Charter-Time Warner Cable merger

    Dish, NAB & others urge FCC to deny Charter-Time Warner Cable merger

    MUMBAI: The Charter Communications, Inc – Time Warner Cable, Inc merger is facing a lot of opposition from broadcasters. 

     

    The National Association of Broadcasters (NAB) has filed a petition with the Federal Communications Commission (FCC) that it should not approve the merger unless it is also willing to change broadcast ownership rules, which limits the number of radio and TV stations that a single entity can own.

     

    Joining the NAB is Dish Network Corp, which has filed a petition with the FCC to deny the proposed merger citing substantial harm to competition and consumers. Additionally, set top box maker Zoom Telephonics also asked the FCC to deny the said merger between the two over the issue of access to third-party modems.

     

    As broadcast ownership rules limit mergers, NAB said that broadcasters have far less negotiating power than big cable companies, which will only get bigger if the FCC allows the latest cable merger to proceed.

     

    According to the NAB, the greater imbalance will harm broadcasters in retransmission consent negotiations, in which cable operators pay broadcast stations for the right to air their channels.

     

    NAB said that if the pending merger was approved, then the top four multichannel video programming distributors (MVPDs) will control 79 per cent of the nationwide MVPD market, measured in terms of subscribers, and the top three alone, according to SNL Kagan, “will control two-thirds of the video delivery universe.” If consummated, the merger also would exacerbate concentration levels at the local and regional levels, with clear implications for consumers, as empirical research has shown that large, clustered cable companies charge higher prices than smaller, unclustered ones.

     

    The creation of yet another pay-TV behemoth would further competitively disadvantage local broadcast stations kept by outdated ownership rules from achieving a fraction of the vital economies of scale and scope that MVPDs enjoy and, as the FCC has recognized, can advance the public interest. The gross regulatory disparities between the pay-TV and the free-TV industries are illustrated in any number of ways, including the sheer size of MVPDs compared to TV broadcasters. The market capitalization of the combined AT&T/DIRECTV, for example, is more than 200 times larger than the market cap of several of the most sizable broadcast TV companies. New Charter – which the merging parties describe as “modest” in size – will have a market capitalization 72 times larger than some of the biggest broadcast TV station groups. Beyond this national scale, single pay-TV providers control access to significant percentages of viewers in many local markets. Even standing alone, Time Warner Cable (TWC), for instance, controls over 40 percent of the total MVPD market in 30 different Designated Market Areas (DMAs), and in eight DMAs, TWC’s share of the entire MVPD market exceeds 60 percent. Broadcast TV stations unable to combine under the FCC’s local TV ownership rule are at a notable disadvantage in negotiating retransmission consent agreements with such locally and nationally consolidated MVPDs.

     

    On the other hand, Dish Network Corp’s petition to deny the merger, outlines, among other things, the critical role that high-speed broadband plays in the video industry and the potential for the merger to significantly damage competitive development of over-the-top (OTT) video and limit consumer access to online video programming.

     

    Dish Network said that the merger presents risk of significant harms:

     

    New Parties, Same Harms: The proposed transaction would be no better for the public interest than the one proposed between Comcast and Time Warner Cable.

     

    A Suffocating Duopoly: The transaction will create a suffocating duopoly. Where a Comcast/Time Warner Cable merger would have created one behemoth, this transaction will result in two broadband providers (Comcast and New Charter) controlling about 90 per cent of the nation’s high-speed broadband homes between them.

     

    Threats to Online Video: The top two cable providers post-merger will not need to collude in order to bring their collective weight to bear on an online video distributor (OVD). Parallel foreclosures, with one of the two following the other, would be enough for an OVD to be shut off from most of the homes in the country.

     

    Concentration of Broadband Subscribers: The impact of New Charter would cause a significant proportion of the combined company’s high-speed broadband subscribers to lack access to alternative high-speed broadband options. Indeed, Charter admits that almost two-thirds of households in the New Charter footprint will not have access to at least one alternative high-speed broadband provider. For these customers, switching ISPs is not just an inconvenience, but an impossibility.

     

    Choke Points on the Charter/TWC Broadband Network: New Charter would have a panoply of foreclosure techniques at its disposal. It would be able to foreclose or degrade the online video offerings of competing MVPD and OTT video providers at any of three “choke points”: (1) the points of interconnection to the combined company’s broadband network, in effect the “on ramp” to the New Charter network; (2) the “public Internet” portion of the pipe to the consumer’s home; and (3) managed or specialised service channels, which can act as super HOV-lanes and squeeze the capacity of the “public Internet” portion of the New Charter broadband pipe. In addition, New Charter would have increased leverage that it could use to coerce third-party content owners and programmers to withhold online rights from online video platforms, thereby stifling a source of competition and innovation in the video industry.

     

    Sling TV CEO Roger Lynch states, “I believe that the proposed merger…. would cause significant and irreparable harm to emerging competitive online video products and services, as well as the performance of traditional satellite television service, ultimately reducing competition and choice for consumers. Accordingly, I believe that the merger as currently constructed is not in the public interest and should be denied.”

  • FCC chairman Wheeler ready to discuss national broadcast plan

    FCC chairman Wheeler ready to discuss national broadcast plan

    NEW DELHI: Federal Communications Commission Chairman (FCC) Tom Wheeler has asked broadcasters to share channels, migrate to the Internet and use next year’s incentive auction to adopt a new transmission standard.

     

    “We’ve just been through one TV transition,” Wheeler said in his remarks at the National Association of Broadcasters (NAB) show in Las Vegas. “We both know the magnitude of that challenge … Government and broadcasting will need to work together on this, because it will be a long and heavy lift.”

     

    Wheeler’s NAB show debut as chairman came just days after the Commission passed an order cracking down on joint-service agreements (JSAs) and collective retransmission negotiations among certain TV stations. He acknowledged the contention. He admitted: “It’s no secret that broadcast has been critical of some of my actions at the FCC.”

     

    He said he took NAB president and CEO Gordon Smith’s suggestion for a national broadcast plan “very seriously.” He added: “If Congress were to approve, I guarantee you we’ll support this.”

     

    Smith suggested such a plan could include an ownership review and transition to a transmission standard based on orthogonal frequency-division multiplexing — a radical change from the current 8-VSB technology mandated by law.

     

    “When it comes to OFDM, particularly ATSC 3, the FCC will be ready and responsive when the standard is completed,” he said. “If it is possible to get a multiple of throughput on spectrum with OFDM, we as stewards of the spectrum need to be supportive.”

     

    Wheeler said the Commission would use discretion in reviewing JSAs and shared service agreements.

     

    “When JSAs and SSAs serve the public interest … they will have no problem passing the FCC,” he said, “so long as they do not impair competition, diversity and localism. Some have impaired that. Those actions have encouraged … us to enforce the rules of the statutory mandate.”

     

    Smith asked why the FCC focused on broadcast JSAs without taking the same approach to cable interconnects — multiple pay-TV operations that team up on ad sales. Wheeler said the JSA order specifically asked for evidence that interconnects were anticompetitive so the issue could be addressed.

     

    The chairman pitched the incentive auction as an opportunity for broadcasters, as he has since being confirmed. While his JSA and retrans rulings cast him as a broadcast foe, he said there was “no conspiracy.”

     

    “The FCC is carrying out the mandate of Congress,” he said. “Those who want to participate, can. Those who do not, do not have to.”

     

    He said the auctions could provide the cash for TV stations to become over-the-top providers. “OTT represents an open field for stations because of their local news operations,” he said.

     

    “You have the opportunity to deliver local news down to the neighborhood,” he added. “The Internet has failed to serve localities the same way.”

     

    With OTT migration in mind, he encouraged broadcasters to support network neutrality, quoting a Pew study saying one-third of Americans consume news online.

     

    “Many stations, most stations, many people in this room, have websites that deliver news video,” he said. “That means stations are positioned to leverage that trend … Assuring an open Internet is directly relevant to the opportunity the digital future presents to you.”

     

    He encouraged more exploration of channel-sharing, and said the recent test of the methodology in Los Angeles proved its efficacy.

     

    “It will allow you to maintain your existing business, while taking home an auction check,” he said. “It’s an once-in-a-lifetime business opportunity to expand your business model on somebody else’s dime” — one that wouldn’t happen again anytime soon. “Neither government nor broadcasters will want to deal with another repacking.”

     

    Repacking TV channels into less spectrum is expected to be complicated for everyone involved, including over-the-air viewers, whose numbers are growing, Smith noted. Wheeler concurred, offering a personal anecdote.

  • Industry comes together at first annual NYC Television Week

    Industry comes together at first annual NYC Television Week

    MUMBAI: The first NYC Television Week, presented by Broadcasting & Cable, Multichannel News, Next TV, and the National Association of Broadcasters (NAB), drew more than 1500 television industry executives to the Waldorf Astoria and the Metropolitan Pavilion from 28-30 October. Sony was the Founding Sponsor.

     

    NYC Television Week comprised conferences, events, and an exhibition – including the “State of Television,” Broadcasting and Cable Hall of Fame, the two-day “TV Summit,” “TV on Wall Street,” and the Solutions Center exhibit floor, presented by NAB Show – bringing them to the heart of Manhattan.

     

    NYC Television Week’s conferences featured 87 industry leaders as keynotes and presenters, including DirecTV president, chairman and CEO Mike White; National Basketball Association commissioner David J. Stern; WWE executive VP – creative Stephanie McMahon and Twitter chief media scientist Deb Roy, to name a few.

     

    “The incredible line-up of speakers, sponsors, and exhibitors is a good indication of how the television industry needed a place to get together after the start of the fall season to discuss the status quo and the direction in which we are headed,” stated Broadcasting and Cable and Multichannel News EVP/group publisher Louis Hillelson, “I am happy that we and NAB were able to provide the platform for these high-level discussions.”

     

    “Given the transformative state of the industry, NYC Television Week could not have been more timely and relevant, providing valuable takeaways for attendees,” said NAB executive VP conventions and business operations Chris Brown. “We had a very strong ‘TV on Wall Street’ program that was an immediate hit, and the Solutions Center featured a provocative mix of innovative products and services for the industry. We look forward to building on this event going forward as we continue to extend the NAB and NAB Show brands.”

     

    NYC Television Week opened Monday morning, 28 October, at the Waldorf Astoria with the “State of Television” conference, and featured in-depth discussions about various areas of the television industry, including cable, sports, advertising, and new technologies. This was the 23rd annual Broadcasting & Cable Hall of Fame, hosted by CBS News correspondent 60 Minutes Lesley Stahl and NBC News special correspondent and host of The Meredith Vieira Show Meredith Vieira.

     

    On Tuesday, 29 October, NYC Television Week took over the Metropolitan Pavilion with “TV Summit Day 1,” “TV on Wall Street,” and the Solutions Center exhibition. “TV Summit Day 1” covered a wide range of topics, such as indie production, syndication in the digital age, showrunning, and the state of network television. “TV on Wall Street” examined how content competition and consumer consumption trends are driving the evolution of television and featured chief executives, venture capitalists, and leading financial analysts sharing their views of the TV industry. The summit concluded with a cocktail reception sponsored by National Geographic Channels.

     

    NYC Television Week wrapped up on Wednesday, 30 October, with a second day of both “TV Summit” and the Solutions Center exhibit floor. “TV Summit Day 2” featured discussions on ad buying, 4K, new platforms, and content distribution.

     

    Solutions Center exhibitors included Sony, placemedia, Dolby Laboratories, and Verizon Digital Media Services, among many others. Broadcasting & Cable, Multichannel News, and Next TVare all published by NewBay Media.