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MUMBAI: Paramount Digital Entertainment (PDE), part of US media conglomerate Viacom, and European film production and distribution company Gaumont have announced the development of Section 8. This is an interactive web series and will be distributed in the US by MySpace. |
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Endemol will handle worldwide distribution, product integration and brand partnerships. The new show followes the successful digital release ofJackass 2.5. This was the first studio-backed feature film to be offered online. Section 8 is an interactive short-form serial thriller set to introduce online audiences to an online entertainment experience that engages them in character and plot development never-before-seen on the Web. Featuring an ill-fated cast of characters, the supernatural thriller will take audiences through a spine-tingling journey as personal dramas are revealed. Throughout the short-form series, each character will face a moment of jeopardy, leaving only one survivor. In a media twist, audiences are invited to guess the solution to the cryptic back-story using customised interactive experiences situated in and around the series. When collected together, the series will be redistributed as a full-length |
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MySpace will be the exclusive hub for Section 8 allowing its audience in the US the opportunity to view, share and uniquely interact with this thriller. In addition to finding character descriptions, episode discussions and behind-the-scenes content, users will be able to embed each episode on their MySpace profile pages. PDE president Thomas Lesinski says, “PDE is continuing its commitment to developing high quality original content for web audiences. For Section 8, Paramount has partnered with top producers and distributors to develop a compelling interactive story on a unique platform that will engage audiences like never before.” Gaumont CEO Christophe Riandee adds, “Our partnership with PDE is an important next step in Gaumont’s production strategies. We are constantly looking for new platforms to deliver quality content to a global audience.” Endemol global head of digital Adam Valkin says, “Section 8sets a new standard of theatrical quality for an online production. The innovation and creativity that has been invested in the project will make this a unique opportunity for our digital and brand partners”. |
Tag: MySpace
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Paramount, Gaumont to produce interactive thriller ‘Section 8’
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Facebook could go the way of ‘crappy’ MySpace: Murdoch
MUMBAI: Rupert Murdoch whose company News Corp suffered a big loss after having to sell ‘crappy‘ MySpace for less than a tenth of the price it was bought at has warned that Facebook could suffer a similar fate.
On the occasion of the one-year anniversary of Facebook‘s IPO Murdoch took to Twitter and wrote, “Look out Facebook! Hours spent participating per member dropping seriously. First really bad sign as seen by crappy MySpace years ago.”
It may be recalled that News Corp bought MySpace for $580 million way back in 2005. Some people at the time felt that the price was a steal. Rival media company Viacom had also been eyeing MySpace and was furious at losing out.
But MySpace lost the opportunity to build itself and Facebook came in 2007 and blew everything in its path away. News Corp sold MySpace for a mere $35 million two years ago.
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Google and Myspace renew advertising contract
MUMBAI: Myspace‘s dropping traffic and decreasing popularity as compared to Facebook hasn‘t deterred Google from extending its long-running advertising contract with the site.
The financial terms or duration of the contract between Google and Myspace‘s parent company News Corp. is not disclosed. However, the contract reportedly has been renewed for several years. News Corporation chief operating officer Chase Carey mentioned that the new agreement is performance-based.
The social networking site reported a loss of $100 million in 2009 as it failed to reach traffic commitments in accordance to the 2006 deal. As per the agreement, Google will now handle display marketing on the social media site, an area that Google is increasingly getting more interested in. Also, for the first time advertisers will be able to buy display ads that will appear on MySpace through Google.
The deal also enables Google to offer search advertising, web search and full display-ad solutions. As MySpace continues to struggle with its balance sheet, the extended deal will no doubt go a long way in addressing the social media site‘s problems.
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‘We are identifying short term tasks and medium term tasks to get to a new, bigger Star’
It’s the festival of lights. And for many the festival of noise courtesy exploding fireworks. In the hope of reducing the number of those belonging to the latter tribe, we, at indiantelevision.com, decided to put a display of firecracker articles for visitors this Diwali. We have had many top journalists reporting, analysing, over the many years of indiantelevision.com’s existence. The articles we are presenting are representative of some of the best writing on the business of cable and satellite television and media for which we have gained renown. Read on to get a flavour and taste of indiantelevision.com over the years from some of its finest writers. And have a happy and safe Diwali!
(Written by: Thomas Abraham in 2007)
Two men under whose collective leadership rest the fortunes of Asia’s most powerful media conglomerate. In a way, there is a commonality in how both have risen to the top at Rupert Murdoch’s Asian media arm – from the blue as it were. It was just under ten months ago that Paul Aiello, a one time investment banker, was pitchforked into the hot seat of a company riven by internal power politics and stalled growth stories in the key markets it was operating in.
Three months later, Aiello opted for another dark horse in then Star News CEO Uday Shankar, giving the newshound turned corporate honcho operational charge of India’s lead broadcast network and the difficult task of setting things right there.
In conversation with Indiantelevision.com’s Thomas Abraham a day after Shankar was elevated to Star India CEO (on 25 October), the two offer their most detailed overview yet, of the media conglomerate’s plans for this market and the region as a whole. Excerpts:
These are exciting times for the industry with the economy booming and the sector seeing 20-25 % growth. How does Star view all this? What are the key factors that will drive its growth? What could work as impediments?
Aiello: I continue to be extremely excited about the market and its growth, even though there are numerous uncertainties. You can argue that there are regulatory uncertainties, uncertainties created by increased fragmentation in viewership and increased competition. But these things are to be expected in a highly dynamic market place.The challenge for us is not about focusing on what Star is. It is really about what should the next Star be? What should Star be in the next five to ten years from now? That requires a lot of internal focus and development of strategies.

So whether it’s about our core broadcast business where we must deal with increased fragmentation, regionalization… all the phenomena that everyone looks at, we need to be there. As well as looking at the overall growth in the media market and knowing that there are other areas that we’re not in as Star; but areas where we have tremendous capabilities within News Corp and in Star, that we should move in to and make sense of.
So we’ve been through a strategic review process and now we are coming out of that and are identifying the short term tasks and the medium term tasks to get to a new and bigger Star.
If you get detracted by a noise event like a new show that someone else has come up with in the last one week or some uncertain ruling or regulatory decision, you can get paralysed and miss what is the more important strategic initiative on where you want to be.
It is really important to keep that strategic vision because then you become really disciplined to stand by what the vision is and do the execution of the steps necessary, whether it is people moves or moving into new areas of business.
So which are the new areas?
Aiello: Certainly we need to expand the footprint of our core business of our channels. In the next six to nine months, we are going to be launching more channels.
Five channels?
Aiello: Five, six channels, yes. That is one manifestation of the extension of our core business. But we are looking at many other ways to build our business.Like for example?
Aiello: News Corp has tremendous capabilities when it comes to films.Everybody was waiting for that. Are you going to go the Sony Pictures route? Will you be getting into movies big time and will that be under your mandate?
Aiello: It is something for not just me to decide, but Fox to decide. We work very closely with our sister companies at New Corp. Let us see what we can do together if such opportunities make sense.News Corp is pretty strong in new media, internet as well.
MySpace?
Aiello: Yes, MySpace, Fox Interactive Media.Ajay Vidyasagar will be on that I am told.
Aiello: Ajay is very involved in our new media strategy.If Ajay will be overseeing that side of the business, there are also the content challenges that lie ahead. How will all this be managed?
Shankar: Ajay did an amazing job in the last eight-nine months when there was a creative management vacuum when people had left and gone away. Now we have ramped up our content team. So there is Anupama (Mandloi), there is Vivek (Behl), there is Monica and two or three others who have come in. We’ve also created a structure which is more channel focused. So there is a general manager of Star Plus, who’s Keertan (Adyanthaya). There is a GM of Star One, that’s Ravi (Menon). So the day to day channel management activities have become pretty much independent and self contained.So, for any of the other senior management, including myself, we don’t have that kind of daily interface. Our task has moved on to doing strategic and long term planning for the channels. Our internal understanding is that Ajay is going to primarily spend his time in building the internet business. And that’s in collaboration with MySpace wherever it’s possible. And internally, we will do a whole lot of other things.
Where MySpace might not be a partner?
Aiello: That’s right. Star will have its own new media strategy. At the same time Star will work with MySpace, Fox Interactive Media, in as many places as it makes sense.
The times of 50-on-50 top shows is history and we could soon well have a situation of three to four networks fighting it out for top honours. How do you see that panning out?
Shankar: I really feel that in this market, in the entertainment space, for a long time will continue to primarily be a two player market. Maybe there might be a third player who will have a little bit of traction. Who that first, second or third player is may change, in two or even in five years time. But I still think that for many years, that is what is going to be the situation.The big difference will be this. Typically in broadcasting globally, two key players will be the ones making money. In this market, in GEC, simply because of the size of the universe, it is possible that if people have a disciplined content approach, even the No. 3 and the No. 4 can make money.
And our advertising space is becoming so segmented. Not everybody has to take big corporate advertisers. Not everybody has to target the same clients.
What it requires is for people to clearly identify their TG, their target geography and smartly design unique or signature content for these TGs. My big problem is that in category after category you see, people are just cloning the leader.
The fact is that it has worked because of the very size of the market. News is a classic example of that.
Shankar: It has worked. But the returns are diminishing. If you see sustainable leadership in whichever category, somebody has been able to challenge the leader’s content model. Star News did whatever turnaround it could manage because it did not follow the Aaj Tak route of live breaking news. It went into appointment viewing and other kinds of signature programming.
Now what you see is that everybody is chasing one or other player. The same thing is happening in music. You are seeing more and more commoditization of content and less and less differentiation. That is a big challenge.
I think distribution is a huge challenge for this market; copy content is a big challenge. And the third, I am not saying necessarily in that order, huge challenge is the shortage of original quality talent; which nobody is really talking about. It is the same talent that is going around.
If you are smart, you change three jobs in two years, your salary will go up four times, and you will get three more promotions. That does not mean that the person’s maturity has gone up or that person’s quality of skills have increased.
Aiello: This is an issue that applies not only of India, but practically to all of Asia. You have to get fresh new talent. It is critical nurturing them and taking risks in developing them.

So the three biggest challenges over the next three years are distribution, commoditisation of content and talent management?
Shankar: In distribution, if you were to further focus, the two challenges would be, 1) to strengthen the cable infrastructure to allow more and more channels to be delivered to the end customer, 2) is to create a regulatory environment where premium content is encouraged by monetizing.it.
Not everybody has to pay Rs 500. There should be a good, decent family package available for Rs 75; but, somebody who wants to pay Rs 500 or Rs 1,000 and get great content, should have access to that. It is not to make an argument that people should pay through their noses; but people should have a choice.
What is your view on Trai’s mandating pricing in non-Cas areas? I am told that broadcasters, as in the IBF, are debating challenging it legally.
Shankar: If there is a regulatory order, then everybody will have to comply with that. Obviously we have no choice.
But this kind of price cap in non Cas areas, in an Indian environment where there is so much of opacity in declarations of subscriber base, is going to be extremely counterproductive for this industry. Because you’re operating in a situation where the cost of distribution has become a very important line item for all broadcasters. Except for one or two channels like Star Plus, everybody else has to shell out a large sum of money on distribution.
The problem is that this kind of artificial cap on value, when the input costs are not being controlled, is very, very counterproductive. A whole bunch of broadcasters and many of the niches are going to become uncompetitive because of distortions in the distribution space. I think this is going to be highly detrimental.
Yet you have all these new launches, new networks coming up.
Shankar: Three reasons. People have faith in the Government, in God and the Regulator.
‘You have to get fresh new talent. It is critical nurturing them and taking risks in developing them’
It’s ‘karma’ then?
Shankar: Seriously, if you look at it, there are niche channels where 30-40 per cent of their opex is the distribution fee. It is clearly unsustainable.This is a market where the talent costs are going through the roof because of the supply side shortage. It is a market where new competitors are coming, so your content costs are going up. Because clutter is going up, your marketing costs are going up. And your distribution costs are going completely out of whack.
There is not even a logical relationship. Last year what you spent has no bearing on what you will have to spend this year. And in this market what you spend has no correlation to what you spend for similar deliveries in an adjoining market. This is clearly an insane situation.
Aiello: That is not to say that some of these people will not succeed.
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Adobe Flash Lite to support video for mobile handsets
MUMBAI: At the 3GSM World Congress in Spain Adobe Systems has announced that support for video will be integrated in the next generation of Adobe Flash Lite software, Adobe’s award-winning Flash Player runtime specifically designed for mobile phones.
Flash Lite 3, expected to be available in the first half of this year, will bring the Adobe Flash Player video format from the desktop to mobile phones and devices, enabling operators, handset manufacturers and developers alike to deliver more experiences to mobile users.
The firm says that the release will be an addition to its family of video technologies that includes Adobe Production Studio for professional video editing, Marcomedia Flash 8 from Adobe for video encoding, and Adobe Flash Media Server for video distribution. Adobe says that itsFlash technology is impacting the way video is distributed over the Internet.
Today, television shows like Lost, Desperate Housewives, Grey’s Anatomy are being delivered online through FLV, the Adobe Flash Player video format, while the technology also powers the video capabilities of social networking sites such as YouTube and MySpace.
The firm adds that video support in Flash Lite will change the way the way users engage with mobile content and open up new revenue opportunities for developers worldwide. This release will allow users to view vibrant video content from popular Internet sites like YouTube or MySpace and enable developers to create new applications across a variety of mobile and consumer electronics platforms.”
Flash Lite will support the same video formats supported by Adobe Flash Player and will directly support video streams delivered by the Adobe Flash Media Server, allowing users to view a broad spectrum of Flash Player compatible content. Videos can be viewed in different forms within the Flash environment, including downloadable video clips, streaming videos, applications with user interfaces based on Flash or personalized content such as wallpapers or screensavers.
Flash Lite runs on multiple platforms, including Symbian S60 v2/v3, Qualcomm Brew 2.x/3.x and Microsoft Windows Mobile 5, in addition to embedded operating systems on a variety of OEM platforms. This allows consistent content delivery across device types, broader distribution of engaging mobile experiences and simpler publishing, testing and selling of Flash Lite content for developers.
By leveraging the Flash ecosystem – which includes the Flash authoring tool, Flash Lite player runtime and an established community of more than one million designers and developers – Flash Lite reduces deployment costs up to five times faster than competing solutions. Today, more than 200 million Flash-enabled devices have shipped worldwide
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Spymac unleashes its web 2.0 community for video chat, movies, music
MUMBAI: Spymac Network has launched its international web 2.0 community for video chat, movies and music. The Web 2.0 portal lets the world video chat, share movies, pictures and music across the Internet and earn money at the same time.
The new version of Spymac – which originally started out as a Mac community in 2001 – was launched in January 2007. It is available now in more than 15 international languages and works on both PCs and Macs. A percentage of Spymac’s advertising income is paid to members who upload the most creative and most viewed movies, music or pictures.
The most active, creative and popular content providers earn the largest amounts of money in this revenue-sharing model based on an exponential curve. The company has since paid out $50 in its first month with a German (Spymac nickname “Jafeth”) earning $5000 for his funny videos/pictures, and a Chinese content provider receiving a cheque for $1300.
Spymac’s content quality-rating system is based on an algorithm taking into account how creative and popular it is. The criteria include how other users rate the content, if it is linked to other sites, the click-rate etc. Users with the most popular content of the day win the daily payout and the best content providers of the month earn the monthly jackpot. Spymac is also working on a system which allows users to rate content as inappropriate and set an alert so that the content will be taken off the site.
Spymac Network CEO Holger Ehlis says, ”The service would be of great interest and benefit to members in developing nations, whose culture and surroundings are sure to be a hit with viewers. They are sure to benefit from our service as those who upload something that people want to see or hear make real money.
“While YouTube announced that it was thinking of a way for members to revenue-share, Spymac is already paying out cheques to its users”.
Among the most powerful features of Spymac is its’ complimentary face-to-face video chat, which allows people to share everyday life over the Internet. Members can have a heart-warming conversation with family, who is away, see the smile of an online sweetheart, or hold a business meeting in the convenience of a living room. The feature is truly compatible, without any of the traditional need for extra software or setup.
Spymac Network CTO Kevin April says, “Spymac takes online dating, staying in touch and finding new friends to a whole new level. All you need is a web browser and an inexpensive web cam to share video and enjoy face-to-face meetings with people from another city, country, or even continent”.
Users can access Spymac for hundreds of thousands of iPod-ready movies, songs and pictures. Spymac’s movies are also fully compatible with Sony’s PlayStation Portable, allowing users to easily find new content for their portable entertainment devices. Share video from Spymac to MySpace and other sites with unlimited storage space on offer.
Through its embedding feature, Spymac allows users to stream content across the Internet on other websites. For example, users can insert their favorite pictures and videos into their MySpace profiles, blogs or eBay auctions, turning Spymac into a powerful content hub. This allows users to spice up online ads and auctions with video or audio clips; upload multimedia projects for work or school; liven up blogs, websites and emails; share movies with friends and family and enhance personal profiles on dating and social-networking sites.
By utilising technology, members record live video with a click of a button for immediate release to the Internet. Users can capture pictures, audio and video directly onto Spymac using their own webcams, or easily upload from video cameras or mobile phones. “Spymac simplifies the technology behind different formats, encoders and players, making it easier for people to enjoy online communication” said April.
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News Corp, VeriSign close Jamba deal
MUMBAI: News Corporation and VeriSign have announced that a joint venture giving News Corp controlling interest in VeriSign’s wholly owned Jamba subsidiary will finalise tomorrow, 31 January.
The joint venture combines mobile ringtone and animation provider Jamba and Fox Mobile Entertainment assets to form a leading global provider of mobile entertainment. Lucy Hood, who was formerly president of Fox Mobile Entertainment, will become the company’s CEO effective immediately upon the close of the deal.
It was in September that News Corp announced it would pay $188 million for a 51 per cent stake in VeriSign’s wholly-owned Jamba subsidiary and will combine it with Fox Mobile Entertainment assets. VeriSign, which bought Jamba for $ 270 million in 2004, operates intelligent infrastructure services that enable and protect interactions across voice and data networks anytime, from anywhere on multiple devices.
The new company will serve 30 territories with a potential reach of more than a billion mobile subscribers. The new company intends to retain the Jamster brand in the US and the Jamba brand worldwide.
Jamba was founded in 2000 and is considered a global leader in off-deck delivery of mobile entertainment.
News Corp’s Fox Mobile Entertainment group got its start with American Idol text voting, which generated nearly 65 million text messages last season, up from 12,000 messages in the first season in 2001.
Following the close of the transaction, Jamba will release its first products and offerings as a new entity, including:
MySpace Mobile Store – In an alliance with News Corp’s wildly popular social networking site MySpace, Jamba will be MySpace’s global m-commerce partner.
Also in the pipeline is The Simpsons Mobile – Jamba will exclusively offer mobile content from the series The Simpsons through a subscription package tied to exclusive content called the Yellow Plan.
The joint venture combines mobile ringtone and animation provider Jamba and Fox Mobile Entertainment assets to form a leading global provider of mobile entertainment. Lucy Hood, who was formerly president of Fox Mobile Entertainment, will become the company’s CEO effective immediately upon the close of the deal.
It was in September that News Corp announced it would pay $188 million for a 51 per cent stake in VeriSign’s wholly-owned Jamba subsidiary and will combine it with Fox Mobile Entertainment assets. VeriSign, which bought Jamba for $ 270 million in 2004, operates intelligent infrastructure services that enable and protect interactions across voice and data networks anytime, from anywhere on multiple devices.
The new company will serve 30 territories with a potential reach of more than a billion mobile subscribers. The new company intends to retain the Jamster brand in the US and the Jamba brand worldwide.
Jamba was founded in 2000 and is considered a global leader in off-deck delivery of mobile entertainment.
News Corp’s Fox Mobile Entertainment group got its start with American Idol text voting, which generated nearly 65 million text messages last season, up from 12,000 messages in the first season in 2001.
Following the close of the transaction, Jamba will release its first products and offerings as a new entity, including:
MySpace Mobile Store – In an alliance with News Corp’s wildly popular social networking site MySpace, Jamba will be MySpace’s global m-commerce partner.
Also in the pipeline is The Simpsons Mobile – Jamba will exclusively offer mobile content from the series The Simpsons through a subscription package tied to exclusive content called the Yellow Plan.
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News Corp to launch MySpace in China in a few months time
MUMBAI: US media conglomerate News Corp is looking to launch its social networking site MySpace in China within the next few months.
It has finalised a deal with partners, including private equity heavyweight IDG and reports indicate that News Corp will have a 50 per cent stake in the venture.
The IDG-Accel China Growth Fund, managed by venture firm International Data Group Technology Venture Investment, will also own a stake.
The deal, if successful, will be a positive move for News Corp which has made several attempts to tap China’s rapidly growing media market.
But the venture will have to negotiate with China’s strict regulation of media content, as well as compromise on potentially sensitive content.
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MySpace looking to double global presence
MUMBAI: News Corp’s social networking site, MySpace, plans to more than double the number of countries it will operate in by the end of the year.
Media reports state that the goal is to have a presence in 11 countries. This includes China. The company has test-launched a service in Mexico.
Meanwhile MySpace has sued an e-mail marketing executive for an unspecified amount of damages, saying that he and his company were behind millions of junk e-mail, or spam, messages sent to its customers’ accounts.
MySpace filed the lawsuit against Scott Richter in US District Court in Los Angeles.
