Tag: music

  • Talwar Bhai teases his upcoming project ‘Dreams Never Lies’

    Talwar Bhai teases his upcoming project ‘Dreams Never Lies’

    Mumbai: Rajasthan’s hip-hop scene is growing, with Talwar Bhai at the forefront. Known for his significant impact as a rapper, he is driven by a clear vision and strong aspirations. His upcoming project, Dreams Never Lies, represents the culmination of a long-held dream pursued with determination and courage.

    Talwar Bhai’s music career reflects his relentless drive. He is committed to making his dreams a reality, pushing the boundaries of his art. Dreams Never Lies embodies this ambition and is set to be a major project in his career, featuring a range of tracks that highlight his rap skills and include collaborations with other artists.

    The project ‘Dreams Never Lies’ is produced by Talwar Bhai himself in partnership with DNDL Productions, a collaboration that promises to bring out the best.

    Talwar Bhai is working to make Dreams Never Lies a major milestone in his career and in the history of commercial rap. While fans are eagerly awaiting the release, the date has not yet been announced. Instead, Talwar Bhai has been teasing the project with a few posters.

    In a world where dreams often get lost in reality, Talwar Bhai is showing that with passion and perseverance, dreams can become reality.

  • Kanika Kapoor releases ‘Radha Radha’ bhajan celebrating Janmashtami

    Kanika Kapoor releases ‘Radha Radha’ bhajan celebrating Janmashtami

    Mumbai: On the festival of Janmashtami, singer Kanika Kapoor delights her fans with a devotional bhajan, ‘Radha Radha’. This beautiful bhajan, full of devotion and respect, is a tribute to the love between Lord Krishna and Radha.

    ‘Radha Radha’ expresses devotion and love, reflecting the timeless bond that has inspired millions across generations. Kanika Kapoor, known for her dance numbers releases a bhajan with deep emotion, making it a perfect song for the celebrations of Janmashtami.

    Speaking about the song, singer Kanika Kapoor said, “I’ve always wanted to explore the devotional side of music and finally with my own label I was able to do that effortlessly. Radha-Krishna bhajans are so full of love and devotion, and I felt it was the right time to bring that out through my voice. And honestly, I was really touched by the melody and couldn’t resist singing a bhajan. It is timeless and hope the listeners enjoy it as much too.”

    Whether you’re preparing for Janmashtami or simply seeking a moment of peace, ‘Radha Radha’ offers a melodic journey into the divine.

  • Republic Records signs AP Dhillon

    Republic Records signs AP Dhillon

    Mumbai: Republic Records, owned by Universal Music Group, has signed AP Dhillon to their roster. Known for artists like Taylor Swift, Post Malone, John Legend, The Weeknd, Nicki Minaj, and Drake, Republic Records continues to expand its diverse lineup.

    This deal marks a significant step for brown representation globally and sets a precedent for future talent and the community. “Republic Records got and understood who I am from day one. We’re all in harmony when it comes to this new music, and now I just can’t wait to show everybody what we’ve been cooking up,” stated AP Dhillon.

    Dhillon has been independently releasing music since 2019. He is famously known for his 2020 single – Brown Munde – one of the most viral and trending songs on the billboard, amassing nearly 700 million YouTube views to date. With the new deal, the singer-songwriter will be on Republic Records’ roster and he is all set to release a single – Old Money – with the label this Friday (9 Aug) and a new album, The Brownprint, following two weeks later, on 23 Aug.

    AP Dhillon has also directed the music video for his upcoming single – Old Money – and the clip will star Bollywood icons Salman Khan and Sanjay Dutt. As AP Dhillon revealed, “I came up with a concept that was influenced by all my favorite action movies, and Salman Khan and Sanjay Dutt showed up and killed it. Old Money is the perfect way for me to start my next era, especially with going big for the music video. I hope you love it as much as I do.”

    Dhillon has also co-produced The Brownprint, with DZL (Future, Central Cee), Luca Mauti (J.Cole, Eminem) and AzizTheShake (BIA, Central Cee) also contributing to the upcoming album.

  • “We aim to build a vast catalog with the best quality music in the world:” Hoopr.ai’s Gaurav Dagaonkar

    “We aim to build a vast catalog with the best quality music in the world:” Hoopr.ai’s Gaurav Dagaonkar

    Mumbai: In a world where music elevates every visual experience, the quest for the right soundtrack is crucial yet challenging. Finding music that not only resonates with your project but also adheres to copyright laws can be a complex task for creators and businesses alike. As digital content grows exponentially, the need for accessible, high-quality, and copyright-safe music is more pressing than ever.

    This is where innovative solutions by Hoopr.ai come into play. Founded by music director and entrepreneur Gaurav Dagaonkar, Hoopr.ai offers a comprehensive solution to the music licensing puzzle. Combining Dagaonkar’s engineering precision with his deep music industry experience, Hoopr.ai provides India’s largest library of original, copyright-safe tracks. The platform bridges the gap between creators and high-quality music, making it easier than ever to enhance content with the perfect soundtrack.

    Delving deeper, Indiantelevision.com caught up with Hoopr.ai co-founder & CEO Gaurav Dagaonkar to know more about his music career, Hoopr’s inception, growth strategies, projects and initiatives, and more…

    Edited Excerpts:

    On the inspiration to start Hoopr.ai, and your background in music and business shaping its development; Also the key challenges you faced, and how did you overcome them

    I did my engineering from Mumbai and my MBA from IIM Ahmedabad. This period of time really shaped my interest, inclination and exposure to music. Engineers are known to have a ‘jugaad’ or let’s-automate-it approach in life and coming from a premier business institute like IIMA, I was strongly instilled with business values where I got an opportunity to interact with some stellar peers, faculty and industry leaders.

    I started my music career in 2007 and continued it till 2017. In these 10 years I realised that as a composer what was the legacy that I was building. The music and entertainment field can be quite short-lived as new talent comes in everyday and trends change at the drop of a hat. What is it that I can create which will be solely mine?

    That’s when my co-founder, Meghna and I started Songfest in 2017. Songfest specialised in creating viral ads and campaigns for brands using music as a vehicle to build long-lasting and high-recall communication for the brand.

    A few years into working on Songfest, we realised that not every brand can afford a large campaign but they may want to explore music as a strategy for their brands. This was also the unfortunate period when Covid struck and marketing budgets took a hit. Yet, digital content creation sky-rocketed with everyone aspiring to make content digitally. The OTT content boom also happened in this period. We felt that this was a massive opportunity. The Indian market clearly lacked a good music platform for copyright-safe music and there was a dearth of high-quality original Indian music on the existing platforms. That is how the idea of Hoopr was born in 2022. Today, two years later, we are India’s largest music library with over 12500 tracks, 6500 plus music artists working with us and 220,000 creators using our platform.

    On Hoopr.ai differentiate itself from other music licensing platforms in the market

    In the Indian market, Hoopr is a first-mover and a first-of-its-kind platform. There are several platforms available for stock music and royalty-free music. However, Hoopr is the only platform that covers a diverse range of original, high-quality Indian sounds, background music, instrumentals and soundtracks in multiple Indian languages.

    For filmmakers, creators and brands, Hoopr becomes a one-stop solution for all their music needs – whether generic or bespoke.

    We also work with a vast network of 220,000 plus creators via our music platform and hence we are equally capable of amplifying music and messaging through our platform, which is not available on any other platform currently.

    We like to believe that we stand at the cusp of music, technology and community.

    On Hoopr.ai supporting musicians in monetising their music, and the opportunities it offers them

    I have worked as a singer-composer in the Indian music industry and continue to be associated with it for over 15 years now. I have realised that the music market is vastly driven by Bollywood or film music which is managed by labels and they are all at the end of the day for-profit companies looking to make profits on big releases. Due to this, they tend to get into a zone where they keep making more of what sells – the same type of songs, same artists and this makes breaking into the mainstream music scene very difficult for independent artists.

    Hoopr provides a fair and equal platform for such artists. Doesn’t matter where they are based and what genre of music they make. As long as they are able to produce music that is original, platform-friendly and high quality, we are thrilled to work with them.

    We are proud to state that today Hoopr has a network of over 6500 artists that we commission music from for our platform. This includes sound engineers, producers, singers, instrumentalists, etc.

    On some success stories where Hoopr.ai significantly impacted a content creator or musician’s project

    Yes, we are very proud of the work we have done with some top creators such as Chef Ranveer Brar, Tanya Khanijow and Gaurav Taneja (Flying Beast).

    All of Ranveer’s content on social media is backed by copyright-safe music from Hoopr.

    We also did a fabulous bespoke song for Gaurav Tanejas’s Desh ka Dhoni video called Zidd Hai.

    With Tanya Khanijow we collaborated with an exclusive Hoopr track called Safar Anjana.

    There are many such stories to mention.

    On your innovative music contests like ‘Retro Reimagined’ and ‘Sing to Sync’ and these contests contributing to the growth and engagement of Hoopr.ai’s community of musicians and content creators

    Sing2Sync is a platform-led property that we built that allows brands or labels to use our artist community to commission new tracks or create UGC recreations of their cult songs or language variations of their legacy soundtracks.

    Retro Rewind was one such successful execution for a large music label, Universal Music Group. The mandate was to crowdsource multiple recreations of their cult track, Baahon ke Darmiyaan, from the classic film Khamoshi. They wanted to expand their existing catalog by adding innovative recreations. They also wanted to buy out the top five tracks and add it to their prolific catalog.

    We executed this activity over a span of 90 days. The first step was to create an engaging contest page, which was promoted on social media and with our existing community of 6500 plus artists. We received close to 10,000 registrations, and 1270 submissions of which 160 songs qualified in the screening. We shortlisted the top 14 tracks for selection to the UMG panel. An esteemed panel from Hoopr and UMG jointly judged the shortlisted 14 tracks and finally UMG actually took home eight creations instead of the original commitment of five tracks.

    On the upcoming projects or contests that Hoopr.ai has in the pipeline, and are there any new initiatives you’re working on as a music director

    While we are not at liberty to discuss the details of upcoming projects, I can tell you that there are some major brand projects in the pipeline from some gigantic brands which you will see individual announcements about in the coming months.

    Apart from that there are some major strides that Hoopr is poised to take in the music licensing industry but I would like to speak about it when the time is right.

    I do miss my music as most of my time is now devoted to being a full-time CEO and running a company but yes there will be some interesting pursuits on that front as well.

    On the trends you see emerging in the music licensing industry, and Hoopr.ai’s positioning to capitalise on them

    There are a bunch of macro trends that are shaping the licensing landscape in India as we speak. The first of those being the music streaming stats in India which seem to be doubling every three years. In 2020, India was streaming 230mn music streams, and today in 2024 that number stands at 470mn. Today 80 per cent of the top trending videos across YouTube are music videos. Globally, music has become the highest form of content that is being consumed and it also has a high repeat value unlike other formats.

    Music labels and artists are becoming increasingly aware and alert of the loss of monetisation that they incur every time their music is being used without proper licensing or remuneration. Hence, we’ve seen them coming down hard on brands that use their music in an unauthorised manner and we’ve seen massive brands being engaged in legal battles that result in loss of goodwill and huge legal penalties.

    Lastly, the meteoric rise in the size of the creator market in India, which is growing at a CAGR of 20 per cent year on year. The current size of this marketing in India is three to five million at a pessimistic best. Of these, only the top 1.9 per cent are able to monetise their content. One major reason for this is the lack of awareness around the use of copyrighted music for their content.

    Hoopr works are the intersection of music, technology and community where by using our platform, brands can have access to copyright-safe music which will save them precious legal dollars, and creators can effectively monetise their content without fear of take-downs. And all of this is driven by a tech-first platform.

    On your future plans for Hoopr.ai and its growth in the next few years

    We envision a geography-agnostic, platform-led, tech-driven marketplace ecosystem where music artists, creators, and brands exist and thrive. This marketplace will give artists the opportunity to collaborate with other artists, secure brand deals and employ creators for digital amplification.

    For creators, this becomes a one-stop shop to secure brand deals and promotional projects that help them monetize their channels all while having access to the highest quality of original, copyright-free music.

    For brands, this becomes a turn-key solution, where they can license sounds and music for their brand, collaborate with artists for bespoke solutions and use Hoopr’s creator-verse to amplify their brand messaging.

    At some point, Hoopr also envisions itself as a massive, platform-led label with the best musical talent on its roster and the default tech platform for all music monetisation and licensing needs for all independent artists or full-blown labels in the music industry. We aim to build a vast catalog with the best quality music in the world. There will come a day when Hoopr will be synonymous to Google for music search. We want people looking for music to just Hoopr it!

  • Spotify launches new ‘Music, Magic Hai’ campaign

    Spotify launches new ‘Music, Magic Hai’ campaign

    Mumbai: In an effort to highlight the role of music in listeners’ lives, across moments and relationships, Spotify launches a fresh campaign in four languages – Hindi, Tamil, Telugu, and Malayalam.

    Reflecting the sentiment of “music, magic hai”, the new advertisements include four short films, which showcase, through simple relationships, how music unites, evokes nostalgia, bridges generational gaps, and is an enjoyable, everyday companion.

    Spotify India head of marketing Neha Ahuja said, “Music is a powerful medium that can transform your mood, and make and mend relationships. It has the power to make everyday moments magical. The new Spotify campaign aims to bring these emotions and moments to life, resonating deeply with Indian listeners.”

    For a seamless listening experience, Spotify also has a new offer for its Indian users (valid till August 25), wherein they can enjoy three months of Spotify Premium at ₹59. Eligible users can avail the offer at https://www.spotify.com/in-en/premium/. Other options such as individual, duo, family, and student plans are also available for those who are not eligible for the current offer.

  • Celebrate World Music Day with Hungama Artist Aloud

    Celebrate World Music Day with Hungama Artist Aloud

    Mumbai: Mark your calendars for an extraordinary musical experience as LIFAFA takes the stage at Imperfecto Patio, Delhi NCR, on 28 June 2024. Presented by Hungama Digital Media Entertainment in partnership with SkillBox, this concert promises to be a night of innovative soundscapes and immersive performances starting at 8 pm.

    LIFAFA, the brainchild of Suryakant Sawhney, has been redefining what music from India can be with his avant-garde fusion of voice and vernacular into his sonic landscapes. This live performance is set to be a testament to his boundary-pushing artistry. Attendees can expect to be entranced by tracks like “Jaago,” which marries haunting vocals with lush instrumentation, and “Din Raat,” a piece that perfectly encapsulates LIFAFA’s signature style of blending the old with the new.

    The World Music Day Festival – season five, an annual celebration beginning on June 21st, continues its legacy of spotlighting diverse musical talents. This year, it brings LIFAFA’s groundbreaking music to the forefront, offering fans an evening that transcends traditional concert experiences.

    Hungama Digital Media SVP Soumini Paul said, “LIFAFA’s music is a refreshing departure from the norm, offering a truly unique auditory experience. This concert at Imperfecto Patio is a celebration of his innovative approach and the perfect way to enjoy the diverse sounds of World Music Day Festival – Season 5.”

    Secure your tickets now on SkillBox for an unforgettable night with LIFAFA at Imperfecto Patio, Delhi, on 28 June 2024, starting at 8 pm.

  • A sonic renaissance: The resurgence of vinyl and physical media in the modern age

    A sonic renaissance: The resurgence of vinyl and physical media in the modern age

    In a dimly lit room, the setting sun’s rays breach your solitude as you handle your prized vinyl. The turntable stands ready, and a rack of records decorates the wall. With utmost care, you remove an exquisite jacket to reveal a fragile David Bowie record. As dusk falls, you place the record on the platter, anticipating Bowie’s enchanting voice. The moment the groove starts, the evening is marinated in nostalgia, showcasing the indelible power of the 12-inch long play (LP).

    Nostalgia evokes a longing for simpler, pre-digital times, with art allowing us to explore different eras. In ‘Velvet Goldmine’, Christian Bale’s character, Arthur Stuart, immerses himself in a Maxwell Demon LP, illustrating how vinyl records uniquely connect us to the past through their rich and warm aural experience.

    There is a strong connection between our emotions and memories, and music serves as a powerful conduit for triggering specific feelings through its sound. Whether it’s the melody, lyrics, or rhythm, music has the potential to evoke nostalgia and deeply personal experiences.

    Unfortunately, in today’s digital age, the traditional listening experience is being compromised by the widespread adoption of digital music streaming platforms accessed mainly on phones, sadly through phone speakers. This shift has raised concerns about the diminishing historical and personal significance of music in our lives. However, the antiquated entity that is vinyl, comes out of its jacket to rescue us!

    In modern times, there is a gap between exteroception and sonic experiences perceived by humans. No medium other than vinyl could have reinstated the relationship between people and lived experiences. The vitality of the medium lies in the enshrined physicality of its format.

    The disparate component between streaming platforms and vinyl lies in the recording of the music. Music reproduced on vinyl captures analogue sound, and the grooves on the record encapsulate the actual recording. Whereas, digital music is a digital approximation of the original sound. The craft of ardent creation sublimes into an unconscious routine with streaming, possibly doing a disservice to the art.

    However, with the rise of compression and portability, vinyl’s prominence diminished as cassettes and CDs took over, subsequently reducing the tangible aspects of the musical experience, even further. But as it turns out, the vinyl’s enduring influence extends far beyond fads. Music’s ability to transcend space and time immortalizes the auditory influence on the human brain. Therefore, vinyls stand as poignant historical markers, invoking deep emotional connections and serving as a tangible link between humanity and material culture. The imprints left by this artefact epitomize the profound relationship between humans and the physical world.  

    The yearning for a haptic experience is giving rise to the inclination towards a lived and unadulterated music experience. This is reflected in the rise of interest in vinyls amongst audiophiles, pining for an extraordinary aural experience.

    In the past thirty years, there has been a resurgence in the popularity of vinyl. This revival can be attributed to the efforts of independent record companies and stores, which have brought together music enthusiasts and crate diggers through the annual celebration of World Record Day since 2008. In 2023, the USA saw a remarkable 49 million sales of records, while the UK witnessed the sale of six million units. Beyond the dedicated day for commemorating this timeless medium, certain artists have also played a significant role in propelling its revival.

    The resurgence has been driven by the appeal of collectable editions from legendary artists like The Beatles, Metallica, and Elvis Presley. However, the demand for vinyl has also been boosted by modern streaming artists such as Ed Sheeran, Harry Styles, and Taylor Swift. Notably, Taylor Swift’s latest album, ‘The Tortured Poets Department,’ set a new record for single-week vinyl sales with 700,000 copies sold!

    The fanatic fandoms have been at a chart war against their favorite’s contemporaries. The love and loyalty for an artist are propelling vinyl sales. The strategic commerce that Taylor Swift has been applying to boost chart numbers and album sales by producing limited editions of certain vinyl is proving to be beneficial for the vinyl case.

    There has also been an undercurrent of a sonic revolution happening in India. The diversified milieu in the country has birthed some of the most unique sounds. Historically, the listening experience has had a human factor associated with it.

    The live musical experience has been cemented since the inception of classical music through jugalbandis and amphitheatre concerts. Because of this, it was easier for vinyl to penetrate Indian markets. However, the accessibility hindered the popularity of the medium as the people with higher income strata boasted it as a status symbol rather than an immersive experience.

    In its history of music consumption, vinyl records never gained the widespread popularity in India that they did in other regions. However, the landscape changed with the advent of cassettes and CDs, which brought about a significant transformation in how people from diverse social strata experienced and enjoyed music.

    During the 1970s, LPs and EPs were popular until the introduction of “2-in-1” radio cassette players, which led to the rise of cassettes. This shift paved the way for cassettes to become popular in rural India, fueled by the emergence of competitors like T-series and Venus who curated regional music content in the heartland of India. In the 1990s, India underwent significant economic changes, including liberalization and privatization, which impacted the music industry. This era saw the emergence of more advanced and portable music devices, witnessing a partial extinction of vinyl in India.

    Currently, India is experiencing a renewed interest in vinyl records. The baby boomers, who witnessed the rise and fall of the antiquated medium, are showing a renewed interest due to improved standards of living and reminiscence factors. In the US, around 36 per cent of baby boomers are willing to buy vinyls. The nostalgia factor that comes with this physical medium has paved the way for its resurgence.

    Due to this rising interest and nostalgia factor, major cities such as Bengaluru, Delhi, and Mumbai are abode to renowned record stores, attracting passionate collectors and music enthusiasts. Despite being predominantly favoured by an older demographic, there is a noticeable curiosity about vinyl records among individuals below the 35-year age bracket.

    Connaught Place in New Delhi is home to the ‘Radio & Gramophone House,’ established in 1951. Joginder Luca Singh, the founder of Pagal Records in Hauz Khas village, is experiencing significant growth in his business, reflecting the increasing popularity of vinyl records. As per him, vinyl never disappeared for its reappearance in popular culture.

    Kolkata has always been at the centre of cultural renaissance. The city was already teeming with musical enthusiasts, indulging in the beauty of vinyl. Now, the younger generation is exploring the joy of a spinning record, emitting the enchanting voices of the musical luminaries. Varun Desai, every Sunday, heads the vinyl listening sessions at Zee’s Coffeeshop. The Jazz Club culture is also reviving the charm of vinyl, which, in turn, is aiding people to rummage for more sonic relics.

    Mumbai, the cultural hotpot, is also witnessing a thriving vinyl scene with vinyl-themed cafes and vintage stores collaborating for an immersive eating experience with a hint of nostalgia served! The Revolver Club, established in 2017, has seen the trend of increasing Gen-Z’s inquisitiveness towards vinyl. In a month, they sell around 1,000 records, says Jude de Souza, the Founder of the Revolver Club.

    Records Coffee by Veranda, a quaint cafe in the Western suburbs of Bandra, offers a tactile musical and culinary experience while listening to their favorite records, and reminiscing the good ol’ days. Owners of these cafes and stores testify that in this age of instant gratification, vinyl records remain a timeless medium for the art of music, attracting the attention of musical enthusiasts towards the medium.

    The dialogue around the vinyl resurrection has been in the nascent stage in the popular media. However, there have been people who have preserved the craft of vinyl collection, keeping the tradition of the lively sonic experience alive. Suresh Chandavankar, an ardent collector of vinyl, has walls decorated with vintage vinyls of thumri, qawali, and percussion artists.

    There are also aficionados like I. Mathieu Josso, a DJ artist who has international artists like Stevie Wonder and the rock-rap band, Beastie Boys records. He also possesses some rare collectable records from artists like The Beatles, Ananda Shankar, and others. Gautam Muralidharan, an ecopreneur, is an avid collector of hip-hop vinyl records, possessing over 600 records. These collectors are conservators of fables that have immortalized time in the 7-inch and 12-inch alluring discs.

    Despite the rising success of vinyl records for established artists, smaller independent artists perceive this trend as a potential challenge. The disparity between demand and supply has put pressure on pressing plants, making it difficult for smaller artists to have their music released on vinyl.

    Amarrass Records is taking on the responsibility of producing vinyl records for their artists, playing a crucial role in the resurgence of vinyl in India. Ashutosh Sharma and Ankur Malhotra, the founders, are leading the way in providing opportunities for small-scale artists in the country, working as a catalyst for promoting indie artists through the most authentic medium.

    Due to the growing interest, the entertainment and music industries must take notes to utilize this rising market for vinyls. Music artists, during tours, can weaponize merchandising to provide LPs to their fans during concerts. Recently, SaReGaMa has launched vinyl for retro music from artists like Lata Mangeshkar, Kishore Kumar, etc. Taking a leaf from this restoration, film producers can generate limited-edition vinyl to reprise the magic of enchanting compositions.

    Vinyl records serve as a timeless medium for preserving musical legacies, preventing the loss of past musical identities. Despite the wear and tear that comes with time, these records provide the background score to human history.

    These physical artifacts not only evoke nostalgia but also allow us to experience the universal emotions associated with lived experiences, ensuring that we become the custodians of these musical narratives.

    The article has been authored by Dharma Cornerstone Agency head of the music division Hamza Kazi.

  • Let’s Get LOUDER’s ‘Jogi’ by Salman Ali & Amit Mishra wins millions of hearts

    Let’s Get LOUDER’s ‘Jogi’ by Salman Ali & Amit Mishra wins millions of hearts

    Mumbai: Let’s Get LOUDER, the IN10 Media Network’s musical vertical behind numerous musical sensations, is proud to announce the ground-breaking collaboration between two powerhouse voices, Salman Ali and Amit Mishra, in their latest Sufi masterpiece titled ‘Jogi’.

    This captivating union marks the first-ever collaboration between these two musical virtuosos and has taken the internet by storm, amassing astounding views and love from audience within days of its release.

    ‘Jogi’, composed by Raaj Aashoo, is a soul-stirring fusion of traditional Sufi elements with contemporary musical flair, showcasing the exceptional vocal prowess of both Salman Ali and Amit Mishra. Salman Ali, renowned for his mesmerizing performances on various platforms including reality TV, brings his signature emotive depth to the song. Amit Mishra, celebrated for his versatile voice and diverse repertoire, complements Salman’s vocals seamlessly, adding a unique dimension to the track.

    On the collaboration, Salman Ali said, “It’s been an absolute honour to unite with the incredibly talented Amit Mishra on ‘Jogi’. Amit’s passion for music and unparalleled talent made every moment of ‘Jogi’ truly magical. ‘Jogi’ is not just a song; it’s an emotional journey that we are thrilled to share with the world.”

    Amit Mishra added, “Working with Salman Ali on ‘Jogi’ has been an enriching experience. His soulful voice and dedication to his craft are truly inspiring. ‘Jogi’ is a testament to the power of collaboration and the universal language of music. I’m grateful for the opportunity to be a part of this incredible project.”

    “We are thrilled to bring together two incredible talents, Salman Ali and Amit Mishra, for ‘Jogi’,” said Let’s Get LOUDER COO Rajitta Hemwaani. “Their collaboration represents a fusion of tradition and innovation, delivering a truly unforgettable musical experience. The overwhelming response from audiences reaffirms our commitment to pushing boundaries and creating exceptional music.”

    The rapid ascent of ‘Jogi’ within days of its release is a testament to the enduring appeal of Sufi music and the undeniable talent of Salman Ali and Amit Mishra. As the song continues to captivate audiences worldwide, Let’s Get LOUDER remains dedicated to fostering ground-breaking collaborations and pushing the boundaries of musical innovation. In the past, the musical business has launched popular songs by artists like Shilpa Rao, Ankit Tiwari, Star Boy LOC, Hardeep Kaur, Nikhita Ghandhi and many more are in the pipeline.

  • “Indian music scene to mirror the US where independent music/artiste are mainstream”: Artiste First’s Rohit Sobti

    “Indian music scene to mirror the US where independent music/artiste are mainstream”: Artiste First’s Rohit Sobti

    Mumbai: Imagine, if there was no existence of music, the world would have lost half of its color and beauty. In a celebration of this artistic essence, the world recently celebrated Independent Artist Day on 3 April, honoring talented individuals who dare to dream, create, and express themselves independently.

    Among them stands Artiste First, a dynamic label dedicated to promoting independent music and empowering artists. Led by co-founder Rohit Sobti, a multifaceted leader with over 25 years of experience in finance, music, and technology, Artiste First puts artists first, providing a platform for diverse voices and supporting their creative visions.

    Delving deeper into the world of independent music and artists, Indiantelevision.com in conversation with Artiste First’s co-founder Rohit Sobti discussed about the uniqueness of their label, the role of independent labels evolving in the future, common challenges Indie artists face in the competitive music industry and much more…

    Edited Excerpts:

    On the inspiration behind starting Artiste First, and its differance from traditional music labels

    It was started by Tarsame Mittal during Covid. He always wanted to do this for a long time and during covid he found time. His objective was to bring new artists to the industry in an honest, transparent, and passionate way and support them with industry insights and his knowledge. We had collaborated in November 2022 together to co-create it. It is an artist’s first platform. We seek a balance between their indulgence as an artiste and audience, we co-create music(audio/video with them) in a beautiful, open, collaborative environment where we trust each other’s instincts and professionalism.

    On the role of independent labels evolving in the future, with the rise of streaming platforms

    According to me today it is about music. It doesn’t matter to the audience whether the song is of film or an independent artist/label. Independent labels are here acting as a catalyst for the consumer and educating them about how music can be discovered from other platforms and not only from films in India. A song doesn’t need to be on a film to be known and trending.

    Independent labels are becoming the discovery platforms for newer artists, and genres. Like we have explored the Kashmir artiste (where no other independent/mainstream label has worked consistently).

    We have seven very talented artists from Kashmir who have the potential to reach a global audience and the first artiste Faheem Abdullah’s songs are trending in Pakistan, UAE, Saudi Arabia, and other countries apart from India.

    Independent labels are also bringing new-age ways of marketing the song and using art and science (tech) to do so.

    On some common challenges Indie artists face in the competitive music industry, and key tips that you would give them to sustain and thrive

    The most common challenges are –

    a. finding their sound

    b. finding their right audience

    c. finding a platform (record label etc ) to release their music

    d. finding other collaborators to co-create the song. if you are a singer – you need a composer/lyrics/music producer/mix/master engineer etc

    We are building an artiste-first community on Instagram and Discord where we conduct regular sessions with the artiste community to help with the above-mentioned challenges. In our discord community, they have started interacting within themselves.

    On the strategies that you find most effective in reaching diverse audiences, in promoting genre-neutral music

    We need to find the core of the song and a corresponding audience on the digital medium that can act as a community for the music and interim help to spread to larger audiences. We have understood that Instagram is the new platform for discovery and people from all audiences are discovering music from platforms like Instagram, YT Shorts, and in India apps like Josh and Mauj. We try to break the marketing templates with every song release. Our marketing team led by Garishma (supported by Laksh & Deepank) are deep into it.

    On technology shaping the landscape for independent musicians, and what opportunities does it present for them

    Tech is helping in many ways with audio, video, promotions, and fan data. Collaborations have become easy. We can understand the global trends/sounds that are working; and reach out to musicians. Inter-dependence on creative people in order to create an album art or a visualiser. AI helps in everything. Platforms like Musixmatch are helping artists to create visualisers with lyric videos to help them promote their music.

    ⁠In your opinion, do you believe that having a foundation in Indian classical music can benefit artists, regardless of their genre or style? If so, what aspects of Indian classical music do you think are particularly valuable for indie artists seeking to innovate and diversify their sound?

    Right now in 2024, we see artists with learnings from their childhood with a foundation in music and we also see artists who have literally turned their hobby into a profession and the third type we see are music producers coming up with no background in music and learning everything from Youtube as the internet provides you with all sort of learnings.

    It really helps in the long run if you are trained with a good learning foundation of music. Some artists call it “AAMAD” – God’s gift to them then the education doesn’t matter – they are a vessel and music flows through them.

    We work with both these kinds of artists and enjoy working with both.

    On the future of independent music, and Artiste First contributing to its growth and evolution

    We think the Indian music scene will become like the US where independent music/artiste are mainstream. Currently, it is 50:50 approx (mainstream: independent). It is going to tilt towards 75:25 in the next two -three years. You will see a lot of independent artists dominating the mainstream as well because they will have a huge fan base. New streaming/digital platforms are all artist-centric and give them a lot of tools to develop their fanbase and understand deeply to quickly find their orbit of music.

    Artiste First is putting the artiste at the forefront with an honest, passionate, transparent platform to grow their audiences in India and the world and create an open community to help every talented artiste to go to the next level. 

  • The power of music in storytelling: Going beyond visuals in scripts

    The power of music in storytelling: Going beyond visuals in scripts

    Mumbai: In the realm of storytelling, where words sometimes fall short in capturing emotions, music emerges as a powerful language that bridges the gap. It not only complements the narrative but also enhances the viewer’s experience by filling the spaces between the lines with raw emotion. This article delves into the profound impact of music in storytelling, drawing insights from personal experiences and industry experts.

    Unlocking emotions:

    Giving an example of the recently released series Chamak on SonyLiv which is a crime drama set in the vibrant music industry of Punjab, where a son seeks revenge for his father’s untimely demise. In such narratives, where emotions run deep and words seem inadequate, music steps in as the silent yet eloquent narrator. It has the remarkable ability to evoke feelings that transcend language barriers, resonating with audiences worldwide.

    Creating Atmosphere :

    Beyond just accompanying scenes, music has the power to shape the entire atmosphere of a story. Whether it’s a haunting melody or an uplifting tune, the right composition can transport viewers into the heart of the narrative, immersing them in its world. From the poignant strains of a piano to the lively beats of a Punjabi folk song, each note adds depth and texture to the storytelling canvas.

    Enhancing performances:

    In the hands of skilled filmmakers, music becomes a transformative tool that can elevate performances and transcend the limitations of actors. Background scores not only underscore the emotions portrayed on screen but also have the ability to mask flaws and enhance the impact of both good and mediocre acting. Through strategic use of music, directors can breathe life into characters and evoke a spectrum of emotions in their audience.

    Time travel through music:

    One of the most remarkable aspects of music in storytelling is its ability to transcend time and space. Iconic themes like the haunting melody from “Karz” or the soul-stirring mouth organ theme from “Sholay” have become timeless classics, capable of transporting listeners back to a bygone era with just a few notes. Similarly, modern hits like the soundtrack of “Aashiqui 2” have the power to evoke feelings of love and nostalgia, tapping into universal emotions that resonate across generations.

    Storing emotions in melodies:

    What makes music truly powerful is its ability to encapsulate emotions within melodies, creating pockets of nostalgia that can be revisited time and again. Just like revisiting an old photograph brings back memories of a specific moment, hearing a familiar song can stir up emotions associated with past experiences. These emotional connections forged through music have the power to enrich storytelling, creating lasting impressions on audiences.

    In conclusion, the power of music in storytelling cannot be overstated. From evoking raw emotions to shaping entire atmospheres, music serves as a universal language that transcends the boundaries of culture and language. By harnessing the emotive power of music, storytellers can create immersive experiences that resonate with audiences long after the credits roll. As we continue to explore the endless possibilities of storytelling, let us never underestimate the transformative impact of a well-composed melody.

    The article has been authored by filmmaker, director and producer Rohit Jugraj.