Tag: Mumbai

  • Maharashtra shuts all TV, film shoots till 1 May

    Maharashtra shuts all TV, film shoots till 1 May

    New Delhi: With no slowdown in sight in the surge of Covid2019 cases, the Maharashtra government has decided to shut down all ongoing television and film shooting from 8 pm on Wednesday. The restrictions will remain in effect till 7 am on 1 May.

    The state is grappling with an alarming rise in the number of Covid2019 infections and has the maximum caseloads, more than any other state, amidst the second wave tearing through the country. Chief minister Udhav Thackeray said the current situation was “scary”, with hospitals across the state battling with acute shortage of beds, oxygen cylinders and lifesaving drugs.

    Thackeray stopped short of using the term ‘lockdown’, but said only essential activities and services will be permitted to operate for the next two weeks. The government has announced closure of all schools, colleges, restaurants, hotels, cinema halls, theatres, multiplexes, gyms, sports complex, amusement parks and all religious places. E-commerce will be allowed for the delivery of goods. Section 144 will be imposed across the state from 8 pm Wednesday till 7 am on 1 May.

    Television producers and broadcasters who were already reeling under the economic fallout of the pandemic will now have to face the challenge of running daily shows amid these strict restrictions. Several TV and film shoots have already been bearing the brunt of the pandemic during the last two weeks, with an increasing number of artists and staff members testing positive for Covid2019.

    Shooting of TV shows like Wagle Ki Duniya, Anupamaa and films like Gangubai Kathiawadi, Mr Lele, Ram Setu were halted after several Covid-positive cases were reported on the sets. The Indian Film and Television Producers Council (IFTPC) had also been urging the producers to ensure their staff is being regularly tested for Covid2019. The government had already announced the closure of cinema halls and multiplexes last week.

    The cases and fatalities have peaked sharply in Maharashtra over the last few weeks with as many as 60,000 cases being reported daily. The state has already lost as many as 58,000 lives to the pandemic. The capital city of Mumbai has reported as many as 7,898 new positive cases on Tuesday and reported 26 deaths, taking the total number of positive cases to 5,35,017.

  • Get crew members tested for Covid, IFTPC urges TV producers

    Get crew members tested for Covid, IFTPC urges TV producers

    MUMBAI: With no slowdown in sight in the number of Covid2019 cases in Maharashtra, the Indian Films and Television Producers Council (IFTPC) has urged all television producers to conduct RT-PCR/antigen tests of crew members working on ongoing projects. The statement comes at a time when the state government is mulling a complete lockdown for two weeks to combat the second wave of infections.

    Maharashtra is battling an unprecedented surge of Covid2019 cases, with nearly 60,000 cases being reported daily for the past few days. As many as 394 people lost their lives in the past 24 hours taking the death toll to 57,987.The state worst hit by the ongoing pandemic was forced to enforce a night curfew and a weekend lockdown last week. Except for essential services, it announced the closure of all other businesses, including theatres, cinema halls, and multiplexes till 30 April. However, the film and television shoots were permitted to continue amid restrictions.

    In a statement, the IFTPC said that it has asked the producers of 90 TV shows to conduct Covid2019 tests of their entire crew and submit a report. It has already received confirmation of as many as 9,000 tests, it stated further. The tests will be repeated after 15 days as per the ‘Break the Chain’ guidelines. The association has, however, mandated that antigen tests be done every week for additional safety.

    IFTPC chairman TV & web wing JD Majethia mentioned that broadcasters have borne the cost of the tests. "All the necessary guidelines are being followed scrupulously. We have also urged the producers to create a bio-bubble of the sets and post-production facilities for total safety,” he said, adding that the work on bio-bubble has already commenced and will fructify in a couple of days.

    Several on-ground productions including Ram Setu, Gangubai Kathiawadi, and Dharma Productions-backed Mr. Lele were impacted after actors, as well as other members on the sets, tested positive for the novel Coronavirus. Filming of Wagle Ki Duniya and Anupamaa was also halted after some members on the sets tested positive. Mumbai itself has recorded nearly 10,000 positive cases in the past 24 hours and recorded 79 deaths. Other cities like Aurangabad, Pune, Nashik, Thane also remain badly affected.

    Majethia said the television industry has been continuously producing entertaining shows which help the people to stay at home and bring relief to their stressful life. “We hope the government will treat the industry as an essential service and its workers as frontline workers,” he stated.

    On Sunday, chief minister Udhhav Thackeray held a meeting with the Covid2019 task force to discuss the current situation and the duration of a state-wide lockdown and its potential economic fallout. Thackeray had earlier warned that a lockdown is imminent if there is no let-up in cases. Talking to reporters post the meeting, state health minister Rajesh Tope said most of those present at the discussion were of the view that a lockdown should be imposed in the state for at least two weeks. However, he added that a final decision regarding imposing a lockdown in Maharashtra will be taken after 14 April.

    The state has administered Covid2019 vaccines to over a crore people so far.

    The second wave of Covid2019 and another lockdown could land a serious blow to the entertainment industry, which is still recuperating from the damages incurred last year due to an extended shutdown. Apart from the loss of revenue and the impact on the workforce, the restrictions have also put a question mark over the revival of the film exhibition business.

    What the second Covid2019 wave means for Maharashtra

    The IFTPC had earlier cautioned the producers about a potential "September-2020" like situation developing again and urged them to avoid outdoor shoots with immediate effect. Meanwhile, the Federation of Western India Cine Employees (FWICE) formed a monitoring team to ensure that all Covid2019 shooting guidelines, including safety precautions on the set, avoiding filming of crowd sequences are strictly followed.

  • Roadies Revolution resumes shoot in Mumbai

    Roadies Revolution resumes shoot in Mumbai

    MUMBAI: The seventeenth season of adventure reality show Roadies started earlier this year in Rishikesh and moved to Himachal just before the lockdown put a grinding halt on all outdoor shoots. However, with all the standard operating procedures issued by the I&B Ministry, the rest of the shoot of Roadies Revolution has resumed in Mumbai starting this month.

    Cast and crew members, on the set, are strictly adhering to protocols starting from social distancing norms to sanitization. It is mandatory to wear masks, face shields and hand gloves. There is stay over facilities for contestants and crew. The contestants who are travelling for the show have been following the necessary quarantine procedures and will be stationed at one place from start to end of the shoot. Also, Covid2019 tests have been done for all the members on the set.

    For an adventure show like Roadies, which requires intense on-ground activity, MTV is ensuring that all shooting locations are equipped with proper medical facilities including an ambulance that would be available on the set at all times. Instead of having a buffet system, all the contestants and crew will be provided with packed food, that would first run through a UV sterilizer.

    The high-intensity tasks on the show will now be conducted in a safe environment under the supervision of professionals, specializing in safety, to ensure that all safety measures are implemented.

    With a daily dose of action and drama, Roadies Revolution is keen on increasing the entertainment quotient for its fans. As the shooting has resumed, the show aims to raise awareness and prioritize safety and well-being to fight against the global pandemic.

    Strict sanitisation procedure presumably began after Rapper Raftaar, who is one of the mentors on Roadies Revolution, along with Rannvijay Singha, Neha Dhupia, has informed that he has tested positive for the Covid2019. He shared the news on 9 September. Raftaar is currently home quarantined. "I wanted to give you an update. I had to go for Roadies and before that, I had to test for Covid2019. Two of my tests were negative, but the result which came today was positive. BMC has asked me to self-isolate," said Raftaar on his Instagram Story.

  • TV producers back on sets with safety protocols

    TV producers back on sets with safety protocols

    MUMBAI: After a long hiatus of three months following the nationwide lockdown, the entertainment industry is finally back on track. After resolving the outstanding issues IFTPC (Indian Film and Television Producers Council), FWICE (Federation of Western India Cine Employees) and CINTAA (Cine and TV Artistes’ Association) have agreed to work in unison.

    Among television shows, Colors’ Shakti-Astitva Ke Ehsaas Ki, Choti Sarrdaarni, Barrister Babu and Dangal TV’s Pyar Ki Luka Chuppi have already begun shoots.

    Hats Off Productions founder and Indian Film & Television Producers’ Council (IFTPC) chairman TV wing JD Majethia is ecstatic to start work. In a special interaction with indiantelevision.com Majethia said that it was a long-fought battle that has been won. He played an active role in bringing together television producers, broadcasters and trade associations to resume shooting.

    “It was a long chase because seeking government permission, coordinating with broadcasters and other trade unions was very challenging. Finally, we have come to common terms,” he says.

    He mentions that IFTPC has agreed to provide two sets of insurance coverage i.e., death cover of Rs 25 lakh due to Covid2019 and also hospitalisation cover of Rs 2 lakh uniformly across all hierarchy of the cast and crew. After a detailed discussion with broadcasters a decision was taken to reduce the period of credit for cast and crew from existing 90 days to 30 days for at least the first three months.

    Majethia has resumed the shooting of his show Bhakarwadi in Mira Road almost after 100 days. As per the government directives Majethia had called only 40 people on the set including original cast of Bhojani, Akshay Kelkar, Akshita Mudgal, Paresh Ganatra and few technicians. However, the strength of 100 crew members has now been reduced to 40.  

    As a safety measure, separate lockers have been installed at the entrance. Before the cast and crew members enter the set, they have to remove their footwear and wear the pair of slippers provided by the production house. Majethia has a unique solution to maintain social distancing, he has provided umbrellas that everybody walks around with in the premise. He highlights that there is a designated marked position for everyone, and the actors and crew members will have to sit only in the allocated areas. There is a nurse available on the set who checks everyone’s temperature before letting them in. It is mandatory for actors to wear masks and gloves when not filming a scene. But other crew members have to sport them all day long.

    He explains, “Earlier, people would share gutkha, other nicotine products and smoke on sets. We have introduced a concept called share a sanitiser. Now, exchange of any nicotine products or chewing gum is strictly banned; they are only allowed to share sanitisers. At lunch, the unit was served packed food thus avoiding crowding.”

    As far as travelling is concerned, actors are using their private vehicles to travel and crew who are travelling from far have been asked to stay on the set. Also a separate make-up kit has been allotted to each actor. Sanitation and fumigation are done twice a day.

    Sphere Origins founder Sunjoy Waddhwa has resumed shooting for his show Singhalagna in Kolkata. As per the West Bengal government guidelines, all safety measures and protocols are strictly followed. However, he will start shooting in Mumbai only after September.

    Creative Eye Limited MD Dheeraj Kumar explains that the production house is in the planning mode and shooting will be started in the next ten days. He is currently working on a show for Dangal. Preparations involving sanitisation, other SOP measures gathering technicians has been done.

    Rashmi Sharma Telefilms founder Rashmi Sharma shared a glimpse of the shooting for her show Pyaar Ki Luka Chuppi on Instagram. She was among the first few producers to start shooting in Mumbai. The show is filmed at Naigaon.

    Shashi Sumeet Productions’ shows Barrister Babu and Shubharambh have also started shooting.

  • Mawana Foods partners with Vikas Khanna for #EidFeast2020 in Mumbai

    Mawana Foods partners with Vikas Khanna for #EidFeast2020 in Mumbai

    Mawana Foods Private Ltd. (Mawana Foods) collaborated with Chef Vikas Khanna to ensure that Eid was a sweet celebration in over 5000 homes across Mumbai. With the country in the grip of the Covid19 pandemic lockdown, Mawana Foods wanted to go that extra mile to help raise the festive spirit in the homes of the families as best as they can – by distributing Mawana Sugar, an integral part of creating sweet moments for a sweeter life.

    Chef Vikas Khanna’s team distributed festive packs to families today (Thursday) at Haji Ali Dargah, Mahim Dargah, Mohammad Ali Road and adjoining areas so that it was easier for families to come and collect these packs from within their neighborhood while maintaining social distancing norms and not needing to travel too far from their homes.   

    Said Rajneesh Bhasin, Managing Director, Mawana Foods, “India is all about diversity, and every festival across the country is celebrated with equal fervor. The current situation makes it all the more important to spread some cheer, and it gives us great pleasure to have been able to add sweetness this festive season to over 5000 families in collaboration with Vikas Khanna”.

    Speaking on the collaboration, Chef Vikas Khanna, said, “We are very thankful to partner with Mawana for #EidFeast2020. For adding sweetness to millions of kitchens. This is the time we all work together!”

    Mawana is known for its premium quality sugar that is processed using the world renowned ‘Tate & Lyle’ technology, where it remains untouched by hand from start to the final packaged sugar. Amongst the leading trusted and reliable brands, the company’s initiative underscore its commitment and service to providing the best in class products to its consumers.

  • INOX deploys Dolby Multichannel Amplifiers

    INOX deploys Dolby Multichannel Amplifiers

    MUMBAI: Cinema chain INOX Leisure Limited (INOX) today extended its strategic partnership with Dolby, a leader in immersive entertainment experiences to provide the best in class cinema solutions. With Dolby Atmos screens already present at INOX multiplexes across the country, INOX today announced that it will be deploying Dolby’s latest and best in class Dolby Multichannel Amplifiers (DMA). In the process, INOX will be the first Indian cinema chain to acquire the versatile DMA.

    The DMA’s are D Class digital amplifiers which have a smaller footprint that can save a lot of rack space and hence real estate, air conditioning and power consumption. Using DMAs in the audio chains escalates audio reproduction without distortion making the experience better than best. These new-generation amplifiers also bring other benefits like ease of connectivity, less cabling, robust design, built-in redundancies for uninterrupted playback, ability to monitor the health of the amplifiers over central NOC, and also the ability to compensate for a failed speaker till replacement, ensuring consistent and high-end experience for patrons what they expect from INOX.

    INOX has been extremely aggressive in pioneering cinema technologies into the country in order to enhance the cinema-viewing experience of its patrons. A testimony INOX’s technology focus is INOX Megaplex, the world’s first cinema with six different cinema viewing formats. Located at Inorbit Mall, Mumbai, INOX Megaplex houses IMAX, Samsung Onyx LED, ScreenX, MX4D and INSIGNIA formats. INOX also offers Laser Projection and Dolby Atmos experience to its patrons.

    INOX Leisure Ltd CEO Alok Tandon said: “Technology is the cornerstone of our business strategy, and cinema sound plays an extremely critical part in the overall cinema-viewing experience. I am delighted to share that we are further strengthening our association with Dolby with the acquisition of Dolby’s multi-channel amplifier. As we become the first cinema chain in the country to use these versatile amplifiers, we are all set to be more energy-efficient, cost-efficient and space-efficient. We are proud to pioneer one more technology intervention into the country with this deployment.”  

    Friedrich Deininger, Sr. Director, Cinema Sales, EMEA and India, Dolby Germany GMBH, said that Dolby offers a full range of imaging, content management, and accessibility solutions to give audiences an immersive cinema experience with 700+ Dolby Atmos Screen installed or committed in India and over 700+ Dolby Atmos titles in six Indian languages.

    INOX, amongst India’s largest multiplex chains, offers 146 multiplexes and 614 screens in 68 cities.

  • Fitternity Joins Hands With Swiggy To Give Consumers Incentives For Healthy Choices

    Fitternity Joins Hands With Swiggy To Give Consumers Incentives For Healthy Choices

    Mumbai: Fitternity, India’s one stop destination for fitness, has collaborated with India's largest online food ordering and delivery platform- Swiggy. The alliance is in sight to incentivise consumers to take steps towards adopting a healthier lifestyle.

    Through a strategic month-long collaboration, Swiggy users will avail of Fitternity’s OnePass (worth 1999/-) valid for 7 days when they order for Rs 249 and above. Fitternity’s OnePass membership is a convenient, cost effective and flexible way of availing fitness services across various gyms/fitness centres/ studios in multiple cities across India.

    As per the reports from Red Seer, it is estimated that there were about 100 million health focused individuals in India in 2019. The healthy eating (snacks and cooked food) category is projected to have a yearly growth rate of 20% and a total of USD 30 billion in revenue by 2022.

    Fitternity, through its research and data has innovated products that are unique and solution oriented to consumer pain points related to fitness. The association with Swiggy enabled Fitternity to garner a more in-depth understanding of the way consumers approach nutrition. The insights clearly indicated a shift in preference toward healthier meal options which is the consumer segment that Fitternity is also keen to focus on, making it a great partnership.

    Speaking on the collaboration, Neha Motwani, Founder and CEO at Fitternity said, “In an individual's fitness journey, nutrition is often the most important factor along with regular exercise. Just as there are multiple meal options available on Swiggy, there are myriad different forms of fitness solutions waiting to be tried out on Fitternity. It's often tough to make healthy decisions when it comes to diet but we hope that with this association, consumers will be able to better meet their fitness targets.”.

    Similar to this association, Fitternity is keen on aligning with brands that have a vision to motivate and encourage the consumers towards a healthy lifestyle.

    The offer is available on the Swiggy app in Mumbai, Delhi, Gurgaon and Bangalore.

  • Wunderman Thompson South Asia wins creative mandate for Sugarlite

    Wunderman Thompson South Asia wins creative mandate for Sugarlite

    MUMBAI: Following a multi-agency pitch in 2019, Wunderman Thompson South Asia has won the creative mandate for Sugarlite. The agency will be providing strategic and creative services to shape the communication for the brand which will cut across geographies, demographics and mind-sets and deliver differentiated content with incisive insights.

    Sugarlite, which was launched in January 2019 is a premium sugar brand from India’s emerging wellness and health company, Zydus Wellness. A first of its kind sugar, Sugarlite delivers 50% less calories than regular sugar for the same degree of sweetness. The agenda of Sugarlite is to provide a healthy sugar to Indian homemakers and health seekers.

    Commenting on the decision to appoint Wunderman Thompson as their creative agency, Zydus Wellness chief executive officer Tarun Arora said, “We were seeking to partner with an agency that would not only be responsible for communication development but also walk alongside us with strategic inputs on the brand. Hence we decided to extend our partnership with Wunderman Thompson considering the good work that has been done on some of our other brands.”

    On the new business win, Wunderman Thompson, South Asia chairman and group CEO Tarun Rai said, “Zydus Wellness has some amazing brands in their portfolio, and I am very happy that we have deepened our relationship with the Sugarlite win. We will work in close partnership with the Sugarlite team to achieve their ambitious business objectives. With Wunderman Thompson’s capabilities in data, digital and technology, we are in a strong position to offer end-to-end solutions for the brand.”

    Wunderman Thompson, Mumbai SVP and managing partner Kishore Tadepalli said, “We are truly delighted that we could demonstrate our team’s experience and capabilities in offering a multi-discipline integrated offering to win this very prestigious business. Through Sugarlite, we want to redefine the sugar category in India and creative communication plays a crucial role to achieve the same. We now look forward to this partnership to create content that will help to drive the desired impact and achieve business outcomes for Sugarlite.”

  • Havas Group acquires experiential agency Shobiz

    Havas Group acquires experiential agency Shobiz

    MUMBAI: Havas Group today announced its third acquisition in India in 2019 – Shobiz – the country’s first and most experienced experiential agency. Founded in 1982, Shobiz is regarded as a pioneer in the experiential space and has grown steadily and consistently to employ over 300 professionals across its five offices in India. 

    Headquartered in Mumbai, Shobiz is a multi-disciplinary experiential communications agency, offering an integrated service spectrum from concept to commissioning and final reporting. The agency’s strengths include strategic planning, communication & content design, creative, graphic and architectural design, audience acquisition, production and logistics. The Shobiz portfolio has over 142 recurring clients.

    While Shobiz CEO Sameer Tobaccowala will continue to oversee the business along with Vishnu Mohan chairman & CEO, Havas Group India & South East Asia, the daily operations will be led by Tejpal Singh Patpatia COO Shobiz, who will report into Rana Barua, CEO Havas Group India,  leading to seamless integration for both the entities.

    With the acquisition of Shobiz, Havas Group completes its third acquisition in India within a span of just one year, demonstrating the group’s commitment and intent to expand its scale and expertise in India with a focus on exponential growth, new business momentum, and leading future-ready teams in the Indian market. 

    In May this year Havas Group acquired Think Design, the leader in user experience consultancy and design in India, followed by the acquisition of Langoor a full-service digital agency led and driven by creative technologists in September this year.

    Havas Group chairman and CEO Yannick Bolloré comments: “India has increasingly become a priority for Havas, and even more so over the past 12 months. With the acquisition of Shobiz we have delivered on our ambitious growth plan to triple our footprint in India. Shobiz’s talented teams are renowned for their solid track record and their excellence in the planning and flawless execution of complex events. After strengthening our local digital and service design capabilities with the acquisitions of Think Design and Langoor, we can now significantly boost our activation and experiential offer on the rapidly growing events market in India. Shobiz is a precious addition to Havas and I welcome them warmly.” 

    Mohan adds, “Experiential marketing is a critical component of an integrated approach to brand building as consumers are demanding personalised and meaningful interactions across all touchpoints. The acquisition of Shobiz will further strengthen the breadth of our multi-disciplinary Village model of working and bring on board a different kind of creative skills set. Shobiz’s transformation from a leading production house to be one of the country’s leading experiential communications agency is impressive and I am delighted to welcome Sameer and his entire team to the Havas family.”

    Havas Group India CEO Rana Barua says, “Shobiz’s acquisition adds an enviable strength to Havas Group with its forte in the experiential space.  Shobiz’s thirst for innovation, impact and results, adds tremendous value to our existing offerings as a Group, and seamlessly fits in with Havas Group’s multi-faceted, integrated, client centric “Village” style of working, giving us a distinctive advantage and making it a much stronger force to reckon with.”

    “Crafting unforgettable brand experiences has the power to engage consumers in ways not seen before. Havas Group’s integrated approach to brand building coupled with their entrepreneurial spirit resonated with us. We are confident that this collaboration will unlock unprecedented growth opportunities for us and forge stronger consumer connections that foster trust, loyalty and business results. We are thrilled to be a part of Havas and look forward to a meaningful journey ahead, together,” said Tobaccowala. 

  • Is TV Still The Most Effective Ad Medium?

    Is TV Still The Most Effective Ad Medium?

    "TV not only remains the most effective medium – almost twice as much as the rest, making advertisers earn more money than any other medium – but it is also the most efficient in terms of retention rate."

    Television generates a higher ROI than the rest of the media in three of the four categories ($ 1.70 return for every dollar invested in the consumer sector, $ 8.90 in the automotive sector and $ 5.3 in the finance sector) and it is also the medium with better long-term behavior (effect of advertising on consumer buying behavior).

    I believe these facts are quite heavy to support the article's statement.

    There is much talk about the power and scope of the new digital platforms and the different consumption habits that they generate; nevertheless, it is not easy to forget the importance that traditional media still possesses.

    TV, though, is counted amongst the conventional media type, the world hasn't let down its significance and scope it has for reaching the global audience.

    At least in the United States, the reach of the radio is still significantly higher than the rest, even 5 points above the television, says the Nielsen Audio Report for 2019.

    On the one hand, where the radio earns status as a powerful medium, the other hand also tries to balance the equation where television remains unbeaten in terms of its average weekly usage. According to Nielsen, Americans have spent during this first quarter, on average, 36 hours a week watching television, which is more time than they spend with the rest of all other platforms together.

    So don't you think that TV purchase is a worth deal to seal? If you are looking for buying a TV but restrict yourself looking at the budget, go for renting it online. You can look out for tv on rent in Pune, Mumbai, Bangalore, Delhi Gurgaon, and many other metropolitan cities where you get easy accessibility with door to door product deliveries.

    Currently, one of the most serious challenges of the media industry in the digitized world is to ensure the security of brand communication. It is worth emphasizing that television, due to its specificity, has never met and will not be accused of a lack of control over the context in which the brand is shown.

    Television, today, can be characterized by:

    • 100% transparency
    • the highest viewer confidence index,
    • control (legal regulations), and
    • measurability

    If it is believed that television is one of the most powerful assets for advertising, then this statement is made true by some of the facts mentioned below, take a look:

    • The TV is the medium that brings more visibility and the most profitable
    • TV helps reduce costs per acquisition.
    • It offers one of the best ROI.
    • Ability to reach a mass audience.
    • Television is the catalyst for other media
    • A TV is a medium on which the relevance of a brand is based.
    • Television is the medium where emotional campaigns are most effective.

    Now let's see what makes the television the most important advertising medium besides the security of the message.

    Let's take a paper tour:

    #Range

    According to the data, television reaches about 70% of the country's population per day, 90% during the week, and almost every month. The unique combination of coverage with a huge amount of time spent watching TV makes it one of the most reach advertising media.

    #Stability

    Over the past decade, television has proved to be extremely resistant to enormous interference. Despite the constant development of new SVOD services such as Netflix and the emergence of online video platforms such as YouTube, television consumption remains unwavering worldwide, even in such developed markets as the UK or US.

    #Popularity

    Television is the most popular video format of all available forms. According to world data, on average, TV accounts for 90% of the time spent watching the video by the average viewer. For Poland, it is almost 89%.

    # Impact Force

    Communication on TV as a medium most evokes emotions such as laughter or tears among consumers. It also strongly influences viewers' purchasing decisions.

    #Efficiency

    Research around the world indicates the positive effects that TV has on other media. Online brands show particular interest in TV advertising.

    There are also brand icons, which help to have a simple link, with the creative content presented, all ads have a legacy that revolves around this brand icon, to be recognized by everyone.

    Through studies, it has been identified that viewers show higher rates of commitment, with an advertisement, during their first ten seconds, and in these, they must build an emotional connection with the public.

    There are two ways to buy television advertising:

    #The Discount Purchase

    In this case, the television network sets a fixed rate for a specific program or schedule for a specific day, and the advertiser negotiates a discount to broadcast the advertisement.

    #Advantages:

    • The flexibility of purchase, regarding programs and days of issuance.
    • If the audience of the program goes above the average, the same is paid.

    #Disadvantages:

    • You run the risk of lowering the hearing and continuing to pay the same.
    • It has less negotiation capacity.

    #Purchase at GRP cost

    A cost is negotiated with the chain for each GRP ( Gross Rating Point), which is obtained for a target offered. This negotiation includes qualitative and quantitative variables.

    #Advantages:

    • Only what is issued is paid, so if the audience goes down, the budget is not affected.
    • Relative security when reaching coverage rates.

    #Disadvantages:

    • Less flexibility of purchase, in terms of programming, due to the conditions of purchase of the chains.

    In the increasingly connected society in which we live, advertising is everywhere. It is virtually impossible to escape it despite the progress of phenomena such as Ad Blocking.

    It is present in all devices and media. It is omnipresent. But, despite everything, television continues to be positioned as the best platform when it comes to reaching large crowds. It comes as no surprise if we consider the advertising investment figures.

    The Final Say

    As we initiated with facts, we'll end the tradition in the same way:

    • In Australia, an average television campaign achieves sales revenue of $ 1.70 for every $ 1 invested.
    • In Belgium, television generates almost three times the brand memory that on YouTube (42% vs. 15%),
    • While in France, the traffic of an advertiser's website during a television campaign increases by 44%.

    Thus, it is proved that the greatest weapon of television is its effectiveness, which ultimately derives the results as intended.