Tag: Mubarakan

  • Inox reports increase in revenue, profits for second quarter

    Inox reports increase in revenue, profits for second quarter

    BENGALURU: Indian cinema chain Inox Leisure Limited (Inox) has reported improved revenue and net profit after tax (PAT) for the quarter ended 30 September 2017 (Q2-18, current quarter) as compared to the corresponding quarter of the previous year (Q2-17, year ago quarter). Inox revenue from operations for Q2-18 increased 4.7 percent to Rs 3,112.6 million from Rs 2,973.8 million for Q2-17 (y-o-y). Profit after tax for the current period increased more than sevenfold (7.49 times) y-o-y to Rs 116.8 millon from Rs 15.6 million.

    Total income increased 4.9 percent y-o-y in Q2-18 to Rs 3,141.5 million from Rs 2,995.1 million. Operating profit (EBIDTA) for the current quarter increased 63.4 percent y-o-y to Rs 444.2 million from Rs 271.9 million.

    Inox says in its investor presentation that net box office collection (NBOC) increased in the current quarter to Rs 1,856 million from Rs 1,794 million. Advertisement revenue increased to Rs 321 million from Rs 23.8 million. Other operating revenues increased to Rs 264 million from Rs 240 million. Net food and beverages (F&B) revenue in the current quarter reduced to Rs 671 million from Rs 702 million in Q2-17.

    Though overall footfalls in Q2-18 increased to 12.75 million from 12.7 million in Q2-17, occupancy declined by 1 percent to 25 percent in Q2-18 from 26 percent in Q2-17. Overall average ticket price increased to Rs 186 in the current quarter from Rs 183 in the corresponding year ago quarter.

    The company says that the top five grossing movies in Q2-18 were Toilet-Ek Prem Katha (1.244 million footfalls, Gross Box Office Collection or GBOC of Rs 247.5 million; Spiderman Homecoming (0.623 million footfalls, GBOC Rs 131.1 million; Jab Harry Met Sejal (0.539 million footfall, GBOC Rs 119.6 million); Jagga Jasoos (0.605 million footfalls, GBOC Rs 113.9 million) and Mubarakan (0.561 million footfalls, GBOC Rs 103.3 million).

    Let us look at the other numbers reported by the company

    Total expenditure declined 13.1 percent y-o-y to Rs 2,963.1 million in Q2-18 from Rs 2,968 million. Exhibition costs increased 2.1 percent y-o-y in the current quarter to Rs 884.6 million from Rs 866.3 million. F&B costs declined 8.5 percent y-o-y to Rs 167.6 million y-o-y from Rs 183.1 million. Employee benefits expense increased 6.8 percent y-o-y to Rs 233 million from Rs 218.1 million. Finance costs in the current quarter increased 25.3 percent y-o-y to Rs 73.2 million from Rs 58.4 million. Other expenses reduced 3.6 percent y-o-y to Rs 1,383.2 million in Q2-18 from Rs 1,434.4 million.

  • Akshay Kumar’s versatility saves holiday week from dullness

    Akshay Kumar’s versatility saves holiday week from dullness

    The flow of new films seems to have tapered down. In the weeks when new films are not meant to be released like during IPL or exams etc, a bunch of small, inconsequential films swarm the cinemas. Even if one or two of them had a merit, they stood no chance because of high admission rates, odd show timings that they were meted out, and the lack of face value of such films.

    Now, when the playtime is open and available, the exhibitors were able to get one Bareilly Ki Barfi besides the other release, Partition: 1947 (Hindi-Dubbed), which failed to get the footfalls and faced a no audience, no show situation.

    The starving cinema halls had some relief with Akshay Kumar’s Toilet: Ek Prem Katha with an extended Independence Day weekend coinciding. The film raced to the Rs 900 million-figure during these holidays. The film has to meet the target of Rs 1.25 billion and, looking at the weak opposition in the new release, Bareilly Ki Barfi, the Akshay-starrer should sail safe eventually.

    *Bareilly Ki Barfi had some renowned names riding with it. The film boasts of Nitesh Tiwari who wrote and directed the recent blockbuster Dangal, as the writer while Ashwini Iyer Tiwary, who made Nil Battey Sannata, as the director. Both the writer and the director failed to live up to their earlier glory as Bareilly Ki Barfi has none of that spontaneity or laughter expected of their work.

    The film opened with a low Ra 20 million. The Saturday improvement was fair but still on the lower side while Sunday was much better with double the Friday figures. The film ended its opening weekend with a total of Rs 108 million.

    *The other major release, UK-based Gurinder Chadha’s Partition: 1947 (Hindi-Dubbed), an attempt to tell the behind-the-scenes story of the Partition, had little relevance for today’s Indian viewers. A futile attempt, it finds no takers as the film fared poorly at the box office.

    *Toilet Ek Prem Katha thrived on the holiday week. The week had a holiday on Monday in many parts being Janmashtami, a national holiday on Tuesday being the Independence Day and the Parsi New Year holiday on Thursday in Maharashtra and Gujarat.

    The film had opened with fairly decent collections and picked up steam on Saturday and Sunday with the holidays adding handsomely to take the collections on the verge of Rs one billion, the mark it will easily cross during its second weekend. 

    With an opening weekend of Rs 511 million, the film added another Rs 415 million to take its first week tally to Rs 936 crore million.

    *Jab Harry Met Sejal added Rs 41.5 million in its second week to take its two-week total to Rs 616.5 million.

    *Mubarakan is struggling to sustain, despite being a fairly entertaining film, and keeps holding out hope in its subsequent weeks which will help cut down its losses. The film collected a decent Rs 54 million taking its four week total to Rs 553 million.

  • Word of mouth may help family entertainer

    Mubarakan came as a full family entertainer after a long gap, a gap when fillers and mediocre films reigned. However, the film’s opening day collections were poor to put it plainly. To a certain extent, the promotion and the presentation of the film were not quite attractive.

    The promos on theatrical as well as electronic media were really dull telling little about the film except that it was about Arjun Kapoor playing double roles with Anil Kapoor playing the uncle. Little was visible or came through about the other aspects, the talented other artistes or, mainly, the music of the film which is its asset.

    The film’s projection proceeded more like a family enterprise of Kapoors which is not an added attraction. Father sons, uncle nephews coming together is neither novelty nor assures a draw.

    The result was that, the film opened to 15 per cent footfalls on Friday, failed to pick up and ended its opening day with just a little over `50 million. However, the word of mouth was generally positive and the film was expected to gain some momentum over Saturday and Sunday. The Saturday improvement looked good in percentage as it was over 40 per cent but not really since the opening Friday was poor. The collections took a leap on Sunday with double the opening day figures to end its opening weekend with `226 million.

    If the film fails to cash in on the positive word of mouth that it enjoys through rest of the week, it is headed to be a loser. Also, because, this is the only week it gets to establish itself as come next Friday, there is a new, bigger release in Shah Rukh Khan- Anushka Sharma starring, Jab Harry Met Sejal.

    *RaagDesh is a film about a British era court martial of three Royal Army Indian soldiers who were captured by the Japanese, let off to join Subhash Chandra Bose’ Indian National Army and, later charged for the killing of some soldiers. This film is beyond comprehension.

    Which moviegoer would want to pay anything between `100 to 2000 to watch this film when they did not care to watch films on Sardar Patel, B R Ambedkar, Veer Savarkar, Nehru made over the years when even the ticket prices were not so high! The only film on a political leader of whatever we call history which got some attention was Gandhi and that too its English version; the Hindi version simply failed.

    The purpose of making this film about ‘unknown heroes’ of IAN defies logic and, why the RajyaSabha TV involved in this project is a question!

    As for box office, the film had no commercial prospects to explore to collect a mere `5.5 million for its opening weekend.

    *Indu Sarkar is another example of a film which should never have been made. The trade describes this as an enterprise of personal political aspirations. The film on the 1975 emergency bore no relevance a few months after it was over as films made on the subject like KissaaKurseeKa and Nasbandi proved to be capital loss.

    This shows on the box office. The film has been rejected. The film collected `26 million for opening three days.

    *Munna Michael fails. After a mediocre opening, the only day it picked up a little was on Sunday only going downhill thereafter to end its first week with a total of `308 million.

    *Lipstick Under My Burkha managed `105 million in its first week maintaining low but steady collection through the week. The film is holding steady in its second week.

    *JaggaJasoos added `73 million in its second week to take its two week tally to `504 million.

    *Mom has collected `22 million in its third week taking its three week tally to `318 million.

  • Mubarakan……Fun while it lasts

    Mubarakan is designed to be a crazy comedy on the lines of Bazmee’s own, Welcome, Sajid Khan’s Housefull, Nikhil Advani’s Patiala House and other such movies where knotty situations are created leading to one tangle after another, leading to a lot of funny situations and laughter as a result.

    The prime ingredient is a horde of artistes, preferably a talented lot if it has to work better. However, depending on the script and screenplay, not to forget peppy dialogue of which some work, some don’t.

    Being a situational comedy, more the characters on the screen, better the pace. With fewer characters, it would become tedious. The story about identical twin brothers separated at birth because of circumstances, helps add spice. And, of course, a film has to justify folks dancing in colourful costumes at a family wedding. That is being so Indian.

    This muddle revolves around a Sikh family divided between Chandigarh in India and London in the UK.
    It falls upon the bachelor played by Anil Kapoor to bring up his twin nephews, the character of Arjun Kapoor in a dual role, when his brother played by Sanjay Kapoor and his wife die in a car crash. Not in a position to take up the responsibility, he sends off one of the twins to his older brother, played by Pawan Malhotra, and the other to his sister, played by Ratna Pathak Shah.

    Charan, one of the twins, brought up by Pawan grows up to be a shy, introvert and traditional Sikh, sporting his pagdi while the one brought up in London by Ratna is bold, has shorn his hair and, is outgoing. However, both brought up by their adoptive parents, are in awe of them and give them full respect.

    Arjun from London has followed the character of Ileana D’Cruz to Chandigarh whom he has been courting for two years. He keeps promising her that he will talk to his parents soon but, an accident meeting between her and Ratna, turns into Ileana calling Ratna names and ridiculing her. That puts paid to Arjun’s plans to take Ileana’s to meets his strong headed mother, Ratna.

    The shy Arjun with pagdi loves the character of Neha Sharma, a lawyer by profession. He is scared to take her home to meet his father, Pawan, for he is shy by nature as it were and the fact that she is not from the Sikh community deters him from doing so.

    Pawan decides to fix up his nephew, Karan’s wedding with the character of Athiya Shetty, daughter of a London tycoon played by Rahul Dev. But, being in love with Ileana, he wriggles out of the proposal, instead, suggesting the family choose Athiya for Charan. But, Charan wants to marry Neha.

    None of the two is opening up about their true intentions and, instead, approach their maternal uncle, Anil Kapoor, to help get them out of the situation. Anil has decided to remain a bachelor, drowning his sorrows in alcohol after a failed romance. In helping his nephews, he finds a cause.

    To start with, when the family reaches Rahul’s palatial house, Anil suggests Arjun (Charan) act as a drug addict which would be easy to pass off since his home state, Punjab, has been in news for drug abuse; he even quotes Udta Punjab (a recent film on the Punjab drug menace).

    Then on starts a chain of events which create funny situations in the film which at most times keep viewers giggling.

    Comedy writing has not been the forte of Hindi filmmaking clan. But, in the case of Mubarakan, the team of writers has done a good job, which was expected considering the director, Bazmee, who himself began his career as a writer, would know what he wanted. Dialogue adds to the fun.

    Despite this, some scenes stretch and the climax, though enjoyable, follows on the predictable lines. Bazmee, the director, handles his artistes well, making their causes look convincing and not letting the performances look like buffoonery.

    The cinematography is good with ample help from the choice of locations. Choreography adds colour to the proceedings. Editing could have been a little crisper. Though dominated by Punjabi songs, the music works in the film’s favour with foot tapping numbers. The title song is already popular with the reworked version of Hasan Jehangir’s 1987 number, Hawa hawa… and the romantic song, Hathon mei haath…..being appealing.

    This despite being a no holds barred comedy attempt, the actors are reigned in well. Anil Kapoor verges on going overboard but that is what his character demands. Arjun Kapoor does a very good job in two totally different characters. Ileana D’Cruz is aptly peppy. Athiya has a limited role in first half and is restrained in the latter parts when she gets more exposure; her dancing is graceful. Neha Sharma impresses. Rahul Dev and Karan Kundra live up to their roles of arrogant but traditional Sikhs. However, the ones who give the comic film credence are Ratna Shah Pathak and Pawan Malhotra.
    Mubarakan is a family entertainer and though the opening is average (the film’s promos were uninspiring), the film has the prospects to pick up over the weekend.

    Producers: Ashwin Varde, Murad Khetani.

    Director: Anees Bazmee.

    Cast: Anil Kapoor, Arjun Kapoor (double role), Ileana D’Cruz, Athiya Shetty, Neha Sharma, Rahul Dev, Karan Kundra,, Ratna Pathak Shah, Pavan Malhotra.

  • SPN to replicate Anil & Arjun Kapoor’s real life relationship in ‘Mubarakan’

    SPN to replicate Anil & Arjun Kapoor’s real life relationship in ‘Mubarakan’

    MUMBAI: Sony Pictures Networks Productions (SPNP), a division of Sony Pictures Networks India (SPN), has announced their next film titled Mubarakan. In a casting coup of sorts, SPNP has roped in the real life chacha- bhatija Anil Kapoor and Arjun Kapoor for this film. The duo will replicate the same camaraderie that they share in real life on screen too.

    The film also stars Ileana D’Cruz, Athiya Shetty, Amrita Singh amongst others.

    Mubarakan is a laugh riot with confusions galore, laughter, love, egos and emotions.

    “We are very excited to embark on our journey for Mubarakan. From drama to horror to slice of life cinema and now comedy, we aim to present content that engages, evokes and entertains our audiences. I am certain that Mubarakan will be one of the most anticipated movies of 2017 and we look forward to receiving the same overwhelming support like we have in our previous movies”, said SPNP Dy president and head Sneha Rajani.

    This family comedy will be directed by Anees Bazmee and is produced by SPNP and Ashwin Varde and Murad Khetani’s Cine1 Studios. The film has been written by Balli Januja and Rupinder Chahal and is all set to go on the floors by November 2016. It is slated for a 28 July 2017 release.

    Bazmee said, “Mubarakan is one of the best scripts I’ve come across in recent times. That’s what attracted me to it primarily. The highlight of the film will be Anil Kapoor and Arjun Kapoor coming together for the first time on screen. The madness of the script along with the fantastic ensemble cast, we are all set to create something that will be unparalleled.”

    Bazmee has to its credit an array of movies directed by him like last film Welcome Back, Ready, etc.

  • SPN to replicate Anil & Arjun Kapoor’s real life relationship in ‘Mubarakan’

    SPN to replicate Anil & Arjun Kapoor’s real life relationship in ‘Mubarakan’

    MUMBAI: Sony Pictures Networks Productions (SPNP), a division of Sony Pictures Networks India (SPN), has announced their next film titled Mubarakan. In a casting coup of sorts, SPNP has roped in the real life chacha- bhatija Anil Kapoor and Arjun Kapoor for this film. The duo will replicate the same camaraderie that they share in real life on screen too.

    The film also stars Ileana D’Cruz, Athiya Shetty, Amrita Singh amongst others.

    Mubarakan is a laugh riot with confusions galore, laughter, love, egos and emotions.

    “We are very excited to embark on our journey for Mubarakan. From drama to horror to slice of life cinema and now comedy, we aim to present content that engages, evokes and entertains our audiences. I am certain that Mubarakan will be one of the most anticipated movies of 2017 and we look forward to receiving the same overwhelming support like we have in our previous movies”, said SPNP Dy president and head Sneha Rajani.

    This family comedy will be directed by Anees Bazmee and is produced by SPNP and Ashwin Varde and Murad Khetani’s Cine1 Studios. The film has been written by Balli Januja and Rupinder Chahal and is all set to go on the floors by November 2016. It is slated for a 28 July 2017 release.

    Bazmee said, “Mubarakan is one of the best scripts I’ve come across in recent times. That’s what attracted me to it primarily. The highlight of the film will be Anil Kapoor and Arjun Kapoor coming together for the first time on screen. The madness of the script along with the fantastic ensemble cast, we are all set to create something that will be unparalleled.”

    Bazmee has to its credit an array of movies directed by him like last film Welcome Back, Ready, etc.