Tag: MTV

  • Channel V gets bigger, better, post refresh

    Channel V gets bigger, better, post refresh

    MUMBAI: “As politically incorrect as it sounds, may we just say we’re kicked,” says Channel V EVP and general manager Prem Kamath

     

    In an interview with indiantelevision.com, Kamath expresses happiness at the way things have shaped up for the channel after its two big refreshes.

     

    The first happened in July 2012, when Channel V repositioned itself as a youth general entertainment channel with a focus on reality.

     

    The second, on 25 November, 2013, when it came up with a cool new logo, a tagline ‘Correct Hai’ and four new shows i.e. Paanch: Don’t Get Mad Get Even, It’s Complicated, Confessions of an Indian Teenager (finite) and Sadaa Haq (daily).

     

    “The response has been huge, both in terms of viewership and what we have managed to achieve in the market. Specifically in terms of numbers, after the last refresh, we have seen 52 per cent growth, that too within three weeks of it, which is unprecedented within the category in my mind,” he says.

     

    Channel V is now a good 40-50 per cent bigger than its nearest competitor, courtesy breakout hits like Sadaa Haq and Paanch. Within a week of launching these shows, the channel witnessed 14.3 TVM vis-a-vis Bindaas’s 11.1 TVM and MTV’s 8.5 TVM, going by TAM week 48 ratings. It recorded a 42 per cent growth in just one week.

     

    With increased ratings came advertisers. “Yes, more than the sheer number of advertisers, I think, for channels like us, where revenues are directly linked to ratings as we have a lot of clients on CPRP deals, a jump in ratings almost immediately results in an upswing in monetization as well,” says Kamath.

     

    This included advertisers targeting a slightly older age group. “So, even advertisers targeting a slightly older age group started coming on board in a significant departure from earlier times,” he says.

     

    Unlike other TV channels which divide content into weekdays and weekends with weekdays focussing on dailies and weekends on one or two episodes, Channel V took a very different approach and started doing bi-weeklies.

     

    “We understood clearly that given the nature of the audience and their viewing habits, this group of viewers tends to be fickle and gets bored rather quickly. It is not interested in watching the same story drawn out over a period of one year or two and a half years which is what dailies typically do,” Kamath goes on to explain.

     

    So, three of the four new shows were bi-weeklies, running for two episodes a week and for a finite period. From the beginning, they were conceptualized as shows with 52 episodes that would run for 26 weeks, period. The entire script too was fleshed out before taking the first shot.

     

    “This innovation and scheduling has worked tremendously for us. Paanch has been a breakout hit. Sadaa Haq has been a daily format, but again within the daily format, we were clear that it is a one-year story line and it begins and concludes within a year and within a year, you will see Sadaa Haq being replaced as well,” he says.

     

    In week 2-5, Channel V reported an average 12,640 TVTs compared to Bindaas’s 8,946 TVTs and MTV’s 6,367 TVTs. In week 6 of TAM ratings, Channel V scored 2,691 TVTs, whereas Bindaas got 1,321 TVTs and MTV stood at 1,216 TVTs. “It’s been Channel V vs. Channel V, what with MTV and Bindaas less than half the break TVT ratings,” says Kamath.

     

    What’s more, Channel V was in the lead with audiences in the age group of 15 to 34 years in week 8 of TAM ratings (Channel V 17,738 TVTs; Bindaas 13,535 TVTs; MTV 10,194 TVTs and 9XM 8,657 TVTs).

     

    According to Kamath, bi-weeklies have multiple advantages. “They let us tap into producers who would have otherwise not come on television. Because it is finite project, people are willing to come on-board because it does not take up their entire lives, which a daily tends to do,” he says, adding the ability to experiment with more concepts and genres as another advantage.

     

    Paanch is a taut revenge thriller which we won’t be able to pull off on a daily basis and continuously. It has multiple advantages and lets us tap into newer concepts and newer genres as well as newer talent, which is why it is working well for us.”

     

    Bi-weeklies have worked so well for the channel that ironically, the feedback has been to make them dailies. “Unfortunately, we can’t,” asserts Kamath. “The nature of the show is such that it is not possible for us to produce this quality of content, with this quality of writing and this pace of narration if it becomes a daily. And then, there will always be a compromise we will have to make.”

     

    Road ahead

    Once Confessions of the Indian Teenager ends, it will be replaced with another bi-weekly drama. In April, the channel plans to launch two more shows, but Kamath refused to divulge details.

     

    “It is a little early to talk about these shows, but within a couple of weeks’ time, we will be in a position to talk about them. But around the first or second week of April, you will see two new shows being launched,” he says.

     

    Going forward, the channel is planning on creating something called E-IndiaFest, reason being IndiaFest zonals usually start around November and conclude by Jan or Feb leaving nothing on the plate between February and November.

     

    “There is a set of things we are planning which people can compete in but can do online. Because we have so far been operating on formats which are essentially dailies, the season break never tends to happen. These are continuous shows that are run aground once ratings stop. But it is something that we now have the option of doing. So with Paanch for example, we are already beginning to script the second season,” he explains.

     

    There are plans to air the second season of the show, a year later or maybe earlier, depending on how it is scheduled.

     

    “For us, it is the process of continuously adding programming. At present, the channel produces four slots a day and plans to add more in the coming months. Towards the end of May, you might see us opening a fifth slot. Getting it into the next fiscal, the plan is to add more slots to it,” he reveals.

     

    “We are clear that the direction we are going in is fairly stronger and the kind of traction we have got is huge. But we also know that probably in order for us to really break out in the larger leagues and for us to become a full-fledged GEC in our own right, we will need much higher levels of the show programming. That is the process we have consciously undertaken, one step at a time. So, even when we re-launched three years back, we started with one show a week and the channel has slowly built up from there to the point that it is today,” Kamath signs off.

  • Pepsi MTV Indies to reach the audiences by 15 March: Aditya Swamy

    Pepsi MTV Indies to reach the audiences by 15 March: Aditya Swamy

    MUMBAI: It’s set to change the indie scene in India. The announcement of the launch of the ambitious indie channel – Pepsi MTV Indies from the Viacom 18 group was made amid much fanfare last month. However, the launch date was kept a secret. Now, MTV India EVP & Business Head Aditya Swamy reveals that the channel may go on air pretty soon.

     

    On the sidelines of the launch of MTV Films on Saturday, Swamy revealed: “The test run for Pepsi MTV Indies started on Monday, 3 March and will continue for the next two weeks.”

     

    Continuing further, he said that in all probability the channel should reach the audiences by the weekend starting 15 March.

     

    The feed for the channel is being beamed off from the satellite Measat 3. Swamy informs that all the operators are on board for the distribution of the channel. However, he didn’t reveal the pricing of the channel.

     

    Talking about the content, Swamy stated that there are plans to use Pepsi MTV Indies as platform to discover independent artists, find their unique sounds, their independent music and their expose it to the mainstream audience of MTV. “For example, you will find Vishal Dadlani’s Pentagram on Pepsi MTV Indies, but the music of Vishal-Shekhar will be on MTV. Similarly, you will find The Raghu Dixit Project on Pepsi MTV Indies, but you’ll hear the compositions of Raghu Dixit for Bewakoofiyaan on MTV,” he said.

     

  • MTV and HUL launch ‘MTV Films’

    MTV and HUL launch ‘MTV Films’

    MUMBAI: In a first of its kind collaboration, MTV India, the leading youth entertainment brand and Hindustan Unilever Limited, India’s largest Fast Moving Consumer Goods Company are coming together for the launch of MTV Films.

     

    MTV Films, a unique initiative, will present six original films by six young, cutting edge and cult directors of new age Bollywood –  Anurag Basu, Anurag Kashyap, Rohan Sippy, Nikhil Advani, Abhinay Deo and Shoojit Sircar, each a stalwart in his own right. Starting March 23, 2014 at 7 PM one director’s movie will be showcased each month for six months which will be inspired by the philosophies of different HUL brands such as Sunsilk, Tresemme, Ponds, Lakme and Close Up amongst others. Through each movie, the iconic directors will portray the take of today’s youth on age old topics of love, family, friendship, relationships and ambitions in an hour long entertaining story.

     

    Speaking about this initiative, Aditya Swamy, EVP and Business Head of MTV, said, “Content is the No1. social currency of today and that makes it the most powerful medium to connect with consumers. Our partnership with HUL reflects the thought leadership both partners bring to the media and marketing world. Getting six superstar directors to create wonderful stories for brands is a coup and we are excited to launch a brand new franchise with MTV FILMS.”

     

    Hemant Bakshi, Executive Director, Home & Personal Care, HUL, said, “HUL firmly believes in pioneering and creating newer ways of engaging consumers by leveraging popular culture. With the launch of MTV Films, we will re-define the way in which brands tell their stories to consumers. This initiative will focus on communicating brand purpose and we are confident that it will resonate with our audience and build brand love.”

     

    Ravi Rao, Leader – South Asia, Mindshare, “Mindshare has been instrumental in raising the bar and pioneering Innovations for Unilever through its strategic partnerships and alliances. This is a yet another initiative for Unilever that will usher in a new era in innovation which will set the template for ‘best practices’ in the region. We are very proud of this initiative that we have driven with MTV and we look forward to scaling up the model year on year.”

     

    Amin Lakhani Leader-South Asia, Team Unilever, “Converting India’s passion points into key communication opportunities is our endeavour and a challenge we thrive on. Story telling is the new mantra to connect with our consumers, something that we have done over the years with much success. This initiative is the new benchmark not just from the uniqueness of the concept, but ably complimented with scale and execution. Moving away from branded placement, into branded content in its most pristine form with this initiative, is something we are very proud of.”

     

    This distinctive collaboration goes ‘beyond television’ platform with multiple touch-points like mobile, online and radio to engage the consumers.

     

    So gear up to see a unique film every month from March 23, 2014 at 7 PM kick-starting with Anurag Basu’s film, ‘REAL FM’ only on your favourite youth entertainment channel, MTV

  • Conan O’Brien to host the 2014 MTV Movie Awards

    Conan O’Brien to host the 2014 MTV Movie Awards

    MUMBAI: You might think that the Oscars were the end of awards season, but Conan O’Brien begs to differ. That’s because MTV has just announced that the late night personality is hosting the 2014 MTV Movie Awards on Sunday, 13 April 2014.

     

    “Well, I’m proud to announce that, I, Conan O’Brien, will realise my life-long dream of hosting the 2014 MTV Movie Awards,” O’Brien said.

     

    In a little over a month, Conan will take Nokia Theatre L.A. Live on MTV to deliver the golden popcorn and celebrate the year’s best movies and performances. The 2014 MTV Movie Awards will also feature exclusive sneak previews of the summer’s most anticipate movies with never-before seen footage and previews.

     

    Before all of that fun can get underway, there has to be some nominees, right. Well, MTV has got that covered too. You can find out which films, actors, actresses, kisses and villains will compete for golden popcorns on 6 March at when nominations for the 2014 MTV Movie Awards go live on MovieAwards.MTV.com.

     

    Hosting a big award show isn’t exactly a new gig for Conan. He hosted the Emmy Awards in 2002 and 2006. Be sure to check back on Thursday, 6 March to find out which movies will vie for golden popcorns at the 2014 MTV Movie Awards.

  • MTV and MTV EXIT, presents “Traffic” by Anurag Kashyap

    MTV and MTV EXIT, presents “Traffic” by Anurag Kashyap

    MUMBAI: A beautiful life is something that each human aspires to live. But what happens when you are lured by opportunities that seem beneficial but in reality are a nightmare? Human trafficking is a real life horror that has victimised thousands of people across the globe. In an initiative that brings light to these atrocities and works towards ending them, MTV, India’s leading youth brand, MTV EXIT, the world’s largest behaviour change campaign in the fight against human trafficking and exploitation, and one of India’s finest directorial talents, Anurag Kashyap, present “Traffic”, an eye-opening five-episode thriller series. The series is part of a global campaign to educate young people about the growing presence of trafficking in the world, and aims at inspiring them, so they can STOP. THINK. ACT. The first episode of “Traffic” airs on MTV on February 28, 2014.

    More than 200,000 persons are believed to be trafficked into, withinor through India annually. According to studies conducted by the Ministry of Women and Child Development, there are 3 million commercial sex workers in India, of which an estimated 40% are children. The five episodes of “Traffic” will highlighting varioustypes ofhuman trafficking, such as domestic servitude, forced marriage, being sold into prostitution, enslavement in a foreign land, organ trafficking and bonded labour.

    Speaking about this endeavour, AdityaSwamy, EVP and Business Head, MTV India, said,“Traffic is our initiative to raise awareness around human trafficking. It is happening every single day, all around us. Each one of us can make a difference and that’s what we want to communicate with this 5 part series. We are leveraging what we do best, content curation along with our broadcast and digital capability to reach out to people in a voice that will make them listen. MTV EXIT has done exceptional work in this field globally and it’s with these learnings that we begin the India chapter.

    Anchored and produced by the multi-talented AnuragKashyap, a 30-minute episode of “Traffic” will air every Friday at 7:00 pm starting February 28, 2014. “Traffic” will follow the journey of five people who were misled into the darkest abyss but emerged victorious by building up the strength to ask for help. With an aim to create awareness of this ever-growing social evil, each story will be narrated in a gripping format taking the viewers on a roller coaster ride of emotions.

    Anchor and Producer, “Traffic”, AnuragKashyap said, “Over the last few years, I have wanted to work on a project on human trafficking. So when I was approached by MTV for ‘Traffic’, I was thrilled. Through these films I want to reach out to my fans, especially the youngsters and make them aware of the perils oftrafficking.”

    Nirmala Nair, Country Manager – India, MTV EXIT said, “Research shows that an estimated 20.9 million people globally are in forced labour at any given time due to trafficking — and Asia contributes to 56% of this figure. While the statistics are shocking, very little is being done towards this cause. This is where MTV EXIT steps in. We’re committed to engaging, educating and empowering young people with the information and tools they need to help end human trafficking. Through ‘Traffic’ we will reach out to a huge audience of young people with information on human trafficking, and provide them with clear actions to reduce the demand for trafficking. It’s time to take a stand and act.”

    Debra Rosen, Movement Director of Walk Free said, “Education and awareness is the first step to bringing modern slavery to an end. That’s why a series like ‘Traffic’ is so important. It not only teaches you how to protect yourself, but inspires you to share your knowledge so that more people make ending modern slavery a priority.” In order to help reach an even larger audience, an anthem for “Traffic”was created by one of the most talented musicians in the country, Hitesh Sonik. Penned by renowned lyricist Piyush Mishra, the anthem is sung by Suraj Jagan.

    “Traffic” by MTV and MTV EXIT will be supported by a 360-degree marketing campaign across platforms. In addition to on-air, fans will also be engaged through various social media platforms.

    “Traffic” starts February 28, 2014 at 7pm only on MTV

     

  • Amazon’s Prime Instant Video strengthens its library

    Amazon’s Prime Instant Video strengthens its library

    MUMBAI: Amazon and Metro-Goldwyn-Mayer Studios (MGM) are getting into a content licensing partnership that will see Prime Instant Video streaming past seasons of MTV’s Teen Wolf, along with a host of old classics.

     

    The popular series will air exclusively on Amazon’s online-only subscription home. The deal will also make available for streaming past MGM movies such as The Usual SuspectsRaging Bull and Thelma and Louise. More movies are set to be available on Prime later this year.

     

    The company is glad to add more MGM classic films such as Raging Bull and Thelma and Louise to Prime Instant Video; and is confident that its customers will love these great films.

     

    Teen Wolf is an exciting addition to the library of MGM content available for instant streaming exclusively to Amazon Prime customers. The company strives to deliver its most popular TV shows and movies on a variety of platforms which its audiences can access from anywhere.

  • Q3: Digitisation boosts broadcasters’ revenues

    Q3: Digitisation boosts broadcasters’ revenues

    MUMBAI: Digitisation of cable TV services in major cities has helped broadcasters improve their income from subscriptions in the third quarter ended 31 December, 2013, but the cap on advertising has hit some of them badly as the regulation got implemented at the beginning of the quarter.

     

    The advertising revenues of the industry rose by about 10 per cent in the third quarter, largely on account of robust growth at general entertainment channels (GECs), according to analysts.

     

    ADVERTISING REVENUE

     

    Sun TV saw its advertising revenue fall 7.2 per cent on year to Rs 272 crore in the third quarter, as the cap on advertising hurt the leading television network from south India. The fall in Sun TV’s advertising revenue was despite an increase in advertising rates, analysts said.

     

    GroupM’s Senior Director, Analytics, Central Trading Group, Harsh Deep Chhabra, says news channels are expected to take a bigger hit than the GECs because of the ad cap. While the impact of the advertising cap on news channel could be as high as up to 35 per cent, it could be 10-15 per cent on GECs.

     

    Zee Entertainment Enterprises’ ex-sports advertisement revenue growth was more than 20 per cent year on year, due to gains in market shares and launch of new channels.

     

    Barring the short-term impact of reduction in advertising inventory, advertising spends on television are expected to grow in healthy double digits over the next many years, according to Zee Entertainment Managing Director and Chief Executive Officer, Punit Goenka.

     

    The advertising revenue growth at Zee Media, which has a group of general and business news channels, was 3.1 per cent at Rs 61.39 crore in the third quarter, against its subscription revenue growth of 21.6% at Rs 270 crore.

     

    The third quarter had seen relaunch of Zee News channel with refreshed programming and look.

     

    TV18 Broadcast’s consolidated advertising revenues grew 3 per cent year on year, as entertainment channels led by Colors and MTV delivered strong double digit advertising revenue growth. Advertising environment for news and infotainment continued to be sluggish.

     

    In the first half of 2013-14 too, advertising revenues at TV18 Broadcast had grown by 3 per cent year on year, with the advertising revenues at Colors growing by more than 15 per cent.

     

    SUBSCRIPTION REVENUE

     

    Sun TV’s subscription revenues rose 27% year on year to Rs 167 crore in the third quarter, basically driven by a 45.9% increase in analogue subscription revenue and a 19.6% rise in direct-to-home subscription revenue. The company expects robust growth in subscription revenue to continue as the full benefits of phase I and Phase II digitisation of cable TV are yet to be reflected as Chennai and Coimbatore are yet to be fully digitised.

     

    The Chennai-based broadcaster’s operating profit margin came under pressure because of higher cost of content, in addition to a decline in advertising revenue.  Multiple non-fiction shows telecast during the quarter led to a 428 basis points year-on-year contraction in operating margin to 73.6%, according to a results update by Angel Broking.

     

    It said Sun TV management expects content cost to go down in the next quarter as no non-fiction shows are planned to be telecast in the fourth quarter of 2013-14.

     

    TV18’s net distribution income (subscription revenues minus carriage/placement fees) continued to grow steadily. In the third quarter, the net distribution income was  Rs 43.6 crore, a growth of 145 per cent year on year.

     

    Zee Entertainment’s subscription revenues were up 11.4 per cent year on year to Rs 456.50 crore in the third quarter. The company’s domestic subscription revenues grew by 12.2 per cent year on year to Rs 332.20 crore in the third quarter.

     

    ZEE Media’s subscription revenue was up 21.6 per cent year on year at Rs 270 crore in the third quarter.

     

    New Delhi Television did not provide a break-up of its revenues from its broadcast operations. The news broadcaster said its Hindi news business remains buoyant with NDTV India reporting robust revenue growth. NDTV only said its revenues from broadcast operations in the third quarter were up 22 per cent year on year at Rs 131.02 crore.

     

    B.A.G. Films & Media reported improved a 29.1 per cent year on year rise in operating revenue to Rs 23.60 crore in the third quarter. The break-up of the revenue was not available.

     

    OPERATING PERFORMANCE:

     

    TV18 Broadcast reported its highest ever quarterly operating profit at Rs 77.5 crore, up 61 per cent year on year. Its net distribution income continued to grow steadily. In the third quarter, the net distribution income was  Rs 43.6 crore, a growth of 145 per cent year on year.

     

    On a proforma basis, including the results of ETV Entertainment, TV18 Broadcast’s operating profit was Rs 108.1 crore. ETV Entertainment reported a sharp reduction in losses compared to the previous two quarters as programming and marketing investments made in the first half led to an upswing in ratings and revenues.

     

    NDTV’s reported Rs 3.29 crore of operating profit in the third quarter against an operating loss of Rs 1.98 crore a year ago.

     

    B.A.G. Films too had an operating profit (of Rs 8.56 crore) in the third quarter against operating loss of Rs 1.51 crore a year earlier.

     

    Zee Entertainment’s operating profit in the third quarter was Rs 290.70 crore, up 11.3 per cent despite operating profit margin contracting to 24.5 per cent from 27.8 per cent a year ago.

     

    Sun TV’s operating profit fell 1.1 per cent year on year to Rs 372 crore in the third quarter, as its revenues were impacted by fall in advertising revenue and increase in content cost due to reality shows.

  • PepsiCo India’s Shivakumar says collaboration will be the key to growth

    PepsiCo India’s Shivakumar says collaboration will be the key to growth

    MUMBAI:  “One needs to look at brands which will help each other grow as well as benefit the industry…”

     

    This was the message conveyed by PepsiCo India chairman and CEO D Shivakumar to a large gathering of who’s who of the industry on Wednesday, as he took them through the highs and lows of marketing, media and advertising in 2013 and indulged in crystal gazing to see what holds for the communication fraternity in 2014.

     

    In the coming years, Shivakumar sees a conflict between independent growth and dependent growth among agencies as well as brands.

     

    Giving the example of telecom, Shivakumar said, “Telecom would not have been what it is today if Airtel would not have collaborated with Nokia or Vodafone with Samsung. “

     

    Apart from all this, the industry is all about innovation wherein size doesn’t matter but all depends on how fast a company is in responding to consumers.

     

    As the industry waited for the leader with ‘fighter’s instinct’ to share his views at the IAA organised event called ‘Retrospect and Prospects’, Shivakumar stepped on to the stage and made it clear it is more about paying tribute to the city (Mumbai) which has taught him a lot and that he will wrap up within 60 minutes.

     

    He started with how the city and the people he met here have helped him grow in his career and went on to touch upon various aspects which affect the industry starting with how last year saw the emerging markets slowing down and how it devalued the currency.  

     

    Not indulging much in the negatives, he highlighted how 2013 was the defining year for the digital space. “The smart phone which gives the power of internet in every person’s hand has opened up the whole world of opportunities for them. It has empowered women and youth,” he said while pointing out how a billion phones were sold last year and this year will see many more being sold.

     

    People using internet through mobile phone is much higher than through fixed internet, globally, hence, he urged marketers to shift their media strategies.  With that note, he estimated that the year 2014 will see the world media industry spending $505 billion.

     

    The general elections in India will play a major role in deciding which way the country and the various sectors will head. Shivakumar said in the coming months India will see about Rs 1,000 crore being spent on advertising by political parties, 2.5 times higher than what was spent in 2009.

     

    The year will also see a shift in the manner the money will be spent. The shift will be in favour of the digital medium wherein 10 to 15 per cent will be spent on the platform as the first time voters (160 million) are on social media.

     

    Shiv believes that regional markets play an important role as regional languages are driving growth in the number of TV channels. The same stands true for print as well. “We are a hyper fighting market and can never be satisfied with just a couple of choices. But with so much proliferation, it is time to collaborate?” he questioned the audience.

     

    He then added how TV has been a major contributor in unearthing talent in the country. With too many dance, singing, etc reality shows gracing our television sets only shows the potential this wonder has, he said.

     

    Maybe that is the reason behind the company (PepsiCo) launching its channel with MTV to help budding talent get a platform to showcase talent.

     

    For brands which depend on celebrities, one needs to understand how social media has changed the equation and how brands as well as celebs need to help each other reach high numbers (likes and followers) on social media platforms.

  • MTV allows youth to connect with #RockTheVote on Twitter

    MTV allows youth to connect with #RockTheVote on Twitter

    MUMBAI: With the entire nation under the election fever, MTV has announced a strategic use of the Twitter platform as part of the Hero MTV Rock The Vote initiative to enhance the interactivity and reach of the campaign across youth. A first-of-its kind interactive experience to tap the digital universe, the leading youth brand MTV has launched “Follow the Hashtag” which will allow users of all kinds of devices to listen and engage with the #RockTheVote conversation on Twitter.

    This will be the first time this kind of call-to-action innovation will be visible to the audiences globally. Through this feature, the mobile user does not need to be online while listening in to the conversations on #RockTheVote on Twitter. The user can dial 011-30494949 and follow the discussions on #RockTheVote, even while offline. Key tweets and interactions from @MTVIndia on #RockTheVote will be delivered on their phone via an SMS enabled by ZipDial, another strategic technology partner. This underscores MTV’s commitment to encourage every youngster to participate in the campaign and vote in the upcoming elections; and does not limit to their access to internet or expensive phones.

    Speaking about the exciting innovation, Sumeli Chatterjee, Head – Marketing & Insights, MTV India said, “MTV Rock the Vote initiative is an interactive campaign that is designed to fuel conversations around elections. And Twitter is one of the leading real-time, interactive information networks in the world. The ‘Follow the Hashtag’ feature will ensure we reach out beyond just the smart phone users…thus allowing the large user base of regular (feature) phones to interact with the Rock The Vote campaign. Starting with crowd-sourced videos from colleges, web series on Funny FAQs on voting, selfies of youth ‘inked’ during election, live tweeting the college concerts, interactive television programming, comic strips and satires…the tongue in cheek messaging of Hero MTV Rock The Vote is naturally integrated with Twitter conversations. This feature phone service will ensure the conversation reaches far and wide across the online and offline youth universe, and hopefully mobilize the eligible new voters to step out and vote.”

    Commenting on this innovation, Rishi Jaitly, India Market Director, Twitter said, “Twitter is the world’s leading mobile, real-time information network where users follow, share and experience content that is live, public and conversational. In India, Twitter has brought our users closer to the issues and moments that matter to them, while also enabling them to express their views and participate in real-time. We applaud MTV India for innovating on our platform on the occasion of Rock The Vote and for using Twitter’s unique mobile service to engage its viewers.”

    MTV has launched ‘Hero MTV Rock The Vote’ as a non partisan initiative to drive awareness and education of the young generation to vote in upcoming general elections. The campaign objective is to drive conversations around voting and is built on the philosophy that ‘you cannot complain, if you do not vote’. Therefore, it has a huge skew towards the social media and mobile interactions. MTV is also planning to launch hashtag wars on youth issues / voting along with live debates with political spokespersons & election experts leveraging the Twitter platform. Giving this social campaign a humorous skew, the channel has also launched a series of witty videos to capture people’s funny reactions on voting. The web series, ‘Voting FAQs’, captures funny reactions of people to some fun questions asked around the elections. The questions are bold, tricky and most of the times, confusing, thus testing the opponents’ general knowledge while giving you a dose of laughter.

    Discuss with MTV about power to vote using #RockTheVote on Twitter or dial 011-30494949 from your mobile to listen in. This election step out and vote!

     

  • Chrome Data: AAP helps English News genre to claim the top slot in week 4

    Chrome Data: AAP helps English News genre to claim the top slot in week 4

    MUMBAI: After a lull period in week three, the viewers are back in form as the viewership of the idiot box has gone up considerably.

     

    It seems the AAP tactics worked well for the news channels as the English news genre garnered 30.6 per cent opportunity to see (OTS) collated by Chrome Data Analytics & Media for week four of the year.

     

    As expected, Times Now in the eight metros once again ruled the genre with 87.8 per cent OTS.

     

    English entertainment channels also got a grip over its loyal viewers and bounced back with 20.9 per cent to be at the second position in the eight metros. Star World took over AXN to be at the top in the genre with 71.9 per cent OTS.

     

    English movie channels also got back on track with the telecast of new and interesting movies that got the viewers hooked on to the genre. It gained 14.3 per cent in the eight metros. Pix continued to rule the genre in the eight metros with 78.5 per cent OTS.

     

    Music genre was at the fourth position with a marginal jump of 0.2 per cent. MTV, thanks to its popular property – Roadies that came back with its eleventh season, over took Sony Mix to be on the top of the chart with 88.6 per cent OTS.

     

    As for the bottom four, the kids genre saw the highest dip with 18.3 per cent in the all India segment. Cartoon Network remained the most popular among the kids with 85.9 per cent OTS.

     

    Infotainment channels too witnessed a dip of 13.7 per cent across India. However, Discovery got the highest  OTS among the genre. The channel scored 90.8 per cent.

     

    Hindi news and religious channels saw a dip of 9.4 per cent and 6.4 per cent in the Hindi speaking market (HSM). In the Hindi news genre, ABP News gained 93.1 per cent, while Aastha channel continued to show viewers their philosophical side and garnered 98.5 OTS.