Tag: MTV Roadies

  • LenDenClub pushes “how lending for a day leads to earnings”  concept

    LenDenClub pushes “how lending for a day leads to earnings” concept

    MUMBAI: What if every day could feel like a celebration?

    Indian peer to peer (P2P) lending platform LenDenClub is working on making this dream a reality with its latest campaign, “Banao har din ho khaas, daily earnings ke saath.

    The campaign takes a playful yet impactful approach to showcase how daily earnings can turn life’s little hurdles into empowering victories, proving that financial stability doesn’t just balance the books—it uplifts the spirit with LenDenClub’s new offering- which is the daily earnings option. The advertising aims to create awareness that the new option allows lenders to earn income daily, with both interest and principal repayments credited directly to their bank accounts, providing consistent cash flow for daily expenses or long-term financial growth. The campaign, now live on YouTube and Instagram, highlights this innovative daily earning solution.

    With the tagline, “Banao har din khaas, daily earning ke saath,” the campaign dives into the challenges and triumphs of everyday life with two hilarious and heartwarming ad films featuring MTV Roadies fame Suchit Vikram Singh, actor Vivek Raaj Sharma (Surrogacy [2021], Bewafai [2023], Freaky Night [2022]) and Deepak B. Daryani (Sikandar Ka Muqaddar [2024], Officer [2018], Bose: Dead/Alive [2017]). 

    The campaign’s tone blends humor with heart, ensuring that audiences feel both seen and entertained.

    Video 1: Debit vs. Credit – A Tale of Two Perspectives
    Meet Mr. Debit, forever frazzled by endless debits, and Mr Credit, who effortlessly sails through life thanks to his daily earnings from LenDenClub. The punchline? Daily credits can flip your world from stressed to blessed. Their playful exchange reveals how consistent daily earnings can bring a sense of ease and relief in the face of everyday frustrations.
    Link to the ad film: https://www.youtube.com/watch?v=e4lHLKxZZEU

    Video 2: Daily Gifting – The Envy-Inducing Surprise
    Imagine receiving a delightful “gift” every day. Mr Profit does, and it’s not long before his curious (and envious!) neighbor discovers the secret behind the joy—LenDenClub’s daily earnings. The result? A new convert to the daily earnings tribe and a very happy ending. The scene humorously captures how these daily credits can transform an ordinary day into something extraordinary, making even the simplest moments feel special. 
    Link to the ad film: https://www.youtube.com/watch?v=EIwT7Lp1i8g

    LenDenClub co-founder & CEO Bhavin Patel said: “We wanted to tell a story that resonates with every individual who has ever felt the weight of financial stress. Through inspiring narratives, ‘Har Din Ho Khaas’ highlights how our daily earnings feature from our lending offering can turn ordinary days into something truly special. At LenDenClub, we’re not just offering a financial product; we’re creating opportunities for happiness and stability, one day at a time.”

    Aiming to raise awareness of the benefits of daily earnings, ‘Har Din Ho Khaas’ follows the success of LenDenClub’s previous campaign, ‘Invest Like Hardik,’ which featured brand ambassador Hardik Pandya, celebrating the bold spirit of modern investing. 

  • MTV Roadies teams up with Maharashtra Traffic Police for road safety

    MTV Roadies teams up with Maharashtra Traffic Police for road safety

    Mumbai: Witnessing a groundbreaking partnership that combined entertainment, responsibility and compassion, India’s leading youth entertainment channel, MTV’s iconic youth reality show, MTV Roadies – Karm ya Kaand joined forces with the Maharashtra Highway Traffic Police for an innovative road safety campaign in Mumbai. In a significant move towards fostering road safety awareness, MTV Roadies provided 500 Roadies branded helmets, created by a not-for-profit organisation, Yashlok Foundation, to the Maharashtra Highway Traffic Police. This collaboration underscored the show’s dedication to promoting road safety and responsibility, with a sense of adventure, in line with the ethos of the show.  

    As a part of this collaboration, Humanitarian, Philanthropist, and Actor Sonu Sood, along with a dedicated team of Traffic personnel took over the bustling streets of Andheri West, Mumbai recently. Similar to the show’s unexpected twists and turns, the team equipped ‘Kaand’ helmet non-wearers i.e., the rule-breakers with the helmets, instead of penalizing them – as an act of ‘Karm’ to help them follow road safety rules in the future. Embodying the spirit of the show, the initiative emphasised the importance of doing good deeds while holding individuals accountable for their actions.

    Maharashtra Highway Traffic Police additional director general of police (ADGP) Dr Ravinder Singal, added, “As guardians of road safety, we are committed to making our streets safer for all. This unique collaboration between MTV Roadies – Karm ya Kaand and us, the Maharashtra Highway Traffic Police, has helped us reinforce the importance of road safety in a widespread way, changing mindsets and behaviours. We are appreciative of all the efforts taken by MTV on the streets of Mumbai today.”

    Deepening the message of the initiative, viewers also witnessed a vital road safety message by the Additional Director General of Police (ADGP) of Maharashtra Traffic Police, Ravinder Singal, during one of the recent episodes of MTV – Roadies Karm ya Kaand, fostering responsible behaviour on the roads, amongst MTV Roadies fans across the nation.

    Stay tuned for an unforgettable finale episode of MTV Roadies – Karm ya Kaand on 15 October at 7 pm only on MTV and JioCinema right after!

  • MTV celebrates the Asli Roadie spirit of Mumbai Police, distributes raincoats

    MTV celebrates the Asli Roadie spirit of Mumbai Police, distributes raincoats

    Mumbai: Viacom18’s youth, music, and English entertainment (YME) cluster MTV has donated 1,000 raincoats to the Mumbai Police on the anvil of monsoons.  

    The initiative recognises the spirit of ‘Asli Roadie’, personified by the Mumbai Police while keeping the city of dreams unencumbered by challenges, including those of the rainy season.  

    The high-quality protective raincoats provided by MTV and created by Yashlok Welfare Foundation, are created by marginalised sections of society such as the unemployed youth, women, rural population, and differently-abled individuals.

    As MTV Roadies journey in South Africa, India’s biggest genre-defining adventure reality show nears its grand conclusion, the brand celebrated the quintessential Roadie code of indomitable resolve, pluck and fellowship demonstrated by the Mumbai Police in safeguarding its citizens.

    Viacom18 youth, music, and English entertainment head Anshul Ailawadi said, “An ‘Asli Roadie’ is not just defined by adventure, but also a spirit of compassion and camaraderie to take everyone along on the journey. This is embodied by Mumbai Police every day. As they brave the monsoons yet again, this is our token of gratitude for their ceaseless commitment towards keeping the city safe.”

    Speaking about the initiative, superstar, philanthropist and the host of MTV Roadies – Journey in South Africa Sonu Sood said, “I have the utmost respect for our Mumbai Police and thank them for their extraordinary hard work, which makes our ordinary lives safe. This contribution of a thousand raincoats from MTV Roadies is our way of saluting them and further equipping them for their duties.”   

    The latest power-packed season of the show, Infinix Smartphones MTV Roadies journey in South Africa, co-powered by CoinSwitch, Paree Sanitary Pads, Leverage Edu, and Lakmé Sun Expert is all set to pit the best of the best in its thrilling grand finale on 10 July at 7 p.m.

  • TV producer Colosceum’s  new drive

    TV producer Colosceum’s new drive

    MUMBAI: Lalit Sharma has one ambition that keeps him up all night, it’s the drive to take his production house Colosceum Media into new vistas. The smiling soft-spoken bearded CEO whose charge has built up its reputation as a top notch producer of non-fiction and reality shows would like to balance out its portfolio by diversifying increasingly into TV dramas and series for Hindi GECs, shows for international TV channels, and digital content.

    For the first, he has a challenge – albeit not un-surmountable – on his hands. For a large part programmers in Hindi GECs are a cautious bunch – they put producers in defined boxes and are loathe to give opportunities to untried and untested producers, even though they have experience in other genres. “Oh! He is into non-fiction; he does not have the requisite fiction production experience,” is oft heard in programming circles in channels.

    The production house has found a way out of this Catch22 situation. Over the years, it has partnered with fiction producers or creators by pumping in funds and looking after the production aspects of each show. For example for its latest endeavor, Dehleez, which came to a close in June 2016, Sharma found a willing listener in Star Content Studios boss Gaurav Banerji who allowed him to partner and co-produce it with Farhan Salaruddin’s Fortune Productions for Star Plus. A romantic courtroom drama it ran for 104 episodes at 10:30 pm, and pulled in consistent ratings for the channel.

    But Lalit wants more of fiction. “We were heartened by the success of Dahleez and would like to produce more shows in the fiction genre. We have a few concepts for which we are currently in conversation with a couple of Hindi GECs,” he says.

    The Rs 45.55 crore (year ended 31 March 2015) turnover TV production studio has made its reputation as the producer of flagship shows such as MTV Roadies, Splitsvilla and Masterchef which are almost iconic. But unknown to many it has almost been churning out ad films, documentaries, regional content and even mythological shows.

    Its ride into television started way back in 2007 when founder Ajit Andhare armed with little but a dream to get into production drew up a business plan and approached TV18 promoter Raghav Bahl and got him to provide him with seed capital. Ajit had little TV production experience. A 10 year veteran of marketing behemoth Hindustan Lever, he had risen up the ranks to become regional brand activation director APAC for its parent Unilever. Through the years, he had worked on brands like Sunsilk Clear, Dove, Lifebuoy, Lux, among many others.

    While at Hindustan Lever, he had creatively brainstormed and conceptualized a concept that would end up on television as a TV show Wheel Smart Srimati on Doordarshan.

    Ajit utilized the seed capital Raghav provided him for his project well. He roped in in Rajiv Lakshman (yes, he of Roadies fame and the other half of the twin brothers) as chief creative officer. He then brought in Lalit, (who had close to nine years experience and was working in Star India as AVP operations) as his COO.

    “Even though Colosceum was funded by Network 18, we were adamant on not making it a network production house, which turned out to be the biggest challenge,” shares Rajiv who has since parted ways from Colosceum, and today runs another outfit with his brother Raghu.

    Team in place, Ajit and Rajiv decided to approach Hindustan Lever with a pitch to produce Wheel Smart Srimati. The well-established Miditech and Endemol Colosceum were also in the running, but finally Levers decided to opt for Colosceum. The production house went on to make a success of it.

    But even then its big challenge was to get a show on private satellite TV. “The break came when we made Splitsvilla for MTV, the first romance reality show,” expresses Sharma.

    And then there was no looking back. Within seven months of inception, Colosceum had five shows on air Wheel Smart Srimati and Duniya on DD, Jai Sri Krishna and Bandhan Saat Janmon Ka (on Colors), and of course Splitsvilla. For its fiction, mythologicals and drama forays, Colosceum partnered with other creative boutiques such as Moti and Meenakshi Sagar, and Shakuntalam Telefilms – a tack it follows to this day.

    But the next big break at the company came when it was commissioned by Star to produce a top global format franchise – Masterchef India for Star Plus. Over the years, other shows followed on which it was a co-producer such as Jamunia and Meera on NDTV Imagine, Shakuntala on Star One, now Like Ok, and Bani Ishq Da Kalma on Colors.

    It was in 2013 when Ajit decided to head out and venture into film making under the banner of Viacom18 Motion Pictures. By then, most of the shareholding was in the hands of private equity funds.

    And the mantle to run the shop fell on Lalit. Rajiv also moved on to his joint venture with twin brother Raghu Ram. “I love experimenting with my career, Colosceum had attained stability and it was time to move on,” says Rajiv.

    Lalit brought in Jayesh Gokulgandhi as CFO, Girish Balan as VP-productions & operations and Kaveri Mehrotra as creative head. Today, a core team of 28 employees is responsible for the 200-250 hours of non-fiction content that it churns out. while the crew is hired according to the projects. The company’s rolls swell depending on the number of projects it has on the floors. For each non- fiction production, it recruits between 200-300 crew and for fiction between 60-100. For shows like Roadies which it has been producing since Season 8, it has partners and line producers nationally and internationally who are available for it on call.

    According to Lalit, the company has an appetite to produce three non-fiction, two or three regional fiction, two to three niche content and three to four fiction shows in the Hindi GEC space annually.

    “We work like a family, the entire team has dedication and passion at its core.” shares Lalit. ”Our co-productions are like collaborations where we come together to create the and produce the show. We have different revenue share models with our co-production partners,” explains Lalit.

    The Colosceum team has got plaudits from all and sundry. Its shows have won awards. But more than that is the praise that its broadcast partners shower on it. Says MTV India creative and content director Deborah Polycarp: “They produce Splitsvilla and Roadies for MTV from season 8 and have proved to be a passionate team. Colosceum puts in determined efforts behind every show that they produce. Evidence of that is the fact that Splitsvilla is amongst the top rated shows.”

    Lalit, on his part, is looking forward to the next season of Roadies which is slated to come on air in January next year.

    And taking Colosceum into the digital content space. Says Lalit: “We are pulling up our sleeves to create some path breaking content online, with the same impact as our shows on television.”

    Adds Kaveri: “We create youth content for any space, be it digital or broadcasting keeping their environment in mind. It has be out of the box and something which will have a creative hook.”

    Additionally, what’s exciting the team is a project, which is being drawn up on for an international broadcaster. “We can’t talk about it right now,” says Lalit. “But it will be a show that will take Colosceum to the next level.”

  • TV producer Colosceum’s  new drive

    TV producer Colosceum’s new drive

    MUMBAI: Lalit Sharma has one ambition that keeps him up all night, it’s the drive to take his production house Colosceum Media into new vistas. The smiling soft-spoken bearded CEO whose charge has built up its reputation as a top notch producer of non-fiction and reality shows would like to balance out its portfolio by diversifying increasingly into TV dramas and series for Hindi GECs, shows for international TV channels, and digital content.

    For the first, he has a challenge – albeit not un-surmountable – on his hands. For a large part programmers in Hindi GECs are a cautious bunch – they put producers in defined boxes and are loathe to give opportunities to untried and untested producers, even though they have experience in other genres. “Oh! He is into non-fiction; he does not have the requisite fiction production experience,” is oft heard in programming circles in channels.

    The production house has found a way out of this Catch22 situation. Over the years, it has partnered with fiction producers or creators by pumping in funds and looking after the production aspects of each show. For example for its latest endeavor, Dehleez, which came to a close in June 2016, Sharma found a willing listener in Star Content Studios boss Gaurav Banerji who allowed him to partner and co-produce it with Farhan Salaruddin’s Fortune Productions for Star Plus. A romantic courtroom drama it ran for 104 episodes at 10:30 pm, and pulled in consistent ratings for the channel.

    But Lalit wants more of fiction. “We were heartened by the success of Dahleez and would like to produce more shows in the fiction genre. We have a few concepts for which we are currently in conversation with a couple of Hindi GECs,” he says.

    The Rs 45.55 crore (year ended 31 March 2015) turnover TV production studio has made its reputation as the producer of flagship shows such as MTV Roadies, Splitsvilla and Masterchef which are almost iconic. But unknown to many it has almost been churning out ad films, documentaries, regional content and even mythological shows.

    Its ride into television started way back in 2007 when founder Ajit Andhare armed with little but a dream to get into production drew up a business plan and approached TV18 promoter Raghav Bahl and got him to provide him with seed capital. Ajit had little TV production experience. A 10 year veteran of marketing behemoth Hindustan Lever, he had risen up the ranks to become regional brand activation director APAC for its parent Unilever. Through the years, he had worked on brands like Sunsilk Clear, Dove, Lifebuoy, Lux, among many others.

    While at Hindustan Lever, he had creatively brainstormed and conceptualized a concept that would end up on television as a TV show Wheel Smart Srimati on Doordarshan.

    Ajit utilized the seed capital Raghav provided him for his project well. He roped in in Rajiv Lakshman (yes, he of Roadies fame and the other half of the twin brothers) as chief creative officer. He then brought in Lalit, (who had close to nine years experience and was working in Star India as AVP operations) as his COO.

    “Even though Colosceum was funded by Network 18, we were adamant on not making it a network production house, which turned out to be the biggest challenge,” shares Rajiv who has since parted ways from Colosceum, and today runs another outfit with his brother Raghu.

    Team in place, Ajit and Rajiv decided to approach Hindustan Lever with a pitch to produce Wheel Smart Srimati. The well-established Miditech and Endemol Colosceum were also in the running, but finally Levers decided to opt for Colosceum. The production house went on to make a success of it.

    But even then its big challenge was to get a show on private satellite TV. “The break came when we made Splitsvilla for MTV, the first romance reality show,” expresses Sharma.

    And then there was no looking back. Within seven months of inception, Colosceum had five shows on air Wheel Smart Srimati and Duniya on DD, Jai Sri Krishna and Bandhan Saat Janmon Ka (on Colors), and of course Splitsvilla. For its fiction, mythologicals and drama forays, Colosceum partnered with other creative boutiques such as Moti and Meenakshi Sagar, and Shakuntalam Telefilms – a tack it follows to this day.

    But the next big break at the company came when it was commissioned by Star to produce a top global format franchise – Masterchef India for Star Plus. Over the years, other shows followed on which it was a co-producer such as Jamunia and Meera on NDTV Imagine, Shakuntala on Star One, now Like Ok, and Bani Ishq Da Kalma on Colors.

    It was in 2013 when Ajit decided to head out and venture into film making under the banner of Viacom18 Motion Pictures. By then, most of the shareholding was in the hands of private equity funds.

    And the mantle to run the shop fell on Lalit. Rajiv also moved on to his joint venture with twin brother Raghu Ram. “I love experimenting with my career, Colosceum had attained stability and it was time to move on,” says Rajiv.

    Lalit brought in Jayesh Gokulgandhi as CFO, Girish Balan as VP-productions & operations and Kaveri Mehrotra as creative head. Today, a core team of 28 employees is responsible for the 200-250 hours of non-fiction content that it churns out. while the crew is hired according to the projects. The company’s rolls swell depending on the number of projects it has on the floors. For each non- fiction production, it recruits between 200-300 crew and for fiction between 60-100. For shows like Roadies which it has been producing since Season 8, it has partners and line producers nationally and internationally who are available for it on call.

    According to Lalit, the company has an appetite to produce three non-fiction, two or three regional fiction, two to three niche content and three to four fiction shows in the Hindi GEC space annually.

    “We work like a family, the entire team has dedication and passion at its core.” shares Lalit. ”Our co-productions are like collaborations where we come together to create the and produce the show. We have different revenue share models with our co-production partners,” explains Lalit.

    The Colosceum team has got plaudits from all and sundry. Its shows have won awards. But more than that is the praise that its broadcast partners shower on it. Says MTV India creative and content director Deborah Polycarp: “They produce Splitsvilla and Roadies for MTV from season 8 and have proved to be a passionate team. Colosceum puts in determined efforts behind every show that they produce. Evidence of that is the fact that Splitsvilla is amongst the top rated shows.”

    Lalit, on his part, is looking forward to the next season of Roadies which is slated to come on air in January next year.

    And taking Colosceum into the digital content space. Says Lalit: “We are pulling up our sleeves to create some path breaking content online, with the same impact as our shows on television.”

    Adds Kaveri: “We create youth content for any space, be it digital or broadcasting keeping their environment in mind. It has be out of the box and something which will have a creative hook.”

    Additionally, what’s exciting the team is a project, which is being drawn up on for an international broadcaster. “We can’t talk about it right now,” says Lalit. “But it will be a show that will take Colosceum to the next level.”

  • Kolkata’s production house debuts in Bollywood with ‘Vartak Nagar’

    Kolkata’s production house debuts in Bollywood with ‘Vartak Nagar’

    MUMBAI: Kolkata’s homegrown production house Adarsh Telemedia with Dione Entertainment has teamed up with Bollywood director Kunal Kohli to produce their maiden Bollywood venture, Vartak Nagar- The Story Of Four Crows.

     

    Directed by debutant Atul Taishete, Vartak Nagar stars Jimmy Sheirgill as a powerful underworld don and the MTV Roadies famed Raghu Ram as a mill union leader in the central roles.

     

    Talking about the movie, producer Amit Agarwal said, “The film is a gritty hard hitting film and for Kunal too this has been a step away from the romantic films that he is usually associated with. We were hunting for a film that mixed content with entertainment and as a story had a unique universal appeal.”

     

    “We are currently locking down on more Bollywood films as well and what we can promise is that each one of our future projects will be as content driven, as exciting and will be as universally appealing as Vartak Nagar,” he added.

     

    Set against the Great Bombay Mill Strike and the gangster era of the 1980’s, the film deals with the lives of four lower middle class school going friends and their lives as impacted by the strike, their loss of innocence and their journey which takes them through the highs of friendship, the lows of betrayal and eventually redemption.

  • MTV, VH1 show-off their digital chops

    MTV, VH1 show-off their digital chops

    If you’re a television channel targeting the youth of today, there’s no way you can ignore the digital medium; be it social media or the Internet. Exactly the mantra that Viacom18’s youth entertainment channels – MTV and VH1 – hitherto positioned as general entertainment channels, are following. And we at indiantelevision.com found out just how much…

    Beginning with MTV India, it’s arguably the brand which focuses entirely on Indian youth in the age group of 15-34 years. Having started off as Music Television in 1996, the channel has lately shifted focus to reality shows with the triumvirate of MTV Roadies, MTV Unplugged and MTV Splitsville topping charts among MTV’s reality properties.

    Digitally speaking, MTV’s official facebook page boasts 5.5 million likes, with over 36 lakh fans talking about it at the same time. The channel has a presence across Instagram, Google+ and Pinterest and more than 95,000 followers at @MTVIndia on Twitter.

    Additionally, MTV India makes and promotes shows that trigger conversations on the Internet including MTV Webbed and Coke Studio as also shows which are exclusively for the web audience.

    MTV India’s official YouTube page scores more than 27 lakh subscribers with 4,019 videos including recent uploads of MTV Unplugged season three, Saturday Night Alright, Rann VJ Run, Bollywood Jasoos, MTV Webbed and so on.

    Over and above all this is MTV’s official website; the channel’s mainstay in the digital space with picture gallery, video uploads, trends and show trivia as well as snaps of hot properties like MTV Webbed, its new series Saturday Night, and many more.

    Coming to VH1; launched nearly a decade after MTV in 2005, the 24×7 pay channel caters to youngsters in the age group of 13-35 years. VH1’s official facebook page boasts 2.5 million likes, with xyz fans talking about it simultaneously. Whereas, it has nearly 36,000 followers at @Vh1India on Twitter. Recently, the channel has initiated a new activity for its show called Vh1 Throwback Thursdays, where the twitterati can suggest old songs VH1 can then play on air.

    This year, VH1 has expanded its digital reach with the launch of Vh1 HUB, Vh1 Pulse and Vh1.in; destinations where the youth can set CRBTs, stream music for free on facebook, watch hours of programmed content and stay up to speed with the happenings in the music universe.

    VH1 India’s official YouTube page has only 1,004 subscribers, and telecasts promos of its properties such as Indian Musical Compass, Karbonn Smart and Big Hit Katy Perry to name a few.

    VH1’s official website tops its comprehensive digital presence with sections like music, entertainment, videos, events, culture and contests. A special tab showcases what is trending on VH1 as well as updates of upcoming events.

    On VH1’s cards is a rhythm-based mobile game; one of the first for any music channel in the country. To be made available on Apple and Android phones and tablets, the game features fresh, never heard before pieces of music that would play in the background and add power to it.

    MTV India head digital Ekalavya Bhattacharya
    VH1, Viacom18 Media VP and business head – digital media Rajneel Kumar

    There will be a contest too titled ‘Games of Tunes’, with participation from some of the most talented independent DJs and musicians in the country who’ve worked on original compositions in the electronic music genre

    So what lies behind the digital success of these channels?

    Says MTV India head digital Ekalavya Bhattacharya: “One of MTV India’s biggest achievements is being recognized as a channel which talks back and cares for the audience. You can’t talk or give feedback to your TV set but you can talk to us via our social networks. We not only listen in to compliments by fans, we pay closer attention to things that our audience hasn’t appreciated. We’ve often actually tailored our on-air content based on the online commentary.”

    About VH1, Viacom18 Media VP and business head – digital media Rajneel Kumar says: “It is a symbiotic relationship with our viewers, where we engage with them across content, artistes, events and everything which makes their life musical.”
    VH1 not only promotes British music, it airs American reality shows on pop stars from different countries. It screens music documentaries and concert specials, live telecasts and repeats of shows like the Grammy Awards, American Music Awards and MTV Music Awards.”

    Kumar calls it a two-way process. “Since we have had a long-term interaction with our audience on social media, we now know their pulse. We understand what kind of music and lifestyle content they like and how our innovations in content and technology can suit their palate.”

    Not surprisingly, the channel has ramped up its programming with on-air and on-ground initiatives like Global Music Xpress, Dance 101, Big Brother, Vh1 Playlist, Jazz Masters, Yo Momma and tickers.

    What purpose does the channels’ social media presence serve, really?

    Explains Bhattacharya: “MTV’s digital destination isn’t just a place where an MTV fan comes to consume repeats of on air content; it is a place where we echo their interests and serve them content that is tailored to their needs. The popularity of our digital assets has changed the way we serve and develop content, massively, as well as the perception of our audience. The success of our digital platform has ensured that digital is no longer just a marketing support but a considerable revenue generating function.”

    Says Kumar: “Vh1’s social media networks are an important element of the channel’s daily engagement with its core audience. In fact, the social networks are the primary touch point for all initiatives and interactions. The channel has done and will continue to create socially-driven content for its target audience.”

    Speaking of the people who handle both channels’ digital presence; the VH1 team is based out of Mumbai and has multi-faceted resources spanning editorial, technology, creative, graphics, product and marketing while MTV India too has a 20-strong team based out of Mumbai.

    Says Bhattacharya: “MTV does not believe in compartmentalizing everyone in specific roles, because there is so much to digital, and there is a lot of creativity and science involved. We have technology, marketing, content buckets and all are bound with the thread of creativity, with a strong focus on revenue.”

    What are the channels doing to draw greater traffic to the websites?

    Says Bhattacharya: “We are not only present and active on all social platforms, we also pioneer digital innovation. For example, we are the first brand in India to have a show on Vine (Pick Me Up) and the first brand to use Whatsapp and Pinterest, heavily, in campaigns like Nano Drive with MTV and Ceat and MTV Chase The Monsoon. By engaging our audience on multiple platforms, we ensure we are constantly top of mind which consequently increases consumption of not only digital content but consumption of our shows on television.”

    Kumar says: “Vh1 is constantly pushing the envelope when it comes to social media. We work very closely with social platforms at both the product level and engagement. The next wave of innovation on social will be around the television screen and social platforms seamlessly integrated. We also continuously innovate on our campaigns for brands that work with us to deliver very strong engagement and brand message delivery.”

    For Bhattacharya, there is no specific demographic the channel caters to. “As far as a brand is concerned, everyone is a fan and each of them has an opinion and preference. The content doesn’t choose its audience; the audience chooses the content. The idea is to cater to all types of viewers with differentiated content,” he says. The problem is one property does not appeal to everyone and you can’t get everyone to love everything. Also, a viewer who is very vocal about his dislike for a certain show may not be as vocal about his liking another show on the channel.

    What are the achievements in terms of social media?

    MTV has won multiple awards for social and digital campaigns at pretty much every event. One of the biggest was when Roadies won the title of the Most Social TV Show in the world, beating the likes of Supernatural, The Glee Project, Pretty Little Liars, WWE etc. “The amount of work we put in on Roadies, specifically, on digital, is of course worth a whole new story,” says Bhattacharya.

    While Kumar says: “Vh1 has been the first mover to mark its presence on most social media platforms and continues to grow. Maintaining such a dynamic community is no less than a challenge. It has the biggest network of international music lovers in India in the shortest span of time. Plus we have multiple big ticket contests, taking our fans to the biggest gigs all over the world, there has not been a single quiet day for Vh1 online.”

  • Dinesh Swamy is creative director of Digital Law & Kenneth

    Dinesh Swamy is creative director of Digital Law & Kenneth

    MUMBAI: Digital Law & Kenneth has appointed Dinesh Swamy as its creative director. Swamy will report to Anil K Nair, managing partner of agency. 
     
    Earlier, Swamy was the associate creative director at Tribal DDB Mumbai. In his four years stint at the agency, he worked with brands such as Reliance Mobile, Idea Cellular, LIC, MTV, Volkswagen, JW Marriott and Mercedes-Benz among others. 
     
    In his career spanning over 11 years in the web space, he has also worked with Flip Media for about a year. 
     
    Swamy has also won a Creative Abby (gold for MTV Roadies 5.0 in 2008 and silver for Reliance Mobile‘s ‘Go for it‘ campaign in 2010), and Yahoo! Big Idea Chair award for Idea Cellular‘s ‘Use Idea Save Paper‘ campaign in 2010.