Tag: MTV India

  • Women’s Day 2021: Brands inspire, bat for gender equality

    Women’s Day 2021: Brands inspire, bat for gender equality

    NEW DELHI: Every year in the countdown March 8, brands go all out to woo the ‘fairer sex’, leaving no stone unturned. We are bombarded by a plethora of deals for retail therapy and tempting offers for some actual therapy at spas and salons to pamper women this one day of the year. They vie with one another on who can come up with better revolutionary, trendsetting ad campaigns that can grab more number of eyeballs. This year’s no different and in the run up to the much celebrated International Women’s Day, many brands have launched fresh campaigns to mark the occasion.

    Let's take a look on who nailed it and who perhaps missed the mark…

    OkCupid – ‘Ijazat Hai’

    Online dating app OkCupid has released a digital campaign called Ijazat Hai. We are well into the 21st century and yet a majority of women are still raised to believe they need their partner’s permission to pursue a career, many of them still find themselves having to take ‘permission’ to live their life. The ad tries to break down the stereotype that a woman needs to have anyone’s assent for pursuing her dreams and goals or simply to live her life her way. It throws the spotlight on the supposed ‘benefactors’ in a woman’s life who think they are being liberal, broadminded and progressive by ‘allowing’ the women in their life this ‘privilege’. Whereas by needlessly bragging about it they are in fact actually stripping a woman's agency.

    Prega News – #SheIsCompleteInHerself

    In our society, where the defining purpose of a woman’s life is becoming a mother, infertility is viewed as a curse. To speak out against this bias, pregnancy test kit brand Prega News has released a new ad featuring actress Mona Singh. The ad has been widely acclaimed as shattering a much needed stereotype of an ideal woman. The ad shows Mona Singh as a doting, dutiful daughter-in-law, getting happy for her younger, pregnant sister-in-law. However, her own infertility casts a shadow over her happiness. The ad then showcases how she is also a super achiever, multitasker and superwoman all rolled into one- who ensures the happiness and needs of everyone around her. The ad tries to convey the message that irrespective of being unable to conceive, she is complete in herself.

    The description of the ad reads, "Infertility affects every one in six couples in India and the circumstances around them make them suffer in silence. This Women's Day, let's speak up about infertility issues – and make this world a better place for people battling infertility. Prega News urges you to celebrate every woman for who she is because #SheIsCompleteInHerself.” Which is all very great, except that it is precisely what the ad does  not do – “celebrate every woman for who she is.” By showing that only a woman who puts everyone’s needs and happiness above her own deserves her family’s love and acceptance, it is sadly reinforcing other stereotypes while trying to break down one. If only the brand had been bold enough to show an ordinary, everyday woman to  send out this crucial message it would have made it much more effective. Aren’t we women tired of these tropes associated with us, with society constantly trying to either undermine us or else then place us on a pedestal? Can we live a normal life without sky-high societal expectations binding us down please?

    Sugar Cosmetics- #EveryWomanIsAWonderWoman 

    Something along these lines is what beauty brand Sugar Cosmetics is trying to convey. Through their #EveryWomanIsAWonderWoman digital campaign it urges all women to stay beautifully fearless, while encouraging them to embrace and love everything about themselves, this Women's Day. Its recognises the fact that women are often self-conscious. In the growing age of social media where everyone looks up to someone who has a perfect body, or a beautiful smile, or a bold personality; they are led to believe that they may not be good enough. While we may always be happy to embrace the things we love about ourselves; we tend to shy away from the things we feel that might appear as a flaw. However, nobody is perfect and we are all the best version of ourselves.

    The brand says, “When it comes to looking for a Wonder Woman in your life, you don't have to look too far; because you’re a Wonder Woman yourself, we all are. This Woman’s Day, don’t just embrace who you are, but the journey that led you to become who you are. Embrace the scars, the struggles, the defeats and the wins; because everything you are, is everything you are meant to be. Let beauty have no boundaries and rules.”

    To this end, the brand aims to engage with approximately 8,000+ influencers to create maximum reach and engagement on this campaign by sharing what they’ve come to accept about themselves and embrace going forward. The posts would read as- “I embrace ________ I am a Wonder Woman!” The influencers will go on and encourage their followers to also participate and join the campaign to celebrate all the wonderful women.  In lines with this theme, Sugar Cosmetics has also launched a limited edition range of mini liquid lipstick sets with names like Fearless, Fighter, Invincible and Adventurous.

    MTV India – ‘There’s more to a girl’s life than Shaadi’

    While there’s enough and more inspiration to be had from these Women’s Say campaigns, here is one which caught our eye for its quirky humour quotient. The digital campaign by MTV India sends out this message loud and clear: “There’s more to a girl’s life than Shaadi”. The ad is set in the future – in the year 2071 in outer space, perhaps so that the message is not just heard here on earth but also resounds across the universe. It features a female astronaut connecting with her mom back on earth from a spaceship. She talks about the ordeal she underwent to survive, while she discovered an alternate planet for earthlings to inhabit in the future. After patiently hearing her through, her mom hilariously has just one question to ask of her at the end of it, “Shaadi kab karogi beta? (When will you get married, dear?)”

    The ad ends with the message, “Kuch toh society kahegi, society ka kaam hain taane dena. But this womens day just say #AawaazNahiAaRahi and move on.” Badass.

     
     
     

     
     
     
     
     

     
     

     
     
     

     
     

    A post shared by MTV India (@mtvindia)

    WeWork – Feel like you have heard this before?

    Co-working spaces brand WeWork’s campaign on International Women’s Day calls out patronising or discriminatory conversations that every woman has been subjected to at some point in their professional journey at their workplaces. The ad starts off with the words “Feel like you’ve heard this before?” and goes on to feature an audio track playing out all the usual dialogues a working woman usually comes across. Which goes to show that despite all the progress women have made in their life and career how certain typecasts and biases still haven't changed across the world. The video is a reflection of the society we have grown up in and the stereotypes women have been subjected to in the workspace. “Let’s take a moment to challenge these biases and work towards an inclusive space,” the ad says.

    Voltas beko – “ghar sabki zimmedaari bhi sabki honi chahiye”

    This digital commercial is conceptualised by Voltas Beko and Momspresso, a leading platform providing content for the multi-faceted mothers of today. The digital video #GharSabkaZimmedariSabki is an attempt to debunk the age old beliefs that women are solely responsible for looking after every aspect of the household- whether she be a homemaker or working woman. The refreshing message sent out is that if the home belongs to everyone, so does the household responsibilities it entails.

    SBI General Insurance – #BringingWomenBackToWork

    While it’s nice and "feelgood" to see brands put in so much effort to woo women, it is even more heartening when they go a step further to actually make a difference in their lives. By stepping into their world and trying to understand the problems they face. A tiny step along these lines has been taken by SBI General Insurance, one of India’s leading general insurance companies. To reiterate its commitment to diversity and inclusion in the workplace, SBI General has launched its #BringingWomenBackToWork initiative.  This initiative is a step to encourage and hire women looking to rebuild and resume their careers after a break.  

    SBI General Insurance CHRO Sharad Dhakkate says, “With #BringingWomenBackToWork initiative, we aim to provide women a platform to facilitate their journey towards their career goals which they may have put on hold for various reasons. We believe that this initiative will create opportunities as well as enable us to augment our workforce and grow from strength to strength. We are glad to have received an overwhelming response of over 200 applications in response to our social media campaign #BringingWomenBackToWork.”

    Now that’s something to cheer for!

  • India’s Next Top Model gets sponsor heavy in third season

    India’s Next Top Model gets sponsor heavy in third season

    MUMBAI: MTV India’s Next Top Model season boasts a range of partners such as Livon Serum, Oppo, Lotus Make-up and Hike Messenger. The show, produced by Bulldog media and entertainment, will air every Saturday at 7 pm.

    CBS Studios International has licensed the India format rights for the worldwide hit dramality series America’s next top model to Mumbai-based Bulldog media and entertainment for the third season.

    Viacom18 COO Raj Nayak believes that MTV’s youth connect and creative prowess is the reason for sponsors lining up year after year. He said, “Fashion is one of the cornerstones of youth culture. And when the country’s biggest youth brand sets out to find the country’s next big fashion icon in the form of India’s Next Top Model, it is but natural that brands pertaining to fashion, beauty and lifestyle would want to be associated with us.”

    The upcoming season of India’s Next Top Model where ‘Fashion gets Tough’ follows the journey of ten beautiful young girls as they transform into ramp-ready professional models. The show will be presented by Malaika Arora and judged by India’s original supermodel, Milind Soman and Bollywood’s favorite photographer Dabboo Ratnani while the contestants get mentored by the perfectionist, Anusha Dandekar and tough task master Neeraj Gaba.

    Viacom18 head youth, music and english entertainment channels Ferzad Palia said, “Since the time of its inception, India’s Next Top Model has been a superhit with audiences across the country. The very fact that we have contestants participating in the show from across the country – including the North East, is a testament to the fantastic reach and wide appeal this show has.”

    Bulldog co-founder and executive producer Akash Sharma said: “Epecially adapted for the Indian audience, India’s Next Top Model is a transformation series not a modeling competition, where we take ordinary girls and follow their journey to the top of the high stakes world of fashion/ modeling.” His aim is to replicate the success of America’s Next Top Model, now in its 24th season, in India too.

    Talking about Livon’s returning partnership with the show, Marico chief marketing officer Anuradha Aggarwal said, “The Livon girl believes in being vivacious, vibrant and looking fabulous at all times – Livon wants to be this young girl’s constant companion, to give her salon finish hair, anytime, anywhere. Through this collaboration we wish to connect with the young millennials and provide them with a platform to showcase their talent, and offer them an opportunity to find the model within.”

    Oppo Mobiles India Pvt. Ltd brand director Will Yang said, “Oppo is a young and fashionable brand and it is always a pleasure to associate with youth-centric and fashionable shows like India’s Next Top Model. Oppo is an emerging brand and collaborating with this show will help both of us in reaching out to the young audience and embark on a new journey in the fashion world.”

     

     

  • MTV India to aid Airbnb break away from commoditised travel, says exec Bajaj

    MTV India to aid Airbnb break away from commoditised travel, says exec Bajaj

    MUMBAI: Airbnb, a community-driven hospitality company, announced the launch of its #LiveThere online contest, which appeals to spirited travelers who seek unique travel experiences whether it’s via music, adventure, culture or fashion.

    Airbnb has partnered with Viacom 18’s entertainment channel MTV India to host the online #LiveThere contest, which is part of Airbnb’s Live There campaign, designed to encourage people to change the way they experience the world around them. Live There gives aspiring travelers the chance to experience popular destinations through the Airbnb lens, with a refreshing perspective of popular destination through curated experiences which break away from standard itineraries.

    Contest winners will have the chance to head to their favorite destination accompanied by popular celebrities – DJ Nikhil Chinapa in Thailand; fashion icon VJ Anusha Dandekar in Milan; and Bollywood actress Radhika Apte in London. These celebrities will share insights corresponding to their respective areas of interest in order to curate unique experiences for winners in any of these cities.

    The #LiveThere contest requires participants to log onto their Instagram or Twitter and submit image/video entries which best capture their ‘Live There’ moments. Along with this, participants will need to use a creative caption along with their choice of destination in the following format – #InThailand, #InMilan or #InLondon.

    Throughout the contest, there will be a daily selection of the Best Entry of the Day. Each winning entry stands the chance to receive Airbnb vouchers worth up to US$ 200 in the form of a prize. Finally, the top creative entries per destination will be declared Grand Winners and they will have the chance to visit their chosen destination with the corresponding celebrity.

    Airbnb India country manager Amanpreet Bajaj said, “Milan, Bangkok and London are a few of the most famous travel destinations in the world with stock lists of to-do’s available for reference. However, urban youth today, want to break away from commoditised travel, and discover a place on their own terms. With Airbnb’s #LiveThere experience, we want travelers who are seeking a new approach to travel, to discover these places through a local’s eyes/ perspective. Collaborating with popular icons like Nikhil Chinappa, Anusha Dandekar and Radhika Apte, is our way of establishing greater relevance with the young Indian traveler, based on their unique passion points. We want travelers to feel like they can belong anywhere in the world, even if it is just for a night.”

    While trained Scuba instructor Nikhil Chinappa shares insights on how to best experience music and adventure in Thailand, Anusha Dandekar will offer an insider’s view into the hidden fashion hubs in Milan, while Radhika Apte suggests the best way to experience art and theatre in London.

    One winner each for Bangkok, Milan, and London will receive a three nights / four days-stay for the winner and one friend along with arrangements for unique, local experiences so they can truly live there.

  • MTV India appoints Ryan Mendonca as head of creative

    MUMBAI: MTV India has appointed Ryan Mendonca as the head of creative for its youth business which includes MTV and MTV Beats.

    The recipient of multiple wards including Cannes Lions and the Young Achievers Awards by The Advertising Club in 2009, Mendonca will report to Viacom18 Youth and English entertainment head Ferzad Palia.

    With more than a decade of experience in the world of advertising, prior to joining MTV, Mendonca worked with Ogilvy & Mather where he developed campaigns for iconic brands from Unilever, Cadbury, Perfetti and more. Known for being a man who lets his work speak for himself, over the years, Ryan has not only worked to deliver exemplary campaigns for clients but has also won accolades both nationally and internationally. As he takes over the Head of Creative for MTV, Ryan’s primary responsibility will be to lead the team at MTV and MTV BEATS to push the creative boundaries with brand communication across the MTV universe of TV, digital and branded content.

    Palia said, “People are the biggest asset of our business and we are continuously looking for talent that believes in the power of MTV and are also hungry to push the envelope and challenge status quos. Ryan is one of the hottest young creative minds in the industry today and going by the work that he has been doing, I believe he is the perfect fit for our multi-platform business, the MTV universe. Now, as we are gearing up for some exciting launches and with multiple new initiatives in the pipeline, Ryan is going to have his hands full at MTV. All I can say is, welcome to the madness Ryan!”

    Discussing his new role, Mendonca said, “Like several others from my generation, I grew up on MTV. It showed us the way, it was our voice. Now I join that voice again. It’s a privilege to be working alongside the brightest minds in the industry. I look forward to the ride.”

    During his stint with Ogilvy & Mather, Ryan handled creative duties for brands like Mondelez (Bournvita), ICICI Bank and BCCI (IPL) and has worked on several other brands such as Unilever (Dove, Ponds), Kodak, Perfetti, Star, Zigy, Apollo hospitals, Breakthrough Trust, Taj Holidays, World Gold Council and KFC amongst others. In his decade-long illustrious career, Ryan has not only made a name for himself as a creative hotshot but has also been the recipient of numerous awards. The Advertising Club of India named him Copywriter of the Year and Social Thinker of the year in 2009. His other laurels include being awarded at Cannes, The One Show, London International, Spikes Asia, WARC, Effies (India and Asia), AMEs and Young Guns to name a few.

  • Create a sonic identity which reflects brand emotion: BrandMusiq’s Raja

    Create a sonic identity which reflects brand emotion: BrandMusiq’s Raja

    MUMBAI: The International Advertising Association (IAA) India Chapter’s Young Turks Forum hosted Rajeev Raja, Founder & Soundsmith, BrandMusiq at the fourth session of the Advertising and The 5 Senses series, presented by MTV India.

    The ‘Advertising and The 5 Senses’ series highlights the importance of using all our five senses in advertising, as opposed to only visual (sight “print advertising”) or audio (sound “Radio”). The series presents sessions by industry experts with a background in each of the 5 senses – Taste, Sound, Sight, Smell and Touch so the audience could learn about the nuances of these senses as they relate to communication and together add immense value.

    As part of session on ‘Sound’ Rajeev Raja delivered an insightful lecture to demonstrate the power of sound in advertising. Creator of the concept of MOGO or ‘musical logo’, Raja shared examples of how sound has the ability to evoke images, emotions and even trigger memories and therefore stressed on the need to create a sonic identity which reflects the emotion of the brand.

    Speaking about the event, Rajeev Raja commented, “I enjoyed demonstrating the whole design of sound. Designing sound for a brand is something that is going to be absolutely evoked by the time they graduate and come out. Thanks to International Advertising Association I got this opportunity to spend some time with young kids and it was truly fantastic.”

    The previous events under the series included a session consisting of a conversation between Chef Sanjeev Kapoor and Roshni Bajaj. Sanjeev Kapoor spoke about the importance of all five senses coming together to make the food experience wholesome. Amit Sarda, MD, Soulflower hosted the second session describing the role played by olfactory senses in aromatizing and augmenting experiences. Gaelle Carbonneil, Brand Manager, Clinique highlighted the role of sight and brand aesthetics in advertising.

    The International Advertising Association is the world’s only globally-focused integrated advertising trade association with membership representing Advertising agencies and the Media. The IAA comprises Corporate Members, Organizational Members, Educational Affiliates, as well as 56 Chapters with individual members and young professionals from 76 countries including the top 10 economies in the world. lAA is over 75 years’ old and is headquartered in New York.

  • Create a sonic identity which reflects brand emotion: BrandMusiq’s Raja

    Create a sonic identity which reflects brand emotion: BrandMusiq’s Raja

    MUMBAI: The International Advertising Association (IAA) India Chapter’s Young Turks Forum hosted Rajeev Raja, Founder & Soundsmith, BrandMusiq at the fourth session of the Advertising and The 5 Senses series, presented by MTV India.

    The ‘Advertising and The 5 Senses’ series highlights the importance of using all our five senses in advertising, as opposed to only visual (sight “print advertising”) or audio (sound “Radio”). The series presents sessions by industry experts with a background in each of the 5 senses – Taste, Sound, Sight, Smell and Touch so the audience could learn about the nuances of these senses as they relate to communication and together add immense value.

    As part of session on ‘Sound’ Rajeev Raja delivered an insightful lecture to demonstrate the power of sound in advertising. Creator of the concept of MOGO or ‘musical logo’, Raja shared examples of how sound has the ability to evoke images, emotions and even trigger memories and therefore stressed on the need to create a sonic identity which reflects the emotion of the brand.

    Speaking about the event, Rajeev Raja commented, “I enjoyed demonstrating the whole design of sound. Designing sound for a brand is something that is going to be absolutely evoked by the time they graduate and come out. Thanks to International Advertising Association I got this opportunity to spend some time with young kids and it was truly fantastic.”

    The previous events under the series included a session consisting of a conversation between Chef Sanjeev Kapoor and Roshni Bajaj. Sanjeev Kapoor spoke about the importance of all five senses coming together to make the food experience wholesome. Amit Sarda, MD, Soulflower hosted the second session describing the role played by olfactory senses in aromatizing and augmenting experiences. Gaelle Carbonneil, Brand Manager, Clinique highlighted the role of sight and brand aesthetics in advertising.

    The International Advertising Association is the world’s only globally-focused integrated advertising trade association with membership representing Advertising agencies and the Media. The IAA comprises Corporate Members, Organizational Members, Educational Affiliates, as well as 56 Chapters with individual members and young professionals from 76 countries including the top 10 economies in the world. lAA is over 75 years’ old and is headquartered in New York.

  • MTV is all prepped up with season 2 of ‘India’s Next Top Model’

    MTV is all prepped up with season 2 of ‘India’s Next Top Model’

    MUMBAI: Calling fashionistas in town. MTV is back with season 2 of India’s Next Top Model (INTM) which begins airing on 10 July. The show will air every Sunday at 7 pm.

     

    Like season one, season 2 of INTM will see 13 contestants living together in a house in Mumbai for 10 weeks, under 24×7 camera surveillance. The girls will meet leading experts from the fashion and modelling industry who will teach them the skills necessary to be a professional model.

    Bulldog Media & Entertainment, which holds the rights for the Indian franchise, is excited about season 2.

     

    “We had an amazing response for season 1 with extremely loyal viewers. What surprised us is that the show was not only popular in India but also had tremendous following in International markets like the US, Middle East, UK. Season two is going to be bigger and better and is backed with some outstanding talent,” says Bulldog Media and Entertainment co-founder and executive producer Akash Sharma.  

    The 12 episodic (tentative) show has retained the same judges and host for this season. The difference: Dabboo Ratnani  and Lisa Haydon will continue as judges through to the last episode, with the latter also donning the anchor’s/host’s hat.  On the other hand, Anusha Dandekar and Neeraj Gaba will become mentors to the contestants as the show progresses, even as they judge the first few episodes.

     

    “We will follow the format of America’s Next Top Model with extreme challenges and photoshoots. Broadly, the framework will follow the international format though the creative elements will change,” elaborates Sharma.

    While Sharma was loathe to disclosing any figures relating to production costs, industry experts pegged the per episode bill to be between Rs 1.2 to 1.5 million.

    Being a fashion and lifestyle show, INTM has managed to lassoo Livon Serum as the title sponsor, while Lakme and Airtel have hopped on board as co-presenters, and  fashion portal abof.com has been signed on as powered by partner.

     

    “According to what we have been hearing we believe that the title sponsorship went at about Rs 8 million, whereas the copresenting sponsors have been finalised at Rs 5 million each,” opines a media planner. “Our estimate is that a 10 second spot buy on an MTV show could be anywhere between Rs 8,000 to 10,000 for the first run. But considering that this is a premium high aspirational programme, the rates could be about 30 to 40 per cent higher.”

    Another media planner adds that premium MTV properties such as Roadies have wrapped up title sponsorships at around Rs 22.5 million whereas powered by partners have paid up Rs 12.5 million each. So indiantelevision.com’s guesstimate is that the sponsorships could have been done at around Rs 15 million, and Rs 9 million each and Rs 6 million for the three different levels.

    “I am excited to have India’s Next Top Model on MTV India. They are the longest running reality franchise channel with a diverse reach. We have raised the bar with this season. It will have an International appeal maintaining the local flavour,” adds Sharma.

    Considering that its US parent, America’s Next Top Model has recently moved to VH1 in the US, after completing a successful 22 season or cycle run on The CW network  there, its quite likely that Sharma is going to be excited about the Indian edition for many more years to come.

  • MTV is all prepped up with season 2 of ‘India’s Next Top Model’

    MTV is all prepped up with season 2 of ‘India’s Next Top Model’

    MUMBAI: Calling fashionistas in town. MTV is back with season 2 of India’s Next Top Model (INTM) which begins airing on 10 July. The show will air every Sunday at 7 pm.

     

    Like season one, season 2 of INTM will see 13 contestants living together in a house in Mumbai for 10 weeks, under 24×7 camera surveillance. The girls will meet leading experts from the fashion and modelling industry who will teach them the skills necessary to be a professional model.

    Bulldog Media & Entertainment, which holds the rights for the Indian franchise, is excited about season 2.

     

    “We had an amazing response for season 1 with extremely loyal viewers. What surprised us is that the show was not only popular in India but also had tremendous following in International markets like the US, Middle East, UK. Season two is going to be bigger and better and is backed with some outstanding talent,” says Bulldog Media and Entertainment co-founder and executive producer Akash Sharma.  

    The 12 episodic (tentative) show has retained the same judges and host for this season. The difference: Dabboo Ratnani  and Lisa Haydon will continue as judges through to the last episode, with the latter also donning the anchor’s/host’s hat.  On the other hand, Anusha Dandekar and Neeraj Gaba will become mentors to the contestants as the show progresses, even as they judge the first few episodes.

     

    “We will follow the format of America’s Next Top Model with extreme challenges and photoshoots. Broadly, the framework will follow the international format though the creative elements will change,” elaborates Sharma.

    While Sharma was loathe to disclosing any figures relating to production costs, industry experts pegged the per episode bill to be between Rs 1.2 to 1.5 million.

    Being a fashion and lifestyle show, INTM has managed to lassoo Livon Serum as the title sponsor, while Lakme and Airtel have hopped on board as co-presenters, and  fashion portal abof.com has been signed on as powered by partner.

     

    “According to what we have been hearing we believe that the title sponsorship went at about Rs 8 million, whereas the copresenting sponsors have been finalised at Rs 5 million each,” opines a media planner. “Our estimate is that a 10 second spot buy on an MTV show could be anywhere between Rs 8,000 to 10,000 for the first run. But considering that this is a premium high aspirational programme, the rates could be about 30 to 40 per cent higher.”

    Another media planner adds that premium MTV properties such as Roadies have wrapped up title sponsorships at around Rs 22.5 million whereas powered by partners have paid up Rs 12.5 million each. So indiantelevision.com’s guesstimate is that the sponsorships could have been done at around Rs 15 million, and Rs 9 million each and Rs 6 million for the three different levels.

    “I am excited to have India’s Next Top Model on MTV India. They are the longest running reality franchise channel with a diverse reach. We have raised the bar with this season. It will have an International appeal maintaining the local flavour,” adds Sharma.

    Considering that its US parent, America’s Next Top Model has recently moved to VH1 in the US, after completing a successful 22 season or cycle run on The CW network  there, its quite likely that Sharma is going to be excited about the Indian edition for many more years to come.

  • Section 377: Films, TV, Online and LGBT content

    Section 377: Films, TV, Online and LGBT content

    MUMBAI: Ten years ago most Indians probably did not know what Section 377  of the Indian Penal Code was all about. But the lobbing around that it has received since then has made it a common-as-garden word in the country today.

    It dates back to 1860 and it criminalises  “voluntarily carnal intercourse against the order of nature (by) any man, woman or animal.” Under it, any member of the already marginalised lesbian, gay, bisexual, transgender (LGBT) community could be sent to jail.

    In 2009, in keeping with the rising LGBT voices, it was declared unconstitutional by the Delhi High Court. Four years later, that decision was overturned by the Supreme Court, which said that its amendment or annulment should be the prerogative of the parliament, not the judiciary. Then on 2 February, 2016, a three-member bench of the Supreme Court said that a five-member bench would review afresh all the petitions that had been filed with it. A decision that was met with resounding applause by an estimated three million publicly declared Indian LGBTs (the number would be higher if one were to consider those who prefer to keep their sexual preferences private).

    Indiantelevision.com decided to take a dekko at how TV channels and other audiovisual media have dealt with those who prefer the same gender.

    Indian news channels have on the whole been objective, giving both sides – those favouring gay and bisexual rights and those against – an equal platform to air their views. Some English news channels have however taken an advocacy position for them. India’s first transgender news anchor Padmini Prakash made her debut on Tamil television recently. A few years ago, India’s first transgender television talk show hostess Rose Venkatesh was seen on Ipapdikku Rose on Star Vijay.

    Hindi GECs on the whole have caricatured and forced stereotypes on audiences – whether it was ‘Maddy’ in Jassi Jaisi Koi Nahi or characters in Pyaar Kii Yeh Ek Kahani. On the unscripted front, cross dressing male actors on various comedy shows have parodied the third gender. Recently, MTV India was bold enough to air an episode of The Big F titled ‘I Kissed A Girl,’ which featured two young girls’ desire for each other and also the first lesbian kiss on Indian television.

    TV audiences either did not watch the episode or thought it was okay for girls to make out and fall in love with each other because no complaints to the Broadcasting Content Complaints Council (BCCC) were announced at least till the time of writing this story. However, a few months back viewers objected to an episode of Grey’s Anatomy featuring a homosexual encounter and complained against the broadcaster Star World to the BCCC. They however have kept mum when episodes of American series like Orange is the New Black, Lost Girl, Orphan Black, Faking It, and How to Get Away with Murder aired, featuring steamy and risqué scenes between members of the same sex.

    “Though TV has tried to experiment with LGBT content, shows like Maryada… Lekin Kab Tak, which dealt with matured relationship between two married gay men, need to come back to the idiot box,” says Sridhar Rangayan, who directed many a Hindi TV series before setting up Solaris Pictures, which makes films with a special focus on queer subjects.

    Rangayan has also been the festival director of the Kashish Mumbai-International Queer Film Festival. This year’s edition, which is to be held from 25 to 29 May 2016, will take a look at the LGBT community in a larger way. “Love is not just romantic love but is also different shades of love. We are bringing in more regional and Indian films this year. We are going to encourage more parents, friends and colleagues to attend this festival,” adds Rangayan.

    Talking about the representation that the community gets in today’s society in India he further adds, “There is a need for happy, affirmative and positive stories or at least a normal portrayal of them. What bothers me and is sickening is this entire image of them taken as caricatures. Shows like Comedy Circus or Comedy Nights with Kapil (now off air) ridicule them and the way they are conceptualised is gross. I don’t know why they can’t have actual transgender actors coming in which can make it look more real for people to watch them.”

    “I don’t think a subject or work or genre works independently. It goes hand-in-hand. In such a scenario, producers need to be sensitive about not using the characters in the show as caricatures just for the sake of it,” expresses Monozygotic co-founder Rajiv Ram. “I also believe that we should watch our sense of humour. Jokes are being cracked on other communities as well, which is not a problem. The problem is the lack of acceptance, knowledge, sensitivity and the mindset of the people in the society.”

    Rangayan believes that Indian TV production houses have been progressive and have been open to deal with stories around various subjects (including those targeting the LGBT community) but the fear of governmental, legal and societal retribution has made them tread cautiously. “The same applies to actors, broadcasters and the entire TV fraternity. We all are just waiting for that spark from the government,” he adds.

    Whether there will be a backlash or not will be tested in the not too distant future. If the gossip rags are to be believed, veteran actor Anil Kapoor has expressed his interest to adapt the American sitcom Modern Family (featuring gay characters as two of the main protagonists) for Indian television.

    “We look for great stories wherever they come from. I believe there are great stories within the gay and lesbian community just like any other and we do seek to tell them within the confines of what is permitted by broadcasting regulations and sensibility. In our youth series Kaisi Yeh Yaarian, we explored stories in this space and told them well and were also well received,” says BBC Worldwide India MD and creative head Myleeta Aga.

    Industry professionals say shows will pass muster as long as certain criterion are kept in mind.

    “The content should comply with the internal decency standards of the regulatory board and the government,” says AXN and Sony Pix business head Saurabh Yagnik.

    “The characters need to be interesting and universal, and the stories need not be written from the western mindset. They need to have an Indian context,” says Sunshine Productions founder Sudhir Sharma. “If you are creating something, which is not relevant to the Indian audiences or from the Indian culture’s point of view, such content will be difficult to digest. I think the government will have an issue only if we get into some edgy controversial topics.”

    Media and creative professionals say the winds of change have been blowing in other mediums and will continue to do so. Hindi cinema, for instance. Films like Margarita with a Straw and Aligarh have gone an inch forward in spreading the right message about the community. Other films like Dostana, Fire, Bomgay, My Brother Nikhil, Honeymoon Travels Pvt Ltd, etc, have portrayed characters partially related to those preferring same sex or from the third gender.

    Online is one medium, which is going to see a flood of LGBT content flowing. Badmshiyaan director recently shared the promo of his soon to be launched series titled All About Section 377. The web series consists of eight episodes produced by Weirdoze and The Creative Gypsy. It features Gulshan Nain, Ankit Bhatia, Mustafa Shaikh and Amit Khanna himself. 

    Yash Raj Films’ youth banner Y-Films has also got into the fray when it launched the music video of India’s first transgender band named 6-pack band. The video features its first song titled as ‘Hum Hai Happy,’ which is a cover version of Pharell Williams’ song, ‘Happy.’

    ALT Entertainment – a Balaji Telefilms company – is believed to be incubating ambitions to launch many a web series targeting LGBT subjects for its soon to be launched OTT platform.

    Khanna echoed many an Indian’s thought at the launch of his web series promo when he said, “The existence of Section 377 itself is frightening. How does someone else get to decide how, when and who, one should love? Basically the right of ‘freedom of choice’ isn’t legal anymore…”

    That is something the five member  Supreme Court bench will have to really ponder on.

  • Section 377: Films, TV, Online and LGBT content

    Section 377: Films, TV, Online and LGBT content

    MUMBAI: Ten years ago most Indians probably did not know what Section 377  of the Indian Penal Code was all about. But the lobbing around that it has received since then has made it a common-as-garden word in the country today.

    It dates back to 1860 and it criminalises  “voluntarily carnal intercourse against the order of nature (by) any man, woman or animal.” Under it, any member of the already marginalised lesbian, gay, bisexual, transgender (LGBT) community could be sent to jail.

    In 2009, in keeping with the rising LGBT voices, it was declared unconstitutional by the Delhi High Court. Four years later, that decision was overturned by the Supreme Court, which said that its amendment or annulment should be the prerogative of the parliament, not the judiciary. Then on 2 February, 2016, a three-member bench of the Supreme Court said that a five-member bench would review afresh all the petitions that had been filed with it. A decision that was met with resounding applause by an estimated three million publicly declared Indian LGBTs (the number would be higher if one were to consider those who prefer to keep their sexual preferences private).

    Indiantelevision.com decided to take a dekko at how TV channels and other audiovisual media have dealt with those who prefer the same gender.

    Indian news channels have on the whole been objective, giving both sides – those favouring gay and bisexual rights and those against – an equal platform to air their views. Some English news channels have however taken an advocacy position for them. India’s first transgender news anchor Padmini Prakash made her debut on Tamil television recently. A few years ago, India’s first transgender television talk show hostess Rose Venkatesh was seen on Ipapdikku Rose on Star Vijay.

    Hindi GECs on the whole have caricatured and forced stereotypes on audiences – whether it was ‘Maddy’ in Jassi Jaisi Koi Nahi or characters in Pyaar Kii Yeh Ek Kahani. On the unscripted front, cross dressing male actors on various comedy shows have parodied the third gender. Recently, MTV India was bold enough to air an episode of The Big F titled ‘I Kissed A Girl,’ which featured two young girls’ desire for each other and also the first lesbian kiss on Indian television.

    TV audiences either did not watch the episode or thought it was okay for girls to make out and fall in love with each other because no complaints to the Broadcasting Content Complaints Council (BCCC) were announced at least till the time of writing this story. However, a few months back viewers objected to an episode of Grey’s Anatomy featuring a homosexual encounter and complained against the broadcaster Star World to the BCCC. They however have kept mum when episodes of American series like Orange is the New Black, Lost Girl, Orphan Black, Faking It, and How to Get Away with Murder aired, featuring steamy and risqué scenes between members of the same sex.

    “Though TV has tried to experiment with LGBT content, shows like Maryada… Lekin Kab Tak, which dealt with matured relationship between two married gay men, need to come back to the idiot box,” says Sridhar Rangayan, who directed many a Hindi TV series before setting up Solaris Pictures, which makes films with a special focus on queer subjects.

    Rangayan has also been the festival director of the Kashish Mumbai-International Queer Film Festival. This year’s edition, which is to be held from 25 to 29 May 2016, will take a look at the LGBT community in a larger way. “Love is not just romantic love but is also different shades of love. We are bringing in more regional and Indian films this year. We are going to encourage more parents, friends and colleagues to attend this festival,” adds Rangayan.

    Talking about the representation that the community gets in today’s society in India he further adds, “There is a need for happy, affirmative and positive stories or at least a normal portrayal of them. What bothers me and is sickening is this entire image of them taken as caricatures. Shows like Comedy Circus or Comedy Nights with Kapil (now off air) ridicule them and the way they are conceptualised is gross. I don’t know why they can’t have actual transgender actors coming in which can make it look more real for people to watch them.”

    “I don’t think a subject or work or genre works independently. It goes hand-in-hand. In such a scenario, producers need to be sensitive about not using the characters in the show as caricatures just for the sake of it,” expresses Monozygotic co-founder Rajiv Ram. “I also believe that we should watch our sense of humour. Jokes are being cracked on other communities as well, which is not a problem. The problem is the lack of acceptance, knowledge, sensitivity and the mindset of the people in the society.”

    Rangayan believes that Indian TV production houses have been progressive and have been open to deal with stories around various subjects (including those targeting the LGBT community) but the fear of governmental, legal and societal retribution has made them tread cautiously. “The same applies to actors, broadcasters and the entire TV fraternity. We all are just waiting for that spark from the government,” he adds.

    Whether there will be a backlash or not will be tested in the not too distant future. If the gossip rags are to be believed, veteran actor Anil Kapoor has expressed his interest to adapt the American sitcom Modern Family (featuring gay characters as two of the main protagonists) for Indian television.

    “We look for great stories wherever they come from. I believe there are great stories within the gay and lesbian community just like any other and we do seek to tell them within the confines of what is permitted by broadcasting regulations and sensibility. In our youth series Kaisi Yeh Yaarian, we explored stories in this space and told them well and were also well received,” says BBC Worldwide India MD and creative head Myleeta Aga.

    Industry professionals say shows will pass muster as long as certain criterion are kept in mind.

    “The content should comply with the internal decency standards of the regulatory board and the government,” says AXN and Sony Pix business head Saurabh Yagnik.

    “The characters need to be interesting and universal, and the stories need not be written from the western mindset. They need to have an Indian context,” says Sunshine Productions founder Sudhir Sharma. “If you are creating something, which is not relevant to the Indian audiences or from the Indian culture’s point of view, such content will be difficult to digest. I think the government will have an issue only if we get into some edgy controversial topics.”

    Media and creative professionals say the winds of change have been blowing in other mediums and will continue to do so. Hindi cinema, for instance. Films like Margarita with a Straw and Aligarh have gone an inch forward in spreading the right message about the community. Other films like Dostana, Fire, Bomgay, My Brother Nikhil, Honeymoon Travels Pvt Ltd, etc, have portrayed characters partially related to those preferring same sex or from the third gender.

    Online is one medium, which is going to see a flood of LGBT content flowing. Badmshiyaan director recently shared the promo of his soon to be launched series titled All About Section 377. The web series consists of eight episodes produced by Weirdoze and The Creative Gypsy. It features Gulshan Nain, Ankit Bhatia, Mustafa Shaikh and Amit Khanna himself. 

    Yash Raj Films’ youth banner Y-Films has also got into the fray when it launched the music video of India’s first transgender band named 6-pack band. The video features its first song titled as ‘Hum Hai Happy,’ which is a cover version of Pharell Williams’ song, ‘Happy.’

    ALT Entertainment – a Balaji Telefilms company – is believed to be incubating ambitions to launch many a web series targeting LGBT subjects for its soon to be launched OTT platform.

    Khanna echoed many an Indian’s thought at the launch of his web series promo when he said, “The existence of Section 377 itself is frightening. How does someone else get to decide how, when and who, one should love? Basically the right of ‘freedom of choice’ isn’t legal anymore…”

    That is something the five member  Supreme Court bench will have to really ponder on.