Tag: MSM

  • Ek India Happywala is what Sony wants India to sing during IPL

    Ek India Happywala is what Sony wants India to sing during IPL

    MUMBAI: The ballroom in the five star hotel was packed with journalists, jostling for space. The lights were dimmed. Toddlers waddle in cutely with white blossoms in their hands. They  distribute a flower each to the scribes present there –  the fragrance of peace travels all across the ballroom.A tall Sikh gentleman is escorted onto the stage, the LED backdrop lights up. Inscribed on the LED wall were the words:  Ek India…Happywala.

    And as the lights gradually come on, they reveal  the turbaned gentleman. He is none other than Sony Pictures Networks (SPN )-  erstwhile known as Multi Screen Media (MSM) – CEO NP Singh. And what just happened was the unveiling of the 2016 campaign of India’s longest short format league – the Indian Premier League which annually captures the hearts and minds of cricket crazy India. 
    Sony Max and Sony Max2 senior executive vice president Neeraj Vyas follows Singh on the stage,  and without any hemming and hawing proudly announces:  “The biggest brand of the country cannot stay away from the mood of the country.

    And that exactly underlines the campaign’s central theme: unity, harmony and happiness are the three pillars on which the entire Ek India….Happywala (One happy India) is based. 
    The 60 second TVC reflects on the ongoing intolerance brouhaha  in the country and shows how cricket and IPL can help things turn around positively.
    The film starts with greyscale still images of a rickshaw driver getting a thrashing, a horrified inked man and two youth battling it out with a hockey stick each in their hands. 

    The images move to color showing a youth engaged  in vandalising a yellow taxi. A cricket ball lands at  his feet and then follow a group of young kids asking for the ball. He stops smashing up the cab  and joins the young ones in their game. 

    That’s the power of the IPL and that’s what exactly the campaign wants to communicate. 

    The strong message is complemented by Salim and Sulaiman’s touchy background score. 

    “Sonal Dabral and his DDB Mudra team created the campaign for us, they did it last year too. We have also kept the same creators when it comes to music and if you see there is not much of a difference from our last year’s campaign India Ka Tyohaar. IPL is a catalyst that unites the nation and thats what the campaign communicates” explains Vyas.

    The campaign has already rolled out digitally and soon will mark its presence on television. 

    TV will remain the most spent medium when it comes to marketing as per Vyas’ assessment. “50 per cent of the spends will go on TV whereas the remaining 50 per cent will be spent on radio, digital and print” he adds.

    The campaign will have dubbed versions for the regional markets with the outdoors in key HSM markets providing recall support.. 

    “HSM plays a vital role when it comes to the ratings and hence our key focus will be on that market. But the initiatives that we launch will cater to pan India audiences as IPL is popular in every nook and corner. Radio will see a lot of jingles while interactive campaign will orchestrate the digital media initiatives” asserts Vyas.

    The campaign push and strategy will depend on the ICC T20 World Cup and India’s performance in the tournament. 

    “The cricketing mood will be determined by team India’s performance. So we will have to wait, watch, asses and then strategise. We have our plans chalked out, we will be present on our networks as well as on other networks too,”  reveals  Vyas.

    “They have made great use of the generic situations, if you see the car that is broken is a yellow taxi and the man is wearing glasses.  It connects you to Bengal where there is an election. The inked man is still fresh in every mind and the music speaks about unity, happiness and equality. You cannot ignore the negatives if you want to portray a positive scenario and hence usage of this scenario is nothing controversial in my opinion. I think it’s a good anthem and the smaller videos complement it nicely,” says an executive creative director of a reputed creative agency.

    “Whatever is done by us will have repercussions on the young children and that is why we have young children all throughout the video. We will perish soon, what matters is the future of the nation, the igniting minds,” concludes Vyas.

  • Ek India Happywala is what Sony wants India to sing during IPL

    Ek India Happywala is what Sony wants India to sing during IPL

    MUMBAI: The ballroom in the five star hotel was packed with journalists, jostling for space. The lights were dimmed. Toddlers waddle in cutely with white blossoms in their hands. They  distribute a flower each to the scribes present there –  the fragrance of peace travels all across the ballroom.A tall Sikh gentleman is escorted onto the stage, the LED backdrop lights up. Inscribed on the LED wall were the words:  Ek India…Happywala.

    And as the lights gradually come on, they reveal  the turbaned gentleman. He is none other than Sony Pictures Networks (SPN )-  erstwhile known as Multi Screen Media (MSM) – CEO NP Singh. And what just happened was the unveiling of the 2016 campaign of India’s longest short format league – the Indian Premier League which annually captures the hearts and minds of cricket crazy India. 
    Sony Max and Sony Max2 senior executive vice president Neeraj Vyas follows Singh on the stage,  and without any hemming and hawing proudly announces:  “The biggest brand of the country cannot stay away from the mood of the country.

    And that exactly underlines the campaign’s central theme: unity, harmony and happiness are the three pillars on which the entire Ek India….Happywala (One happy India) is based. 
    The 60 second TVC reflects on the ongoing intolerance brouhaha  in the country and shows how cricket and IPL can help things turn around positively.
    The film starts with greyscale still images of a rickshaw driver getting a thrashing, a horrified inked man and two youth battling it out with a hockey stick each in their hands. 

    The images move to color showing a youth engaged  in vandalising a yellow taxi. A cricket ball lands at  his feet and then follow a group of young kids asking for the ball. He stops smashing up the cab  and joins the young ones in their game. 

    That’s the power of the IPL and that’s what exactly the campaign wants to communicate. 

    The strong message is complemented by Salim and Sulaiman’s touchy background score. 

    “Sonal Dabral and his DDB Mudra team created the campaign for us, they did it last year too. We have also kept the same creators when it comes to music and if you see there is not much of a difference from our last year’s campaign India Ka Tyohaar. IPL is a catalyst that unites the nation and thats what the campaign communicates” explains Vyas.

    The campaign has already rolled out digitally and soon will mark its presence on television. 

    TV will remain the most spent medium when it comes to marketing as per Vyas’ assessment. “50 per cent of the spends will go on TV whereas the remaining 50 per cent will be spent on radio, digital and print” he adds.

    The campaign will have dubbed versions for the regional markets with the outdoors in key HSM markets providing recall support.. 

    “HSM plays a vital role when it comes to the ratings and hence our key focus will be on that market. But the initiatives that we launch will cater to pan India audiences as IPL is popular in every nook and corner. Radio will see a lot of jingles while interactive campaign will orchestrate the digital media initiatives” asserts Vyas.

    The campaign push and strategy will depend on the ICC T20 World Cup and India’s performance in the tournament. 

    “The cricketing mood will be determined by team India’s performance. So we will have to wait, watch, asses and then strategise. We have our plans chalked out, we will be present on our networks as well as on other networks too,”  reveals  Vyas.

    “They have made great use of the generic situations, if you see the car that is broken is a yellow taxi and the man is wearing glasses.  It connects you to Bengal where there is an election. The inked man is still fresh in every mind and the music speaks about unity, happiness and equality. You cannot ignore the negatives if you want to portray a positive scenario and hence usage of this scenario is nothing controversial in my opinion. I think it’s a good anthem and the smaller videos complement it nicely,” says an executive creative director of a reputed creative agency.

    “Whatever is done by us will have repercussions on the young children and that is why we have young children all throughout the video. We will perish soon, what matters is the future of the nation, the igniting minds,” concludes Vyas.

  • Sony makes a comedy comeback with Kapil Sharma

    Sony makes a comedy comeback with Kapil Sharma

    MUMBAI: A flurry of reports gave birth to waves of mystery, and sailing through rough seas was Kapil Sharma and his comedy enterprise. The water has now calmed as Sony Pictures Networks today (1 March 2016) announced the revival of comedy on its premier General Entertainment Channel (GEC) Sony. And the mantle for Sony’s return to comedy has been donned by Kapil Sharma and his crew. Jointly produced by Kapil’s own production house K9 Productions and Frames, the show will hit the small screen every Saturday and Sunday from 23 April at 9 pm. 

    “Comedy plays a vital role when it comes to viewership and is a very important part of Sony. Yes we took a break and now we are back and there is no better way to come back than with Kapil,” said SPN India CEO NP Singh.

    The show has been given a new sobriquet.  It is now The Kapil Sharma Show. SPN along with the televised show will also foray into a lot of on-ground initiatives. The first episode of the show will be the televised version of an on ground show in Delhi. Besides Delhi, SPN with Kapil and team will travel to Lucknow, Amritsar and Bhopal. 

    “Our major focus will be the Hindi Speaking Markets (HSM) and the four city tour is very much a part of a marketing plan. With Kapil, the buzz is already built, you don’t need to put in hefty investments. It’s just being at the right place at the right time. The eagerness for the show is already there and we will unveil our various campaigns in time” informed SPN SVP marketing Anup Vishwanathan.

    The Kapil Sharma Show show will go on air at a time when SPN’s biggest asset IPL will be at its peak and the channel is all set to utilize the huge reach of the million dollar league in order to promote it. “IPL is a great success and is very popular. But we believe The Kapil Sharma Show will have a totally different set of audience and both will have high viewership. IPL and The Kapil Sharma Show can both run successfully at the same time. Rather IPL is a big advantage for us, we will use it to promote and generate more awareness,” revealed Sony EVP and business head Danish Khan

    “There were sensibilities which did not match between us and Colors, therefore we could not reach a consensus and hence we parted. We will continue to do what we do the best, and that is to entertain people. The only difference is the network. I have had a great association with Sony and we are looking ahead for even better things,” said Sharma.

    SPN has already raked in a ‘presented by’ sponsor in Lava mobiles and is in the final set of discussion for powered by and associate sponsors category, “We are receiving a very positive response when it comes to advertisers and soon we will have more names to share,” informed Khan.

    The network is looking forward to a long term association with the comedian. “This is a long term investment and we are looking at the future. We want to take comedy to a new level, and we will do it together with Kapil and his team” Khan further added.  

    But how is it different? What is it that differentiates the new one from the one that he was doing for Colors? “Creating differentiation for the sake of creating it is not good” replied CEO NP Singh. He further added, “The team of writers and the team of actors they have will create a differentiation naturally everyday. The viewers will need to constantly re-invent themselves and that’s the magic the team can create.”

    The show will also be up on the digital platform Sony Liv through a yet to be determined business model. “We still have time to decide if we will put the show as AVOD or SVOD. But it will be available for the viewers on the digital platform,” asserted Singh.

    Due to copyright issues despite having the same crew Kapil will have to revamp the characterization all over again. Now it remains to be seen how Sony’s foray into comedy unfolds in days to come.

  • Sony makes a comedy comeback with Kapil Sharma

    Sony makes a comedy comeback with Kapil Sharma

    MUMBAI: A flurry of reports gave birth to waves of mystery, and sailing through rough seas was Kapil Sharma and his comedy enterprise. The water has now calmed as Sony Pictures Networks today (1 March 2016) announced the revival of comedy on its premier General Entertainment Channel (GEC) Sony. And the mantle for Sony’s return to comedy has been donned by Kapil Sharma and his crew. Jointly produced by Kapil’s own production house K9 Productions and Frames, the show will hit the small screen every Saturday and Sunday from 23 April at 9 pm. 

    “Comedy plays a vital role when it comes to viewership and is a very important part of Sony. Yes we took a break and now we are back and there is no better way to come back than with Kapil,” said SPN India CEO NP Singh.

    The show has been given a new sobriquet.  It is now The Kapil Sharma Show. SPN along with the televised show will also foray into a lot of on-ground initiatives. The first episode of the show will be the televised version of an on ground show in Delhi. Besides Delhi, SPN with Kapil and team will travel to Lucknow, Amritsar and Bhopal. 

    “Our major focus will be the Hindi Speaking Markets (HSM) and the four city tour is very much a part of a marketing plan. With Kapil, the buzz is already built, you don’t need to put in hefty investments. It’s just being at the right place at the right time. The eagerness for the show is already there and we will unveil our various campaigns in time” informed SPN SVP marketing Anup Vishwanathan.

    The Kapil Sharma Show show will go on air at a time when SPN’s biggest asset IPL will be at its peak and the channel is all set to utilize the huge reach of the million dollar league in order to promote it. “IPL is a great success and is very popular. But we believe The Kapil Sharma Show will have a totally different set of audience and both will have high viewership. IPL and The Kapil Sharma Show can both run successfully at the same time. Rather IPL is a big advantage for us, we will use it to promote and generate more awareness,” revealed Sony EVP and business head Danish Khan

    “There were sensibilities which did not match between us and Colors, therefore we could not reach a consensus and hence we parted. We will continue to do what we do the best, and that is to entertain people. The only difference is the network. I have had a great association with Sony and we are looking ahead for even better things,” said Sharma.

    SPN has already raked in a ‘presented by’ sponsor in Lava mobiles and is in the final set of discussion for powered by and associate sponsors category, “We are receiving a very positive response when it comes to advertisers and soon we will have more names to share,” informed Khan.

    The network is looking forward to a long term association with the comedian. “This is a long term investment and we are looking at the future. We want to take comedy to a new level, and we will do it together with Kapil and his team” Khan further added.  

    But how is it different? What is it that differentiates the new one from the one that he was doing for Colors? “Creating differentiation for the sake of creating it is not good” replied CEO NP Singh. He further added, “The team of writers and the team of actors they have will create a differentiation naturally everyday. The viewers will need to constantly re-invent themselves and that’s the magic the team can create.”

    The show will also be up on the digital platform Sony Liv through a yet to be determined business model. “We still have time to decide if we will put the show as AVOD or SVOD. But it will be available for the viewers on the digital platform,” asserted Singh.

    Due to copyright issues despite having the same crew Kapil will have to revamp the characterization all over again. Now it remains to be seen how Sony’s foray into comedy unfolds in days to come.

  • TDSAT rejects IndiaCast, MSM Discovery, Asianet petitions claiming dues from LCOs

    TDSAT rejects IndiaCast, MSM Discovery, Asianet petitions claiming dues from LCOs

    NEW DELHI: Sending out a clear signal to distributors and multi system operators (MSOs), the Telecom Disputes Settlement and Appellate Tribunal (TDSAT) has once again turned down three petitions seeking payment from a local cable operator (LCO) for the period for which the signals were sent even after expiry of a valid interconnect agreement.

     

    There were two cases of IndiaCast UTV Media Distribution and MSM Discovery against MSO S R Cable TV and one by Asianet Satellite Communication against Sathyadhara Communications.

     

    The cases against S R Cable were for recovery of the alleged dues of subscription fees amounting to Rs 3.01 lakh along with interest at 18 per cent and Rs 8.24 lakh along with interest at 18 per cent per annum respectively till the date of payment.

     

    The case of Asianet was for recovery of Rs 1.30 crore allegedly payable by Sathyadhara towards balance of carriage fees for the year 2012-13 and a further sum of Rs 20.47 lakh as interest at 18 per cent p.a. for the delay in payment of the carriage fees.

     

    TDSAT chairman Justice Aftab Alam and member Kuldip Singh said, “The alleged supply of signals by IndiaCast to the respondent after the expiry of the interconnect agreement was plainly in contravention of the statutory Regulations. Having acted in breach of the Regulations, it cannot seek the help of the judicial process and realise its dues through the process of court.”

     

    The petitions against S R Cable were dismissed with cost of Rs 5,000 payable to the TDSAT Employees Welfare Society.

     

    It was in the case of IndiaCast that the LCO executed an interconnect agreement with it on 1 June, 2011 for the period 1 April, 2011 to 31 March under which IndiaCast was to supply the TV channels controlled by it on behalf of its principal broadcasters on payment of Rs 21 lakh as the monthly subscription fee.

     

    IndiaCast said it supplied the TV channels to the LCO in terms of the agreement and regularly raised invoices for payment of the monthly subscription fee. The LCO, however, defaulted in payments as a result of which dues accumulated. Finally on 1 August, 2014 IndiaCast discontinued the supply of its signals to the respondent.

     

    IndiaCast claimed it sent reminders and legal notice demanding the payment of its dues but as no payment was made by the LCO, the petition was filed on 5 August, 2014.

     

    TDSAT proceeded ex parte as the LCO did not appear despite service of notice.

     

    The Tribunal took note of the fact that IndiaCast had sought to fill this gap by a miscellaneous application on 23 February this year by stating that the LCO was required to pay an amount of Rs 25.20 lakh exclusive of taxes annually towards the subscription fee calculated on the basis of the said Subscription Agreement for 12 months, but the LCO on several occasions requested IndiaCast to continue to provide the signals even after the expiry of the previous agreement and gave the oral assurances that the fresh agreements will be executed between the parties. It is stated that “the parties were negotiating for the renewal of the agreement and basis the negotiation process, the petitioner continued to provide the signals.”

     

    The Tribunal rejected as “misconceived” the arguments sought to be raised to the effect that the LCO was bound by law and was liable under Section 73 of the Indian Contract Act 1872 as they cannot apply to the present case.

     

    Similarly, the Tribunal said the amendments made early this year do not help it.

     

    “IndiaCast would indeed be entitled to recover any dues pertaining to the period of the agreement that came to end on 31 March, 2012 but it is not the case that the dues pertain to that period nor from the statement of account it is discernible whether or not there were any dues on the date the agreement came to end,” the Tribunal noted.

     

    It added that clause 8 of the Telecommunication (Broadcasting and Cable Services) Interconnection Regulations 2004 (Regulations) provides for the maximum period of three months for negotiations for renewal of existing agreements and clause 4A (introduced in the Regulations with effect from 17 March, 2009 prohibits a broadcaster or a distributor of TV channels to make available signals of TV channels to any distributor without entering into a written interconnect agreement.”

     

    In the MSM petition, the interconnect agreement was for the period 1 January, 2011 to 31 December, 2011 under which MSM was to supply the TV channels controlled by it on behalf of its principal broadcasters on payment of Rs 1.25 lakh as the monthly subscription fee. MSM said it supplied the TV channels to the MSO and regularly raised invoices for payment of the monthly subscription fee. The MSO defaulted in payments as a result of which dues accumulated. Finally on 17 December, 2012 MSM discontinued the supply of its signals to the respondent.

     

    In the Asianet case, a carriage agreement dated 8 August, 2011 was signed between the parties for one year from 1 September, 2011 to 31 August, 2012 to carry and retransmit signals of Darshana TV channel of the respondent for an amount of Rs 60 lakh per year exclusive of taxes. The dispute pertains to a period starting from 1 September, 2012 till the disconnection of carriage of signals by the respondent on 20 November, 2013.

  • MSM rebrands as Sony Pictures Networks; trains eyes on GECs, sports & digital

    MSM rebrands as Sony Pictures Networks; trains eyes on GECs, sports & digital

    MUMBAI: Multi Screen Media (MSM), which was earlier known as Sony Entertainment Television (SET) India, has now rebranded itself as Sony Pictures Networks (SPN) India as the company marks its 20th year of operations in the country.

     

    The rebranding, which also signifies a complete alignment with its parent company Sony Pictures Entertainment, comes as a shot of adrenaline as the company has now trained its eyes on three key levers namely general entertainment, sports and digital.

     

    “With a comprehensive bouquet of varied channels and aggressive growth plans, including new genres and expansion of our distribution footprint, we are equipping ourselves to serve our viewers in urban areas, in rural areas and across global geographies. Overall, our focus will remain on becoming the first choice in television & digital entertainment,” said Sony Pictures Networks India CEO NP Singh.

     

    The rebranding was announced earlier but as the company was awaiting due approvals, the network continued to operate as MSM. From today (14 December, 2015), the network will use its new identity.

     

    “After 20 years of successfully experimenting with many firsts including redefining how cinema and cricket are viewed on Indian television, Multi Screen Media has renamed itself as Sony Pictures Networks India. The new name reflects an integrated brand alignment as it allows us to leverage the strength of the Sony parentage. Naturally, we are guided by a new wave of optimism as we set forth on a journey of exploring new vistas of entertainment,” added Singh.

     

    Singh went on to say that the company will adopt a six-fold path to serve the multitude of viewers with more channels, more genres, more content, more movies, more digital and more television.

     

    “This is our six-fold path to serve the multitude of viewers whose hopes and expectations, we are aiming, to exceed. Our focus will remain on becoming the first choice in television and digital entertainment in the country,” he said.

     

    It may be recalled that earlier this year, the company also clinched a joint venture deal with sportscaster ESPN, under which Sony Kix will be rebranded as Sony ESPN. The two companies will also jointly launch other new channels as well as a co-branded localised multi-sport website and app in the coming months.

     

    Today, SPN’s bouquet includes a range of channels like Sony Entertainment Television (SET), Max, Max 2, Sab, Pix, AXN, Aath, Mix, Six and Kix as well as the digital entertainment channel Liv.

     

    “We are priming ourselves to become the first choice of entertainment in the country. So, there is a new surge wave of optimism that is guiding us. We’re now poised to leverage our experiential credibility to do more for our audiences,” Singh says.

  • Backed by three sponsors PWL can rake in over Rs 25 crore in debut year

    Backed by three sponsors PWL can rake in over Rs 25 crore in debut year

    MUMBAI: Kartikeya Sharma and Vishal Gurnani’s joint venture Pro-Sportify’s decision to foray into wrestling is off to a flying start. The league has roped in Dabur Chyawanprash as the title sponsor while cola giant Thums Up has joined in as powered by sponsor. Jaguar Lighting has also been roped in as co-sponsor. 

    Gurnani and Sharma are both buoyed by the preparation. “We are all set for Pro Wrestling League season 1, we kick off today at seven and its certain that the sport will emerge as a clear number two after cricket in India” said the duo.

    The telecast rights of the league is with Multi Screen Media (MSM) and the network is planning to dish out the tourney in three different channels. Sony Six will relay the English feed while Sony Pal and Sony Max will broadcast the Hindi commentary.

    The network in association with DDB Mudra has unveiled an intriguing campaign to garner high number of eyeballs. “We are extremely happy with the marketing campaign that they have done. Over 600,000 television minutes spread across numerous channel with separate creatives for man and woman. It cannot get any better” said the duo.  
        
          
    A senior media planner on condition of anonymity said, “Wrestling as a sport in popular in India, it’s just it has never been packaged properly. They are putting in some serious money and the network is also promoting it aggressively too. Moreover the league will be aired on Sony Pal which is an FTA available on Sony Pal so with BARC Rural data in now I won’t be surprised if they emerge as the number two after cricket. Overall in my opinion the first year will create the buzz, but the packaging and follow ups will decide the long term fate.”

    If sources are to be believed then the league has already raked in close to Rs 20 crore as sponsorship revenue and have a few deals are still at the last stage. “I think season one will generate close to Rs 25 crore. Which will be shared among Sony and Pro-Sportify. The broadcasting rights were given to MSM for a little more than 100 crore” said a source.          

    The league kick-starts today (10 December 2015) and will conclude on 27 December 2015. The matches are slotted at a prime time slot of 7 Pm. 

  • IPL: Sanjeev Goenka’s New rising wins bid for Pune team, Intex wins Rajkot

    IPL: Sanjeev Goenka’s New rising wins bid for Pune team, Intex wins Rajkot

    MUMBAI: The speculations are finally over. The Indian Premier League (IPL) will be an eight team affair in 2016 as the Board Control for Cricket in India (BCCI) auctioned the two new franchises, Pune and Rajkot. Sanjeev Goenka’s New Rising won Pune franchisee while the Rajkot team is owned by the mobile phone manufacturer Intex.

     

    The two interim teams will not get a slice of BCCI’s franchise revenue instead Goenka’s will dish out Rs 16 crore, while Intex will pay Rs 10 crore to the board as they acquired the franchises for the respective amount in the reverse bidding process.  

     

    Pune and Rajkot will now have the option to choose from the top five players of CSK and RR. This will be decided during a players draft on 15 December 2015.

     

    After series of controversies, rounds of introspection, intervention by the Supreme Court of India, the BCCI decided to ban the N Srinivasan owned Chennai Super Kings and Raj Kundra’s Rajasthan Royals for two years.

     

    The decision posed a grave threat to the IPL fixture that would have otherwise been curtailed to an event with just six teams, and hence a lower number of matches. With the inclusion of the two new teams the tourney is back to eight teams. So the official broadcaster Multi Screen Media will have the same time span to monetise the cash rich league. 

     

    The rights acquisition cost were sold at $1 billion for a period of ten years to Multi Screen Media (MSM) which will conclude after 2017 edition.

  • Max unveils ‘Khel Fauladi’ themed campaign for Pro Wrestling League

    Max unveils ‘Khel Fauladi’ themed campaign for Pro Wrestling League

    MUMBAI: Multi Screen Media (MSM), which acquired the broadcasting rights of the Pro Wrestling League for five years, has unveiled it’s new blood boiling campaign for the same. Wrestling is a physical sport, which makes the blood boil and the campaign in that sense does justice to it.

     

    The campaign theme in the debut season is Khel Fauladi and has been orchestrated by DDB Mudra. The campaign focuses on skill, strength and endurance as well as centres on putting one’s weaknesses aside, while bringing out the fighter spirit.

     

    Khel Fauladi consists of two TVCs, one targeting the men wrestlers while the other provokes the eves. Two distinct teasers will support the TVCs.

     

    The tournament is scheduled to start from 10 December, 2015 and to generate awareness MSM has already started showcasing the TVCs within its network. “From tomorrow the TVCs will be seen across multiple channels including the kids and news genres. Besides television, we will also promote the league through outdoor and print medium,” Sony Max, Sony Max2 and Sony Mix senior EVP and business head Neeraj Vyas

     

    MSM will broadcast the league on three different channels, which cater to a mix of audience. “Sony Max caters to the HSM (Hindi Speaking Market) while Sony Pal gets the DD Direct audience on board. Sony Six will cater to the urban audience,” informs Vyas.

     

    While Sony Pal and Max will air the Hindi feed, the English feed can be watched on Sony Six. The network is not planning to create any special pre or post show programming. “We will start with the start of the match and our coverage will end as the match ends. Time constraints did not allow us to create any exclusive programming, which is something that we are known for. In the future we might explore opportunities of creating special programming but not this time,” explains Vyas.

     

    In recent times the sports ecosystem has witnessed a lot of collaborative approach between broadcasters and league owners, which spelled success for both. In this scenario too, the two stakeholders are working closely to make things beneficiary in the long run. “It is a partnership and we are working on things together. There will be a few breaks, we have a rough playout ready with us and we will work it out with the league owners. In terms of production and packaging too, we are forging forward with a collaborative effort,” says Vyas.

     

    While cricket continues to be the leader, non-cricket sports which were considered as flying bubbles have started to establish themselves. After Kabaddi’s success it was just a matter of time before another sport was converted to a well packaged “league.” And wrestling grabbed the joint attention of Kartikeya Sharma and Vishal Gurnani’s joint venture ProSportify.

     

    Vyas is of the opinion that two upcoming big budget wrestling based films Sultan and Dangal starring Salman Khan and Aamir Khan respectively will heavily promote wrestling in India. And hence it is one of the best time to start a wrestling league. “Pro Wresting will have all the best wrestlers pitted against each other in both men and women categories. So in terms of quality it will be a sheer experience,” Vyas adds.

     

    The broadcaster is yet to close any sponsorship deals but negotiations are on its last legs with a few brands. Vyas asserted, “The advertisers’ reaction has been very good so far. We have made good progress in such a short span of time and soon we will be in a position to reveal a few names.”

     

    Now it remains to be seen how the new addition to the league business unfolds as the days go by.

     

  • MSM – TNA postpones ‘TNA Mumbai’ live event

    MSM – TNA postpones ‘TNA Mumbai’ live event

    MUMBAI: IndianTelevision.com had reported earlier that Multi Screen Media’s (MSM) sports TV channel Sony Six will be broadcasting three live Total Nonstop Action (TNA) wrestling events to be held in Mumbai from 2 – 4 December.

     

    However, Multi Screen Media (MSM) and TNA Wrestling, the international professional wrestling entertainment organization, has jointly announced today (26 November 2015) that the TNA One Night Only: Mumbai live event has been postponed to 2016 to a yet-to-be decided date.

     

    “The postponement is primarily due to logistical issues around the time of the event. As soon as the new dates are firmed up, it will be announced in an update,” informed the press note.