Tag: MPAA

  • Star India joins global initiative to curb piracy

    NEW DELHI: With the country losing around Rs 180 billion in revenue accompanied by a loss of 60,000 jobs every year because of film piracy, content producers and distribution platforms have been searching for various ways to fight this menace. As the FICCI-KPMG Report on Media and Entertainment said, movie piracy has over time shifted from CDs and DVDs to online platforms and the modus operandi involves use of sophisticated smartphones and camcorders to record films in theatres and then publish them on rogue websites.

    Realising that this is a global menace, 30 leading content creators and on-demand entertainment companies from around the world have come together to protect the dynamic legal market for creative content and reducing online piracy.

    The organizations launched a new global coalition Alliance for Creativity and Entertainment (ACE) for this purpose earlier this week.

    The worldwide members of ACE are Amazon, AMC Networks, BBC Worldwide, Bell Canada and Bell Media, Canal+ Group, CBS Corporation, Constantin Film, Foxtel, Grupo Globo, HBO, Hulu, Lionsgate, Metro-Goldwyn-Mayer (MGM), Millennium Media, NBCUniversal, Netflix, Paramount Pictures, SF Studios, Sky, Sony Pictures Entertainment, Star India, Studio Babelsberg, STX Entertainment, Telemundo, Televisa, Twentieth Century Fox, Univision Communications Inc., Village Roadshow, The Walt Disney Company, and Warner Bros. Entertainment Inc.

    The legal marketplace for creative content has grown exponentially over the last few years, as film and television companies have invested heavily in digital distribution models. There are more than 480 online services worldwide available for consumers to watch films and television programs legally on demand.

    This tremendous growth of creativity also drives the economy. In the United States alone, the creative sector adds over $1.2 trillion to the economy and supports more than 5.5 million direct jobs each year.

    However, as more creative content moves online, piracy poses a continuing threat to creators, consumers, and the economy. Films and television shows can often be found on pirate sites within days – and in many cases hours – of release. Last year, there were an estimated 5.4 billion downloads of pirated wide release films and primetime television and VoD shows using peer-to-peer protocols worldwide. There were also an estimated 21.4 billion total visits to streaming piracy sites worldwide across both desktops and mobile devices in 2016.

    Piracy also puts consumers at risk. One in three pirate sites target consumers with malware that can lead to a range of problems including identify theft and financial loss, according to a December 2015 report by Digital Citizens Alliance.

    ACE hopes to expand ongoing, cooperative efforts to reduce the prevalence of online piracy. ACE will draw upon the global antipiracy resources of the Motion Picture Association of America (MPAA) in concert with the internal antipiracy expertise of the ACE coalition members.ACE will conduct research, work closely with law enforcement to curtail illegal pirate enterprises, file civil litigation, forge cooperative relationships with existing national content protection organizations, and pursue voluntary agreements with responsible parties across the internet ecosystem.

    MPAA Chairman and CEO Senator Chris Dodd said: “Global piracy is not just a concern for one studio or creator, it undermines the foundation of the entire global entertainment sector. Meeting the challenges ahead will require more voices, greater collaboration, new ideas, and increased resources. ACE, with its broad coalition of creators from around the world, is designed, specifically, to leverage the best possible resources to reduce piracy. For decades, the MPAA has been the gold standard for antipiracy enforcement. We are proud to provide the MPAA’s worldwide antipiracy resources and the deep expertise of our antipiracy unit to support ACE and all its initiatives.”

    BBC Worldwide General Counsel Marlyn Freeman said: “BBC Worldwide invests in, commercializes, and showcases content from the BBC around the world and champions British creativity globally. It is the lifeblood of our business and we must ensure that we do all we can to secure and protect it from theft and illegal distribution. The ACE initiative is hugely important at a time when content consumption habits are rapidly shifting and methods of piracy are becoming more and more sophisticated.”

    Sony Pictures Entertainment Senior EVP and General Counsel Leah Well said: “The theft and illegal distribution of copyrighted content impacts our business, the creative community, and the consumer viewing experience. As the landscape of the industry evolves, the range and threat of piracy expands with it. We look forward to working with our industry colleagues from around the globe to address this urgent issue.”

    MGM Chief Legal Officer Lesley Freeman said : “As an industry, we collectively aim to maximize access to, and choices for, audiences to engage with our content. To be successful, we must also play an active role in raising awareness about the detrimental effects of online piracy, as it increasingly jeopardizes the rights of content creators and impedes the creation of the films and television programming that consumers want to watch. This partnership with ACE will allow us to combat the growing threat of online piracy and protect the work of those creators, while ensuring the highest level of safety and quality viewing experiences for our consumers worldwide.”

    Netflix General Counsel David Hyman said: “While we’re focused on providing a great consumer experience that ultimately discourages piracy, there are still bad players around the world trying to profit off the hard work of others. By joining ACE, we will work together, share knowledge, and leverage the group’s combined anti-piracy resources to address the global online piracy problem.”

    Sky Group COO Andrew Griffith saud: “Collaboration, through bodies such as ACE, is critical in tackling this issue because piracy is illegal, unreliable, and risky.”

  • GroupM to only work with partners using TAG anti-piracy services to stop ad fraud

    GroupM to only work with partners using TAG anti-piracy services to stop ad fraud

    MUMBAI: WPP’s GroupM will only work ad network partners who use the Trustworthy Accountability Group’s (TAG) anti-piracy guidelines. The agency has mandated that its media partners either become or use TAG-certified providers of anti-piracy services to participate in GroupM’s Trusted Marketplaces.

     

    GroupM’s media investments on behalf of clients are approximately $106 billion (RECMA 2014); the company’s action will make a significant impact on pirated content trafficking worldwide.

     

    “We’re in the business of giving the world’s most valuable brands marketing advantage with smart media strategies. This inherently means we’re vigilant for clients’ brand safety. Our work with TAG in the development and now full adoption of anti-piracy guidelines is a major leap forward. With IAB, 4As, and ANA, we’ve worked years to make the digital ecosystem more trustworthy. Fighting pirates of copyrighted content required every ounce of our tenacity and ingenuity, but with the advent of TAG’s Brand Integrity Program Against Piracy, we have powerful new tools and safeguards,” said GroupM Connect, North America chairman and TAG Anti-Piracy Working Group co-chair John Montgomery.

     

    Announced in February 2015, TAG’s anti-piracy program helps prevent ad placement on websites that facilitate distribution of pirated content and/or the illegal dissemination of counterfeit goods. Through the program, providers of anti-piracy tools and services will be validated as Digital Advertising Assurance Providers (DAAPs) by independent third-parties including Stroz Friedberg and Ernst & Young, working with TAG. To be validated, DAAP companies must show how they identify risky sites, prevent ad placement, disrupt site transactions, monitor and assess the safety of ad placements, and/or prevent payment to sites that are deemed likely to offer pirated content or counterfeit goods. The first validated DAAPs are expected to be named in Q3 2015, and GroupM will require that all of its partners receive such validation by Q1 2016.

     

    “It’s very gratifying to have the world’s largest media buyer commit to the TAG program for itself and its partners. Major marketers want to protect their brands from being placed on sites that are associated with criminal activity. TAG is building the trusted marketplace for buying and selling inventory in the digital supply chain,” said TAG CEO Mike Zaneis.

     

    A report from the Digital Citizens’ Alliance estimated that pirate content sites made more than $200 million in 2014 from advertising placed inadvertently on those sites, damaging copyright holders across music, movies, TV, books, games and more. Advertisers whose brands inadvertently appear on such sites suffer reputational harm. In addition, consumers that visit these sites are made to believe the content is legitimate due to the presence of brands they recognise and are often damaged by malware or other malicious code that infects their computers.

     

    The Brand Integrity Against Piracy Program has also been endorsed by the U.S. Chamber of Commerce, Recording Industry Association of America (RIAA), Motion Picture Association of America (MPAA), Independent Film & Television Alliance (IFTA), CreativeFuture, and Copyright Alliance, among a number of other advertising industry groups and companies.

     

    “We applaud GroupM’s leadership and commitment to enhancing trust and transparency in the digital marketplace. As a premium content provider and a digital advertiser, NBCUniversal is committed to protecting its brand from appearing on illegitimate sites and stemming the flow of ad dollars to pirate site operators. We encourage the entire market to follow GroupM’s lead,” said NBCUniversal EVP of business operations and strategies and TAG board member Krishan Bhatia.

  • MPAA extends CEO Chris Dodd’s contract to 2018

    MPAA extends CEO Chris Dodd’s contract to 2018

    MUMBAI: The Motion Picture Association of America, Inc. (MPAA) has extended chairman CEO Chris Dodd’s contract to 2018.

     

    In a joint statement, MPAA member companies’ representatives namely – Twentieth Century Fox chairman and CEO Jim Gianopulos, Paramount Pictures chairman and CEO Brad Grey, Walt Disney Studios chairman Alan Horn, Sony Pictures Entertainment chairman and CEO Michael Lynton, NBC Universal vice chairman Ron Meyer, Universal Filmed Entertainment chairman Jeff Shell, Warner Bros. Entertainment chairman and CEO Kevin Tsujihara said, “We are pleased to announce that Chris has agreed to extend his contract into 2018. He has been an impactful leader and a vigorous champion for the industry. We are confident he will continue to effectively help steer our interests through a challenging media and policy landscape and represent our member companies around the globe.”

     

    Dodd added, “I am grateful to our member companies for their continued support. This is an exciting time of almost unparalleled creativity and innovation in film and television and I look forward to continuing to promote and protect that creativity, and the jobs of the men and women who go to work in this industry every day.”

  • ‘Furious 7’ production generated $47 million for Georgia’s economy

    ‘Furious 7’ production generated $47 million for Georgia’s economy

    MUMBAI: The production of Universal Pictures’ Furious 7 contributed over $47 million to Georgia’s economy in payments to local businesses and workers, according to new data released.

     

    The movie opened in theaters on 3 April. The economic impact figures also detail that the production hired 7,500 local Georgians. 

     

    Universal Pictures’ Furious 7 is the latest high-profile film to call Georgia home during production, benefiting a wide-array of local businesses across a number economic sectors. The overall spend for Furious 7 includes over $15 million for hotels and nearly $5 million for hardware and lumber supplies. In particular, the production built a number of interior sets along with exterior green-screen sets in Norcross, Georgia. This includes sets used to shoot scenes taking place at an opulent Abu Dhabi penthouse, a cement factory, federal law enforcement headquarters, and even scenes featuring a stealth helicopter.

     

    “The entertainment industry in Georgia has experienced exceptional growth, which in turn has created a sustainable environment for the industry to continue to thrive here. Offering a pro-business environment with competitive incentives and investing in our workforce are just two of the ways that Governor Deal and the Georgia legislature have committed to the growth of the entertainment industry,” said Georgia Department of Economic Development Commissioner Chris Carr.

     

    “The highly-skilled local crew and competitive production climate make Georgia an attractive filming location, allowing the local businesses and workers to reap significant economic benefits. The continued support and leadership of Governor Deal and the state’s lawmakers on this issue has truly enabled Georgia’s motion picture and TV industry to flourish,” said MPAA chairman and CEO Senator Chris Dodd. 

     

    Key economic impact figures from the production of Furious 7 in Georgia: 

     

    – Spent over $47 million dollars towards local businesses and wages

     

    – Hired over 7,500 local Georgians

     

    – Paid over $15 million on hotels and nearly $5 million on hardware and lumber supplies.

  • MPAA unveils site to help audiences find movies, TV shows online legally

    MPAA unveils site to help audiences find movies, TV shows online legally

    MUMBAI: The Motion Picture Association of America (MPAA) has announced the launch of www.WheretoWatch.org, a new site that will serve as a resource for audiences to access movies and TV shows seamlessly and legally. Today‘s media landscape offers audiences the opportunity to watch movies and television shows in more ways than ever before, an environment created in part through a copyright system that empowers creativity and promotes innovation.

    MPAA chairman, CEO Senator Chris Dodd emphasised the importance of delivering content in new, creative ways saying, "Audiences want seamless access to film and TV shows. Our industry has listened, and we are now delivering more choices than ever before.

    "There have never been more ways to access movies and television legitimately online, and those platforms continue to grow and develop thanks in large part to a copyright system that encourages innovation, risk and growth. The companies I represent are committed to continuing to create and develop the best ways for audiences to enjoy the entertainment they love."

    The website, at www.WheretoWatch.org aims to makes it easy for audiences to watch content online by breaking the various services into relevant categories and summarising what each platform provides, including what content is available, how it is supported, and what devices are compatible. The list is an aggregate based on services available in the US, and although the set of services offering movies and TV shows differ by country, several services are available in multiple countries.

  • Global box office receipts reached $34.7 billion in 2012: MPAA

    Global box office receipts reached $34.7 billion in 2012: MPAA

    MUMBAI: The Motion Picture Association of America‘s (MPAA) annual Theatrical Market Statistics Report for 2012 shows that global box office receipts for all films released around the world reached $34.7 billion in 2012, an increase of 6 per cent over 2011.
    U.S./Canada box office was up 6 per cent over last year to $10.8 billion, due to a 6 per cent increase in admissions to 1.36 billion. Domestic ticket prices remained flat in 2012.
    "I am happy to report that in 2012, both global and domestic box office was up and so were domestic admissions," said MPAA Chairman and CEO Senator Chris Dodd.
    "Great storytelling, memorable characters and an ever-innovating theater experience brought more people around the world to the movie theater in 2012 than ever before. It‘s a powerful reminder of just how much movies matter – not just to our culture, but also to our economy. Our industry supports 2.1 million jobs in the United States and more than 120,000 of those jobs are in movie theaters. So as you‘re looking at this report, it‘s important to remember the real economic impact these numbers have."
    International box office was also up in 2012, driven by growing markets like Russia, Brazil and China, which grew by 36 per cent in 2012 to become the largest international market, surpassing Japan. 2012 also marked the first year that digital screens surpassed analog screens in international market share. Over two-thirds of the world‘s nearly 130,000 cinema screens are now digital.
    "The cinema industry serves an increasingly diverse audience, by age, gender and ethnicity," said National Association of Theatre Owners (NATO) President and CEO John Fithian. "The record box office, here and abroad, shows that when we meet that diversity with a broad range of movies and amenities, cutting edge technologies and viewing options our industry thrives."
    In the US and Canada, 3D box office was comparable to 2011 levels at $1.8 billion, despite fewer 3D film releases.
    More than two-thirds of the U.S./Canada population – 225 million people – went to the movies at least once in 2012, consistent with prior years. Cinema ticket sales continue to be driven by frequent moviegoers – those who go to the movies once a month or more. Frequent moviegoers represent 13 per cent of the population but purchased 57 per cent of all tickets sold in 2012.

  • MPAA lowers Bully rating

    MPAA lowers Bully rating

    MUMBAI: Weeks after the film was embroiled in controversy that was to its own making, the MPAA has lowered the rating of Lee Hirsch‘s documentary Bully from an R to a PG-13, it is understood.
     
    The decision came after three uses of the "f-word" were removed from the film. However, the scene that has been amid the controversy – the one that shows teen Alex Libby being bullied and harassed on a bus-has been left untouched and unedited.
     
    The MPAA is also allowing the film to be released with the new rating before 90 days, which is the length of time their policy states a film must wait to be in theaters after a rating change "to avoid confusion or inconvenience for moviegoers."
     
    Now, Bully‘s release will expand to 55 markets on 13 April with its new rating. It had opened last weekend in New York and Los Angeles without the MPAA rating.
     
    The new rating also grants the schools, organizations and cities the opportunity to share the film as an educational tool.
    Weinstein Co. had appealed the "R" earlier this year and sought a less-restrictive rating, but the MPAA refused to budge. Director Lee Hirsch could edit out the objectionable words, but has declined to make changes arguing the language is essential to the story.
     
    The Weinstein Co. has decided to release the documentary without a US film rating after failing to persuade the Motion Picture Association of America to change to one that is less restrictive.
     
    The MPAA, which represents Hollywood‘s major movie studios in governmental matters, rates films for content such as sex, violence and language to give audiences an idea of what will be in the movies they see.

  • MPAA releases statistic report

    MPAA releases statistic report

    MUMBAI: The Motion Picture Association of America, Inc. (MPAA) has released its annual Theatrical Market Statistics Report for 2011.

    The report shows that global box office receipts for all films released around the world reached $32.6 billion, that shows an increase of 3% over that of 2010 due to ongoing growth of box office in international markets.

    Each international region experienced box office growth in 2011. Chinese box office grew by 35% in 2011 alone, by far the largest growth in major markets. “These numbers underscore the impact of movies on the global economy and the vitality of the film-watching experience around the world,” said MPAA Chairman and CEO Senator Chris Dodd.

    “The figures on box office reflect only one indicator of an extremely complex, and evolving movie industry.We‘re working harder and smarter to keep moviegoers coming back for more, whether at the cinema, at home or on the go,” ,” Dodd said.

    The U.S./Canada box office market finished at $10.2 billion, down 4% compared to last year, but up 6% from 5 years ago. 3D box office was down $400 million in 2011 in comparison to 2010, which is not surprising given that 2010 included Avatar‘s record-breaking 3D box office performance. 2D box office remained consistent from 2010 to 2011.

    Globally, cinema screens increased by 3% in 2011. Digital cinema continues its rapid growth so that just over half of the world‘s screens are now digital. The number of digital screens in the U.S. nearly doubled in 2011, now comprising 65% of all U.S. screens.