Tag: movies

  • Seven in ten urban Indians claim their frequency of going to the cinema has decreased: YouGuv

    Seven in ten urban Indians claim their frequency of going to the cinema has decreased: YouGuv

    Mumbai: New YouGov data reveals where people are watching new films and how the shift to streaming platforms may affect cinema attendance in a post-covid world.

    When asked about the change in their cinema viewing habits since the pandemic, nearly seven in ten urban Indians (69 per cent) agreed with the statement, “My frequency of going to the cinema/theatre has decreased.”

    According to data, 44 per cent of people stop visiting the cinema hall because of  streaming films online, followed by 42 per cent of people’s preference to watch films at home. Nearly a third think going to a cinema is expensive or feel there aren’t any films worth going to the cinema are 32 per cent each. North Indians were more likely to say they do not go to cinemas because of the flexibility of streaming films online. Similarly, the 40+ group prefers to watch films at home.

    When asked about the medium they have used most often to watch newly released films in the past six months, OTT platforms emerged as the most popular choice for nearly half of urban Indians. A fifth (22 per cent) said they watched new movies on TV and only 16 per cent went to the cinema or theatre to watch films during this period.

    Looking at the data by age, 57 per cent between age group of 18-29 years were most likely to watch new films on OTT/streaming platforms in the past six months, while 40+ adults than others were more likely to watch them on TV (26 per cent) or in theatres (19 per cent). Notably, residents in South India were more likely to say they watched newly released films in theatres as compared to residents of other regions (22 per cent).

    Even though OTT has gained precedence, not all hope is lost for theatres. YouGov data shows a quarter of urban Indians (26 per cent) said their frequency of visiting theatres has increased since the pandemic, with young adults between 18 and 29 years old echoing this sentiment most strongly.

    An overview of people’s cinema viewing habits shows one in six urban Indians (15 per cent) said they go to a theatre to watch a film at least once a week, while eight per cent do so once a fortnight. Just under a quarter visit a theatre at least once a month (23 per cent), and nearly half visit it once every two-three months or longer than that. This behaviour is similar across all age groups.

    Past behaviour shows cinema outings in the last 12 months have mostly been with friends or family. At 61 per cent, Bollywood films emerged as the most popular kind of cinema among people, followed by Hollywood or regional South Indian films at 45 per cent each.

    When it comes to film genres, urban Indians prefer comedy (67 per cent), followed by action (54 per cent), and thrillers (51 per cent). Specifically, thinking about how they like to watch these genres, a majority (55 per cent) said they enjoy watching comedy films on OTT or streaming platforms. 19 per cent prefer watching them in a theatre, and 26 per cent prefer both the options. The higher preference for OTT platforms is uniform across genres, except for action films, where people were more likely to say they liked watching these films in theatres than on OTT platforms.

    Commenting on the research, YouGov India GM Deepa Bhatia said, “After two years of the pandemic, theatres in India finally opened to full capacity this year. However, the rising popularity of streaming platforms remains a challenge, discouraging people to step out of their homes.”

    “While cost and home viewing habits keep many people away from the movies, it should be remembered that people go to the cinema to enjoy the experience. It is important for brands to understand the changing cinema habits and behaviours of urban Indians to re-imagine their marketing strategies and prepare themselves for this ever evolving relationship between films and consumers,” added Bhatia.

    Data was collected online among 1,004 urban Indian respondents in September 2022 by YouGov’s Omnibus using its panel of over 20 million people worldwide.

  • PVR gets shareholders approval for Inox merger

    PVR gets shareholders approval for Inox merger

    Mumbai: Multiplex operator PVR has received shareholders’ approval for its proposed merger with Inox Leisure. 99.9986 per cent voted in favour of the merger. It was defeated by a margin of 0.0014 per cent.

    Inox, in a filing, said that a meeting with equity shareholders took place. The company sought approval for the proposed merger. The results of the vote are expected to be announced in the coming days.

    The Inox said, “A meeting of the equity shareholders of the company was held on 12 October 2022 at 12 p.m. through video conferencing (VC)/other audio visual means (OA VM) as per the directions issued by the National Company Law Tribunal, Mumbai Bench, vide its order dated 22 August, 2022 and in compliance with the applicable provisions of the Companies Act, 2013 read with rules made thereunder, circular(s) issued by the ministry of corporate affairs and the Securities and Exchange Board of India, for transacting the business mentioned in the notice dated 10 September 2022 convening the said meeting (NCLT Convened Meeting). “

    In March, the two companies announced plans for a merger. Inox had said the merger would bring together two of India’s best cinema brands to deliver an unparalleled consumer experience with a network of more than 1,500 screens.

    Following the merger, Inox promoters will join the existing PVR promoters as co-promoters of the merged entity. According to the regulatory filing on 27, once the scheme is implemented, the board of directors of the merged company will be reconstituted with a total board strength of 10 members and equal representation on the board for both promoter families with two board seats each.

    The company will be called PVR Inox, with the branding of existing screens to continue as PVR and Inox, respectively. Ajay Bijli will be the managing director and Sanjeev Kumar Bijli will be the executive director. Pavan Kumar Jain will be the non-executive chairman of the board.

    Shareholders of Inox will get PVR shares in a pre-approved “swap” ratio of 3:10. Three equity shares of PVR can be swapped for 10 of Inox. Inox will have a 16.66 per cent stake and PVR will have a 10.62 per cent stake in PVR Inox.

  • IFFI invites media delegates to register for its 53rd edition

    IFFI invites media delegates to register for its 53rd edition

    Mumbai: The 53rd edition of the International Film Festival of India (IFFI), has invited media delegates to be a part of the festival. The festival, which will be held in Goa from 20 – 28 November will showcase contemporary and classic films from India and around the globe.

    At IFFI, the awaiting media delegates are filmmakers, actors, technicians, critics, academicians, not to mention fellow film enthusiasts. All of them will congregate in the tourist state of Goa to immerse themselves in an ocean of cinematic celebration and inspiration.

    IFFI said that it will celebrate the joy of cinema, the vibrant beauty of the stories these films tell, and the eclectic variety of the lives, aspirations, struggles and dreams of the filmmakers themselves. Partake in the celebration of films which happens in, on and off the screens. The festival will bring not only cinematic excellence from India and across the world, but also the opportunity to be inspired by an array of masterclasses, panel discussions, seminars and other conversations.

    Information and communication, IFFI added, has a central role in the success of the festival, in propagating film culture, in cultivating genuine love for the art, in helping people soak themselves in the breadth and depth of the human condition.

    One can be a media delegate if one has completed 21 years of age as on 1 January, 2022 and belongs to a print, electronic, or a digital / online media organisation. The link for registration is https://my.iffigoa.org/extranet/media/

  • Zee and Sun TV likely to witness opportune times as ad revenue growth returns this festive season: Report

    Zee and Sun TV likely to witness opportune times as ad revenue growth returns this festive season: Report

    Mumbai: Despite facing an adverse impact in the wake of the covid pandemic last year, the media & entertainment industry witnessed some respite in ad revenues for the current quarter-on-quarter (QoQ). According to a report published by Elara Securities (India), in comparison to other traditional media, the television industry has reported healthy growth in the post-covid era. The report also indicated a positive outlook for ad revenues in the upcoming festive season.

    TV Segment: Some respite (QoQ) in ad revenue, led by festive season 

    Traditional advertisers such as fast-moving consumer goods (FMCG) continue to spend on ads, while new-age players such as edtech, fintech, and gaming have chosen to reduce their ad spending. The CPG and automobile industries, as stated in the report, continue to maintain their ad spending, the report highlighted.

    The report noted that Zee group and Sun TV are likely to expect better ad revenue of 3.5 per cent and 6.4 per cent, respectively, while ad revenue may be flat for TV Today. This growth will be driven by some stability in ad spending and the start of the festive season.

    Zee’s subscription revenue, as noted by the report, may decelerate by 1.2 per cent, whereas Sun TV is likely to expect a growth of 4.2 per cent.

    Sun TV reported a growth of 12 per cent as compared to the pre-covid period or FY2020, which also witnessed the absence of income generated from IPL and movies, and stood at 7.4 per cent year-on-year (YoY) of Rs 8,899 million.

    Meanwhile, Zee and TV Today reported 3.7 per cent and 1.1 per cent YoY revenue declines, respectively.

    Zee’s earnings before interest, taxes, depreciation, and amortisation (Ebitda) QoQ margin is expected to rise by 85 basis points (bps), while Sun TV and TV Today to fall by 100 and 535 bps, respectively.

    According to the report, expect margin to be under pressure on content investments for Zee and Sun TV, driven by programming initiatives in Tamil and other genres, and TV Today, on lower YoY revenue and digital segment development, which may also witness the same strain.

    Zee’s and TV Today’s YoY profit after tax (PAT) is estimated to decelerate by 46 per cent and 25 per cent, respectively. TV Today, as the report noted, is estimated to grow by nine per cent.

    Exhibitors – Subdued Q2 hit by weak content

    Multiplexes can experience a series of downgrades due to poor Bollywood content. Large-scale films with poor box office results like Laal Singh Chadha, Raksha Bandhan, Shamshera, and Ek Villain Returns were expected to drive strong Q2FY23 performance, but their failure hit revenue growth for mega-multiples operators PVR and Inox.

    According to the report, Hindi box office revenue has noted a decline of 47 per cent compared to pre-covid levels in Q2FY23, as no film performed except Brahamastra (which recorded Rs 256.25 crore in domestic ticket receipts).

    Domestic box office collections are expected to fall 41.5 per cent and 42 per cent sequentially, respectively, and 35 per cent and 34 per cent as compared to Q2FY20 for PVR and Inox.

    Average ticket price (ATP) and spend per head (SPH), driven by premium content traction, have already outperformed Q2FY20 by 22 per cent and 24 per cent, respectively, in Q1FY23. On low-quality content, ATP/SPH may start getting soft, the report said.

    It further highlighted that ad revenue recovery is delayed and may only revive to a pre-covid level in FY24 and added that this recovery is expected to recover to 60 per cent of pre-pandemic levels of Q2FY20.

    PVR and Inox (including INDAS) are expected to have Ebitda margins of 11.6 per cent and 11 per cent, respectively, in Q2FY23, as screen additions may pick up in H2FY23.

  • “India is amongst the largest content hub”: Ficci DG Arun Chawla

    “India is amongst the largest content hub”: Ficci DG Arun Chawla

    Mumbai: Ficci Frames is back in 2022. The two-day convention kicked off on 27 September at the Westin in Mumbai. The event focused on creating content and its consumption by eminent media and entertainment industry leaders.

    Ficci Frames Fast Track had plenary and parallel sessions along with workshops and master-classes on issues and topics covering the entire gamut of media and entertainment like films, broadcast (TV & radio), digital entertainment, animation, gaming, visual effects, etc. over a period of two days.

    While giving a welcome address, Ficci director general Arun Chawla remarked that the media has shown resilience and will continue to grow. He said, “According to the Ficci report, India’s M&E industry will grow 17 per cent this year (to $25.2 billion) and try to recover its level from the 2019 pre-pandemic level and maintain a CAGR of 11 per cent. The industry is trying to reach $30.9 billion. This indicates a strong growth rate. India is amongst the largest content producers. Approximately 1,50, 000 hours of TV content, 2,500 hours of premium OTT content, and 2,000 hours of filmed content will be produced in 2021.”

    In his opening remarks, Chawla discussed how the media and entertainment industries not only survived but also kept the country’s morale high by providing entertainment while the rest of the world was suffering from the pandemic.

    He said, “India’s media and entertainment market is one of the most vibrant and diverse groups. Media and entertainment industries have come a long way and are contributing to the GDP of this country. We have over 900 TV channels, more than 1,44,000 print publications, and more than 385 private radio stations. Showing immense resilience, the industry is back on its feet but still must overcome its pre-pandemic level.”

    Chawla further added, “We are all aware of India’s digital transformation. It has caused the number and importance of online media platforms to rise dramatically. The government has actively supported the M&E industry, particularly through several initiatives to increase digitization and the creation of digital communication infrastructure.

    The ministry of information & broadcasting secretary Apurva Chandra, said that the media and entertainment industry in India is about $23 billion. He also talked about setting up a film facilitation office and working with Invest India to build a single-window portal for opening theatres. We were also informed about proposed amends to the Cinematograph Act.

    Also Read : We should aim for the M&E industry to grow more than $100 bn by 2030: I&B secretary at Ficci Frames Fast Track’ 22

    Actor Ranveer Singh, who enthralled the audience with his infectious energy, was awarded the ‘Frames Achiever of the Year’ at the event.

    On receiving the award, Singh stated, “Collectively coming out of a very difficult time, I hope that we crack great ideas at Ficci Fast Track in the rapidly changing hyper-dynamic world. I deliberately say the hyper-dynamic landscape of Indian entertainment that we are going to see because it is so.”

    Speaking at the event, West Yorkshire mayor Tracy Brabin said, “We want to work with the talented and creative people to champion sustainability in the creative industries and the film industry, through investment and support. We are open for business. We would like to invite you to get involved in our cultural festivals; to attend, but also to partner in the exciting programmes of activity.”

    “With the strength of the sector in the region, there are huge opportunities for companies from India to partner with our leading companies and invest in the region. The rewards are there for the taking, and we will support you every step of the way. We want to deepen our relationship with creative India, attracting more investment from production companies, studios, post-production houses, and VFX companies,” added Brabin.

    Film director Ramesh Sippy reflected upon the changes that happened during the pandemic. He said, “As much as the pandemic has affected us, it has also brought in some changes. OTT is certainly getting a big boom. Both cinema and small platforms will perform jointly as they used to, but in a much bigger way.”

    The session on the topic “M&E Consumption: Evolving Trends Across Segments” received a good response from the audience where panellists from various TV and OTT platforms explored trends such as short vs. long vs episodic video, the resilience of radio, the rise of regional and vernacular media, etc.

    A parliamentary representative participated in an engaging discussion on the “Role of M&E in Building the Social Fabric of the Nation” and spoke on the importance of the media in fostering critical and proper public awareness of planners’ goals and limitations.

    On the first day, the event saw actor Ranveer Singh, director Ramesh Sippy, MIB secretary Apurva Chandra, West Yorkshire (UK) mayor Tracy Brabin, and members of parliament (MP) like Sumalatha Ambareesh, Priyanka Chaturvedi & Sanjay Seth.

    The two-day convention saw sessions with renowned names of the industry like Nikhil Advani, Divya Dutta, Madhur Bhandarkar, Paresh Rawal, Tannishtha Chatterjee, Adil Hussain, Revathy, Tamanna Bhatia, Raj Nidimoru, Krishna DK, Sohum Shah, Karan Johar, Ayan Mukherjee, Imtiaz Ali, Anees Bazmi, Abhishek Sharma, Nitesh Tiwary, Ashutosh Gowarikar, to name a few, along with studio heads. They talked about the gamut of media & entertainment like films, television, digital entertainment, radio, animation, gaming, visual effects, film tourism, IP rights, and film incentives.

  • Zee Bangla Cinema unveils new brand identity

    Zee Bangla Cinema unveils new brand identity

    Mumbai: Zee Bangla Cinema, India’s leading Bengali-movie channel, will commemorate its decade-long journey with a new brand identity. Unveiled in time for the upcoming festive season, the evocative all-new brand identity highlights how movies have the power to make everything magical.

    The channel is about serving a daily dose of magic potion that takes viewers to a world where possibility takes the front seat and reality takes a backseat. Zee Bangla Cinema’s new tagline, “Hok Na Ektu Magic,” echoes this brand purpose.  

    Zee Bangla Cinema’s new identity was revealed during the world television premiere of the blockbuster of the year, “Aparajito – The Undefeated,” starring Jeetu Kamal and Saayoni Ghosh, directed by Anik Datta.

    For today’s evolved audiences who consume a range of genres, Zee Bangla Cinema has also revealed a powerful line-up of star-studded blockbuster Bengali movies that will premiere on the channel through the festive season. Starting 24September, “Notun Cinema Proti Robibaar” will bring world television premieres every Sunday. This first-of-its-kind programming will see the channel achieve a milestone of telecasting world television premieres on every week, rather than only once in a month.

    Commenting on the announcement, Zee Entertainment chief cluster officer – East Samrat Ghosh said, “Bengali cinema has always held a special place in the history of Indian films. From its beginnings in the 1920s, Bengali cinema has achieved global acclaim and popularity. From Satyajit Ray and Mrinal Sen to our contemporary filmmakers today, Bengali cinema has always been a creative powerhouse. It is an honour for us to celebrate this love for cinema and magic on the occasion of Zee Bangla Cinema completing 10 successful years of entertaining viewers. As one of the leading and most-loved channels in the Bangla movie-entertainment category, we cater to the audience’s varied preferences with a special content curation. “Notun Cinema Proti Robibaar” will strengthen our market share as we aggressively widen our movie library and bring the best of movie content for our viewers.”

    Talking about the channel’s revamped brand identity, Zee Bangla Cinema chief channel officer & head of marketing – East, Jalaluddin Mondal said, “As Zee Bangla Cinema completes a decade of passion for Bengali cinema, we decided to celebrate and build on our love for cinema by giving our viewers a brand-new experience. The new brand identity is accompanied by a slew of new initiatives to delight our viewers. A new slot strategy with each slot featuring films curated on the basis of audience demand and the genres they love is just the beginning. The icing on the cake is the most talked about and latest weekend television premieres for the ultimate weekend experience. As we enter a new decade, we will create a Movie++ experience with special music and movie events to cater to the Bengali lover of literature, music, and culture.”

    Talking about the new brand identity, Zee Entertainment chief marketing officer, content SBU Kartik Mahadev said, “Zee Bangla Cinema has always championed the power of cinema as an inspiring and binding medium that creates unforgettable moments of magic around television. Our new brand identity is our way of celebrating this intrinsic bond with every Bengali movie lover. As we complete a decade, we promise to keep bringing the magic of Bengali cinema alive for our viewers in every moment of their lives, as expressed in our new brand thought “Hok Na Ektu Magic!” The design of the new brand identity expresses the ‘Golden Circle of Special’ that curates’ moments of magic every day, brought alive through a vibrant colour play that is nuanced for the category and region. The refreshed design aesthetics will not only enhance the visual appeal but will facilitate intuitive content discovery creating an immersive experience.”

    Zee Bangla Cinema is promoting the new brand identity with a high-octane campaign, which will be promoted through a 360-degree approach across mediums – OOH, print as well as its social media channels including YouTube, Instagram and Facebook.

  • Must Watch Netflix Films – Recommended by Daily Research Plot

    Must Watch Netflix Films – Recommended by Daily Research Plot

    Online Content Consumption has increased after the Worldwide lockdown in 2019, Audiences are enjoying watching movies and series online now more than in theaters and here we have brought a list of the must-watch Netflix Films which has been recommended by Daily Research Plot, which is an Online News and Articles Portal for Movie, TV Series, and Technology Reviews and Updates launched in 2019 by Crisp Multimedia Solutions Pvt. Ltd.

    So we were discussing the list of must-watch films on Netflix, The year 2022 was really very bad for Bollywood Industry but other industries in India and Hollywood had achieved so much as the few critically acclaimed and entertaining films have been released on Netflix in 2022. And the Author and Owner of Daily Research Plot have curated a few of the titles which you must watch on the streaming giant.

    So, here is the list of Must Watch Movies on Netflix:

    End of the Road

    The film was released on Netflix in September 2022 has been directed by Millicent Shelton, the murder thriller film revolves around a road trip of a woman with two children and her brother, it’s one of the most-watched films worldwide.

    Do Revenge

    Do Revenge is another coming-age comedy-drama available on Netflix, directed by Jennifer Kaytin Robinson (co-writer of Marvel’s Thor: Love and Thunder). The story follows one school girl’s revenge on her boyfriend.

    Love in the Villa

    If you are a fan of Romantic Stories in Italy, you should definitely watch this film directed by Mark Steven Johnson (who directed the film Daredevil starring Ben Affleck and the famous film Ghost Rider). Love in the Villa is also one of the most-watched films on Netflix in different countries.

    Persuasion

    It’s one of the most watched critically acclaimed films on Netflix in 2022 based on a novel of the same title.

    Other titles which you should watch-

    There are various other titles that you should watch from different genres are Gray Man, Senior Year, The Sea Beast, Hustle, This is Not a Comedy, The Adam Project, Day Shift, and Metal Lords.

    All the films have been watched and reviewed by the team and authors of Daily Research Plot, which was started by Balram Jee Jha and his partner under their Digital Marketing and Media Agency to provide fun facts, reviews, and production updates on Comics, Movies, and TV Series and now the team has started few more section their websites like Celebrity Gossips, Tech Reviews, Business, Lifestyle, and Gadgets News Updates.

    This year in 2022, the team has also started their new venture for Indian and Hindi Audiences with two new Portals – For Bollywood News and South Industry News and Celebrity Gossips, they have launched TollywwodLife.Com and for Hindi General News and Updates – GazetaPost.Com.

    The team and company have also planned to work on Video Content and they have already started reviewing Hollywood Series on Daily Research Plot’s Youtube Channel and have planned for a few more Channels too.

  • Indian Film & TV Producers Council re-elects Sajid Nadiadwala as its president

    Indian Film & TV Producers Council re-elects Sajid Nadiadwala as its president

    Mumbai: Indian Film & TV Producers Council (IFTPC) has once again re-elected Sajid Nadiadwala as president at the 31st annual general meeting (AGM). This is the 11th year in a row that Nadiadwala has been president. Jamnadas Majethia was also elected again as chairman of the TV and web wing of the IFTPC.

    The AGM saw the induction of two new directors and the new board composition as follows: Ratan Jain, NR Pachisia, Madhu Matena, Shyam Bajaj, Kumar Mangat Pathak, Rajat Rawail, Shyamashis Bhattacharya, Dinesh Vijan, Nitin Vaidya, Abhimanyu Singh, and Ramesh Taurani.

    Nadiadwala expressed satisfaction that the pandemic has ebbed and that box office business is once again flourishing. He added that he would soon lead a delegation to the Maharashtra chief minister Eknath Shinde to discuss concerns pertaining to the sector.

    Jamnadas agreed with Nadiadwala and stated that while the TV business is developing well, there are some difficulties related to the film city that need to be addressed. He expressed hope that the meeting with the CM will help to address these concerns.

    He lamented the need to lower the extremely high electricity prices. He added that the contractual agreement with art directors is cause for serious concern because some art directors fail to pay their employees’ salaries on time, which causes unease and tension among the employees.

    The meeting paid tribute to all the departed souls during the year including Lata Mangeshkar and IFTPC former director Vijay Galani.

  • DistroTV expands distribution, now streaming free on VIZIO Smart TVs

    DistroTV expands distribution, now streaming free on VIZIO Smart TVs

    Mumbai: DistroTV, the nation’s largest, independent, free, ad-supported streaming TV (Fast) app on Friday announced that it is expanding its content offerings to Vizio. Now millions of Vizio users can stream DistroTV’s impressive and diverse content lineup — 270 channels and growing plus thousands of hours of VOD content — for free, anytime on the VIZIO Smart TV platform.

    DistroTV features over 270 multicultural channels and is growing, with everything from news, sports, movies, music & entertainment, and lifestyle content. This includes original content and new channel offerings that cater to English, Southeast Asian / Indian and Spanish-speaking audiences, as well as a recently released channel bundle that targets the African community. It is available to stream for free in over 60 markets through its apps on streaming devices and smart TVs, as well as worldwide on the web through Distro.tv, the platform truly features something for every viewer. No registration, sign-up, or fees are required.

    DistroTV’s comprehensive streaming library includes:

    -An impressive wave of new channels available to stream for free that appeal to DistroTV’s core US, UK, and Canadian audiences which includes a total of.

    -45 sports channels, with the most diverse collection of live & linear mainstream sports, combat sports, niche sports and outdoors channels, like stadium, beIN Sports Xtra, Swerve Sports, Impact Wrestling Channel, Fightnetwork, Wired2Fish, ACL Cornhole, MotoAmerica TV and FuelTV.

    -Broad array of diverse movies & entertainment channels including CineLife by Magnolia Pictures, Kweli TV, Watch It Scream, FrightFlix, Bowery Classics, Dark Matter, CinePride and many more.

    -13 documentary channels, including Goalcast, Magellan TV, Beautiful Planet & True History.
     
    -Notable new additions to the entertainment, lifestyle & food category, including AXS TV Now, Trace Urban, Bite, Planet Eat, and GustoTV.

    -A total of 21 spanish-language channels are available in North America, such as Estrella, beIN Sports XTRA Ñ, Top Cine, Canela.TV, Trace Latina, Casa Comedy and Spanglish and more spanish language entertainment, movie, documentaries, news and sports channels.

    -36 live streaming DistroTV Desi South Asian news, entertainment, and music channels featuring WION, TimesNow, Mastiii, Epic, MirrorNow, BritAsia and much more.

    -African channel bundle, DistroTV Africa, featuring 11 entertainment and music-oriented channels available to stream for free.

    -Providing audiences in the US and Canada with home screen access to must-have apps like Apple TV+, BET+, Disney+, HBO Max, Hulu, FuboTV, Netflix, Paramount+, Peacock, Prime Video and YouTube TV, VIZIO users now have round-the-clock access to DistroTV.

    -VIZIO and DistroTV are aligned in their missions to provide content and access for everyone; including movies and syndicated TV shows in the sports, kids and family, news, lifestyle, gaming, and music categories, and more.

    “We are thrilled to join the VIZIO family, particularly at a time when we are continuing to grow our viewership and channel content at a rapid pace,” said DistroScale co-founder & CEO Navdeep Saini. “By expanding our distribution via VIZIO Smart TVs, we can continue to provide audiences with the content they crave, and all while maintaining our FAST no-sign up, credit card or email required model.”

    DistroScale Country Head-India Vikas Khanchandani said, “US has over 87 per cent homes with at least one Connected TV and other western countries are seeing scale as well. Vizio is one of the largest CTV players in the US market and brings access to a large viewership base within Vizio for Indian content owners. It’s an opportunity to tap into the large advertising market in the US and other western countries and simultaneously combat piracy in those markets. FAST (Free Ad Supported Television) is bringing the lean-back linear experience for users on television and is solving for content discovery with sharper defined cohorts. Distro is focussed on building a very strong South Asian bouquet of content for the diaspora audiences across the world and bring in the ad monetisation through its vast global advertising footprint.”

    “VIZIO appreciates DistroTV’s dedication to building personalized experiences for today’s streaming audience,” said VIZIO’s senior director of business development Chris Tanquary. “VIZIO strives to be a place where viewers have endless entertainment options across all categories and genres so there is something for everyone,” Tanquary added.

     

  • Sony Pictures International Productions India elevates Ritesh Arora as the head of business affairs

    Sony Pictures International Productions India elevates Ritesh Arora as the head of business affairs

    MUMBAI: Sony Pictures International Productions (SPIP) India has elevated Ritesh Arora as the head of business affairs. Ritesh will oversee commercials and project acquisitions at SPIP India, as well as work to maximise revenue potential. He will report to  SPIP India general manager & head Lada Guruden Singh.

    Ritesh has been with Sony Pictures since 2015 and was most recently in charge of commercials and acquisitions. He has over two decades of experience in exhibition, distribution, and content acquisition.

    Ritesh Arora said, “It will be really exciting to look at new business development opportunities and also align them to the financial and growth targets of the company. Sony Pictures International Productions has made huge strides in India and to now deliver even more diverse and multilingual stories to Indian audiences across all formats is our dream.”

    SPIP, co-headed by Shebnem Askin and Michael Rifkin, is the local-language production arm of Sony Pictures Entertainment’s Motion Picture Group, which releases more than 30 films per year across 12 territories worldwide.