Tag: Movies Now

  • BARC 25: Zee Cafe, Movies Now, Discovery and Living Foodz lead respective genres

    BARC 25: Zee Cafe, Movies Now, Discovery and Living Foodz lead respective genres

    MUMBAI: According to week 25 of BARC India, 6 Mega Cities : NCCS AB : 4+ Individuals rating, the English entertainment space was lead by Zee cafe. Movies Now topped English Movies. Discovery and Living Foodz continued their leadership in their respective genres.
    English Entertainment
    Zee Cafe claimed top position with 296 Impressions (000s) Comedy Central secured second spot with 250 Impressions (000s). Star World took third spot with 208 Impressions (000s). AXN climbed up to fourth position with 109 Impressions (000s), followed by Colors Infinity SD on fifth position with 89 Impressions (000s).
    English Movies
    Movies Now held number one position with 2901 Impressions (000s). Star Movies grabbed second spot with 2901 Impressions (000s). Sony Pix held third spot with 2317 Impressions (000s), followed by Zee Studio on fourth spot with 1546 Impressions (000s). HBO took the fifth spot with 1247 Impressions (000s).
    Infotainment 
    Discovery retained top position with 3797 Impressions (000s) in week 25. History TV18 with 3389 Impressions (000s) held second spot. Animal Planet held third spot with 2986 Impressions (000s) while National Geographic held on fourth position with 2911 Impressions (000s). Nat Geo Wild with 2709 Impressions (000s) held fifth position.
    Lifestyle
    Living Foodz maintained its first position in week 25 with 1709 Impressions (000s), Fox Life with 801 Impressions (000s) held second spot. Home Shop 18 with 795 Impressions (000s) followed on third spot. TLC with 518 Impressions (000s) and Food Food with 516 Impressions (000s) held fourth and fifth positions respectively.

     

  • Vice Media partners with Times of India group for multiscreen &  Viceland rollout

    Vice Media partners with Times of India group for multiscreen & Viceland rollout

    MUMBAI: So iconic youth brand Vice Media CEO Shane Smith is making good his commitment to enter the Indian market.

    Shane had told Indiantelevision.com in April this year that “India is one of the most important markets for Vice. What we needed was platform, capital, navigation of bureaucracy, waters of media. We went into China and it took us longer than it should have. For India we said if we went in our own, it would take a long time to get to the scale we needed to be. So we took our time looking at a bunch of joint venture partners.”

    Amongst them was Star India, Reliance and The Times of India group. And Smith and his team have finally decided on Vice’s Indian partner: it is the Times of India group, which runs TimesNow, ET Now, MagicBricks Now, Movies Now, Zoom and RomedyNow,

    Additionally, the prowess of the Vijay-Ajay Nair run OML also impressed him and Vice executive vice-president international & corporate development James Rosenstock. OML, has over the past year reportedly – according to sources in investor circles – also come into the Times of India fold with Paul Aiello and Rajesh Kamat of Emerald Media (and formerly CA Media), divesting their holding in favour of arguably India’s largest media firm.

    Vice Media is partnering with the Times of India group to launch and distribute its Viceland channel in India, apart from producing digital and online, mobile, and TV content. Shane made the announcement at the Cannes Lions Festival earlier today.

    The plan is to set up new production facilities – new studios in Mumbai – and to hire scores of journalists, film makers, editors et al to roll out the signature Vice content for the Indian market. Additionally, a core management team is to be put in place to keep a tab on content creation, keeping the local sensibilities in mind.

    What is not clear at the time of writing what OML’s role, if any, is going to be in Viceland and in content creation for Vice’s India foray. .

    But what’s exciting Shane and his company, which has attracted investment to the tune of $700 million from 21st Century Fox and Disney, is the rollout of 4G services in India.

    “The hottest thing is going to be growth of 4G in India, the mobile for young people. It’s not there now, but India has the youngest population. Cheaper smart phones from China and India. So we want to get in build our audience, make our mistakes. So that when traction hits, we are there,” says Shane.

    Details of the joint venture were not available at the time of writing. Shane says that the Indian foray is the company’s largest investment in a country overseas.

    According to media reports, the joint venture will also spawn Vice Media’s in-house creative agency as Virtue India, which will help deliver native and branded content to its swathe of advertising partners. Shane says that the creative agency is an important pivot of his India play. “It will help us offset some of our risk. Existing brands and new brands want us to produce content for them. We discuss brand strategy with them and speak and understand their language,” he explains. “And they love what we do.”

    Shane announced a clutch of other partnerships during the Cannes Lions Festival which would see the debut of Viceland across 51 different territories and countries worldwide.

    For West Asia and North Africa, Vice has signed on The Moby Group as its partner even as it is set to open local production offices in Jordan, Iran, Lebanon, Oman, Saudi Arabia and Qatar. It has got into bed with Econet Media in sub-Saharan Africa to roll out Viceland into 17 countries including Ghana, Rwanda, Nigeria, Uganda and Sierra Leone by end-2017.

    It has lined up SBS Australia as its cohort for a free to air service for Aussie viewers, while Kiwis in New Zealand will be able to tune into Viceland as part of the basic tier on Sky. Vice Media has charged Singapore-based Multi Channels Asia with rolling out the channel into 18 territories in south east Asia with programming being developed by its in-house creative teams. The company’s home base – as is well known – is Canada and it has inked an agreement with GroupeV Media to launch Viceland in the French speaking part of the country.

    Shane and the Vice team sure know how to do things with a big bang. Now, the challenge for them will be to make the global push work and deliver both to the top line and the bottom line.

  • Vice Media partners with Times of India group for multiscreen &  Viceland rollout

    Vice Media partners with Times of India group for multiscreen & Viceland rollout

    MUMBAI: So iconic youth brand Vice Media CEO Shane Smith is making good his commitment to enter the Indian market.

    Shane had told Indiantelevision.com in April this year that “India is one of the most important markets for Vice. What we needed was platform, capital, navigation of bureaucracy, waters of media. We went into China and it took us longer than it should have. For India we said if we went in our own, it would take a long time to get to the scale we needed to be. So we took our time looking at a bunch of joint venture partners.”

    Amongst them was Star India, Reliance and The Times of India group. And Smith and his team have finally decided on Vice’s Indian partner: it is the Times of India group, which runs TimesNow, ET Now, MagicBricks Now, Movies Now, Zoom and RomedyNow,

    Additionally, the prowess of the Vijay-Ajay Nair run OML also impressed him and Vice executive vice-president international & corporate development James Rosenstock. OML, has over the past year reportedly – according to sources in investor circles – also come into the Times of India fold with Paul Aiello and Rajesh Kamat of Emerald Media (and formerly CA Media), divesting their holding in favour of arguably India’s largest media firm.

    Vice Media is partnering with the Times of India group to launch and distribute its Viceland channel in India, apart from producing digital and online, mobile, and TV content. Shane made the announcement at the Cannes Lions Festival earlier today.

    The plan is to set up new production facilities – new studios in Mumbai – and to hire scores of journalists, film makers, editors et al to roll out the signature Vice content for the Indian market. Additionally, a core management team is to be put in place to keep a tab on content creation, keeping the local sensibilities in mind.

    What is not clear at the time of writing what OML’s role, if any, is going to be in Viceland and in content creation for Vice’s India foray. .

    But what’s exciting Shane and his company, which has attracted investment to the tune of $700 million from 21st Century Fox and Disney, is the rollout of 4G services in India.

    “The hottest thing is going to be growth of 4G in India, the mobile for young people. It’s not there now, but India has the youngest population. Cheaper smart phones from China and India. So we want to get in build our audience, make our mistakes. So that when traction hits, we are there,” says Shane.

    Details of the joint venture were not available at the time of writing. Shane says that the Indian foray is the company’s largest investment in a country overseas.

    According to media reports, the joint venture will also spawn Vice Media’s in-house creative agency as Virtue India, which will help deliver native and branded content to its swathe of advertising partners. Shane says that the creative agency is an important pivot of his India play. “It will help us offset some of our risk. Existing brands and new brands want us to produce content for them. We discuss brand strategy with them and speak and understand their language,” he explains. “And they love what we do.”

    Shane announced a clutch of other partnerships during the Cannes Lions Festival which would see the debut of Viceland across 51 different territories and countries worldwide.

    For West Asia and North Africa, Vice has signed on The Moby Group as its partner even as it is set to open local production offices in Jordan, Iran, Lebanon, Oman, Saudi Arabia and Qatar. It has got into bed with Econet Media in sub-Saharan Africa to roll out Viceland into 17 countries including Ghana, Rwanda, Nigeria, Uganda and Sierra Leone by end-2017.

    It has lined up SBS Australia as its cohort for a free to air service for Aussie viewers, while Kiwis in New Zealand will be able to tune into Viceland as part of the basic tier on Sky. Vice Media has charged Singapore-based Multi Channels Asia with rolling out the channel into 18 territories in south east Asia with programming being developed by its in-house creative teams. The company’s home base – as is well known – is Canada and it has inked an agreement with GroupeV Media to launch Viceland in the French speaking part of the country.

    Shane and the Vice team sure know how to do things with a big bang. Now, the challenge for them will be to make the global push work and deliver both to the top line and the bottom line.

  • ET Now strengthens brand presence through B2B campaign ‘Dealing Room Heroes’

    ET Now strengthens brand presence through B2B campaign ‘Dealing Room Heroes’

    MUMBAI: After securing a solid positioning as a popular news destination, Times Network, heralded by its flagship channels Times Now and ET Now, is set to strengthen its brand presence amongst clients, advertisers and other businesses through a business-to-business (B2B) approach.

    We saw a fine example of its B2B marketing at Goafest 2016, where, through a quirky campaign targeted at the advertising industry, Times Network emphasised the growth of consumers of English content in India.

    A similar targeted messaging is brought forth in a latest campaign titled ‘Dealing Room Heroes’ that ET Now has initiated.  Starting June 9, ET Now has started visiting the participating well known stock brokerage houses and interacting with their leadership teams to explore what they consider the biggest achievements of the organization in the FY 2015-16, and felicitate key performers from the Dealing Room of each organisation.

    “Now that we have established our leadership position in various markets, we needed to go beyond being leaders in numbers and on air, and focus on making our brand more accessible and relevant to our consumers. As a business news channel we have three forms of consumers — the viewers, the advertisers and media agencies and the stock traders. To reach out to the stock brokers and traders who form an integral part of our consumer base, we have launched this new campaign. It allows us to partner with individual broking firms and celebrate the number crunching and data analysis that goes down in the Dealing Room of a brokerage firm,” revealed Times Network Head of Marketing – Times Now, ET Now, Magicbricks Now & Zoom Shantanu Gangane.

    So far ET Now has partnered with nine brokerage houses including IIFL, Kotak Securities, Motilal Oswal, MK Global, etc., with its first destination for the campaign being Mumbai. Those honoured through this campaign will also find a place on air on ET Now in the form of a two to three minute vignette that will showcase how the person went about dealing. This will run in the channel in high frequency across day parts with special focus on prime time and market hour.  Running for three weeks in each market the campaign may prolong depending on the feedback from each region. When asked, Gangane clarified that the partnerships with the brokerage firms on this campaign weren’t on a commercial level. As per the network, this is a first of a kind initiative by a business channel globally.

    When it came to addressing the viewers through a B2C messaging, in February, ET Now did an engaging activation with its viewers titled ‘Kem Chho Gujarat’ an investor welfare initiative by ET Now.  With this initiative the channel took experts from the financial fraternity and its anchors on ground to address some of the queries in the state in the sector. “It was a complete on ground, on air and online initiative, where consumers got to meet the experts and the anchors face to face,” Gangane shared. 

    In a similar fashion Magicbricks Now had also initiated the ‘Urban Debate’ where real estate issues of a given area were taken up and addressed through an on ground event that was telecast. 

    Since both Urban Debate and Kem Chho Gujrat were consumer initiatives, the channel used a lot of tools to promote audience participation and registration for event, be it in the form of digital promotions, print ads or promos that run within the network where it can target the relevant audience. The strategy differs a bit when it comes to Dealing Room Heroes, for which the channel focusses on print ads, magazines that are popular within the brokerage industry, for example Dalal Street Journal, and optimise the marketing on the channel itself.

    Gangane acknowledged the need to think differently when conceptualizing a campaign targeted towards masses and specifically towards businesses or brands. The medium of communication is very important when planning campaign in B2B versus B2C, Gangane said, “When going B2B you cannot carpet bomb, like you intend a marketing blitzkrieg. B2B relies a lot on you optimizing reach and frequency. In B2B communication one needs to be direct, contextual to the target brand or business. That’s where the media mix becomes important. As far as the communication is concerned, it needs to be more relatable rather than eye catching and attention seeking.”

    Given the different planning of media mixes for each approach, the budgeting changes as well. One might think that a high decibel mass campaign was more expensive, but Gangage revealed that getting the right audience could be an expensive affair as well. “If you are going for quality and sharp focus, you may sometimes end up paying more.”

    While Gangage did not divulge the network’s split of marketing budgets in B2B and B2C campaigns, he explained the mindset behind the allotments. “It is very specific to the objective, honestly. For example for a brand building campaign for the entire Times Network, the budget allotted for B2B would be 80 per cent approximately. But if we are launching a show on a particular channel, spend will be more on the B2C side.”

    Speaking from a network standpoint, Gangane highlighted that none of the brands were dormant when it came to visibility amongst consumers, be it Times Now, Zoom or Movies Now and Romedy Now. “Each of the brands are buzzing in their own way. Having said that, Times Network as a whole did initiate a larger brand communication earlier this year, which will see some more work on audience metrics in the upcoming months,” Gangane added in parting.
     

  • ET Now strengthens brand presence through B2B campaign ‘Dealing Room Heroes’

    ET Now strengthens brand presence through B2B campaign ‘Dealing Room Heroes’

    MUMBAI: After securing a solid positioning as a popular news destination, Times Network, heralded by its flagship channels Times Now and ET Now, is set to strengthen its brand presence amongst clients, advertisers and other businesses through a business-to-business (B2B) approach.

    We saw a fine example of its B2B marketing at Goafest 2016, where, through a quirky campaign targeted at the advertising industry, Times Network emphasised the growth of consumers of English content in India.

    A similar targeted messaging is brought forth in a latest campaign titled ‘Dealing Room Heroes’ that ET Now has initiated.  Starting June 9, ET Now has started visiting the participating well known stock brokerage houses and interacting with their leadership teams to explore what they consider the biggest achievements of the organization in the FY 2015-16, and felicitate key performers from the Dealing Room of each organisation.

    “Now that we have established our leadership position in various markets, we needed to go beyond being leaders in numbers and on air, and focus on making our brand more accessible and relevant to our consumers. As a business news channel we have three forms of consumers — the viewers, the advertisers and media agencies and the stock traders. To reach out to the stock brokers and traders who form an integral part of our consumer base, we have launched this new campaign. It allows us to partner with individual broking firms and celebrate the number crunching and data analysis that goes down in the Dealing Room of a brokerage firm,” revealed Times Network Head of Marketing – Times Now, ET Now, Magicbricks Now & Zoom Shantanu Gangane.

    So far ET Now has partnered with nine brokerage houses including IIFL, Kotak Securities, Motilal Oswal, MK Global, etc., with its first destination for the campaign being Mumbai. Those honoured through this campaign will also find a place on air on ET Now in the form of a two to three minute vignette that will showcase how the person went about dealing. This will run in the channel in high frequency across day parts with special focus on prime time and market hour.  Running for three weeks in each market the campaign may prolong depending on the feedback from each region. When asked, Gangane clarified that the partnerships with the brokerage firms on this campaign weren’t on a commercial level. As per the network, this is a first of a kind initiative by a business channel globally.

    When it came to addressing the viewers through a B2C messaging, in February, ET Now did an engaging activation with its viewers titled ‘Kem Chho Gujarat’ an investor welfare initiative by ET Now.  With this initiative the channel took experts from the financial fraternity and its anchors on ground to address some of the queries in the state in the sector. “It was a complete on ground, on air and online initiative, where consumers got to meet the experts and the anchors face to face,” Gangane shared. 

    In a similar fashion Magicbricks Now had also initiated the ‘Urban Debate’ where real estate issues of a given area were taken up and addressed through an on ground event that was telecast. 

    Since both Urban Debate and Kem Chho Gujrat were consumer initiatives, the channel used a lot of tools to promote audience participation and registration for event, be it in the form of digital promotions, print ads or promos that run within the network where it can target the relevant audience. The strategy differs a bit when it comes to Dealing Room Heroes, for which the channel focusses on print ads, magazines that are popular within the brokerage industry, for example Dalal Street Journal, and optimise the marketing on the channel itself.

    Gangane acknowledged the need to think differently when conceptualizing a campaign targeted towards masses and specifically towards businesses or brands. The medium of communication is very important when planning campaign in B2B versus B2C, Gangane said, “When going B2B you cannot carpet bomb, like you intend a marketing blitzkrieg. B2B relies a lot on you optimizing reach and frequency. In B2B communication one needs to be direct, contextual to the target brand or business. That’s where the media mix becomes important. As far as the communication is concerned, it needs to be more relatable rather than eye catching and attention seeking.”

    Given the different planning of media mixes for each approach, the budgeting changes as well. One might think that a high decibel mass campaign was more expensive, but Gangage revealed that getting the right audience could be an expensive affair as well. “If you are going for quality and sharp focus, you may sometimes end up paying more.”

    While Gangage did not divulge the network’s split of marketing budgets in B2B and B2C campaigns, he explained the mindset behind the allotments. “It is very specific to the objective, honestly. For example for a brand building campaign for the entire Times Network, the budget allotted for B2B would be 80 per cent approximately. But if we are launching a show on a particular channel, spend will be more on the B2C side.”

    Speaking from a network standpoint, Gangane highlighted that none of the brands were dormant when it came to visibility amongst consumers, be it Times Now, Zoom or Movies Now and Romedy Now. “Each of the brands are buzzing in their own way. Having said that, Times Network as a whole did initiate a larger brand communication earlier this year, which will see some more work on audience metrics in the upcoming months,” Gangane added in parting.
     

  • BARC week 22: Movies Now back on no 1 position

    BARC week 22: Movies Now back on no 1 position

    MUMBAI: According to week 21 of BARC India, 6 Mega Cities : NCCS AB : 4+ Individuals rating ,  Zee Café sustained its number one position with improved ratings in the English entertainment space whereas Movies Now continued to dominate the English movies genre. 
    The English entertainment space observed increase in its ratings except for Colors Infinity while the English movies genre observed a substantial increase in its viewership data this week. 
    English Entertainment
    Zee Café dominated the genre witnessing an increase in ratings from 222 Impressions (000s) in week 21 to 301 Impressions (000s) this week. Comedy Central sustained its second spot with 284 Impressions (000s) followed by AXN with 181 Impressions (000s). Star World climbed the row grabbing the fourth position with 141 Impressions (000s).
    Colors Infinity SD witnessed a decline in the and took the fifth berth with 114 Impressions (000s).
    English Movies
    Movies Now bagged the number one slot with 3586 Impressions (000s) followed by Star Movies at the second place with 3168 Impressions (000s). Sony Pix secured the third position with 2396 Impressions (000s). Zee Studio grabbed fourth position with 1897 Impressions (000s) and HBO took the fifth spot with 1821 Impressions (000s).

     

  • BARC week 22: Movies Now back on no 1 position

    BARC week 22: Movies Now back on no 1 position

    MUMBAI: According to week 21 of BARC India, 6 Mega Cities : NCCS AB : 4+ Individuals rating ,  Zee Café sustained its number one position with improved ratings in the English entertainment space whereas Movies Now continued to dominate the English movies genre. 
    The English entertainment space observed increase in its ratings except for Colors Infinity while the English movies genre observed a substantial increase in its viewership data this week. 
    English Entertainment
    Zee Café dominated the genre witnessing an increase in ratings from 222 Impressions (000s) in week 21 to 301 Impressions (000s) this week. Comedy Central sustained its second spot with 284 Impressions (000s) followed by AXN with 181 Impressions (000s). Star World climbed the row grabbing the fourth position with 141 Impressions (000s).
    Colors Infinity SD witnessed a decline in the and took the fifth berth with 114 Impressions (000s).
    English Movies
    Movies Now bagged the number one slot with 3586 Impressions (000s) followed by Star Movies at the second place with 3168 Impressions (000s). Sony Pix secured the third position with 2396 Impressions (000s). Zee Studio grabbed fourth position with 1897 Impressions (000s) and HBO took the fifth spot with 1821 Impressions (000s).

     

  • Chrome Week 19: English News channels genre emerge as top gainer

    Chrome Week 19: English News channels genre emerge as top gainer

    MUMBAI: English News channels genre appeared on top in Chrome’s opportunity to see (OTS) analysis for the eight metros. This space marked an increase of 1.8 per cent and saw Lok Sabha TV as the leader with 93.7 per cent OTS in week 19.

     The former was followed by Infotainment with 1.3 per cent gain across all India. History TV 18 topped with 84.6 per cent OTS. Hindi Movies in Hindi Speaking Market (HSM) took the third spot in the list of top gainers with 0.7 per cent increase in OTS. Max led the tally with 91.9 per cent OTS.

    Music genre in HSM also noted a growth of 0.6 per cent. 9X M emerged as the chart topper with 89.1 per cent OTS.

     English Entertainment witnessed a drop of 2.2 per cent in the eight metros; it topped the loser category with Zee Café scoring 47.7 per cent OTS. With a drop of 1.8 per cent, Business News channels genre in six metros booked the second spot. CNBC Awaz emerged as the most affected channel with 80.4 per cent OTS.

    The English Movies category in six metros also observed a decline of 1.7 per cent. Movies Now topped the list with 53.0 per cent OTS. The last spot was taken by the Youth genre with a drop of 1.1 percent in Hindi Speaking Market. Channel V grabbed the top position with 88.2 per cent OTS.

  • Chrome Week 19: English News channels genre emerge as top gainer

    Chrome Week 19: English News channels genre emerge as top gainer

    MUMBAI: English News channels genre appeared on top in Chrome’s opportunity to see (OTS) analysis for the eight metros. This space marked an increase of 1.8 per cent and saw Lok Sabha TV as the leader with 93.7 per cent OTS in week 19.

     The former was followed by Infotainment with 1.3 per cent gain across all India. History TV 18 topped with 84.6 per cent OTS. Hindi Movies in Hindi Speaking Market (HSM) took the third spot in the list of top gainers with 0.7 per cent increase in OTS. Max led the tally with 91.9 per cent OTS.

    Music genre in HSM also noted a growth of 0.6 per cent. 9X M emerged as the chart topper with 89.1 per cent OTS.

     English Entertainment witnessed a drop of 2.2 per cent in the eight metros; it topped the loser category with Zee Café scoring 47.7 per cent OTS. With a drop of 1.8 per cent, Business News channels genre in six metros booked the second spot. CNBC Awaz emerged as the most affected channel with 80.4 per cent OTS.

    The English Movies category in six metros also observed a decline of 1.7 per cent. Movies Now topped the list with 53.0 per cent OTS. The last spot was taken by the Youth genre with a drop of 1.1 percent in Hindi Speaking Market. Channel V grabbed the top position with 88.2 per cent OTS.

  • Times Network launches campaign to promote its HD feed

    Times Network launches campaign to promote its HD feed

    MUMBAI: Speaking of the digital era, the number of LCD television sets sold each year has only been growing. For 2015, an Ernst & Young study had projected that 12 million television LCD and LED sets would be sold in India, reinforcing the point on the CRT to LCD/LED conversion. But this same conversion is not reflected when it comes to consumers going from SD to HD feed, especially in the case of English Entertainment television channels. The issue, Times  Network English Entertainment Cluster senior VP and head Vivek Srivastava feels, is not in affordability but in awareness.

    “HD channels’ have shown 93 per cent increase in viewership over the last year and doubled their advertisement revenues. But the one thing that remains a hiccup in the segment is the adoption rate of HD feed. It is estimated that 12 million HD enabled TV sets are sold every year but there are only 6 million HD subscribers. That means there are another 6 million who have the equipment but not the content pipeline.  There is immense growth potential. So both for us, we as a network and for the industry, there is a need to educate consumers on the perks of HD quality video. This campaign will benefit not only our own English cluster, but the entire industry,” explains Srivastava.

    Times Network has initiated steps to educate its consumers with a 360  degree ad campaign that the network will launch starting today – 2 May. Given the fact that its core English Entertainment channels are mostly in HD, it makes sense for Times Network to propagate the cause for HD conversion in the country.  The campaign aims to push the HD subscription for its three HD English entertainment channels — MN +, Movies Now and Romedy Now HD. “Across the globe the main drivers for HD viewership have been sports and movies. In India, while the sports genre has seen that positive change, movie entertainment channels are lagging behind. Being a major player in the English entertainment space with a huge movie library, it was in our interest to push this cause,” says Srivastava.

    Created and conceptualised in-house in three months, a TVC that is a fun-take on how Hollywood is viewed in India, features actor Purab Kohli enjoying a home theatre experience at home in all its glory. The punch line  — ‘Raise your standards to High Definition’ — comes when the audience is made aware that all this luxury comes to a nought if the picture quality is not in high definition, thereby urging movie lovers to go HD. The campaign intends to play with the urban movie buffs minds that swear by their Hollywood movies and prefer a quality experience even at home.

    “For the last three or four years, most of the HD TV commercials have spoken about the best quality and sound making one believe that all one needs to do to experience that is to buy the TV. But in reality that’s just the first step; and getting the content pipeline by switching to HD feed is what completes the process,” said Srivastava as he reveals the idea behind the ad.

    The campaign will be heavily promoted across networks, with heavy emphasis on television and a strong digital backing. The campaign will also see some presence on print. “With reach being the primary objective, we are trying to expand the number of eyeballs as much as possible, especially amongst the television audience. The campaign kicks off on our network and will be gradually carried across all channels on other networks as well. We will not necessarily promote it on English entertainment channels alone. Out of the 650 million (65 crore) television watchers, around 30 percent watch English content, so obviously there is an increased need to reach out to a cross section of audiences to propagate the message better. We will have a presence on Hindi GECs, movie channels, news channels. Even music channels are a part of our media plan mix.” The ‘across channels’ promotion will be carried in parts, while the campaign will be kept alive within the network.

    While Srivastava agrees that the Times Network channels primary viewership comes from the metros, this particular campaign is targeted pan India. “The metros have some awareness about the HD feed, but it is the tier II and tier III cities that we really need to touch base with,” he further reveals.

    Given the ‘all in’ nature of the campaign, Srivastava also reveals that the network is spending slightly higher than the marketing budget for a regular mainline premiere on Movies Now.