Tag: Mouly Surya

  • Indian filmmaker among 6 selected for Hooq

    Indian filmmaker among 6 selected for Hooq

    MUMBAI: Hooq Filmmakers Guild has turned six filmmakers’ ideas into reality. Hooq has announced six titles for pilot development from its inaugural Hooq Filmmakers Guild 2017. The Guild, launched in June 2017, is an annual initiative designed to seek out film talents in Asia that have great ideas but lack the opportunity to turn these ideas into reality. It claims to be one of the top VOD service in Southeast Asia.

    The 2017 selections are Bhak (India), Suay (Thailand), Haunt Me (Singapore), How To Be A Good Girl (Singapore), Aliansi (Indonesia) and Heaven and Hell (Indonesia).  The six were selected from 500 submissions received by Hooq over a 2-month period from all over the region.

    The top ideas will get $30,000 to produce a pilot episode for the platform. Hooq subscribers and judges will vote for their best choice which will be converted into a full series.

    Hooq CEO Peter Bithos said, “Hooq has always been a big supporter of the Asian film industry.  The Hooq Filmmakers Guild was designed with this aim in mind and focuses on developing the next generation of Asian film talents by providing them with the opportunity to showcase their ideas and develop their skills through connecting with the Guild’s judges who are the crème de la crème of the Asian film business.” He further added, “We are so excited to announce the six pilots that we have selected to be produced.  There were so many great ideas to select from so we decided to produce six pilots instead of the five that we had intended.  We look forward to the completed pilots and hope that everyone will get Hooq’d on them.

    Judge Puttipong Promsaka Na Sakolnakorn commented, “The number of submissions was far more than what any of us were expecting”.  The submissions spanned a range of genres and styles, from science fiction to supernatural and even historical dramas.  The dominant genres submitted were drama, horror/supernatural and comedy, with science fiction and fantasy a close fourth.

    “I was deeply amazed by the quality of the submissions, so much so that it made judging really difficult!” said judge Mouly Surya, director of ‘Marlina the Murderer in Four Acts’.  “It was affirmation to me that Asia truly has immense talent when it comes to filmmaking.”

    This sentiment was echoed by her fellow Indonesian judge, actor Nicholas Saputra. She said, “Not only were their submissions for the Hooq Filmmakers Guild fantastic, they are so energetic, creative and bursting with ideas and serves as a reminder to all seasoned filmmakers to never lose that spark inside of us.”

    Judging was based on the relevance and potential appeal to Asian audiences, demonstrable creativity in storytelling and most of all, a well told Asian story with an original point of view. 

    India’s winning entry, ‘Bhak,’ is a colourful dramedy that follows the adventures of two ambitious young filmmakers in the Bollywood film industry.  Written by Arjun Chatterjee and Shreyom Ghosh from Big3 Media, it explores themes of passion, betrayal and love.

    ‘Suay,’ a Thai crime thriller by Marcelo von Schwartz, follows the story of ladyboy go-go dancer Lola, who receives a cut-off ear belonging to her best friend and mentor, Carly.  She is then forced to draw upon her past identity as a tough male private detective and descend into the underbelly of Bangkok.

    Supernatural drama ‘Haunt Me,’ by Oman Dhas and Goh Ming Siu from Third Floor Pictures, follows the story of Kwong, a widower, who after his father’s death, moves into his family ancestral home and discovers his family’s secret sacred destiny; guiding lost souls to the other side.

    The other Singaporean entry, ‘How To Be A Good Girl,’ comes from Abundant Productions and follows former socialite turned ex-convict, Frances Lee, who is looking to reclaim her life after time behind bars.

    The Indonesian winning entries reflect two ends of the genre spectrum. ‘Aliansi’ is an offbeat comedy by Muttaqiena Imaamaa.  It follows the story of a down-and-out Jakarta-based creative executive, who gets a chance to start over when a mysterious millionaire approaches him to create advertising campaigns – to convince the public that aliens are real.

    By contrast, Bobby Prabowo & Eric Tiwa’s ‘Heaven and Hell,’ takes us into the world of the Eastern Indonesia mafia.  When a gang war about to break out in Darmaga Batu, his adoptive hometown, Chris contemplates leaving the violent world of crime, until he realises, the only way he can protect his jailed father, is by becoming the head of the crime world.

    Thai Hooq Filmmakers Guild judge Wasin Pokpong said, “I am very happy that Hooq launched the Hooq Filmmakers Guild this year because it has become a platform for aspiring filmmakers who were lacking resources to finally be able to bring their ideas to life. Sometimes, all it takes is a little boost to make dreams come true.”

    Millions of viewers across the region are now keeping their eyes peeled as these six titles make the transition from a good idea to great stories.

  • Hooq’s ‘Marlina…” goes to Cannes

    MUMBAI: Hooq, one of the largest Video on Demand service in South-East Asia, has announced that its first Indonesian original production will be screening at the Director’s Fortnight in Cannes which opens this week. This is on the back of a series of announcements from Hooqthat underscores its commitment to Asian film production through ventures with top independent studios and filmmakers in the region.

    “Hooq is very proud that Marlina will be screening at Cannes Directors’ Fortnight this year! We look forward to many more successful Hooq original productions that will gain recognition in the international film industry, but more importantly will keep our customers Hooq’d month after month! Our continued commitment to the Asian film industry will see us investing in more original productions with the goal to give new and established talents an avenue to tell their stories in multiple formats – be it a feature film or a 10-part series,” said Peter Bithos, Chief Executive Officer of Hooq.

    In addition to Marlina the Murderer in Four Acts, In addition to Marlina the Murderer in Four Acts, In addition to Marlina the Murderer in Four Acts, Hooq recently announced a host of original productions – Critical Eleven and Sweet 20 to hit cinemas in May and June 2017 respectively, the highly anticipated On the Job which will debut in cinemas in August followed by a 5-part series that will launch exclusive on Hooq six weeks later and The T Party (working codename) will hit the service later this year. At the same time, Hooq also announced a new initiative Hooq Filmmakers Guild – which is a search for Asian film talents to turn their ideas into reality.

    MARLINA THE MURDERER IN FOUR ACTS
    The most recent work of director Mouly Surya (36), Marlina the Murderer in Four Acts will premiere on 24 May 2017 at Quinzaine des Réalisateur (Directors’ Fortnight) which takes place in parallel to 2017 Cannes Film Festival.

    Marlina depicts the story of a widow on her journey to look for justice after a band of robbers assaults her. This film written by Mouly Surya and Rama Adi is based on Garin Nugroho’s story idea. It is produced by Rama Adi and Fauzan Zidni and starring Marsha Timothy, Dea Panendra, Yoga Pratama and Egi Fedly.

    “It is a big honor to be included in the Directors’ Fortnight line up, an event to seek the world’s famous auters with more edgy works. This is a good event for Marlina and I hope the film will get the opportunity for a wider distribution after this screening,” said Mouly Surya during the press conference at Plaza Indonesia on 12 May 2017.

    Marlina is a co-production between Cinesurya, Kaninga Pictures (Indonesia), Sasha & Co Production (France), Astro Shaw (Malaysia), In addition to Marlina the Murderer in Four Acts, HOOQ recently announced a host of original productions – Critical Eleven and Sweet 20 to hit cinemas in May and June 2017 respectively, the highly anticipated On the Job which will debut in cinemas in August followed by a 5-part series that will launch exclusive on Hooq six weeks later and The T Party (working codename) will hit the service later this year. At the same time, Hooq also announced a new initiative Hooq Filmmakers Guild – which is a search for Asian film talents to turn their ideas into reality.

    Chairman of Indonesian Creative Economy Agency Triawan Munaf said, “Mouly Surya’s success in the Cannes Directors’ Fortnight is a major achievement for Indonesian cinema. Aside from being selected in this section for the first time, an Indonesian film is finally being featured again in the world’s most prestigious film festival.”

    The Counselor for Cooperation and Cultural Action of the Embassy of France and Director of IFI Marc Piton said, “Supported by CNC, IFI and Cinema du Monde, Mouly’s work has marked close relationships between Indonesia and France in cinematography. Being selected for the Director’s Fortnight at Cannes also shows that Indonesian films are gaining more recognition internationally.”

    Organized by Societe des Realisateurs de Films (French Directors Guild) and initially held in 1969, the Directors’ Fortnight that runs parallel to the Cannes Film Festival aims to aid filmmakers and contributes to their discovery by the critics and audiences alike. The Director’s Fortnight has discovered and debut famous directors such as Werner Herzog, George Lucas, Martin Scorsese, Jim Jarmush, Michael Haneke, Spike Lee, Sofia Coppola and many more. The selected titles will be premiered at the festival from 18 – 28 May 2017 in Cannes, followed by the premiere in Marseille, Paris, Geneva, Rome, Milan, Florence and Brussels.

    Marlina was previously selected for the Asian Project Market at 2015 Busan International Film Festival and Cinefondation L’Atelier at 2016 Cannes Film Festival. This film received funds from Talents Tokyo through the Next Masters Support Programme and subsidy from Cinémas du Monde from French Ministry of Foreign Affairs.

    Marlina is the fourth full-length feature film from Indonesia to be selected for the Cannes Film Festival. The previous three films are Tjoet Nja Dhien (1988, Semaine de la Critique), Daun di Atas Bantal (1998, Un Certain Regard) and Serambi (2006, Un Certain Regard).

    Mouly directed What They Don’t Talk About When They Talk About Love (2013), the first Indonesian film selected to compete in the World Cinema Dramatic Competition at the Sundance Film Festival. Her first film, Fiksi (2008), led Mouly to be the only female who received Citra Awards for the best director.