Tag: moolah

  • Move away Bollywood, regional cinema is now raking in the moolah

    Move away Bollywood, regional cinema is now raking in the moolah

    MUMBAI: For years, regional cinema has been given secondary treatment as compared to the show and pomp of the burgeoning world of Hindi cinema , be it in the sheer number of movies produced every year or just the level of exposure. But there seems to have been a tectonic shift in the paradigm – given the number of regional films hitting the market over the last few years and creating box office waves. Sairat and Bahubali were movies that paved the way and proved the mighty power of the local language.

    Yoodlee Films, one of the youngest production houses in the country, had sensed this shift a while ago and decided to leverage on this continuing trend from the very onset. Having produced some 15 movies in only two and a half years, the move to assign importance to local language movies was inevitable. According to Siddharth Anand Kumar, Vice President – Films & Events at Saregama India Ltd, for the production house,  regional cinema is going to be a focus area. “We are strongly looking at regional cinema as we are convinced that making cinema in local languages will help us reach a wider and different cross-section of the audience. While some of our regional language movies – namely Tamil and Marathi are already in the works, we are looking at many other local languages to tell stories in.

    Yoodlee Films’ released two films previously in the South market :  the critically acclaimed Tamil film KD and the Tamil-Malayalam bilingual Abhiyuum Anuvum. Three more, namely Habbadi and Zombivali in Marathi and Super Senior Heroes in Tamil are in the making. Zombivali has already garnered much interest when it releases its first look a few weeks back,  given that it will be the first Marathi horror comedy featuring zombies. The movie is directed by  Aditya Sarpotdar, and has a power-packed cast of Amey Wagh, Lalit Prabhakar, and Vaidehi Parshurami.

    Siddharth adds that regional cinema has might have stories rooted in a particular milieu but they are powerful narratives which cut across language divide. “Regional cinema is also seeing big names investing in it and there is  sense of innate pride in putting forth a project of one’s language and culture in the mainstream. Viewers are no longer seen through a sieve of language anymore. All they want is an unique story – one which works at a human level and that they can relate to” he added.

    The shooting for Zombivali is currently continuing in Latur, Maharashtra and Super Senior Heroes and Habaddi is in various stages of post production.

  • No kidding! Kid’s TV channels get serious about Diwali

    No kidding! Kid’s TV channels get serious about Diwali

    MUMBAI: It’s that time of the year again when television channels in the kids’ genre go full throttle to appease their tiny tot viewers.

     

    With a viewership of 7.3 percent of the total television audience in India, kids’ channels enjoy advertising revenue of 3.8 per cent, which is predicted to hit Rs 6650 crore as per FICCI’s Industry report 2015, which expects the total ad spends on television to be Rs 17,500 crore in 2015. A major chunk of this revenue is generated during the third quarter, thanks to a sudden increase in viewership.

     

    “During Diwali northern states and the western parts of India have holidays so naturally viewership on kids’ channels goes up. Therefore there is a spurt in investment in kids genre as well,” says a veteran media planner, who adds that though there is a definite increase in viewership from last year, it is hard to put that into figures as TAM and BARC ratings use different mechanisms of viewership measurements.

     

    Kids channels’ look forward to the third quarter as it generates the highest viewership for them after the April May June time which is usually when schools have summer vacation. With this surge in viewership, advertisers too plan in advance to make the most of their television spends through these kids channels.

      

    It is needless to say that channels heavily invest to promote their existing shows and also grab eye balls with new exciting content, and 2015 is no exception.

     

    From new show launches to extensive on ground activities, kids channels have pulled out all stops on whatever services they have at their disposal, be it on the marketing front or content. Keeping in mind the excitement surrounding Children’s day, some are conducting city wise on ground promotions, while others have brought in fresh local content to appeal to urban as well as rural viewers.

     

    For the same reason, Turner International India’s kids’ channels Cartoon Network and Pogo planned week-long celebrations with new movies, specials and contests to make the most of the holidays.

     

    Cartoon Network has celebrated the birthday of one the network’s most popular character Kris from the Roll No. 21 series with a week-long stunt in a special program titled Kris ka Dhamakedar Birthday from 9 to 14 November at 10.30 am.  Following which the channel airs Lights Camera Roll No. 21: Kris in Bollywood, a brand new movie featuring Kris making his Bollywood debut, on 14 November 2015 at 10:30am.

      

    The channel has also organized a special promotional contest to win an invite to Kris’s birthday party.

     

    Pogo’s Diwali week ending in 13 November saw back to back Chhota Bheem movies and specials that aired throughout the week from 9am onwards and a brand new movie titled Chhota Bheem: Dinosaur World at 12pm on 11 November.

     

    The genre’s leader Nickelodeon hasn’t been complacent with its number one rank and has invested heavily in on ground promotions for this year’s Children’s day. The Viacom 18 owned network will bring down their toon stars to interact with children in Delhi and Kolkata on D Day, with Shivaji and Ninha making special appearances on the venue.

     

    “In Delhi, there will be dedicated games that would be played at the set-up, including a Squap integration with toons giving them away to lucky winners over and above Nickelodeon merchandise that would be distributed,” reveals Viacom18 EVP and business head – kids cluster Nina Elavia Jaipuria.

     

    “Kids in Kolkata get a chance to not only meet Motu Patlu but also engage at the carnival with loads of games. The entire City Centre mall will get the look of Furfurinagar and kids will get a chance to win super cool Motu Patlu merchandise as well. This has been promoted though ads, TV astons, radio and online,” she explains, adding that the initiative is a joint venture between ABP and Viacom 18, with TeleKids as partners in the event.

     

    The channel also plans to take these promotions digital in order to reach out to as many kids and mothers as possible. At the same time it will reinforce their merchandising stronghold in the market.

     

    “This Children’s Day we’re unveiling the new look of Squap, that is, Squap 2,” shares Jaipuria excitedly, “The wittiest and the funniest comment on the new Squap will be a cool way to Squap,” she adds.

     

    Commenting on the importance of this quarter in terms of ad revenues, Jaipuria further adds, “October November and December is as busy as April, May and June for us. This is the time when kids’ channels see a lot of traction both in terms of viewership as well as ad revenue. Our viewership as well as ad spends increase by 29 to 30 per cent during this time.” She also adds that there has been considerable increase in ad rates this year.

     

    In terms of programming, Sonic will air a movie special featuring Pakdam Pakdai Doggy Don Vs Billiman at 7:30pm on 14 November, while Nick will celebrate children’s day with Motu Patlu Kung Fu King Returns at 11.30 am.

     

    The network’s biggest offering to their little viewers this season is undoubtedly Shiva, their third home grown animated series which went on air on 9 November, and has already garnered positive reviews.

     

    Another channel which is out to win new audiences and treat old viewers with fresh content is Discovery Kids with their brand new show Luv Kushh that also went on air on 9 November.

     

     “Discovery Kids continues to entertain kids with its variety of programmes and genres, endearing characters and exciting storylines. The new series, Luv Kushh will take kids back to the era of gurukuls and recreate the age-old traditions of the student-teacher relationship,” said Discovery Networks Asia-Pacific EVP and GM, Rahul Johri on their new show.

     

    Given the timing for the launch one can wonder if the move was deliberate on the part of the channels to go head to head to competition for viewership. Either way, this quarter looks busy, exciting, and content heavy for the kids’ entertainment channels.

  • A two-sided story

    A two-sided story

    MUMBAI: The rupee going into a tailspin or prices shooting through the roof; be damned. The wheels of general entertainment channels (GECs) seem to be in continual motion, what with a new soap here or a new reality show there. Makes one wonder as to what exactly these television majors do to keep their employees happy and productive, despite taxing schedules and OTT deadlines.  

    Well, the answer lies in the kind of incentives and rewards these channels, rather – their human resources teams, are willing to heap on their staff just so as to make them want to come back every morning, ready for the grind.

    And we’re not simply talking boxes of chocolates or free tickets to movies here. Imagine an iPad being gifted for a clean and decorative desk or a five-star hotel stay in Australia or even a shopping spree in Bangkok…

    An example of the kind of moolah these companies are willing to splurge on their employees is Star India, which took its top management (nearly 35 people) on an extravagant tour down under a month or two back.

    While Viacom18 arranged separate tours to exotic destinations like Egypt or more popular ones like Bangkok early this year. In a similar vein, Sony took its employees to Dubai last year whereas Zee ferried its entire team to the beaches of Thailand. We hear Sony is currently planning an itinerary for its annual trip this year.

    While these junkets (even called off-sites) don’t come cheap for these companies, there’s a catch: they aren’t entirely about fun and booze. There are leadership and team-building exercises, presentations on progress reports, panel discussions about the future etc. built into these trips.

    But with employees not expected to shell out anything from their own pocket, they’re fun nevertheless.

    However, there’s another side to this ‘Television (GECs) shining’ story.
    Even as most of them are coughing up crores of rupees on such junkets, there are other channels like news channels that are finding it difficult to survive in the present economic situation.

    There have been widespread instances of companies handing out pink slips to their employees in the past few months.

    First, NDTV shut down its Mumbai operations, followed by Network18 relieving around 350 employees across the network in little over a month. Next in line was Bloomberg TV which terminated the services of nearly 30 employees and the latest to join the bully gang is Ananda Bazar Patrika (ABP), which is learnt to have issued notices of non-renewal of service contracts to as many as 127 employees and speculations are ripe that even Business World magazine is closing shop soon.

    According to a study by the New Delhi-based Associated Chamber of Commerce and Industry (ASSOCHAM), the weak rupee hasn’t spared even Bollywood producers, who’re shying away from shooting overseas. In the past four months, foreign film shoots have dropped 30-35 per cent owing to the volatility in currency.
    Given this not-so-bright side of the television (and film) industry, one wonders if life is truly a soap opera for GECs… 

  • Iron Man 3 rakes in the even before its US release

    Iron Man 3 rakes in the even before its US release

    MUMBAI: The third installment in Marvel’s Iron Man series is breaking records in many markets as reported by the Hollywood Reporter.

    The Robert Downey Jr starrer has continued to give a strong performance since Thursday when it opened in supplementary foreign markets, grossing $23.3 million to bump its two-day international total to an astounding $36.5 million.

    The Disney  and Marvel Studios tent-pole, returning Downey in the title role, is racing ahead of Iron Man 2 in many international markets, prompting box-office observers to speculate that the ‘threequel‘ is benefiting mightily from last year‘s mega blockbuster The Avengers, which starred Downey‘s character along with other Marvel superheroes.

    Iron Man 3 is opening internationally a week ahead of its North American debut on 3 May, similar to Iron Man 2, which posted a foreign opening of about $100 million in 2010. Pundits expect Iron Man 3 to post a foreign opening north of $110 million.

    The superhero franchise rolled out in a dozen countries on Wednesday, making $13.2 million. On Thursday, it opened in another raft of markets. In Korea, the movie opened to $3 million — the third-biggest opening of all time behind the final Pirates of the Caribbean movie and the third Transformers.

    Iron Man 3 opened to $3.6 million in the UK, just 9 per cent behind Avengers. while in Argentina, it opened to $700,000, the second-biggest debut of all time behind the final Harry Potter movie.

    By Sunday, the threequel will be playing in 80 per cent of the international marketplace, minus the U.S., China and Russia. Disney said on Friday that the Chinese release date has been shifted from 3 May to 1 May.

  • And now a interactive version of ‘Who wants to be a Millionaire’

    And now a interactive version of ‘Who wants to be a Millionaire’

    SINGAPORE: Looks like weaving in interactive elements to popular TV formats for the growing number of digitally savvy audiences is the next trend to keep a show going. The new interactive version of Who Wants to be a Millionaire (KBC in India), a popular format devised by David Briggs, is not just helping the show retain a prime time but even raking in moolah.

    At a packed auditorium on Wednesday morning, HTTV France Sales & Marketing director Jean Christopher Jubin said, “The show has had its run in countries like UK, France and Italy for a long time now. But the last three years, the ITV version of the show, with weaved in multi-media elements is what has helped retain the popularity of the show.”

    What really is the ITV version of the show? On the digital sets, viewers can participate in the show. Though they can’t really win a million by answering multiple-choice questions but can make at least 1000 Euros per week just sitting at home. The UK ITV version of the show has a multimedia theme version, synchronized version where viewers can respond and interact with the host at the same without disturbing the ongoing game.

    When queried on the business proposition and the heavy cost incurred for weaving in the interactive elements, Jubin said, “Audiences either pay for the model or then pay per time (i.e the time they play the game for). The revenue streams are also being generated as a result of a tie-up between broadcasters, producers and operators where you can charge for pay per play.

    Currently the ITV version of the popular format has generated more than 2.5 million SMSs on an average per session and can earn up to 3 to 4 euros per person. So, with the digital homes in Europe the revenue will continue to see a upward trend.