Tag: Monaco

  • Sportel: Sports media’s power players converge in Monaco for dealmaking and AI debates

    Sportel: Sports media’s power players converge in Monaco for dealmaking and AI debates

    MONACO: Monaco’s Grimaldi Forum became the epicentre of sports media wheeling and dealing this week as Sportel Monaco wrapped its 35th edition. Over three frenetic days, 2,000 executives from 70 countries—nearly half of them C-suite types—descended on 8,500 square metres of reimagined exhibition space to chase rights deals, scout technology and forge the partnerships that will define how the world watches sport.

    The numbers tell the story of an industry in flux: 795 companies turned up, including 155 newcomers, with content buyers making up a third of attendees. Americans showed up in force this year, breaking Europe’s traditional stranglehold on the event. The marketplace buzzed with talk of generative AI, cloud workflows and how to keep fans glued to screens in an age of infinite distraction.

    The conference summit brought heavy hitters to the stage. Javier Tebas, president of LaLiga, delivered a keynote whilst panels dissected everything from private equity’s invasion of sport to live broadcasting technology. Liverpool Football Club, Fox Sports Australia, the Bundesliga and upstart leagues like Kings League all sent their top brass to explain how they’re navigating the streaming wars and tech disruption.

    But Sportel isn’t just talk. Prince Albert II of Monaco showed up to unveil the RaceBird Monaco, the official boat of Team Monaco E1, alongside series founder Alejandro Agag. Hexagone MMA announced a €100,000 tournament series. Protocol Group launched a new consultancy arm for broadcast technology. Globecast, GlobalM and World Curling revealed a cloud-based collaboration. The deals kept coming.

    The event also made a splash with its revamped Sportel Sports Bar—an informal hub designed to turn casual chats into seven-figure contracts—and a well-attended women’s lunch featuring Alexis Ohanian of 776, marathon legend Paula Radcliffe and NBA executive Fiona Wong.

    “Sportel is not just a conference, it’s a global marketplace,” said executive director Loris Menoni summing up three days of handshakes, presentations and backroom negotiations. “We’re proud to have built an ecosystem where business flows naturally and future-defining partnerships are born.”

    The roadshow rolls on. Sportel Singapore takes over the Orchard Hotel on 24-25 March 2026, before the expo returns to Monaco next October. Expect more dealmaking, more disruption and plenty more sports executives nursing hangovers after late night networking.

  • Sportel 2025: AI set to dominate sports content as clubs embrace fan-generated revolution

    Sportel 2025: AI set to dominate sports content as clubs embrace fan-generated revolution

    MONACO: Sports organisations have a decade at most before artificial intelligence swallows nearly all their non-live content whole. Scoreplay – the AI-powered asset management platform – chief executive and cofounder Victorien Tixier delivered that stark message at Sportel Monaco’s sports business conference.

    The technology has become the lifeline for clubs scrambling to flood time zones with content that keeps fans glued. Yet Tixier reckons sport has a fleeting chance to rise above the tidal wave of AI dreck—provided it doubles down on storytelling and authenticity whilst deploying AI to dub content, chase trends and turbocharge workflows.

    “Sport has a unique opportunity to differentiate itself from all that huge flow of AI-generated content by helping organisations invest time and effort on storytelling, authenticity, and capitalise on what makes sport emotional, very human, and then globalise that,” Tixier told the panel.

    Liverpool FC vice-president of media Matthew Quinn detailed how the English football giants ditched physical infrastructure for cloud storage, enabling content creation from anywhere. The club had “years of images stored under a person’s stairs at home that were unsearchable,” he said. Cloud technology let Liverpool scatter content teams across training grounds and away fixtures whilst keeping them connected.

    Liverpool now deploys regional agencies in MENA and southeast Asia to run social media feeds round the clock. “Whilst we sleep in Liverpool, they will be awake in Thailand and those guys can be creating content, jumping on a trend,” Quinn explained. But his real obsession is user-generated content—fans capturing trophy lifts can tell stories “a million times more authentic than the clubs can do,” he said, though AI must do the heavy lifting to process footage in real time.

    Quinn sketched Liverpool’s business model: create centrally, distribute by audience. Different age groups and locations devour content differently—linear TV, YouTube, membership platforms. The setup lets clubs pounce when new platforms materialise. “A few years ago, TikTok didn’t exist,” he noted.

    Tixier stripped the monetisation playbook bare: “You sell tickets, you sell licensing, you sell brand partnerships, and you’re a content business.” Content must power every revenue stream, whether plastering Mo Salah across the website to shift tickets or exploiting international players to crack new markets culturally.

    Wasabi Technologies product marketing manager Isabel Freedman spotted another angle: sponsorship. Brands can trumpet partnerships that matured alongside the sport using archived footage—a compelling pitch.

    Quinn imagines AI linking fan-shot videos to match moments, creating hundreds of perspectives on the same goal. It’s a seductive vision: supporters as storytellers, clubs as enablers, AI as the glue. The sceptics worry about job losses and hidden agendas. The believers see magic. Either way, the revolution isn’t pending. It’s live.

  • Olympic films triumph at Monaco’s glittering Sportel Awards

    Olympic films triumph at Monaco’s glittering Sportel Awards

    MONACO: Monaco pulsed with sporting glamour on 20 October as the 36th Sportel Awards crowned this year’s finest films at the Grimaldi Forum. Two Olympic Channel productions—Personal Best and I’m Carl Lewis—walked away with coveted golden podiums, the ultimate accolade in sports broadcasting.

    Personal Best, a South African production by Anant Singh, claimed best thematic documentary. The film shadows eight athletes through their Olympic Games Paris 2024 journey, offering a raw glimpse into medal-chasing drama. I’m Carl Lewis, produced by Noah Media Group for Olympic Channel, secured best biopic honours. The British production explores the uncompromising life of the nine-time Olympic champion whom the International Olympic Committee declared “Sportsman of the Century” in 1999.

    Prince Albert II presided over the ceremony, broadcast live on TV Monaco, before a packed Salle Prince Pierre. The prince personally handed athletics legend Marie-José Perec the autobiography award for her book Ma Vie Olympique, whilst motor racing icon Jacky Ickx received the lifetime sport achievement award.

    Other winners included NBC Sports, which took best slow motion for Ilia Malinin: Relatable Awe, and Welcome to Wrexham, which won best docu-series. France’s Comme tout le monde claimed best report, whilst Canal+’s La Quête secured best advertising. ESPN Deportes’ Las Amazonas de Yaxunah won the Peace and Sport documentary prize.

    Tennis star Henri Leconte presided over a jury featuring handball champion Allison Pineau, cyclist Masomah Ali Zada and footballer Lonsana Doumbouya. Marine Picoulet, executive director of Sportel Awards, called the 2025 edition “one of the most powerful and inspiring” yet.

    Both winning Olympic films are currently streaming free on Olympics.com—territorial restrictions permitting. For once, the podium finish comes without the sweat.

    GOLDEN PODIUMS
    Best Slow Motion Georges Bertellotti
    Supported by Comité National Olympique et Sportif Français
    Ilia Malinin: Relatable Awe
    Eric Hamilton, Max Rahamin, Ryan Yeager, Eric Girgash, Sam Tydings, Jack Felling – NBC Sports
    USA

    Best Thematic Documentary
    Supported by TVMONACO
    Personal Best
    Ady Walter & Amal Doghmi – Videovision Entertainment – Distant Horizon
    South Africa

    Best Report
    Supported by
    Comme tout le monde
    Pierre-Etienne Léonard et Mohammed Khouadja – WAA ULTRA
    France

    Best Biopic
    Supported by
    I’m Carl Lewis!
    Julie Anderson & Chris Hay – Noah Media Group for Olympic Channel
    United Kingdom

    Best Docu-Series
    Supported by Les Barbagiuans de Monaco
    Welcome to Wrexham
    Bryan Rowland, Josh Drisko and Jeff Luni – NEO Studios / Boardwalk Pictures
    United Kingdom

    Best Advertising – Christian Blachas
    Supported by A.S.Monaco Basket-Roca Team
    La Quête
    Sébastien Bovier – CANAL+
    France

    Jury Special Prize
    Laure ! Laure ! Laure !
    Guillaume Priou & Laurie Delhostal – CHENGYU
    France

    SPECIAL PRIZES
    Peace and Sport Documentary Prize
    Las Amazonas De Yaxunah
    Alfonso Algara – ESPN Deportes
    USA

    Sports book Prize  Renaud de Laborderie
    Supported by Comité Olympique Monégasque
    Rainer W. Schlegelmilch – Porsche racing moments
    Switzerland

  • Globecast unveils content-sharing platform for sports rights holders

    Globecast unveils content-sharing platform for sports rights holders

    MONACO: Sports broadcasters are getting a new weapon in the battle for eyeballs. Globecast will showcase Content Exchange, its latest media platform solution, at Sportel 2025 in Monaco from 20 to 22 October.

    The platform, designed for rights holders and sports federations, offers a unified, all-IP infrastructure combining satellite, fibre and hybrid cloud technologies. It enables seamless acquisition, processing and delivery of both live and on-demand content, creating a secure hub that connects content owners with broadcasters and unlocks new monetisation opportunities.

    “With the launch of Globecast Content Exchange, we’re transforming the way sports content is delivered and shared,” said Globecast head of digital media development Steve MacMurray. “It gives rights holders unmatched flexibility and control to distribute highlights, live feeds and on-demand content to partners and fans worldwide, all through a simplified, scalable and secure platform.”

    Visitors to stand G.05 can experience the technology first-hand. The solution promises scalable transmission and processing for demanding media applications, offering rightsholders greater control over distribution in today’s hybrid media landscape.

    Globecast will also spotlight its recent sports collaborations. Racer  Network, which will broadcast over 300 live motorsport events in 2025, has partnered with the company to enhance quality and streamline delivery using advanced graphics and cloud playout. Meanwhile, Globecast’s extended partnership with Premier Padel as global delivery partner for the 2025 and 2026 seasons supports the sport’s international expansion through a fully IP- and cloud-based distribution model.

  • Nicole Kidman to play Grace Kelly

    Nicole Kidman to play Grace Kelly

    MUMBAI: Nicole Kidman is in talks to portray Grace Kelly in Grace of Monaco, the project that centers on the actress-turned-princess. The actress is in the process of attaching herself to what is being envisioned as a $30 million production and is being compared in tone to The King‘s Speech.

    Monaco is the second high-profile project in the works featuring midcentury Hollywood stars. The film isn‘t a biopic and instead focuses on a six-month period in 1962 when the city-state got into a heated dispute with France, which grew tired of the petite principality being a tax haven.Kelly, still relatively new in her role as princess, maneuvered behind the scenes to save Monaco from a coup.

    Olivier Dahan, known for the Edith Piaf biopic La Vie en rose, is helming the period film. Le Pogam is producing and financing the picture. CAA is handling domestic rights and Wild Bunch is selling international.

    Kelly was an actress who broke through playing opposite Gary Cooper in 1952’s High Noon and quickly became Alfred Hitchcock’s favorite blond with a trio of classic films. She married Prince Rainier of Monaco in 1955 and soon retired from acting. Her death in 1982, after suffering astroke and losing control of her car while driving the twisty streets of Monaco, shocked the world. Nearly 100 million people watched her funeral on TV.

  • IBC to offer its new show, ‘VIP Passport’ at Mipcom

    IBC to offer its new show, ‘VIP Passport’ at Mipcom

    MUMBAI: Taking viewers behind the velvet ropes and into the first-class life of a jet-setter, International Broadcast Communications (IBC) is bringing LUX Entertainment’s VIP Passport to Mipcom’s global marketplace.

    VIP Passport will take viewers into the exotic lifestyle of five American jet-setters as they party at the hottest nightclubs, dine at the most exclusive restaurants, shop at the trendiest boutiques and party at the finest locales around the world.

    The 13-episode weekly series serves up extravagant settings, with intriguing plotlines—sure to leave viewers craving more.

    “The world is obsessed with the lives of today’s socialites,” says Founder and president of IBC Jon Helmrich.

    “VIP Passport allows viewers to virtually experience a fantasy lifestyle. It takes you into a world full of the hottest parties, the finest champaigne and the world’s most exotic cars. I am confident that this visually stunning show will be a hit at this year’s market.”

    Destinations for the series include Paris, Milan, Monaco, Rome, Belize, Singapore, Tokyo, Las Vegas, New York, Miami and Los Angeles among others.

    The new weekly one-hour program has been cleared on the FOX Television station group in New York, Chicago and Los Angeles and is on track to be cleared in 85% of US television households by 30 October 2006, when the first-run series debuts in broadcast syndication.

  • Monte-Carlo TV Festival, Eurodata announce Audience Award nominees

    Monte-Carlo TV Festival, Eurodata announce Audience Award nominees

    CANNES: The Monte-Carlo TV Festival and Eurodata TV Worldwide announced at MipTV the nominees for the inaugural International TV Audience Awards. These Awards reward the highest-rated shows in the drama, comedy and telenovela/soap opera categories.

    The Awards will be presented based on the sum of TV ratings across five continents. The nominees are pre-selected among the ten best imported fiction programs in 51 countries, i.e., 2.5 billion potential viewers.

    Nominees for drama are Lost, CSI and Without a Trace; the comedy nominees are Desperate Housewives, Joey and Mr. Bean; and the telenovela/soap nominees are The Bold and the Beautiful from the U.S., Rubi from Mexico and Pasión de Gavilanes from Colombia.

    The winners will be presented at the 46th Monte Carlo Television Festival Awards on 1 July in Monaco.