Tag: Mona Jain

  • NT Summit ’22: How the ever-changing TV news industry is opening up new avenues for marketeers

    NT Summit ’22: How the ever-changing TV news industry is opening up new avenues for marketeers

    Mumbai: As technology advances and consumer habits change due to the pandemic, television newsrooms navigate a new world. The pattern of consuming news content is also evolving with the rise of digital news platforms. The ever-changing landscape of news has witnessed tremendous growth & transformation over the last few years with various channels being launched in multiple languages on a steady basis.

    During a panel discussion on ‘news on television: a marketers delight’ at the recently concluded NT Summit hosted by Indiantelevision.com, the industry insiders explored the challenges and opportunities in the news television segment presented by the new normal. The event, co-sponsored by Dalet, was held recently in New Delhi.

    The panel saw industry stalwarts voice out their opinions & insights on the changes the space is undergoing and on the new avenues it opens up for marketers. Experts deliberated on the impact of news ratings and viewership data on advertising, and how marketers can leverage it.

    The participants on the panel were News18 (HC) vice president and head – marketing and product Aditya Tandon; Zee Media marketing head Anindya Khare; ABP Network chief revenue officer Mona Jain; Just Dial chief marketing officer Prasun Kumar; Policybazaar Insurance Brokers VP & head of brand marketing Samir Sethi; and Maruti Suzuki India senior executive director marketing & sales Shashank Srivastava. The session was moderated by Dentsu Creative India chief executive officer Amit Wadhwa.

    Ratings are key to take media planning decisions

    Talking about the impact that audience measurement ratings such as Barc data has on marketers and brands’ advertising, Amit Wadhwa raised the point of whether the ratings help brands in their media planning decisions. Maruti’s Shashank Srivastava acknowledged that ratings help vastly when it comes to investing in the right news channels for a particular brand/segment, while adding that there has to be a stronger basis for the data measurements. He added that apart from relying on the ratings, the brand has its own checks in place.

    Not being a part of the ratings is not a solution, Srivastava said while noting that there are channels who have gone that route. “That’s a confrontational approach, which is not going to help advertisers or even the platform or broadcasters. We need to find a solution on this by arriving at a consensus for the industry,” he added.

    For this, the measurement parameters have to be defined and it should be done in a way that’s proper, essential, he opined, adding, “We are not going to invest a single rupee without having a strong basis for the investment.”

    Most panelists agreed that ratings are important from a marketer’s perspective, as it bestows a clear picture about where to put in money and in which direction the marketing strategies and planning are moving. However, because of all the controversies around the ratings that one keeps hearing about, even with some channels opting out of it, and so on, it tends to plant seeds of doubt whether the ratings can be solely depend upon by a marketeer, Just Dial’s Prasun Kumar said. So as a marketeer, one does need to apply one’s own thinking and findings on top of the ratings, as Maruti is doing, by having their own checks and strategies in place, he affirmed.

    Having said that without audience measurement and numbers it’s not possible to decide on a solid television plan for a marketeer, said Kumar, adding that he does not know of any other way of doing that.

    Reaching out to the right audience

    Introducing some analytics into the conversation, Policybazaar’s Samir Sethi said that for a lot of digital brands one of the intentions of advertising is to generate immediate call to action from consumers. “What we do apart from looking at ratings when we make decisions on media planning or buying, is to also see the propensity of the eyeball to generate action.”

    “We would basically try and measure if there was a visit generated on our website, post-airing of the ad spot,” continued Sethi. These methodologies help not only in identifying what genres or channels to pick, but also in trying to understand what hours people tend to react more on advertising or on which days of week are better, etc., he added.

    Most of the brand spokespersons on the panel agreed that while the ratings helped them make media decisions, they were definitely not the sole decision-making criteria.

    ABP Network’s Mona Jain pointed out that when the brands are spending so much money on investing in news channels, while also “reaching out to a significant audience that’s an opinion maker”, then it becomes important to deep dive and find which is the slot & which is the prime time that works on which particular channel.

    “Because you’ll find that the dominant part of the TRPs comes from particular time slots,” explained Jain. “So, I would really like marketeers to spend some time analysing and understanding the data better.” There are many who use news genre as a commodity buying, not really looking at it from the point of engaging with the serious consumer that news genre draws, she rued, adding that it’s important too.

    The panel deliberated about the importance of news channels in a media buying spectrum, what they can do differently for better outcomes and on picking the suitable platform for building their brand.

    From the marketeer perspective, what news channels can do differently, Wadhwa asked the panel.

    “We always talk about TV vs digital, as if these are two platforms which are running up against each other,” said Zee Media’s marketing head Anindya Khare.

    “What I feel is that TV news channels need to be more inclusive and convergent, rather than being divergent. Wherein we can be more complementary to each other. If you are in a position to take leverage of the digital medium, for instance, for a particular target group (TG), digital medium may be more relevant and you might be getting a high return on investment (RoI) using digital. I think there is an immense opportunity for both the platforms to exist and grow further, provided there is an intelligence to how to use it in convergence,” added Khare.

    Content is the king in advertising

    From a marketeer perspective, on how to make the news genre work better, News18’s Aditya Tandon emphasised that it’s really about content. “I think technology, digital and all is fine, but for me at heart, it’s really about content. As an advertiser, if we can invest in and create great content, and work with marketers in doing that then I think that’ll never go out of fashion- it’s a win-win for everybody. And that’s an ongoing process that’s never going to end,” he added.

    Speaking from a holistic perspective, Kumar also pointed out that news channels may want to look at “how to arrest the transient audiences that’s moving out of this platform, and create a programming format for stickiness on the platform.” That will also help brands repose faith in a channel,” he added.

    The panelists stated that the whole striking of balance between digital and linear is tough, from a marketer’s viewpoint as it’s a constantly evolving state of affairs. The participants looked forward to the day, the news channels reached some sort of a consensus on a valid audience and viewership data measurement that can be accepted unanimously across the board as a common platform for ratings. They also noted that both from a consumer’s as well as from a marketer’s point of view, perhaps it may be time to move beyond the prime-time news format of debates.

  • ABP Network rejigs its sales leadership team

    ABP Network rejigs its sales leadership team

    New Delhi: ABP Network has recalibrated its sales leadership team by imparting additional responsibilities to its leaders, to keep up with the ever-evolving dynamics of the market and foster innovation within the organisation.

    The media company has elevated Amitosh Pal to national sales head – ABP Ananda. Pal will continue to assume the role of regional director, east zone, apart from driving sales for the Bengali channel.

    Parul Kamra has been promoted to national sales head – ABP Ganga. She will continue to assume the role of regional director, north zone, while also driving sales for ABP Ganga. 

    Rakesh Kumar has been elevated to national sales head – government. In his new role, he will be responsible for all government-related business across broadcast and digital, while Amit Kumar Singh, who currently handles digital sales –  government will directly report to him.

    All three members within the sales leadership team will continue to report to Munish Atrey, who will further report to ABP Network chief revenue officer Mona Jain who joined the organisation in 2019 and carries experience of over 30 years in media marketing and promotions, stated the company on Thursday.

    “2020-21 was full of unpredictability and unsurmountable challenges as far as business goes but despite all the odds – ABP Network’s sales leadership team performed and delivered targets consistently. The sales team has been instrumental in driving steady growth for the network. Their strong capabilities coupled with their dedication to helping the organisation reach its business and financial goals led to this well-earned promotion. We are confident that ABP Network will continue to grow many folds in the future,” said  Jain. 

    The network stated that it has been able to overcome the initial uncertainty and tumultuousness of the Covid2019 crisis, and has successfully maintained business continuity.

  • ABP News Network names Mona Jain as chief revenue officer

    ABP News Network names Mona Jain as chief revenue officer

    MUMBAI: Mona Jain, a veteran media professional with nearly two decades of experience, has joined ABP News Network as the company’s chief revenue officer. She will be responsible for the organisation’s revenue efforts across ANN channels, live events and digital platforms.

    Jain comes to ANN with a proven track record of nearly 30 years in media marketing and promotions. She spent the last six years in Zee Entertainment Enterprise Ltd (ZEEL), serving as executive vice president, AD sales.

    Congratulating on her new role, ABP News Network CEO Avinash Pandey said, “We are happy to welcome Mona Jain to ANN family. Mona Jain brings a high-level of expertise and commitment to the organisation that is aligned with ABP values and vision. She is a critical addition to the leadership team and for our future plans. We look forward to her valuable contributions in the company’s progress.”

    Prior to her tenure in ZEEL, Jain was the CEO of Vivaki Exchange for almost nine years, where she was designated as India head – strategic investments. She has also worked at Cheil Communications and Mudra Communications in the past, where she was deputed as executive director and media director respectively and was responsible for setting up media for various brands. She started her career with Hindustan Thompson Associates (HTA) and holds a vast experience in the field of communications and marketing.

  • Mona Jain bags additional role of head revenues for ZEE Live

    Mona Jain bags additional role of head revenues for ZEE Live

    MUMBAI: Zee Entertainment Enterprises Ltd (ZEEL) has announced that Mona Jain, principal cluster head sales, will now take on the additional role of head revenues, Zee Live. She will closely work with Zee Live COO Swaroop Banerjee and will continue to report to ZEEL advertisement revenue chief growth officer Ashish Sehgal. 

    Jain has been a part of the ZEEL family currently heading the North branch at ZEEL and managing the revenue responsibility for channels like Zing, Zee ETC, Zee Anmol and Anmol Cinema, &TV and Big Magic. Subsequent to this, the sales team of Zee Live will get aligned to her and will continue to drive the business goals under her leadership.

    Zee Live aims at enhancing consumer experiences across key markets by conceptualising fresh and unique live intellectual properties across genres like music, culture, tech, lifestyle, sport and education.

  • ZEEL gets aggressive with &flix launch

    ZEEL gets aggressive with &flix launch

    MUMBAI: And now following in the footsteps of &Prive HD, Zee Entertainment Enterprises Limited (ZEEL) has announced that it is rolling out &flix come 1 pm on 3 June 2018 on major DTH and digital cable TV platforms. The target audience for the new offering: the striver, which the channel defines as those who are always pursuing new experiences, are ready to upgrade and take that quantum leap.  

    Thus &flix will feature 52 premiers of hit movies – amongst a total roster of 400 – that have stories that show not just what is, but what could be. Among the top notch titles –  that it has acquired from 10-11 independent Hollywood players and studios such as Sony, Paramount and Disney – that will debut on &flix feature: Spider-Man: Homecoming, Baby Driver, Life, The Emoji Movie, The Atomic Blonde, Jumanji and Blade Runner 2049.

    &flix is initially seeking a market in the six metros and will be available on Dish TV, Tata Sky, Airtel Digital TV, Sun TV, Hathway and TCCL to name a few to start with.

    According to ZEEL premium channels- business cluster head Aparna Bhosle, 60 per cent of the total English content viewership comes from mega cities and has been growing at a CAGR of an impressive 35 per cent over the past three years.

    “Out of the 183 million TV households, 51 million households consume English movies in India,” she elaborated.

    Keeping in mind, that it is targeting millennials, its agency Publicis and the in-house team has laid out an expansive digital and print campaign in combination with cross promotions on sister HD channels and the great outdoors.

    The idea is to get 350 million impressions over six weeks with messaging going out on platforms such as Youtube, Facebook, BuzzFeed, HuffPost and many more. The Twitter integrated outdoor innovation to unveil the channel’s first communication saw movie fans tweeting 10,000 tweets along with the channel’s hashtag, generating more than 52 million impressions in just 24 hours in the process.

    “The brand proposition, Leap Forth, was created with the thought that you can have an extraordinary life with unlimited possibilities if you dare to take the leap,” shared ZEEL CMO Prathyusha Agarwal with indiantelevision.com.  “Our marketing campaign has been chalked out keeping in light the awe-inspiring larger than life experience we wish to offer. Our innovations, across mediums, reflect the magnitude of our offering, surely making it one of the biggest launches in our sector this year.”

    Sources reveal that a marketing and promotional budget in excess of Rs 5 crore has been kept aside for the launch activity.

    “For our ever-evolving audiences who are spoilt for choice, &flix will fuel the drive to take a quantum leap and break out of their orbits,” added Agarwal. “Our research led us to understand that over 60 per cent of all English movie viewers fall under the category of un-satiated strivers. With &flix, we aim to enthral the audience which is persistent in its pursuit of new experiences and is not easily satiated.”

    &flix’s packaging was assigned to Canadian design agency Zink which is behind &Prive HD’s look as well.

    At stake is a piece of the Rs 550-crore-600-odd crore spend that brands and media fork out on the English movie genre. Five brands have come on board as launch sponsor partners.  Among these feature Fiama (ITC), Lloyd (Havells), 100 Pipers (Pernod Ricard), Amazon Fire TV stick and Domino’s Pizza, revealed ZEEL EVP Sales Mona Jain.  She adds: “The strong brand proposition has helped us connect with some of the key like-minded brands across sectors. The response has been extremely positive from our clients and such partnerships further validate our belief in our offering. We are hoping to drive synergies with more brands as we embark on this new journey.”

    According to insiders, the spot rates that it is asking for from agencies are even higher than &Prive HD as &flix is available in both HD and SD feeds.

    Bhosle is sanguine that the heightened activity in the English movie genre is likely to work positively in its favour and she sees it growing faster and at a higher rate than in the past two years.

    Shall we say Amen to that?

  • Vivaki’s Mona Jain joins Zee Entertainment

    Vivaki’s Mona Jain joins Zee Entertainment

    MUMBAI: In December last year, Vivaki Exchange Mona Jain had put in her papers. The move came in after Lodestar UM and Cheil won the Samsung account from Starcom MediaVest Group.

     

    Jain, who has more than two decades of experience in marketing communications, was tight-lipped about her next move. Her joining Zee comes as a pleasant surprise to many.

     

    In-line with its plans to strengthen the senior sales team, Zee Entertainment Enterprises Limited (Zeel) today announced the appointment of Jain as EVP-cluster head and Rahul Sharma as sr. VP-national sales head.

     

    Speaking on both the appointments, Zeel chief sales officer Ashish Sehgal said, “We are extremely happy to have two media stalwarts join us from the industry. Mona brings with her an immense experience and understanding of the industry. She has been instrumental in key media launches and her knowledge will be really valuable in reinforcing our relationship with agencies & clients. Mona will play a key role in developing brand solutions, setting up a business model for geo-targeting & agency relationship management. She will also head the North region leading the Business Development team, new initiatives and niche channels.”

     

    “Rahul comes with a digital background, which will add a new dimension in selling traditional media. His proven skills in establishing start-up operations and successful launch of channel brands will play an integral role in helping the Company achieve its business objectives”; Sehgal further added.

     

    Commenting on her joining, Jain stated, “I am extremely pleased to be stepping into this position. ZEE looks poised for huge growth and it will be very exciting to be a part of this journey.”

     

    With over 20 years of experience in media and FMCG, Sharma said, “I have been a part of Television and it’s home coming to me. I am excited to join ZEE and be a part of the biggest Television Network.”

     

    Both the appointments are with effect from 5th March, 2014.

  • Mona Jain quits Vivaki Exchange

    Mona Jain quits Vivaki Exchange

    MUMBAI: When Lodestar UM and Cheil won the Samsung account, no one could have guessed that it would lead to Mona Jain putting down her papers from Vivaki Exchange.

    The brand’s account was earlier with Starcom MediaVest Group which it lost out to the IPG Mediabrand’s agency Lodestar UM in a multi-agency pitch.

    When indiantelevision.com contacted the CEO of the media agency, she was unavailable for comment. Jain was promoted to the position in 2011. Prior to that, she was the chief operating officer of the agency.

    Sources in the industry have confirmed the news and feel that it was kind of expected as the agency lost out to major clients in the recent past.

    Jain has more than two decades of experience in marketing communications. Over the years, she has worked with agencies such as Hindustan Thompson, Contract Advertising, Mudra Communications, ZenithOptimedia and Cheil Communications. She also has the experience of being on the ‘client side’ with short stints at Glaxo SmithKline.

  • Media agencies go ‘deewana’ with Max

    Media agencies go ‘deewana’ with Max

    MUMBAI: Is busy schedules, hectic targets and meetings all you can picture while imagining a media agency? Well! At least for a change, you can shed that image as the agencies are gearing up for Sony Max’s No Talkies.

    The media agencies that are busy brushing up on their knowledge of movies and not brands for the dumb charades are now also discovering a bit of deewangi in one another.

    As reported earlier by indiantelevision.com, the game which is spread over three rounds will be held in Delhi, Bengaluru and Mumbai. The registrations for the competition began 3 September and continued for two weeks on the microsite http://notalkies.sonymax.tv/.

    The list of agencies who have already registered for the fun-zone are Madison, Group M, Maxus, Starcom, Lodestar, MPG, Zenith Optimedia and OMD.

    Excited, Platinum Media (Madison media) CEO Basab Dutta Chowdhry exults: “I think it’s a great initiative taken by Max. It sounds great and fun for agencies. Generally people are so busy and caught up with work and life; this is a new niche initiative where everybody can participate. There are very few initiatives like these- ‘Max-No Talkies’ which gives a chance to everyone to participate.”

    The agencies are all kicked about this competition, which is more of nostalgia for a lot of them.  To top it all, they see it as a good opportunity to meet and interact with new people. Vivaki Exchange CEO Mona Jain agreeing on this says: “No Talkies is a good and interesting initiative. It’s a first time initiative, unlike the regular parties. It also goes back to the DNA of the channel. The industry was very small earlier and people knew each other well, but the scenario is different now, the industry has expanded, so it will be a good opportunity to meet and interact with new people.”

    “It is not going to be a typical game of dumb charades,” says Sony Max VP marketing Vaishali Sharma. She further goes on to say that the channel is bringing loads of innovations to ensure engagement and an exciting evening for those who are participating.  The finale will have a Bollywood theme with different rounds, all with a twist. To amplify all the fun and frolic, the finale will be hosted by the witty and charismatic VJ, actor and presenter Gaurav Kapoor.

    Lintas Media Group vice-president Ramachandran Venkatasubramanian states: “The initiative is very interesting and this kind of activity has never been done before. No Talkies is supposed to be an interactive game and I am waiting for it. Normally bonding with people happens differently, with a game like dumb charades the bonding will happen uniquely. The game itself is very engaging and people interact with each other through it, also dumb charades is all about movies and it gets back to the genre of Max.”

    The city rounds of the activity will take place in Delhi on 18 September, followed by Bengaluru on 19 September and will close with Mumbai on 25 September. A total of five shortlisted teams – two from Delhi, one from Bengaluru and two from Mumbai will battle it out in the finale scheduled in Mumbai on 1 October at Blue Frog.
    So for agencies, it’s ready, steady, Po!

  • Advertisers vs Broadcasters: The battle for weekly TV ratings

    Advertisers vs Broadcasters: The battle for weekly TV ratings

    Aegis Group plc chairman India & CEO South East Asia Ashish Bhasin does not mince his words when he says. "In the next 24 to 48 hours many broadcasters are going to be getting cancellation notices from advertisers for spots booked with them. I have been getting SMSes from some of my key advertisers to move ahead with pulling off ads from TV."

    Adds Group M South Asia CEO & Advertising Agencies Association of India (AAAI) executive committee member C.V.L Srinivas: "Starting yesterday, cancellation notices have been going to broadcasters from advertising clients across the board."

    "Earlier broadcasters took the decision and now advertisers are doing so," adds IPG Media Brands CEO Shashi Sinha.

    The CEO of a channel confirmed that his network had received emails concerning 10-11 clients. "They have given us 72 hours to resolve the issue. If we fail to revert to weekly ratings all release orders for TV spots will stand cancelled," he says.

    That is the state of Indian media today. A battle royale is brewing – some call it the mother of all battles. The two warring parties – on one side of the battle line are the advertisers, and on the other are the seven broadcast TV networks.

    Group M's CVL Srinivas says advertisers will stay away from TV until they get proper weekly viewership data

    The decision Sinha is referring to relates to these broadcasters unilaterally ordering TV ratings agency TAM Media to change the frequency of reporting on their viewership from a weekly routine to a monthly routine. And to also report those details in absolute numbers, not in percentages.

    The seven broadcast networks have more than 100 channels under their umbrella, accounting for almost 50 per cent of daily TV viewing in India.

    Advertisers on the other hand have a war chest of Rs 14,000 crore which they pump into TV channels annually to promote their products and services to TV viewers who are their consumers. And almost 60-70 per cent of that goes into those seven broadcast networks.

    "I don‘t know see why there should be a need for anyone to have a confrontation at this time," expresses Bhasin.

    Aegis Group‘s Ashish Bhasin says advertisers would prefer to put money in the bank then advertise in this situation

    In fact, the broadcast industry has been increasingly flexing its muscles in recent times. While they are competing for viewership with each other daily, they have over the past four or five years increasingly bonded together, finding common cause on issues which are plaguing them. Whether it was on the cable TV carriage fee burden or self-regulation or digitisation, the broadcasters have stood united and lobbied hard to get their views heard and get decisions taken in their favour.

    One of the issues with the ad industry was the gross billing issue. This had been a practice for decades followed by ad agencies, and broadcasters for TV spots carried on them. The broadcasters – led by their association the Indian Broadcasting Foundation (IBF)- wanted the practice to be changed to net bills when the income tax department got after them to pay tax for ad agency commission (which was not being paid by them actually but was only mentioned in the bill). Ad agencies – AAAI – resisted this change even though the IBF continually urged them to do so.

    IPG Media CEO Shashi Sinha says advertisers are now taking their decision

    The IBF then put its foot down and said its broadcaster members would pull out all TV spots from TV channels. Ad agency resistance continued for a couple of days before it melted and agencies, the Indian Society of Advertisers (ISA) and the IBF hammered out a solution, which saw net billings becoming the practice, albeit with a legend of 15 per cent commission attached. To media observers, it clearly showed who had the power – broadcasters.

    "Agreed that broadcasters had their way in the net billings case because it related to a routine mechanical exercise which did not impact advertisers. It only concerned agencies and broadcasters," explains Bhasin. "But this time it is the advertisers themselves who are being impacted."

    Adds Srinivas: "And advertisers are saying, we will not advertise on those channels for which we don‘t have data. We as their agencies cannot plan on a monthly basis without data and hence are complying with our clients."

    Madison Media COO Karthik Laxminarayan cautions that aggression is not a solution

    "The key thing is that these days advertising comes in bursts of four to six weeks," points out Bhasin. "And if reporting is going to come after the period is over, how will advertisers monitor how their communication is faring with TV viewers? The world is moving to real time reporting of viewing habits. The advertiser has a right to know how the money he is spending is faring and whether it is getting him results. With the monthly reporting, it will not be efficient."

    "India and Vietnam are the only two nations which don‘t have a daily ratings system," adds Srinivas. "And now we are talking about going monthly. It is a retrograde step and it has been pushed through without any logic."

    Bhasin points out this time the broadcasters are a divided lot too. "While these seven broadcast networks are demanding monthly reporting and monitoring, the others are still going with weekly reports," he says. "How can you have two sets of practices in the same sector?"

    Vivkai Exchange CEO Mona Jain: Advertisers will blink first

    But the fact that the broadcasting industry is divided is going to work in the advertisers favour. "I don‘t know why there is this misconception that we cannot do without these 100 channels," says Srinivas. "This is a myth. We can do good media plans and reach our customers even without these channels. There are another 200 channels we can use. And they have said they are more than willing to do deals with us. DD could be a good option."

    He also believes that advertisers are going to start putting their money into other media outlets like below the line, print, and digital. "The floodgates are going to open for digital advertising. We have seen so many clients talking about using digital media over the past month ever since the TAM issue has broken out. And over the past 24 hours two clients have totally shifted from TV – one to a print plan and the other to a digital one. Agreed one of them is a niche player, but the advertising mindset is changing."

    Agrees Sinha: " What are the alternatives left for advertisers? Some might go to print, some might stay away or some might even come back to TV, no one knows what will happen until and unless both parties talk it out."

    Havas Media MD Mohit Joshi says it is a lose-lose situation for all

    Bhasin believes advertisers might also choose to totally do without advertising and straightaway add the money saved to their bottom lines "And in this tough economic times, it is better to have cash in the bank then spend it," he says.

    "It‘s true," points out Srinivas. "Advertisers would rather not advertise than advertise without any data. One or two months without advertising is not going to break any brands. There are even more efficient ways to reach customers than TV."

    What has left most media professionals confused is the hard stance taken by broadcasters. "I agree there could be genuine problems with TAM. But how is 30 days for reporting ratings better than weekly ratings when the data is not trusted by them? There is no logic to the broadcasters‘ stance. This is not a banana republic where you turn things on and off as it suits you," says Srinivas.

    ISA media committe head Hemant Bakshi will be playing a key role

    The question on the top of everyone‘s minds is: who is going to blink first and how long will the difference of opinion continue between broadcasters and advertisers? According to Bhasin, the basics of any business is "the client is always right. I think, within a week, better sense should prevail and things should get sorted out."

    Srinivas is not willing to speculate on the time period but says advertisers will stay off the TV channels until they start getting the weekly data they seek.

    "Obviously advertisers will blink first. Where will they get such a mass reaching medium," says a TV channel CEO. "They came running back to us on the third day during the net billings crisis when we blocked them out for two days."

    Vivaki Exchange CEO Mona Jain believes that "there will be some kind of a push back wherein it will be the advertisers who will have to compromise."

    Lulla says it is a private matter between broadcasters and advertisers

    Others highlight that the combative attitude should give way to finding solutions. "We, as an industry, should not think aggressively but progressively; and try to resolve it by having a healthy discussion," expresses Madison Media COO Karthik Laxminarayan.

    Havas Media India MD Mohit Joshi says that on a personal level, "I am sad that all of us together are not able to find a solution. All such issues are in a lose-lose domain. Nobody is actually going to gain. Broadcasters could end up losing revenue."

    Indiantelevision.com got in touch with ISA media committee chairman Hemant Bakshi to get the advertiser perspective and he said he would prefer not to at this stage.

    Ditto with broadcasters. Indiantelevision.com got in touch with Star India CEO Uday Shankar, Viacom18‘s Sudanshu Vats, Times Television Network CEO Sunil Lulla for their views. All of them refused to get into any discussion. "This is not a matter for public scrutiny. It is a private matter which has to be resolved between broadcasters and advertisers," says Lulla.

    For their individual sakes, hopefully they will do so soon.

  • IPL6: Controversies drag down average TVRs to lowest in history

    IPL6: Controversies drag down average TVRs to lowest in history

    MUMBAI: The verdict is out and it clearly shows that this time around the cash rich league which was in the news for all the wrong reasons appears to be losing its brand value.

    The tournament – if ratings made available to indiantelevision.com by a channel are to be believed – generated an average cumulative (both Max and Sony Six) TVR of 3.1 in Hindi speaking markets (HSM) and 3 in C&S 4+ all India. This was much lower than the 3.45 HSM average TVR it reported last year, and probably the lowest in its six year history. In 2010, the average TVR was 4.65, and in the inaugural year the number was 4.81 TVR.

    There is much more in store. The IPL final between CSK vs MI also saw a dip in ratings this year as compared to last year. It recorded a TVR of 5.4 on Max alone; the cume rating (with Six and Max included) looks a lot more respectable at 7.3 for HSM and 6.9 all India CS 4+.

    As a comparative, the 2012 final between KKR and CSK registered a TVR of 8.92; the 2011 final between RCB and CSK saw a 6.44 TVR; the 2010 final between MI and CSK reported 10.48; the 2009 final between DC and RCB ran up a 9.92 TVR and finally the first season final between RR and CSK had a very healthy rating of 9.81 (The ratings for the previous year‘s are for Max only and do not include Six as there was no such channel in the Sony Entertainment Network then).

    What goes? Is the loaded with money league beginning to sag? Madison Media CEO Karthik Lakshminarayan believes it is. “The brand and the image of the IPL has definitely taken a beating. The rating numbers that have been thrown up are very surprising.”

    “The IPL ratings have certainly not come up to our expectations,” expounds Vivaki Exchange CEO Mona Jain. “The controversy surrounding the IPL this time around also is a cause for the same.”

    Max executive VP & business head Neeraj Vyas says the Sony Network management is fairly satisfied with the ratings the tournament has generated.

    “I am not over the moon,” he expresses. “But I am fairly satisfied. Let me state that it would be grossly unfair to compare this year‘s ratings with earlier years. It would be rather silly. Remember LC1 has been given a 25 per cent weightage by TAM earlier this year. These LC1 towns have power cuts 12-14 hours a day. Then the TAM universe changed about a month or so ago. All these factors make it appear as if you are comparing watermelons and lemons.”

    “Last year the tournament witnessed a strong viewership base of 162 million, we had managed to increase that number to 176 million viewers halfway into the tournament and it could well have crossed the 200 million barrier had TAM not changed its universe a month ago on 5 May,” he further states.

    Other views that are being put forth to explain the dip in ratings include the fact that ennui is developing among cricket watchers on account of the cricket glut on TV.

    Another view is that the spot-fixing controversy put off many viewers from the action on the field.

    The third perspective that is being silently spoken of is that the switch off and switch on in phase I and II of the government mandated cable digitisation process has dampened the ratings.

    Be that as it may, it remains to be seen whether advertisers‘ annoyance with lower ratings leads to any other action from their side.