Tag: MipCube

  • MipCom, MipTV workshop planned for Hyderabad this evening

    MipCom, MipTV workshop planned for Hyderabad this evening

    MUMBAI: In the words of many a TV sales and acquisition executive. Paris-based Reed Midem’s MipTV, MipCom, Mip Junior, MipFormats, MipCube are absolutely unmissable (if a word like that can be created specially for this purpose).

     

    Close to 12,000 executives from more than 100 countries, 4000 buyers, 2000 plus exhibitors, hundreds of conferences and keynote speeches and interviews featuring industry global TV broadcast, production, creative, distribution, regulatory leaders are what make all of these a must-attend for the TV ecosystem for decades. A delegation of close to 120 TV professionals from India have been attending each of these markets for the past five-six years.

     

    An estimate is that close to three billion euros in transactions emanate from these markets annually as executives buy and sell animation shows, drama series, films, documentaries, non-fiction formats, digital content, explore emerging formats such as ultra HD (these days), paper formats, do co-production deals, and so on.

     

    And to propagate this message further and to connect with India’s vibrant content creation industry, indiantelevision.com CEO and MipTV, MipCom and Midem representative Anil Wanvari has been going on a whistle stop tour covering three of the major broadcast and content ecosystem cities of Delhi, Hyderabad and Mumbai, along with Reed Midem director marketing development Ted Baracos and Asia sales manager Paul Barbaro.

     

    The Delhi-leg of the road show culminated on 22 July and was extremely well attended by a clutch of animation entrepreneurs, documentary producers, broadcasters, digital content creators, distributors, film producers.

     

    Says long time Mipmarkets attendee TigerBells Animation founder Vivek Kalyan: “It was fabulous to have an interaction with Ted, Paul, and Anil and learn how we as content creators can further our prospects globally.”

     

    Adds independent documentary producer Pankaj Saxena: “It’s great that we had such a stimulating workshop. We are looking forward to such future interactions so we can create the right strategy to allow our content to leave a stamp on the world.”

     

    An interaction with close to 100 content creators and distributors is planned for Hyderabad later this evening. And another one for Saturday 27 July at 7 p.m. in Mumbai.

  • How to build and engage TV audiences through Twitter

    How to build and engage TV audiences through Twitter

    CANNES: How do broadcasters mine into the social treasure trove that is Twitter? Twitter’s head of broadcast partnerships UK Dan Biddle attempted to answer this during one of the MipCube’s sessions in MipTV in Cannes.

    He pointed out that Twitter has 200 million users the world over who post about a billion tweets every two and a half days. 60 per cent of these users access twitter using their mobile phones.

    He disclosed that TV works like glue for Twitter citing UK’s example where 40 per cent of tweets are made during prime time and are about TV. “Twitter is the room we watch TV in,” he said with a confident smile. “While hash tag is the campfire around which people tell stories.”

    He cited examples like Dogging Tales – a documentary which covered people who wanted to have anonymous sex. Thanks to the right push, it got some 120 million tweets. The twitter buzz drew viewers to the show like bees to a honey pot who switched on their TV sets almost immediately. Others who could not watch it tuned into it with catch up TV.

    He then narrated the case of Saturday Night Takeaway one of the teams used to post a frozen pose before the kick off. They decided to get viewers to interact with their team and send in what their pose of the week should be. Audiences and followers on Twitter deluged them with poses before the show started.

    He also gave the example of a show Fishfight wherein viewers were given two minutes during a commercial break to send in tweets relating to “what are your prawns eating?” with the hash tag #fishfight to supermarkets. The exercise was to raise awareness of unsustainably fed prawns. Around 16,000 tweets poured in the 120 second window.

    “The effort worked well in making the show engaging,” said Biddle.

    Broadcasters and producers can also take a cue from what ESPN Sports Centre does with instant replays, he said.

    “They clip out key moments of the game and send it out as instant replays. They know users could do it; they decided to beat them to it,” he revealed.

    “It is very engaging for followers. ESPN has also got Ford to put in some money behind it through pre-roll ads and further promote to its own community.”

    Biddle’s believes that broadcasters and producers would do well to programme Twitter as they would programme their channels. “Bear in mind Twitter is the ultimate teaser, not spoiler,” he emphasized.

    “Also take advantage of feedback and amplify it further even if it something you did not expect. There’s opportunity even there if you look at it different.”

    His step by step bible for doing it right is as follows:

    Before the show: Preview clipspredictions and start the talent talking on twitter.

    During the show: Amplify the tweet spot by encouraging polling/voting and playing of games around it. And continue to get the talent tweeting.

    After the show: Have recaps, sneak peeks, reviews and feedback. Reward loyalty and keep the conversation going. Finally, drive audiences to VOD or other pay platforms which can help you monetize your content.

  • Plans for MipCube unveiled

    Plans for MipCube unveiled

    MUMBAI: Creative platform MipCube will have a line-up of events and conferences which includes speakers from Twitter, Warner Bros. and Machinima, a new Brands and Content Masterclass and the inaugural Women in Tech and Media networking breakfast.

    MipCube 2013 will feature innovators in the digital content space. An integral part of MipTV, the world‘s content market, MipCube takes place in Cannes, France from 8-11 April.

    As part of a series of case studies, Twitter UK head of broadcast partnerships Dan Biddle will explore how the future of the micro-blogging site is linked to TV, thanks to its ability to cultivate audiences. MipCube participants will also get an insight into what tomorrow‘s media business will look like in the hands of the new media moguls.

    Content producers Warner Bros. director/producer Kevin Tancharoen and Warner Bros. Digital Distribution head of digital programming and development Lance Sloane will explain how they produced ‘Mortal Kombat: Legacy‘, a split-screen blockbuster which was the most-viewed web series in 2011.

    Experts in the interactive content space will describe how to attract, build, and scale audiences, with contributions from video entertainment network Machinima president, co-founder Philip Debevoise, and 22-year-old entrepreneur Jamal Edwards who is SB.TV Global founder, CEO.

    Cisneros‘ AdsMovil company COO Jorge Rincón will also be on hand to provide a focus on the mobile Hispanic population. Meanwhile branding agency Huge chief strategy officer Gene Liebel, who developed the strategy and built the HBO Go digital platform, will discuss the importance of intuitive design and user interface in encouraging audiences to consume more content.

    In a session on reinventing distribution in the ‘anywhere‘ age, digital media company Base79 founder Ashley MacKenzie, which is YouTube‘s biggest content partner in Europe, will discuss which distribution models exist for professional content creators, and how best to leverage them.

    Underlining the networking opportunities which MipCube offers, a string of matchmaking sessions will involve broadcasters, including Canal + Head of Digital, Fabienne Fourquet; Canada‘s CBC executive director, studio and unscripted content Julie Bristow; brand representatives such as Paolo Bonsignore from Illy Café; and branded content experts such as Victor Knaap of Media Monk.

    A new feature this year is the Brands and Content Masterclass, sponsored by Ogilvy and Mather and in partnership with Hyper Island. The Masterclass will bring together more than 80 executives working in branded entertainment from brands, agencies, production companies, TV networks, digital platforms and social networks. The objectives of this Masterclass are to learn how to create engaging branded entertainment, meet potential partners in this field, and to share best practices from a selection of some of the most successful branded entertainment campaigns.

    The Masterclass will be introduced by Hyper Island CEO Johanna Frelin, and will feature contributions from ITV MD Commercial, Online and Interactive Fru Hazlitt; McLaren Group Brand Director John Allert, and Framestore executive producer Simon Whalley. Other participating brands include Renault and Swarovski, while the Newcast (Publicis), MEC and Havas agencies will also take part. In the following lunch, the 2013 Brand of the Year award will be delivered (succeeding 2012 Heineken and 2011 Amex).

    Another new feature is the Women In Tech and Media Breakfast, during which the challenges women face as they shoot for greater influence in the industry will be discussed. The talents of tomorrow will be showcased in the Content 360 Pitch Competition for transmedia producers and creative agencies, this year sponsored by Russian independent broadcaster CTC Media and telco MTS; the MipCube Lab, an international competition for startups innovating in the TV field; and the TV Hack Day, featuring 15 selected developers and designers who have 48 hours to come up with what might be the next big app. All of the winners plus Brand of the Year will be showcased in the Innovation show.

    MipCube also provides hands-on opportunities through workshops like the YouTube Creators Masterclass for Content Producers, run by Head of YouTube Next Lab EMEA at Google David Ripert or the Social TV Bootcamp, which will provide a live consulting session on strategies to build social TV projects.

    On 7 April, as a preamble to the main event, MipCube Plus will offer a one-day think-tank dedicated to unlocking fresh business opportunities for new content creation, user engagement and monetisation models.

  • 2013 Intl Digital Emmy Awards nominees announced

    2013 Intl Digital Emmy Awards nominees announced

    MUMBAI: The International Academy of Television Arts and Sciences has announced that nominees from 10 countries will compete for this year‘s International Digital Emmy Awards.

    There are 12 nominees in three categories, Digital Programme: Children and Young People; Digital Programme: Fiction and Digital Programme: Non-Fiction.

    All nominated programmes will be showcased at MipCube, during a session, sponsored by the Bell Fund of Canada and designed to give MIPTV participants the opportunity to see excerpts of the programmes and meet the nominees.

    International Academy of Television Arts and Sciences president, CEO Bruce L Paisner said, “The 2013 Digital Emmy Award nominees present a global snapshot of today‘s most creative and well produced digital programming. This year, we are delighted that they will be available for all MIPTV attendees to discover at MIPCube.”

    Winners will be presented with their Emmys at The International Digital Emmy Awards ceremony, sponsored by the Bell Fund of Canada, during MipTV‘s Opening night festivities on 8 April in Cannes. Over 200 international executives across all sectors of the mobile, entertainment, and internet industries, are expected to attend.

    The Nominees are: 
    Digital Programme: Children & Young People 
    dirtgirlworld- dig it all! 
    mememe productions / dirtgirlworld productions / Screen Australia Australia

    Jongo Love 
    Well Told Story 
    Kenya

    Malhaç?o TV Orelha (Young Hearts) 
    TV Globo
    Brazil  

    Web vs. Celebrity (Web vs. Promi) 
    ZDF tivi 
    Germany

    Digital Programme: Fiction

    Amor Eterno Amor (Investigation News) 
    TV Globo 
    Brazil

    Guidestones 
    3 o‘clock.tv / iThentic 
    Canada

    The Spiral 
    Caviar/ VRT / SVT / NRK / VARA / YLE / TV3 / ARTE / Casa Kafka Pictures 
    Belgium

    Temps Mort 3 (Time Out 3) 
    Societe Radio-Canada / Productions Babel / TOU.TV 
    Canada

    Digital Program: Non-Fiction

    All Connected 
    New Sock / Channel 10 (Uruguay) 
    Argentina

    Entertainment Experience 
    FCCE / Ziggo 
    The Netherlands

    The Great British Property Scandal 
    Tiger Aspect / The Project Factory / MySociety / Channel 4 
    UK

    Supermodelme 
    Refinery Media / Tigergate / Mediacorp Channel 5 
    Singapore