Tag: MIPCOM 2015

  • MipCom 2015: Combating nature’s fury, and winning

    MipCom 2015: Combating nature’s fury, and winning

    MUMBAI: The world’s largest TV content market Mipcom was hit by a freak storm and floods. It all started on Saturday 5 October when late in the evening what was predicted to be an evening of gentle rain, turned out to be three hours of a raging thunderstorm. Something that had not happened in 50 years. Seven inches of rain fell in one fell swoop. Some 20 people died, and cars were swept out to sea. 

    The Hotel Martinez where MipJunior (the kids content screening and conference) was being held was the most affected. It lost power because of the flooding, internet went off and its ballrooms were water logged. As were most of Cannes and its surrounding towns.

    Reed Midem, the organiser of MipCom and MipJunior acted fast. Overnight the MipJunior screenings and conferences were shifted to the higher levels of the Palais des Festivals.

    The Palais itself was hit by the storm. The basement area (P-1), which constitutes a large part of the exhibition area and where most of the Indian exhibitors are located, had patches, which were damaged courtesy the flooding. The management of the Palais des Festivals and Reed Midem’s operations executives worked through late Saurday night and Sunday to mop up the excess water, used drying machines, changed carpeting, to get the exhibition area spic and span.

    Came Monday morning and to the astonishment of exhibitors and participants, MipCom started on time. Almost as if the resort town had not faced a natural catastrophe. There were queues at the registration desk, and queues waiting to get into the exhibition area. The rest of Cannes, was however, struggling with some areas being without power, most without internet and telephone lines. And most bank ATMs and credit machines were not working.

    In fact, the mayor of Cannes, has made an appeal to the world of film, television and the rich to contribute to get Cannes back on its feet. The town and its businesses have suffered a loss of Euro 45 million courtesy the freak rain.

    During Mipcom business deals, and alliances were struck and TV premieres held. .Hollywood and British celebrities such as Dennis Quaid, Chris Carter, Lily James, Tuppence Middleton and Stephen Rea mingled with attendees after the screenings in the Grand Auditorium. The opening party was shifted to the Carlton Hotel from the Martinez and the red carpet, however, was canceled. Sponsored by Turkey, which was the country of honour or focus, it was one of Mipcom’s finest organised parties in recent times. The food and wine flowed till past midnight.

    Overall, 13,700 executives from 112 countries did make it to Mipcom, a record of sorts. More than 150 broadcasting, production, animation, digital, content distribution, and buyers and sellers from Pakistan, Bangladesh and Sri Lanka jetted their way to Cannes – a record number for the region this year. Each probably has his or her own story on what he/she did during the deluge. We present a first person account of what one such group went through during the storm and thereafter. Read on:

    The lightning shards continuously cut through the dark incessant rain as the 500 or so guests at MipJunior’s opening night inside the tent on The Martinez Beach in Cannes partied.

    They sipped away at their glasses of wine and munched away at the entrees, exchanging business cards on programming pitches – blissfully unaware that the French Riviera village was going through its worst thunderstorm in almost 50 years.

    As the clock ticked away, the gusts of wind grew stronger, and one such blast shattered a few wine glasses, the chandeliers overhead swayed. A couple of the lights went out. Then the water from the sea outside started seeping under the tent as the angry storm pushed the waves higher.

    Jackie – the event and operations in charge of Reed Midem was worried – as she – like Laurine and Jerome and most of us attending the world’s largest content market – had heard the metro department’s report that there would be rain – but the prediction was that it would be a passing shower. Not a continuous cloud burst on account of which the village and other surrounding ones would be inflicted with the equivalent of more than a month and a half of rain in just three hours.

    The situation was getting alarming as the rain, loud thunder, lighting and wind continued. Would the tent hold? The DJ had already been told to pack his console, the wine and food put away by the stewards. And the guests, who had thinned down to 200 odd by then,  had to be kept safe. Thus a decision was taken to evacuate.

    A warning shout went up: “The entire Croisette is flooded. I tried to cross but there’s too much water.”

    But evacuate we had to. So some of us took off our shoes and jackets, packed them in the Mask of Zorro bags, which the concierge provided us, rolled up our trousers, walked out of the tent. And indeed where earlier in the evening there was beach sand, all we could see was water. Carefully, we walked through it and up the stairs to the Croisette.

    What greeted us was a sea of water all through the main street of Cannes. We stepped into it and it reached up to our knees. And it was cold, bitingly cold. But gritting our teeth and with sheer disbelief in our hearts we trudged through it across the street to the famed Hotel Martinez – which has been home to the world’s biggest celebrities. Were we in Cannes the famed beach town of France to which the world flocks every summer? Or were we in some south east Asian country or in India where such flooding is rather common?

    As we reached the Martinez Hotel we heard there were no shuttles to ferry us across to our apartments or hotel rooms. And that we were on our own. We picked up a couple of hotel umbrellas and decided to make our journey home.

    Every street, by lane and tony street was flooded. To make matters worse, the village’s sewer and drainage system had spewed and vomited out all the waste – including feaces – which its denizens had earlier through the day dumped down commodes or waste disposal systems.

    Most of the by lanes leading to the Croisette were angry torrents of fast paced water through which it was very difficult to swim, forget about walking. And yet everywhere we looked there were executives – both men and women – plodding through the knee-deep water. It was a struggle, no doubt, but move everyone had to know because the water was chilling.

    Thankfully, there were no open manholes or sewers, but we were cautious nonetheless courtesy Mumbai’s dangerous streets during the monsoons every year.

    What was even more shocking was that expensive stores, hawking the most premium brands, which line the main street opposite the Croisette were hit by the water flowing down the streets towards the sea. Many of the stores were forced to garbage some of the goods, costing thousands of euros, which were damaged by the flowing waters.

    We waded through the water, taking care not to get clothes wet. Close to our apartment building, a SUV came racing, through the flooded street and the wave hit us as well as the restaurant, which was already knee deep in water. And all my efforts to keep my trousers dry came to naught.

    Even the apartment’s stairwell was flooded. But we made our way up and thankfully our flat had power, unlike others which went without any electricity throughout the night. We took quick hot showers and sipped hot cups of coffee and it was around 1 am that we managed to get some shuteye.

     

    Posted by Larysa Wanvari on Sunday, October 4, 2015

     

     

  • SRF to license earthTV’s robotic TV show generator

    SRF to license earthTV’s robotic TV show generator

    MUMBAI: Berlin-based earthTV is all set to launch its brand new production system at MIPCOM 2015. The software system will enable broadcasters and producers, to create new shows for all platforms by re-packaging their existing content in a simple, effective and automated way 

     

    Swiss broadcaster SRF (Schweizer Radio and Fernsehen) has signed an agreement with earthTV and will be the first broadcaster to take advantage of this TV show generator.

     

    The agreement will allow SRF to create short programming using their own sports and music content.

     

    The software can also be adapted to other genres such as entertainment programming, both scripted and non-scripted,

     

    SRF head of TV programming Stefano Semeria said, “The technology fits our purposes excellently, especially our short term need for fillers, which derives from a big amount of live programming in all time slots. SRF will use EPS to automatically create shows of various lengths for programming, it will be operational by the beginning of 2016.”

     

    earthTV managing director Claudius Lohmann added, “The Robotic TV Show Generator offers more scope to provide more targeted content. Numerous scheduling gaps can  be filled with this content in  the future and will enable broadcasters to considerably enrich their schedules with up-to-the-second images  delivered instantaneously via earthTv Cloud.”

  • Is India ready to embrace 4K Ultra HD?

    Is India ready to embrace 4K Ultra HD?

    CANNES: Ever since Star Sports broadcast a few important matches in 4K Ultra HD featuring the Indian team during the ICC Cricket World Cup earlier this year, a question hovering on many a lips is: Is India ready to embrace 4K Ultra HD?

     

    On Day 1 of Mipcom 2015, a panel comprising Videocon d2h deputy CEO Rohit Jain, Indiantelevision.com founder, CEO and editor-in-chief Anil Wanvari, BT Media & Broadcast VP Mark Wilson-Dunn and Travel XP CEO Prashant Chothani precisely attempted to answer this very question.

     

    Starting out, Jain gave an overview of how the direct to home industry has grown over the years and also how Videocon d2h has been a frontrunner in the recent past in terms of contributing heavily in helping India become a completely digitised country. “The last couple of years have seen some significant changes in how the television and broadcast ecosystem has evolved. India is among the fastest growing economics, and the biggest advantage is having an audience of 670 million under the age of 25 years,” he stated.

     

    “India also has the second largest market for Pay TV connections with 150 million homes. There are challenges of over-the-top (OTT) players coming in globally and India in a big way, but that must not be a hindrance for innovators like us to continue bringing about the best changes and continue being thought leaders in our space,” he added.

     

    Continuing the discussion and bringing a more global perspective to things, BT’s Wilson-Dunn said, “I honestly believe that India is a very strong content oriented market and has the right ingredients to grow as a 4K consuming audience. With the recently successful test of waters with the Cricket World Cup in India, it has certainly given a lot of confidence to us that India and Asia as a whole is ready for 4K consumption.”

     

    The panel agreed that sports would play a major role in establishing the future of 4K as well along with other live events and movies. “We are currently investing heavily in creating only 4K content and are confident that within the next two years, 4K will be huge in India,” said a confident Chothani. “I am currently also looking for the right partners for the distribution of the channel globally and I can already see the benefits of producing in 4K initially than going back and reinvesting in migrating from HD to 4K.”

     

    Indiantelevision.com’s Wanvari was more cautious in his approach on how India will embrace 4K. “I am sure 4K is the natural progression from HD, and with players like Prashant already investing heavily on creating the content pipeline, is an encouraging sign for the future of the content roadmap of the country. Although, the transponder space, which is currently available, is a cause of major concern and could be a downer for the spirits of many content distribution platforms like a Tata Sky and Videocon d2h,” he opined.

     

    The panel also discussed how 4K would ideally be for a niche audience, which would be in a position to generate higher average revenue per users (ARPUs) for distribution platforms that are currently generating anywhere between $3-4 on a monthly basis that could go up to $10-15 with 4K being introduced.

     

    At the end, the consensus amongst the panelists was that in the next five years, India will see a sizeable growth in the number of 4K content available on linear platforms, but these are still early days and one can only play the waiting game as the bigger challenge that still lies ahead is complete digitisation and accountability of users of content in the country.

  • GRB Entertainment brings new entertainment shows, docus to MIPCOM

    GRB Entertainment brings new entertainment shows, docus to MIPCOM

    MUMBAI: LA-based distribution and production company, GRB Entertainment will taking a host of new shows to MIPCOM 2015, including several factual entertainment programs, reality series, and documentaries.

     

    Produced for CMT, the show Angel Among Us follows the incredible stories of people who believe they were saved by angels from tragedies like car crashes and terrorist attacks.

     

    Another show FBI Takedowns, produced for Discovery Networks, takes viewers along for thrilling manhunts as FBI agents track the world’s most wanted criminals. On the other hand, Ain’t That America produced for MTV2 will feature rapper/comedian Lil Duval exploring the most outrageous viral videos showing how dangerous and stupid people can get.

     

    Go behind-the-scenes of New York’s #1 radio station on This is Hot 97, with guests Kanye West, Macklemore, Rick Ross and Waleamongst others has been produced for VH1. Another show produced for CMT is My Big Redneck Family, which follows America’s favourite redneck family and their everyday shenanigans and parenting misadventures.  

     

    MANswers is a comedic late-night series that answers the burning questions men have been dying to ask, but never felt comfortable asking their friends. The show has been produced for Spike.

     

    GRB Entertainment international distribution SVP Mike Lolato said, “GRB pushes the envelope when it comes to factual entertainment and our MIPCOM slate demonstrates our catalog’s diverse mix. We are pleased to offer programs highlighting everything from angels to rednecks, from music to football, from crazy Americans doing dangerous stunts to thrilling FBI manhunts and much more. GRB’s new shows have earned great ratings in the US and are sure to please audiences around the world.”

     

    Apart from these series, GRB is also bringing two new documentaries to MIPCOM. From Morgan Spurlock, the producer of Super Size Me, comes Meet The Hitlers exploring the question – what if you had the most notorious name in the world? This documentary examines the relationship between a person’s name and their identity by exploring the lives of people who are linked by the name Hitler.

     

    All Eyes on Brazil is a unique documentary covering the 2014 FIFA World Cup, and how the event dramatically impacted cities around World Cup host country Brazil.

  • FremantleMedia acquires distribution rights to BBC Two’s ‘Simply Nigella’

    FremantleMedia acquires distribution rights to BBC Two’s ‘Simply Nigella’

    MUMBAI: FremantleMedia International (FMI) is set to satisfy the appetites of international audiences with its latest deal with BBC Productions for the global distribution rights (excluding the UK and EIRE) of Simply Nigella (6×30).

     

    Starring the internationally renowned food writer and TV cook Nigella Lawson, Simply Nigella will make its debut to TV buyers at the upcoming MIPCOM and air on the UK’s BBC 2 later this year.

     

    Inspiring and uplifting, Simply Nigella introduces viewers to a new-pared down approach to cooking and eating by demonstrating easy to prepare recipes that are designed to nourish the soul. The series delivers a true sense of balance between lightness and lushness with a mix of tasty everyday meals, crowd pleasing feasts and indulgent sweet treats.

     

    Creating a handful of dishes per episode, Lawson showcases her talents in the kitchen, using each recipe to connect with the audience like never before. She shares the story behind each meal and focuses on specific ingredients revealing what makes them her favourites as well as divulging her culinary tips to ensure cooking is as stress free as possible. Lawson also ventures beyond the kitchen visiting local suppliers and independent food stores to source fresh quality produce to include within her recipes. From healthy breakfasts and gluten free goodies, to decadent desserts; Simply Nigella promises food that’s not only reassuringly simple but will appeal to every palette and make us feel more alive.

     

    Lawson said, “Making Simply Nigella has been a joy, and it gives me such pleasure to be able to share these new recipes in a fresh and relaxed format with home cooks far and wide.”

     

    FMI director of non scripted, UK, EMEA and Asia Pacific Angela Neillis added, “Simply Nigellas trips away the fuss of cooking to concentrate on the meals that make our lives happier, stress free and even more delicious. FMI is beyond thrilled to be working with the BBC and the gorgeously talented Nigella Lawson on this fresh new show which reveals her at her very best.”

     

    Simply Nigella executive producer Jennifer Fazey said, “As Nigella says herself, Simply Nigella isn’t just about food that will make you feel good as you eat it – but as you cook it too. The real treat however is finding out how some of her new dishes came into being, as we watch Nigella tell us the stories of the eclectic people and places that have inspired her since she was last on our screens. The result is a mouth-watering menu bursting with flavour that will make you feel happy as you cook and eat. Who doesn’t want that at the end of a busy day?!”

     

    Directed by Dominic Cyriax and executively produced by Jennifer Fazey, Simply Nigella will feature six episodes plus a one-hour Christmas special filmed in Kansas. The episode will see Lawson create a broad range of festive dishes and features her guide to stress-free cooking and entertaining over the holidays.

     

    This global distribution deal sees Lawson join FMI’s ever expanding catalogue of culinary stars, which includes Jamie Oliver, Jimmy Doherty, The Hairy Bikers, Lorraine Pascal, Martha Stewart, Anthony Bourdain, Silvia Colloca, Anabel Langbein and Haylie Duff.