ITV

Tag: MIP-TV

  • GRB Media Ranch announces additional post MIP-TV sales of programs and format

    GRB Media Ranch announces additional post MIP-TV sales of programs and format

    Mumbai: GRB Media Ranch’s CEO Gary R. Benz announced license deals for several factual programs and a celebrity-based formats. The program buyers reach audiences in the U.S., U.K. Germany, Australia and Israel.

    Details follow:

    On the Case was licensed to Seven Network in Australia. On the Case explores intriguing, real-life murder mysteries. Through in-depth interviews, this series features those closest to the case and examines the forensic evidence that helped unravel the mystery. First-person accounts from witnesses and suspects reveal the raw emotions left behind from personal tragedies and the motives of the perpetrators. 124 hours

    Magnolia’s Hope was licensed to ‘YES’ for Israel. This documentary follows a family’s actions as they initially attempt to cure their daughter from a rare, debilitating disorder. The final diagnosis is heartbreaking – Rett Syndrome, after which the family struggles to cope with the child’s special needs. Spanning eight years of her life, Magnolia’s Hope is a raw, first-hand account of the emotional struggles and experiences as the family endures the ongoing demands of their child’s condition. 1 x 60

    Relative Justice season one & two were licensed to OTT Studio for the U.S.A. judge Rhonda Wills is a dynamic, captivating, and compassionate tour de force delivering justice in this arbitration-based reality court show which centers on resolving intra-family legal disputes. Wills dispenses legal advice with a nod toward rebuilding relationships to get beyond current family conflicts. Real people, real cases, real families in crisis. 303 episodes

    Death Walker S2 renewal to Discovery for UK. The paranormal investigative series is hosted by series creator, Nick Groff, who theorizes and investigates the origin of some of the most notorious hauntings in America, redefining our understanding of the paranormal. 15 episodes

    Format Sale: 12 Star Hotel optioned in the U.S.A. by River Rock Films. 12 Star Hotel is a reality competition where twelve celebrities take over a real hotel, working all staff positions from management to maid service to serve the public with no outside help for two weeks. Judged by hospitality, entertainment and hotelier industry pros, will the celebrities be named as the perfect hosts, or be eliminated when unable to cope with demanding clientele?

    GRB Media Ranch president Sophie Ferron stated: ” GRB Media Ranch is pleased to announce the sales of its content to long-time clients and new buyers. We are expanding our Format presence and are excited that 12 Star Hotel has been optioned in the U.S. These agreements are representative of the reception we have gotten to the Company’s continued acquisition of highly watchable content. Still in the initial year of its merger, GRB Media Ranch is delighted to see the results of its efforts. At GRB Media Ranch, we’ve got stories!”

  • Houseful at Bengaluru leg of MIP India roadshow

    Houseful at Bengaluru leg of MIP India roadshow

    BENGALURU: All the seats were taken and more had to be brought in as the Bengaluru leg of the MIP TV India roadshow ended last evening at the Lalit Ashok. With the theme ‘A Seamless Content World’, the Bengaluru MIP was addressed by Reed Midem (Paris) Asia Head Paul Barbaro and India representative for Asia Markets and Indiantelevision.com managing director and CEO Anil Wanvari. The duo addressed the rapt audience in tandem.

    Beginning with the theme of the roadshow, Wanvari quoted Netflix chief content officer Ted Sarandos’ words that he had spoken during an interview – “A good story told well is a global product.” In today’s connected world, which is increasingly becoming seamless, content is king, queen and prince irrespective of geography. This was evident by the success of creations such as the Louis Fonse-Daddy Yankee’s Spanish number Despacito, which had 5 billion views on YouTube, even more than those that Gangnam Style had, explained Wanvari.

    “Increasingly, scripted and non-scripted local shows made in a local language and aimed at domestic viewers are finding a global audience. And building a fan base overseas can only boost the revenue potential,” said Barbaro. Exhorting Indian creators, animators, Indian content aggregators and buyers and people from the Indian media and entertainment industry to participate at the India Pavilion at MIP TV 2018 at Cannes from 9 April to 12 April 2018, Barbaro and Wanvari spoke of the advantages, the gains, the benefits of doing so.

    Citing examples of some successes of local content, Barbaro said, “Historically, dramas and comedies have not travelled well because they are steeped in local customs, conventions and cultures. Yet, Keshet’s Loaded, Star India’s Iss Pyaar Ko Kya Naam Doon, and Broken Pieces from Turkey’s Global Agency made compelling scripted entertainment centred on universal truths. And these stories have enthralled audiences in a number of diverse geographies.”

    Reed Midem’s statistics and data about buyers and sellers and the kind of content that was required, details about the money that could be earned from different countries were shared. Case studies were presented and AVIs of some success stories of some of the people who participated at MIP TV were played.

    “Don’t come and register if you plan to come to MIP TV just once. You have to be there for the long haul if you want to truly succeed, to network with the buyers and sellers and leverage the associations that you built there,” concluded Wanvari very bluntly.

    For details contact: Priyanka Sharma +91-8017562056/+91-22-6642 4062

    Email: priyankas@indiantelevision.co.in or devikak@indiantelevision.co.in

  • Ficci gears up for Frames convention

    Ficci gears up for Frames convention

    MUMBAI: Frames, the convention for the business of Indian entertainment organised by Ficci, will take place from 26 – 28 March in Mumbai.

    Business delegation from over 20 countries is expected for the event which is in its eight year. This year Italy is a partner country.

    The television track kicks off with a plenary session – Regulatory Framework for Entertainment Industry on the opening day.

    There has been a regular debate among various stakeholders on regulation. How much of regulation should be there? Should the content regulation be consistent across all delivery mediums such as TV, radio, films and print? Should there be a price regulation? Or the industry should be left to market forces to evolve on its own?

    With the boom of news channels, there will be a session on Changing face of News. In order to survive, news channels along with newsworthiness should have something different. Along with managing editorial content, the gatekeepers are also acting as brand managers.

    Viewers wanting a global perspective of television can attend Fresh TV around the World. This special session, now a regular item at the television trade events in Cannes, France Mip TV and Mipcom, presents the world’s freshest and most popular TV shows of the season, specially edited for Frames participants.

    This includes clips from the world’s most successful, innovative and most talked about TV shows. Based on the monthly The Wit Fresh TV Report which spots new shows launched in more than 30 markets worldwide, the presentation also covers the most creative trends in different programming genres.

    With Cas and DTH already introduced, Frames will have a Plenary Session on The Last Mile: Battle of reaching consumers. The challenge of retaining existing consumers is going to be tough. Are existing distributors well equipped to take up this challenge?

    Another plenary session examines the importance of content. Innovative marketing and promotional campaigns can be of little hope unless it is fuelled with winning content. Irrespective of platform, the key to success is high quality content. Can anybody afford to disagree?

    There will also be a focus on the Asian TV Market in a session. Asia has common cultural values thereby having huge potential of sharing content with countries like Sri Lanka, Pakistan, Nepal, and Singapore. How the trade of content can be further strengthened among these countries?

    The Film Track kicks off with the crucial topic of marketing and distribution. This has always been an integral part of the business plan for film producers. The success of a film no longer depends on just the content, storyline and the starcast, but also on how well the film is marketed. The successes of Krissh, Don and Dhoom 2 in India scenario are prime example.

    The session will discuss the new methods employed to get to the target audience especially in international markets. Another session looks at digital cinema. From Celluloid to digital …Indian multiplexes and stand alone theatres are adopting the digital technology. Earlier business models were driving the technological applications. The scenario is just the opposite now, it’s the technology driving the business of Indian Cinema. The digital technology is changing the way the movies are being watched…. What lies in the future?

    Another session examines whether remakes and sequels revisits the past or is it the result of intellectual bankruptcy. Indian films now have a lot of sequels and remixes. Sequels of Munnabhai, Krissh, Hera Pheri, Dhoom and remakes like Don and Umrao Jaan and their success has added a new dimension to the Indian film industry. Some see it as a case of intellectual bankruptcy. In the era of commercialisation does storytelling hold a chance?

    What makes popular cinema tick? Is there a magic formula for success at box office? Increasingly the taste and sensibilities of the Indian audiences are changing. This is reflected in the different genres of movies making box office history this year. Films like Dhoom 2, Krishh, Rang De Basanti and Munnabhai have generated mass hysteria. There is a radical change in the scripts, treatment and presentation. The changing trends of Hindi films will be looked at in a session.

  • RTL CEO Gerhard Zeiler to deliver keynote at Mip TV 2007

    RTL CEO Gerhard Zeiler to deliver keynote at Mip TV 2007

    MUMBAI: Reed Midem, which organises the television markets Mip TV and Mipcom in Cannes, France, has announced that European entertainment network RTL CEO Gerhard Zeiler will give a keynote speech at Mip TV/Milia 2007.

    Gerhard Zeiler returns to Cannes after being named Personality of the Year at Mipcom 2004 for his career. During his keynote, Zeiler will share his vision of how the leading networks across the world are responding to fragmented media distribution and embracing change.

    He says, “There’s an amazing amount of intuition involved in television. If you strike the right note, you don’t just reach viewers, you genuinely move and captivate them. Your content wins them over. That’s why, for me, television is the most complete medium.”

    Mip TV/Milia’s 2007 conference programme entitled ‘Capture Innovation’ will be taking a close look at cross-platform content, innovative formats and concepts. Other key topics to be discussed are the latest global developments in television programming, new business models, new marketing concepts, mobile TV content and new digital platforms such as mobile TV, IPTV, VoD and broadband TV.