Tag: Ministry of Information and Broadcasting

  • Pay DTH operators lost 1.6 mn subscribers in quarter ended 31 March 2022: TRAI

    Pay DTH operators lost 1.6 mn subscribers in quarter ended 31 March 2022: TRAI

    Mumbai: The number of pay direct-to-home (DTH) subscribers decreased sharply from 68.52 million to 66.92 million in the quarter ended on 31 March 2022, as per latest Telecom Regulatory Authority of India (TRAI) performance indicator report. It has lost a total of 1.6 million subscribers during the period.

    DTH operators have seen a consistent decline in their subscribers since reporting an all-time high of 70.99 million subscribers in December 2022.

    Also read: DTH segment expands its subscriber base by 1.01 mn in 2020 | Indian Television Dot Com

    The number of private satellite TV channels permitted by the ministry of information and broadcasting (MIB) for uplinking or downlinking also decreased from 909 to 898 channels. Broadcasters reported 345 pay channels down from 350 pay channels in the quarter ended on 31 December 2021. The number of free-to-air (FTA) channels also declined from 543 to 540 during the same period.

    Tata Play continued to be the leading DTH operator with 33.23 per cent market share down from 33.48 per cent in the previous quarter. Bharat Telemedia’s share stood at 26.24 per cent down from 26.37 per cent.

    Also Read: Geo-targeted campaigns ramp up as brands go hyperlocal

    Dish TV India increased its market share from 22.04 per cent to 22.10 per cent. Sun Direct also increased its market share from 18.11 per cent to 18.43 per cent.

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    As per the ministry, there are 1764 registered multi-system operators (MSOs) in the country.

    There are 12 MSOs and 1 headend-in-the-sky (HITS) operator whose subscriber base is more than one million, according to the TRAI data.

    GTPL Hathway widened its lead as the largest MSO in the January-February-March 2022 quarter with 8,232,240 subscribers followed by SITI Networks at 7,281,041, Hathway Digital at 5,455,919 and Hathway Digital 4,458,103 subscribers.

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    There were 20 internet protocol TV operators in the country as of 31 March 2022.

     

  • Canada-based Format Factory becomes first global studio to avail incentive scheme by MIB

    Canada-based Format Factory becomes first global studio to avail incentive scheme by MIB

    Mumbai: Canada-based production company Format Factory is the first global studio to avail the incentive scheme for the audio-visual co-production & shooting of foreign films in India in record time. The scheme was announced by union minister of information and broadcasting Anurag Thakur in May 2022 during his visit at the 75th Cannes film festival.

    As per the scheme, any foreign studio that takes up production work in India can avail a cash incentive of up to 30 per cent of the production cost, capped at Rs 2 crore or $250,000. An additional bonus of Rs 50 lakhs, or $62,527, is available if the production house employs 15 per cent or more of its workforce in India.

    Format Factory worked with the National Film Development Corporation (NFDC) and the Film Facilitation Office (FFO) to obtain permission, and will apply for the incentive scheme.

    Raising fund

    In October 2021, Format Factory raised $50 million in a funding round led by First Fund with plans to create high-end global content, focusing on South Asian originals. It will operate under a studio-model, where it will put up the initial investment to create content, mostly outside of India, and then look for buyers, mainly over-the-top (OTT) platforms.

    The studio was not only eligible for the 30 per cent incentive scheme, but also for the five per cent bonus because it employs more than 15 per cent of its workforce in India. It will begin filming its first show on 21 July. It will be an improvised comedy series with popular comedian Suresh Menon.

    Format Factory business head Subhadarshi Tripathy said, “It is fantastic how quickly the government worked to facilitate the process to avail the incentive scheme. I would like to thank the ministry of information and broadcasting and the government of India for their endeavour to create an enabling ecosystem for both domestic and international filmmakers. At Format Factory, we are completely focusing on South Asian content and distributing it globally. The content will be made in India with a global lens. There are so many stories in India that can be told.”

    First Fund founder Samarth Chandola said, “I am really happy about the leaps Format Factory has taken from its inception last year to actually being on the floor now. India is an important market for us given the explosion in content demand that has happened recently. We are happy and thankful to the I&B ministry and the government for the encouragement and all the help through FFO. I am looking forward to a long and entertaining production in India.”

  • MIB proposes to introduce policy guidelines for renewal of registered MSO and HITS operators

    MIB proposes to introduce policy guidelines for renewal of registered MSO and HITS operators

    Mumbai: The Telecom Regulatory Authority of India (Trai) on Wednesday issued a consultation paper on the renewal of multi-system operators (MSOs) registration.

    The ministry of information and broadcasting (MIB) sent a reference to the telecom regulator seeking recommendations on issues pertaining to the MSO renewal procedure. As per the letter, MIB stated that the policy guidelines for uplinking/downlinking of channels prescribe ten years as the permission period. The renewal period is also mentioned as ten years. In the direct-to-home (DTH) sector, the guidelines mention the licence validity for a period of twenty years, renewable by ten years at a time.

    MIB said, “To maintain uniformity with the DTH and broadcasting sector and considering the validity of security clearance, MIB has proposed to keep the renewal period of MSO registration after every ten years.”

    MIB also noted that, at present, there is no provision for renewal in the existing guidelines for registration for headend-in-the-sky (HITS) services. It said that Trai may initiate a separate consultation for the renewal of HITS services.

    The consultation paper seeks the comments of stakeholders on relevant issues pertaining to the renewal of MSO registration, including the quantum fee to be paid for such renewal.

    The key issues addressed in the consultation paper are:1) what should be the qualifying conditions, if any, to be prescribed for MSO renewal? 2) list of required compliances for MSO registration renewal 3) Renewing period 4) Should a one-time fee be charged at the time of renewal? 5) Should there be a window to apply for renewal before the expiry of MSO registration? 6) provision to ensure continuity of service to consumers on the expiry of registration.

    Background

    The cable TV industry in India commenced as an unregulated service in the late 1980s. The services were driven by the need of customers for alternative entertainment options to Doordarshan. This sector saw exponential growth with the launch of channels such as Star TV and Zee TV in 1992. As more local cable operators mushroomed across the country, a need arose to regulate the service, leading to the promulgation of Cable Television Networks, Rules, 1995.

    Trai brought the broadcasting and cable services under the ambit of Trai in 2004, which ensured orderly growth of the sector while protecting the interests of consumers. According to EY, India is the second largest pay TV market after China, with 197 million TV households growing at a 7.5 per cent year on year rate.

    Pay TV services are primarily delivered through cable TV and direct-to-home (DTH) systems. Other modes of transmission, such as Internet Protocol TV (IPTV) and headend-in-the-sky (HITS), have a smaller subscriber base.

    The Cable Television Networks (Regulation) Act, 1995, formalised the cable TV sector in India but resulted in operational challenges for local cable operators (LCOs) who did not have sophisticated equipment or resources to receive broadcast signals from large numbers of satellites before sending them to their subscribers.

    This led to the launch of MSOs who received the signals of different television channels, combined them and transmitted this combined feed to multiple LCOs. The MSOs were the middle men in the hierarchy of the cable services sector, between the broadcasters on one hand and local cable operators on the other.

    The MSOs established head-ends in metros and major towns to receive TV signals from different TV broadcasters, aggregate and distribute these signals to LCOs, who further transmit them to subscribers through cables. In some instances, MSOs also provide the services directly to their consumers.

    The evolution of technology paved the way for the digitization of the cable TV sector. With the introduction of the digital addressable system (DAS), the government amended the Cable Television Networks Rules, 1994 by issuing the Cable Television Networks (Amendment) Rules, 2012.

    As per the amended rules, MSOs operating in DAS areas are required to obtain the necessary permission from MIB in addition to registration as a cable operator. As per MIB, the number of MSOs has grown from 29 in 2012 to 1762 in March 2022, as per MIB.
     

  • MIB takes action on 163 violation cases of Programme Code against private channels in last 3 years

    MIB takes action on 163 violation cases of Programme Code against private channels in last 3 years

    Mumbai: The ministry of information and broadcasting (MIB) has taken action in 163 cases in the last three years and the current year against private TV channels found in violation with the Programme Code. The ministry took action through the issuance of advisories, warnings, apology scroll orders, and off-air orders.

    MIB had issued an advisory on 23 April to all private satellite TV channels to ensure strict compliance with the Programme Code under the Cable Television Networks (Regulation) Act, 1995 and rules framed thereunder.

    As per the advisory, the ministry observed that the reporting of the Ukraine-Russia conflict and the recent demolition incident in North-West Delhi were “misleading, sensationalist and have communal overtones.”

    Also Read: MIB condemns reporting of Russia-Ukraine conflict and Delhi demolition in advisory

    During the monsoon session of Parliament, the Lok Sabha asked the MIB whether it had taken action against TV channels which aired television debates allowing participants to air communally provocative and derogatory remarks. It also asked the government what action it has taken to prevent news channels from airing such debates on communal issues in the future.

    All programmes telecast on private satellite TV channels are required to adhere to the Programme Code laid down in the Cable Television Network Rules, 1994, framed under the Cable Television Networks (Regulation) Act, 1994. The Programme Code, inter alia, provides that no programme should be telecast that contains attacks on religions or communities, or visuals or words contemptuous of religious groups, or that promotes communal attitudes.

    The Programme Code under the Cable Television Networks Rules, inter alia, contains broad guidelines relating to content broadcast on private television channels. The central government has amended the Cable Television Networks Rules, 1994 to provide for a statutory mechanism for redressal of grievances and complaints of violations of the Programme Code and Advertising Codes of the broadcast by television channels.

    The Rules provide for three levels of complaint redressal mechanisms: Level I by the broadcaster; Level II by the self-regulating bodies of the broadcasters; and Level III by the oversight mechanism of the central government.

  • MIB grants four and cancels three MSO licences in July

    MIB grants four and cancels three MSO licences in July

    Mumbai: The ministry of information and broadcasting (MIB) granted four multi-system operator (MSO) licences between 4 July and 11 July and cancelled three licences between 6 and 14 July.

    MIB granted licences to CCNDS Cable & Network, Bargabhima Cable and Broadband Services, Inhome Infotainment and Bhusawal Cable Network.

    The ministry cancelled/closed the registrations of Yeoda Cable Network, Veer Teja Cable Network and Green City Communications

    The licence of MSOs Micro Multivision and Satellite Channels expired on 28 June.

  • MIB revokes 12 and grants 6 MSO licenses between April & July

    MIB revokes 12 and grants 6 MSO licenses between April & July

    Mumbai: The ministry of information and broadcasting has granted six new licenses to multi-system operators (MSOs) between 21 April to 4 July and cancelled 12 licenses between April and 4 July. The total number of registered MSOs stood at 1753.

    MIB granted licenses to M/s Infotainment Service & Communications Pvt Ltd, Softech Infosol Private Ltd, Bhumi Cable, Shabkha Taqnia Private Ltd, Tribeni Entertainment and Binodan Digital Ltd

    MIB cancelled the registration of Yadav Cable, Sri Laxmi Local Cable TV, Thulasis Technology Private Limited, Surbhi Diginet, Sahya Digital Networks LLP, LD Family Network, Krishna Cable Network, South Star Digital Network Private Limited, RK Digital Cable TV Network, Panduranga Cable Network, Rallyon Technology and Shivam Cable & Broadband Ltd.

    Four MSO registrations including Kailash Cable Network, Bhawani Rajesh Cable and Digitech Services, Asiant Network and Ashiana Communication Mcr expired in June. 

  • I&B ministry issues advisory against ads promoting online betting

    I&B ministry issues advisory against ads promoting online betting

    MUMBAI: The ministry of information and broadcasting has issued an advisory to print, electronic and digital media to refrain from advertising online betting platforms, according to the ministry’s statement.

    It said the advisory comes in light of instances of several ads of online betting websites/platforms appearing in print, electronic, social and online media.

    Betting and gambling, illegal in most parts of the country, pose a significant financial and socio-economic risk for the consumers, especially youth and children, the advisory states, the statement said.

    It has further added that these advertisements on online betting have the effect of promoting this largely prohibited activity. “The advertisements of online betting are misleading, and do not appear to be in strict conformity with the Consumer Protection Act 2019, Advertising Code under the Cable Television Networks Regulation Act, 1995, and advertisement norms under the Norms of Journalistic Conduct laid down by the Press Council of India under the Press Council Act, 1978,” it also stated.

    The advisory has been issued in the larger public interest, and it has advised the print and electronic media to refrain from publishing advertisements on online betting platforms. It has also advised the online and social media, including the online advertisement intermediaries and publishers, to not display such advertisements in India or target such advertisements towards the Indian audience.

    On 4 December 2020, the ministry of information & broadcasting issued an advisory to private satellite TV channels to adhere to the Advertising Standards Council of India (ASCI) guidelines on advertisements of online gaming which contained specific Do’s and Dont’s for print and audio-visual advertisements of online gaming.

  • NBF writes to I&B minister Anurag Thakur regarding landing page issue

    NBF writes to I&B minister Anurag Thakur regarding landing page issue

    Mumbai: The News Broadcasters Federation (NBF) has written a letter to the union minister of information and broadcasting Anurag Thakur on the issue of landing pages. The landing page is the first channel that the viewer sees when anyone turns on the set-top box.

    The letter is signed by NBF founding president Arnab Goswami and secretary-general Jai Krishna.

    NBF has asked the I&B ministry to address the issue of the landing page being measured by the viewership rating agency Broadcast Audience Research Council (Barc) as ‘true viewership’, thereby skewing the final data.

    In its letter, NBF argues that the use of landing pages to alter viewership data is a ‘restrictive trade practice’ leading the way for monopolies to be formed in the news media industry.

    Read Also: Why Barc’s landing page viewership measurement is worrying TV9’s Barun Das

    It claims, “The brazen use of landing pages, bought at a price, to artificially amplify viewership data of certain channels gives channels with deep pockets an anti-competitive advantage. It is shocking that some news channels today get 84 per cent of their viewership from just two states in India, because of landing pages.”

    The letter puts the onus of resolving the landing page issue on Barc stating that the TV audience measurement firm can exclude landing page data from viewership estimates.

    The letter further reads, “In the past, Barc had included unfiltered outliers data from the landing page for its rating data, but had later decided to exclude it from viewership. Therefore, it is clear that Barc has both the ability and the precedent of filtering out landing page data while calculating viewership, but is still not doing so. In fact, in the past, Barc had itself termed the use of landing pages as a “false exaggeration of viewership.”

    The letter appeals to the I&B minister to intervene in the matter.“The NBF is fully committed to working with the Ministry and all stakeholders across the board to address the issue collectively and reach a solution,” the letter concludes.

  • Why Barc’s landing page viewership measurement is worrying TV9’s Barun Das

    Why Barc’s landing page viewership measurement is worrying TV9’s Barun Das

    Mumbai: The landing page controversy continues to dog ratings body the Broadcast Audience Research Council India (Barc). The latest one to wave a red flag is TV9 Network CEO Barun Das. Das is quite emphatic that the TV monitor needs to change the manner in the way it measures viewership, especially that which is garnered by news channels through channel placement on the landing page of a distribution platform operator (DPO). He has gone so far as to call it illegitimate and a restrictive trade practice.

    The landing page helps TV broadcasters enhance reach as it allows them to be the first channel on which the viewer lands when he/she switches on the set-top-box (STB). News broadcasters have been paying top dollar to place their respective channels on the landing page as it allegedly helps them garner higher ratings on their respective genres.

    It has been argued that landing pages are a marketing tool for broadcasters to promote their TV channels. An analogy has been drawn that a channel placed on a landing page is akin to FMCG companies prominently displaying their products on shelves in a retail outlet. This practice by FMCG players gives consumers the ‘opportunity to see’ their products.

    Das says this reasoning has no merit, in a letter addressed to Barc chairman Shashi Sinha. Prasar Bharati CEO Shashi Shekhar Vempati and Barc CEO Nakul Chopra have also been sent a copy.

    “A landing page actually blocks other channels from reaching consumers as soon as a viewer switches on the TV. It is a restrictive trade practice as a whole,” he states in the missive. “All the more so because, unlike an FMCG where the shelf space (first step) only attracts the attention, and then the purchase (actual transaction) happens. In the context of TV, watching itself is the transaction. Thus, it cannot be compared to an FMCG.”

    Das further claims that due to some mechanisms on the ground, the landing page has been adjusted in such a way that even if the consumer does not want to watch the landing channel, the remote doesn’t allow him/her to change to another one.

    “Any viewership achieved this way is certainly not legitimate,” posits Das.

    The larger issue of leveraging landing pages is that it makes the news broadcasting industry uncompetitive and unviable.

    As per industry estimates, when a broadcaster signs a carriage deal with a cable operator, the same deal costs two to three times more with the addition of placement on the landing page. So, a carriage deal that costs Rs 10 lakh may amount to Rs 40 lakh with the landing page included. Such deals are locked with large sized head ends and multiservice operators.

    “The news industry collectively went wrong when they started paying absurd carriage/placement fees for better LCNs (logical channel numbers).  Now, we’re creating one more demon in the form of a landing page. If you continue to allow landing pages as part of legitimate viewership, the same carriage-fee phenomenon will set in soon,” Das appeals in the letter.

    Das is referring to the industry practice, where a broadcaster pays exorbitant placement fees to DPOs for favourable placement of its channel in the LCN. This practice continued until the Telecom Regulatory Authority of India (Trai) directed DPOs that all channels of a particular genre must be placed together and any change in the position of the channel cannot take place without prior approval from the regulatory body.

    “Landing pages are so priced so exorbitantly that only GECs (general entertainment channels) which have a far higher revenue base can afford them,” states Das. “Also, since the viewership base of GEC is much higher (compared with news genre), the viewership gained through landing pages has a minor impact on the overall viewership. In the context of news channels, the impact of landing pages is very significant.”

    In September 2017, the ministry of information and broadcasting asked Barc to pause the ratings of TV channels that were using landing pages. This was followed by Trai directing all broadcasters of TV channels to refrain from placing any registered satellite television channel whose TV rating was measured by Barc India on the landing LCN or landing channel or boot up screen.  

    This directive was overturned by the Telecom Disputes Settlement and Appellate Tribunal (TDSAT) in an order dated May 2019 after news broadcaster Times Network approached the appellate body. The order by TDSAT stated that the landing page was a legitimate tool for promotion, allowing the industry to continue using it.

    However, Das argues that the cost of placement on landing channels cannot be matched by the revenue potential of the news genre. Similar to LCN placement, in the quest for short term gains, news channels may again scramble to be placed on the landing page by out paying one another.  

    “Some channels are paying astronomical amounts and are gaining viewership,” claims Das.

    Barc has attempted to mitigate some of the impact of the landing page on viewership of channels, although it has not been able to completely exclude landing page data with its algorithm-based data validation method. The outlier data was previously removed using symptomatic statistics but Barc replaced it with a methodology that uses inferential statistics to deliver better results across genres.

    In his letter, Das appeals to the Barc board to investigate and resolve the landing page issue and save the broadcast industry from this ‘coming crisis.’

    “I strongly reiterate that landing pages can by all means be used as a promotional/marketing tool. But the viewership garnered through the landing page cannot be counted in BARC viewership reports,” Das tells Indiantelevision.com.

  • Ullu to continue making edgy content: Vibhu Agarwal

    Ullu to continue making edgy content: Vibhu Agarwal

    Mumbai: OTT platform Ullu, launched in 2018, will not move away from creating edgy adult content, said founder Vibhu Agarwal at an event held recently. Instead, Agarwal has launched a Hindi general entertainment channel (GEC) ‘Atrangii’ accompanied by a catch-up OTT platform to cater to the family audience.

    “When I entered the OTT space, I sought to create content that is fresh. All OTT platforms were creating the same kind of content, whether it is a suspense or a thriller. As a businessman, I wanted to enter a white space that no one has addressed before,” said Vibhu Agarwal.

    The platform had found itself on the wrong side of public opinion after it was accused of featuring ‘edgy’ and ‘sleazy’ content to its audiences. It was reported that Agarwal was moving away from creating edgy adult content with a Ullu 2.0 strategy after the ministry of information and broadcasting introduced The Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021.

    Agarwal said, “We have built a certain audience and subscription base, based on the kind of content that ULLU makes. The content is not wrong because there are people watching it. We’ve offered a buffet of shows including horror, suspense, thriller and brought many good actors into the ecosystem with shows like ‘Tandoor,’ ‘Peshawar,’ ‘Cyanide’ and others.”

    “That’s why we are launching our second OTT platform and entering the GEC space that’s going to bring both live and catch-up content for audiences,” he added. “The content on this platform will be separate from ULLU and will be more in line with GEC content. This will not be a ‘saas-bahu’ style GEC because again we’re looking at an unaddressed white space. Instead, the channel will feature limited series that will focus on the quality of content.”

    Agarwal said that the ministry of information and broadcasting has been open minded when it comes to the kind of content served by OTT players. “The IT Rules that came out on 24 February 2021 don’t bar OTTs from showcasing any kind of content. They have only asked for the classification of content where OTT platforms should showcase a disclaimer on the nature of content that they are showing. They have also mandated the creation of a self-regulatory body for addressing grievances when it comes to content on OTT platforms.”

    The pandemic led to an increase in content consumption on OTT platforms. Agarwal observed that the three-month release slate of OTT platforms was condensed to 15-25 days to cater to the demand for content. ULLU platform itself ensured to release a new web original at least once or twice a week. Going forward, he stated that the platform has a plan to release up to three originals per week.

    Agarwal predicts that, while regional OTT platforms are subscription-driven businesses right now, they will all switch to an advertising-led model due to the intense competition in the OTT space. “When you speak about investing in regional content, most national OTT platforms are only investing in South content because they are able to monetise it easily. I believe that regional OTT platforms that serve content in languages such as Gujarati, Punjabi, Haryanvi, Bhojpuri etc. will have to become advertising video-on-demand platforms. Only the global players with deep pockets will be able to remain subscription-driven. Most Indian owned platforms will have to shift to an AVOD model whether they cater to Hindi-speaking audiences or any other regional language.”

    “Ullu content will be distributed in international markets as well but not via the app,” stated Agarwal. “There is a large international Indian audience that would like to watch our content which is dubbed in English. The problem is to activate payment gateways in international markets. The viewership and subscription outside of India is limited because of few payment options. Also, most of our consumption occurs on mobile platforms, whereas in the US and UK mobile data is not as cheap. Audiences there watch content on devices such as Roku that are more popular. That’s why we are planning to distribute our content via local agencies.”

    Agarwal noted that 80 per cent of OTT platforms don’t pay enough attention to technology which is the biggest enabler of OTT user experience. “The app should be user friendly and every feature should work,” he said.