Tag: Middle East

  • At Zee, we dont believe in growth without profitability

    At Zee, we dont believe in growth without profitability

    Mipcom is the biggest event for all those in the broadcast industry. But this years Mipcom was even more special. For the first time in the history of Mipcom, an Indian addressed the gathering as a key note speaker. Present today was Zeel MD and CEO Puneet Goenka, who elaborated on Zee, the changing Indian broadcast industry and the role of digitisation and the growth of new media.

    Digitisation is one big opportunity that everyone is looking at. It will also impact the advertising market positively. If you look at the advertising market; the growth in the past five years has been roughly nine per cent and television has been growing at 15 to 16 per cent. The advertising industry will see a great boost whether it is captured on traditional media or new media.

    Zee Entertainment Television was started in 1992 with just two hours of programming scheduled at that point of time; today we have 34 channels in India, 29 on a global basis.
    Our journey outside India started in 1995 so the international business is now 18 years old, but truly, the international business started only a few years back. In the first 15 years, we concentrated on the Indian diaspora.

    In the international market, to start with, we picked up the Middle East, Russia and Malaysia, where our content is re-purposed and re-formatted to suit the local audience. Our goal is to reach one billion audiences by 2020, thereby taking Zee to the top ten channels. These markets have a lot of connection with India, especially on the Bollywood side.

    Opportunities ahead of digitisation in India

    In the traditional analogue market, there was huge piracy, approximately 70 per cent. So a broadcaster like Zee did not get its fair share of valuation. This will change with digitisation.

    The second opportunity is that India is still the cheapest content market. The ARPUs that the consumers pay is $ 3 per month for almost 200 channels. I feel this number will go up to $ 10-12 with digitisation. So the opportunity is two-fold.

    Digitisation is one big opportunity that everyone is looking at. It will also impact the advertising market positively. If you look at the advertising market; the growth in the past five years has been roughly nine per cent and television has been growing at 15 to 16 per cent. The advertising industry will see a great boost whether it is captured on traditional media or new media.

    Another development taking shape in India is the new measuring body called Broadcast Audience Research Council (BARC). The advertisers, broadcasters and agencies have come together to form this measurement system. Currently, the sample size in India is less than 10,000 homes, which in the next five years will go up to 100,000 sample households. This again will prove beneficial for advertisers who can find the right consumers.

    The profit mantra…

    Revenue growth is first and profitability comes in later. But at Zee, we have always followed the mantra that growth without profitability is not good. So according to us, any investment on a sustained basis that does not give a 20-25 per cent return on the capital invested is a bad investment. So when the Indian broadcast industry operates at an average of seven to eight per cent, Zee operates at a healthy 25 per cent plus.

    Viewer segmentation…

    Going forward, both digitisation and the need of advertisers will lead to further segmentation. Also, fragmentation is the order of the day. We are continually developing more content and more products to further segment the audience and grow and reach the billion mark.

    As long as there are consumers at the end of it; yes, we will move to the second screen. In India, the concept of second screen is at an early stage. It is largely the same content that is being reformatted. For example a show which is 40 minutes on traditional media, is shortened to 15 minutes for the small screen or second screen. There have been some investments specifically for this content, largely to get the youth. But, this is still at an early stage. 

    Content creation…

    We have a strong internal team working towards ideation and content creation for shows. India is traditionally known for importing formats, Zee was the first one to develop local formats in India. A lot of credit goes to the in-house team, but the credit also goes to the execution department, because investing in formats is not easy, it is expensive and the returns come in only after three or four years. So we have to continuously innovate in terms of our content and formats. The taste changes and so we have to adapt to the changing needs.

    Criteria for choosing international partners…

    The first thing we see is if my partner shares the same passion and vision. The world today is moving towards more co-operation than competition. We are actually collaborating with our competitors to see how we can mutually create content. So we have partnered with our key competitors in India. So as long as the industry grows, a company like Zee will grow.

    Indian talent pool…

    India has a dearth of talent in this industry and this is because there are no specialised schools to train people. We at Zee recruit fresh talent every year and put them through rigorous training through institutes that we have partnered with. We have created an environment where people are given the right to decide and build a culture of entrepreneurship. And therefore they take ownership which leads to positive results. I have been talking to schools as well to see if a programme can be created to develop this pool.

    Attrition rate in the Indian broadcast industry…

    Being a traded organisation, we can give equity stock options to people and that has worked for us. Currently, almost three per cent of the company is owned by the people and this combined with the environment that we create helps us keep the attrition rate as low as possible. In India, people are still moving within the Indian broadcast industry. We are not really seeing too many attritions happening from Indian companies to international markets, but the day isnt far.

    Moving towards second screen…

    As long as there are consumers at the end of it; yes, we will move to the second screen. In India, the concept of second screen is at an early stage. It is largely the same content that is being reformatted. For example a show which is 40 minutes on traditional media, is shortened to 15 minutes for the small screen or second screen. There have been some investments specifically for this content, largely to get the youth. But, this is still at an early stage. As a content creator, we will catch up soon. We were the first in the country to launch a Video on Demand service on mobile called Ditto TV, under a subscription model. Today we have 200,000 subscribers for it. I think the biggest hindrance is lack of a good broadband service. As the infrastructure improves, in the next three to five years, we will grow in this segment as well.

  • Franchise India 2013  Asias largest Franchise & retail show

    Franchise India 2013 Asias largest Franchise & retail show

    NEW DELHI : Franchise India 2013, the 11th edition of Asia’s Biggest Franchise & Retail Opportunity Show is to be held on 19th & 20th October, Pragati Maidan New Delhi. The show will provide a platform for highly evolved prospects, top notch Education businesses and entrepreneurs from across India, neighboring countries and delegations from the other parts of the world to meet face-face with some of the most accomplished Business Ideas, attend unparalleled business summits and seminars and learn more about India and fast growing MSME industry in India. Franchise India 2013 is presented by Asia’s largest integrated franchise and retail solutions company, Franchise India, with the support of Indian Franchise Association.

    Some well prominent Education brands are participating like Sesame Street Pre-School. Planet Kids, San Fort, Kids Gurukul, and many more.

    Mr. Gaurav Marya, Chairman, Franchise India said ” The education industry is an $80billion industry growing at 13 percent. An average Indian household spends as much as 10prcent of its discretionary income on education, while american and asian households spends 2 percent and 7 percent respectively, therefore it becomes imperative that educational institutes live up to their image of providing lifelong learning. The upcoming Franchise show will bring along 100s of business opportunities of national as well as international brands.”

     
    Spanning over two days, the show will comprise of a comprehensive Exhibition covering all the industries extensively with massive domestic and international participation, informative and enlightening Conference & Workshops with prominent international and national speakers to impart knowledge and the highly prestigious Franchise Awards 2013 and Star Retailer Awards, to recognize the excellence in franchise & retail industries. Mr. Gaurav Marya, Chairman,  Franchise India said “Franchise India 2013 will bring new opportunities, new trends, new faces and new lateral thinking for the business fraternity. The exhibition will be a window into the future, presenting opportunities that radars on the direction of tomorrow’s consumer demand. The conference will be the greatest source of ideas for businesses; some that don’t even exist yet and yet have a huge built in growing demand”.

     
    The show displays Indian and global brands and is an “Opportunity Show” for liasoning with brands to offer a pool of out-of-box business ideas and practices delivering India’s biggest business exchange for Education sector.

    The exhibition also features, Franchise Talk, an open forum conceptualized by Indian Franchise Association to enhance the brand recognition. It’s a podium for a franchisor to present his business as an engrossing opportunity, to express his insight for 20 minutes & influence the prospective franchisees. The Exhibition clearly puts forth a spectrum of opportunities in franchising, retailing, licensing, real estate and retail supply from all possible industry verticals. The show not only features dedicated industry pavilions for focused business positioning but also boasts of an exclusive international pavilion showcasing enormous opportunities from countries like UAE & Middle East, USA, Cyprus, France, Russia, Singapore and UK.

    Attracting over 25000 serious business visitors, the show is highly successful for all its participants. Gleamed with top business opportunities, the show promises an insightful view of franchise options in varied investment range. This show recognizes this platform as a trusted launch pad for them to showcase their brand or opportunity to discover the serious business investors or potential partners. Franchise India 2013 Delhi Show will comprise over 500 national and International companies for doing business in India.

  • Sundance Channel Global Expands with New European Launches

    Sundance Channel Global Expands with New European Launches

    NEW DELHI : AMC/Sundance Channel Global, the international division of AMC Networks (NASDAQ: AMCX), has announced today new launches for Sundance Channel in Europe.  The company has also appointed Geraud Alazard as Vice President of Marketing, AMC/Sundance Channel Global.  Bruce Tuchman, President of AMC/Sundance Channel Global, made the announcements today ahead of the company’s participation at MIPCOM.

    Sundance Channel has launched as a 24-hour linear network on the cable/IPTV platform Bouygues Telecom in France, one of the fastest growing pay TV platforms in France. This partnership adds to the network’s broad distribution in France on Numericable, Virgin, SFR on Neufbox and Free. In addition, Sundance Channel is now available as a 24-hour network on the cable TV operator VOO/BeTV in Belgium for French-speaking audiences. This deal enables Sundance Channel to be seen widely across Wallonia to complement the network’s extensive distribution across Brussels and Flanders on Belgacom and Telenet. Both deals include access to authenticated on demand programming.

    In Eastern Europe, Sundance Channel has experienced substantial growth in recent months. The network has expanded in Poland, where it has been widely seen across numerous pay-TV platforms, via recent deals with Inea, Promax and many other local operators. The network is now also being carried on UPC Hungary in standard definition and high definition on the basic tier, which has significantly increased distribution throughout the country. Sundance Channel has previously been available in high definition on UPC Hungary. Today’s announcements follow numerous recent launches, including Sundance Channel’s debut last month for the first time across Latin America.

    The company has also made a personnel announcement to help bolster growth across the globe. As Vice President of Marketing, Alazard will oversee marketing and multiplatform media campaigns for AMC/Sundance Channel Global to support affiliates and drive consumer and distributor demand for the company’s international brands, Sundance Channel and WE tv. Based in New York, he will report to Tuchman. He will also report to Ed Palluth, EVP Global Distribution, on affiliate marketing matters related to Europe, the Middle East, Africa and Latin America. 

    Alazard has an extensive background in international marketing and distribution.  Most recently, he served as managing director at PureScreens in Paris, France, where he negotiated and executed distribution on European pay-TV platforms for The Museum Channel. Prior to this role, Alazard served as Director of Marketing, Sales and Business Development at Televista, which operates French lifestyle channel Vivolta. He has also held positions at A+E Television Networks in the US and Germany.  He holds a MS in International Corporate Strategy from ESSEC Business School, Thunderbird Graduate School and a BS in Politics and Management from Sciences-Po Paris, Heidelberg Universität .

    Tuchman commented, “These exciting launches reinforce the strong demand for the globally renowned, high quality programming exclusively available on Sundance Channel.” He continued, “Geraud is an accomplished brand strategist with a wealth of valuable experience. His experience in identifying global marketing and distribution opportunities will enable him to play a key role in our rapid multi-platform expansion.”

    Sundance Channel offers audiences a diverse and engaging selection of first run original drama and other iconic programming, award winning and locally appealing independent films and documentaries. It is available to pay-TV operators as a standard and high definition linear television channel, VOD service and via mobile and online authenticated streaming.

    Additionally, select VOD program offerings are available during theatrical windows so audiences can watch films that are still in theatres from the comfort of their own homes.

    In addition to Sundance Channel, AMC/Sundance Channel Global offers WE tv in Asia, a women’s lifestyle focused network featuring top industry figures in food, weddings and fashion with acclaimed series by Bobby Flay, Rachael Ray and Joe Zee, inspiring viewers with their expertise and innovation.

  • OTT, Multiscreen and Cloud TV Spark Innovation for MENA’s Connected TV Market

    OTT, Multiscreen and Cloud TV Spark Innovation for MENA’s Connected TV Market

    NEW DELHI: Connected TV is rapidly evolving in MENA region (Middle East and North Africa), with providers, broadcasters and manufacturers such as STC, OSN (Orbit Showtime Network) and Samsung already offering consumers increased access to content through smart devices.

    This growing saturation of the market provides the backdrop for this year’s TV Connect MENA, which has developed in recent years to focus on IPTV, OTTtv, multiscreen and cloud TV services for regional service providers.

    The number of connected devices, particularly tablets, is fuelling demand for OTT, cloud and multiscreen services in MENA, and is expected to dramatically increase over the next five years. Informa Telecoms and Media reports that 6.5 million tablets were sold across the Middle East and Africa in 2012. That figure is forecast to increase to a staggering 32.1 million in 2016.

    Informa Telecoms & Media research analyst Michael Dean comments on the growth opportunity: “The OTT-content and services landscape across MENA has traditionally been rather barren, but the situation is changing quickly with OTT start-ups starting to emerge, and the number of rival operator initiatives increasing.

    “Mobile broadband may currently be in the nascent stages across much of the region but it is increasingly becoming a greater growth area for rural internet users in many MENA markets. In addition, the Gulf Cooperation Council is scheduling to have LTE networks in place by end-2013, meaning there will be a further rise in mobile data usage. This will undoubtedly place more demand on increased content delivery. Saudi Arabia and the UAE alone already have traditionally high levels of TV content consumption. For example, according to OSN, the average household watches six to seven hours of TV content per day,” adds Dean.

    Focussing on OTTtv, multiscreen and cloud TV services, and the opportunities within the IPTV industry, the annual TV Connect MENA, holds more relevance than ever for service providers, telecom/cable/satellite operators, broadcasters, content providers, gaming aggregators and CE manufacturers.

    TV Connect MENA conference director Kamelija Stefanova comments: “The event will explore OTT and IPTV convergence; offer presentations about developing content monetisation strategies; look at the business of CDNs and data centers for telecom operators; assess the role of advertising agencies in the connected media space; show best practise OTT and IPTV projects; and see how multiscreen services are becoming part of the digital home. We as organisers are in a unique position to provide one meeting place for broadband, LTE and TV markets and offer learning opportunities for maximising the power of 4G/LTE network to offer TV on the Go, utilising user interface for improved content discovery and using apps for on-demand video services.”

  • Operators see opportunities in OTT cable and broadband services

    Operators see opportunities in OTT cable and broadband services

    NEW DELHI: The Growth of OTT Content: Opportunities and Challenges for Service Providers, a new global survey of cable and broadband operators, finds that most are fairly optimistic about the potential impact of over-the-top services, with 70 per cent saying the potential benefits outweigh the risks.

     

    The results were part of a survey of operators in North America, Latin America, Europe, the Middle East, and Africa conducted by Incognito Software, a provider of broadband software provisioning and service activation solutions.

     

    “The widespread growth and popularity of OTT content across multiple devices is forcing cable operators to rethink their business models and how best to add value to their subscribers – and the survey results show that there is no single answer when looking at operators of different sizes and across multiple geographies,” said Incognito Software President and CEO Stephane Bourque. “Whether operators take a positive or negative view of OTT content, one thing is constant: their network usage is going to increase.”

     

    The study also found that nearly 82 per cent of respondents have already upgraded their network infrastructure to cope with increased subscriber bandwidth usage and that 75 per cent of the providers who reported a growth in bandwidth consumption attributed the increased demand to streaming video sites.

     

    In terms of managing OTT consumption, the survey found that the most popular approach was fair usage policies (40 per cent), followed by bandwidth caps (34 per cent), and proprietary OTT services (22 per cent), the company reports.

     

    Nearly half of the providers in North America utilise bandwidth caps as their primary means of managing OTT, the survey found. Fair usage and service add-ons are the next most common approaches (33 per cent).

  • UAE commands 20% of Middle East air charter business, says Private Jet Charter

    UAE commands 20% of Middle East air charter business, says Private Jet Charter

    Dubai, UAE, 26 June 2013: UAE commands 20 percent of the air charter business in the Middle East, according to Private Jet Charter (PJC), one of the world’s largest independent private jet charter brokers.

    This was revealed during PJC’s revamp of its bilingual portal www.privatejetcharter.ae that is targeting the company’s UAE client base.

    Hugh Courtenay, Founder and Chief Executive, PJC said: “We have created a dedicated portal for the UAE market as the UAE now accounts for approximately 20% of our regional market. We are proud to say that we are the only private jet company in the region with an online system that gives instant and accurate price quotations in several languages, including Arabic.”

    Ross Kelly, Managing Director for Middle East, PJC added: “PJC has access to the largest and most comprehensive fleet of private jets anywhere in the world. We are the only private jet company with 8 different language sites, including Arabic. We are delighted that since the launch of our revamp of the UAE version of the portal, we have seen a remarkable rise in online requests for private jets.”

    The company revealed at the launch that UAE businessmen make around 10 charter trips a year on an average.

    According to the company, the air charter business in Saudi Arabia and the UAE is gaining ground as a preferred and cost effective alternative to commercial air travel.

    Courtenay said that PJC’s clients make use of the company’s global network as well as its personalised services, which are preferred by discerning travellers compared to regular commercial airline offerings.

    PJC has a network of offices in the UK, Nice and significant presence in the Middle East from a busy base in Dubai and presence in Jeddah in Saudi Arabia. The organisation also has offices in key charter hubs of Moscow and Florida.

    Courtenay says his company is pleased with the growing acceptance among its Saudi customers of the strategic benefits of charter jet services, particularly in terms of convenience and time savings. He added that clients were getting more tech savvy and the company’s UAE portal has been designed to cater to their needs.

    Kelly said that the company’s clients from KSA and the UAE come from all walks of life and from the widest range of areas of business, industry and commerce. He added that PJC client base in KSA and UAE includes royal families, CEOs, and other members of the affluent segment.

    Kelly added: “The revamp of Arabic version of our portal is an addition to the company’s investment in information technology and high-tech solutions. At a very early stage, we developed a sophisticated state-of-the-art aircraft sourcing technology that enabled our aviation consultants to source available aircraft at the click of a mouse, by aircraft type, number of seats, year of manufacture and from any location in the world, which in turn provides our clients with instant details of the most suitable aircraft available, complete with indicative price.”

    “Revamping the UAE portal reinforces our commitment to make our charter services client-driven and tailored to our clients’ requirements, so that they get a premium service against attractive fees,” Courtenay added

  • UTV’s Barfi! is the first Indian film to get a mainstream theatrical release in Turkey

    UTV’s Barfi! is the first Indian film to get a mainstream theatrical release in Turkey

    MUMBAI: Barfi! has earned the distinction of being the first Indian movie to get a mainstream release in the Turkey market, in close to 40 screens on 10 May in the country.

    Directed by Anurag Basu, the film has award winning performances by Ranbir Kapoor, Priyanka Chopra and Ileana D‘Cruz and music composed by Pritam.

    "Turkey is a place where my grandfather has a great following even today. To see my film getting a wide theatrical release in the same country is a huge compliment. I am very excited about this," said Ranbir Kapoor – lead actor and winner of Best Actor award at Filmfare, Screen, Zee Cine, Apsara Producer‘s Guild awards for his role in Barfi!

    "I am extremely happy that a story I have lived with over so many years, has in the last few months, received global recognition and now is geared towards greater opportunities including mainstream releases in non-traditional markets," says Anurag Basu, who has won several accolades at all major awards in the country for his direction of Barfi!.

    "At UTV, great stories are at the heart of everything we do. We believe that a memorable story finds resonance wherever it travels and Barfi! is one such story, which has appealed to a global audience much like its success in India, North America, UK, Middle East. After its screening at the prestigious Busan and Marrakech film festival last year, the film continues to receive accolades from all quarters including the Grand Jury Award at the prestigious Okinawa Film Festival in Japan. Barfi! is the widest release for any Hindi film in Turkey and we are thrilled at the prospect of around 40 theatres showcasing Barfi! This is as wide a release as Hindi movies get in one of our largest markets like Middle East", said Disney UTV international distribution, syndication and Disney media distribution executive director Amrita Pandey.

    Turkey‘s film exhibitors Cinemajestic Firat Dilbaz said, "The trailer was truly wonderful and the film an even more beautiful experience for us. For many years Turkish audiences have not watched Indian movies in theatres and we are excited to have a critical and commercial success such as Barfi! as the first on this scale. We are currently trailering the film in over 200 screens and the response from the audiences has been extremely encouraging. The story is truly heart-warming and we believe it will touch a chord with our audience irrespective of language and the location where it was created."

    The film witnessed immense success at the box office as well as critical acclaim in the form of top honours at all key awards in India this year and is expected to echo the same success in newer markets. The film was India‘s official entry to the Academy Awards 2012.

  • Global ad spend marginally up by 3.2 per cent last year: Nielsen

    MUMBAI: For the advertising industry, 2012 closed on a positive note with ad spends increasing 3.2 per cent globally year-over-year to $557 billion, according to Nielsen’s quarterly Global AdView Pulse report.

    A strong third quarter, which saw growth of 4.3 per cent, helped drive the annual increase. Ad spend growth receded to a more modest 2.5 per cent in the fourth quarter.

    All regions except Europe increased their ad spending in 2012. The Middle East/African market showed impressive growth of 14.6 per cent for the year as the region’s economy stabilized. Egypt was part of that turnaround, registering a 20.4 per cent increase in spending. Meanwhile, deep cuts to ad budgets continued in Europe, fueling a 5.3 per cent decrease for the final quarter, yielding an annual decrease of 4.2 per cent. Even economic powerhouse Germany reported a one per cent dip in the fourth quarter, the second consecutive quarter during which the country reported a decline in advertising spend.

    The Asian-Pacific market underperformed as well, as its annual increase in ad spend fell from 11.5 per cent in 2011 to a mere 2.8 per cent in 2012, propelled in part by China’s very slight gain of 1.9 per cent for the year.

    Ad spending in North America remained on an upward trajectory at the end of the year, climbing 3.1 per cent in the fourth quarter. This helped the region report 4.6 per cent growth for the full year.

  • Next IIFA awards, not at Vancouver

    Next IIFA awards, not at Vancouver

    MUMBAI: The 14th edition of the International Indian Film Academy (IIFA) awards will not be held in Vancouver.

    The bid for the same by the British Columbia government on behalf of Vancouver was rejected for 2013, according to a statement by Wizcraft International, the organizers of IIFA.

    The bidding process for the awards is currently on with a number of countries from the Middle East, South America, Europe and Africa.

    “The decision is subject to many contributing factors that are required of a host destination in terms of support-initiatives for Hindi cinema production, funding and distribution; event-funding, support, facilitation, and infrastructure,” said IIFA and Wizcraft International director Sabbas Joseph. “We are committed to the film Industry and hosting an IIFA in any destination must meet the larger interests of Indian cinema and a spectacular-staging of the annual celebration,” he added.

    The dates and venue for the 2013 edition of the IIFA Weekend and Awards will be formally announced soon.

    Over the years, IIFA has been to destinations like London, Yorkshire, Johannesburg, Dubai, Amsterdam, Singapore, Bangkok, Colombo and Macau among other.

  • Malayalam film Arabana to feature woes of expatriates in Middle East

    Malayalam film Arabana to feature woes of expatriates in Middle East

    MUMBAI: Ajith Nair‘s upcoming Malayalam film Arabana (Wheelbarrow) will feature the emotional struggles faced by expatriate workers in the Middle East. It will be shot entirely in the Gulf nation of Bahrain.

    The film‘s main plot revolves around a famous playwright who is invited to stage his award-winning drama in Bahrain. “The whole drama changes after an accident that involves one of the cast. The film portrays some of vital issues of social relevance and concerns of fellow countrymen in this part of the world,” the director added.

    According to him, the film also focuses on the lives of expat workers in Bahrain, often exploited by those with vested interests.The film also touches upon the daily plight of common people, their dreams and relationships with their families as they toil in faraway land.

    Produced by Pooyath Sethumadhavan, the film is expected to feature artistes from the mainstream Malayalam film industry. It is expected to release next year.