ITV

Tag: Metro

  • Mumbai Metro One signs Connect Digital for its social media duties

    Mumbai Metro One signs Connect Digital for its social media duties

    Mumbai: The leading digital agency from the Connect Network family, Connect Digital, has won the social media mandate for Mumbai Metro One (MMO).

    As a part of this association, the agency will build and manage the content strategies and creatives for the brand on Facebook, Instagram, and Twitter.

    Connect Network MD and founder Haresh Nayak said, “We are ecstatic to be working with a legacy brand to help them create visibility amongst the relevant target audience. Our team is confident in shedding new light on the brand’s social media pages and contributing to their growth.”

    On sharing the excitement of winning the mandate for MMO, Connect Digital AVP Charu Rawat commented, “We are happy to have the opportunity to partner with Mumbai Metro One and we can’t wait to build a dynamic brand presence for them. Our strategy is to enhance the top-of-mind recall that the brand has created by applying creative, new-age thinking and a strong storytelling narrative.”

    “The agency looks forward to harnessing the best of their capabilities, talent, technology, and partnerships and helping Mumbai Metro One build even more powerful consumer connections,” she added.

    Speaking about this association, Mumbai Metro One business head Shyamantak Choudhury said, “Connect Digital demonstrates a strong understanding of the digital category at large. The team is motivated , diligent, and pays strong attention to detail, something that became evident in the multiple discussions we’ve had over a period of time. We’re thrilled to partner with them as our social partners. This engagement will help us elevate our brand presence with the right strategy, innovation, and creative thinking. We are looking forward to creating some good and memorable work.”

  • Young Indians under 35 years of age drive OTT consumption

    Young Indians under 35 years of age drive OTT consumption

    MUMBAI: Although users of all age groups are consuming over-the-top (OTT) platforms, young Indians under 35 years of age accounted for 89 per cent of OTT platform users. The age groups of 16-24 and 25-35 contributed equally to the overall market, Counterpoint Research’s India OTT Video Content Market Consumer Survey revealed. Moreover, male users account for 79 per cent of the total users.

    The report also revealed that the top five metros accounted for 55 per cent of OTT video platform users, while tier I cities accounted for another 36 per cent of users. In addition to that, Hotstar leads the Indian OTT video content market, followed by Amazon’s Prime Video, SonyLIV, Netflix, Voot, Zee5, ALTBalaji, and Eros Now in terms of the percentage of respondents subscribed to each platform.

    While subscription-based market (SVOD) continues to grow significantly, the market remains highly focused on the ad-based model (AVOD), where advertisements drive revenues.  Notably, Eros Now users were the most engaged users, with 68 per cent indicating that they watched content on the platform daily. As per the report, 9 per cent of Eros Now’s users watch content on the platform for more than 21 hours a week.

    As per the survey, salaried employees was the largest consumer group of OTT users, followed by students, business owners, housewives, and others in terms of overall demographics. While more than one-third of the respondents indicated that they were inclined to use free services, another third indicated that they were paying for the subscription. Among the remaining respondents, some of them were either on trial period or indicated that their friend or family paid the subscription cost.

    In line with popular belief, smartphone has emerged as the most popular device for OTT video content consumption and Xiaomi has acquired the place of most popular smartphone brand. Reliance Jio has taken the place of the most popular network among OTT users, followed by Airtel and Vodafone-Idea.

    Although regional languages are gradually becoming very important, most preferred languages for video content are Hindi and English till now. However, Telugu was found to be most popular among regional ones, followed by Punjabi, Bengali, Marathi and Tamil.

    The market leader Hotstar has the highest penetration of non-paying user and 56 per cent of Hotstar users hail from metro cities. On the other hand, international giants Netflix and Amazon Prime Video have high popularity in metros as top five metros account for more than 65 per cent users on these platforms.

    Among others, 40 per cent of SonyLIV users hail from these cities and Voot has the greatest reach among female users. ALTBalaji scored the highest among 25-35 age group users, who account for 59 per cent of its users while Eros Now has the largest share of its users in the 25-39 age group in tier II/III cities.

  • Aidem to handle WB metro’s Incoda TV HD monetisation

    MUMBAI: Media sales specialist Aidem Ventures recently tied up with West Bengal’s unique advertising medium Incoda TV HD, the high-definition channel telecast in all the metro stations of Kolkata. Aidem has been roped in to handle the revenue and help monetise Incoda’s inventory.

    Incoda TV HD is the high definition TV channel in the underground metro railway premises of Kolkata. Incoda TV HD reaches out to 15 million captive spectators every month from Kolkata & rest of Bengal. The channel is available across all 23 active metro stations.

    Incoda TV HD chairman Arijit Dutta said, “Since its inception, we are bringing forth Incoda TV HD as a fresh advertising platform reaching out to millions in Bengal. When we approached Aidem with our proposal, they were more than keen to join hands. Aidem had always been my first choice considering their hold in the media world. I am excited to work with the expert team of Aidem and unleash our potential as a genuine advertising platform.”

    With over 30 years of experience, Incoda TV HD is synonymous with the Metro service in Kolkata. Each station has eight to 10 LED screens allotted with crystal clear audio-visual content on sports, entertainment, music, latest bollywood and tollywood gossip etc.

    Aidem Ventures president Alok Rakshit added, “The way Incoda TV HD tactfully reaches out to the West Bengal cosmopolitan audience is commendable. This medium is perfect for the national set of advertisers who desire a better ROI and effective reach in Bengal. I am amazed to see the leading print houses, broadcasters and national clients of Bengal already optimizing Incoda TV HD as a valuable communication tool.”

    In Kolkata, the metro commuters are seen to be glued to the television screens in the network-less, non-chaotic underground stations. In order to garner maximum eyeballs, the advertisements on Incoda TV HD are strategically telecast just two to three minutes prior to the train’s arrival. According to ORG-MARG reports, above 93% of the daily commuters claim to have seen the advertisements on Incoda TV HD.

    Recently, AC Nielsen also tied up with Incoda TV as its third-party monitoring & certification partner.

  • TAM week 40: Most reality shows fire simmers down

    TAM week 40: Most reality shows fire simmers down

    MUMBAI: In week 40 of TAM TV ratings, reality shows have gone for a toss. Not all, but most of the non-fiction shows have seen a drop in its ratings. But that has not affected the entire channel’s portfolio.

     

    This week the spotlight was on Colors’ much talked about reality series 24. The show has garnered 3,134 TVT’s on Saturday and Sunday. Launched on 4 October, the non-fiction reality show has got positive response in the metros. The Metro and 1mn+ markets have responded positively with a viewership of 2.2 million – contributing to 63 per cent of the overall viewership of the show.

     

    This week saw Sony being the highest gainer taking its tally to 323,337 GVTs (286,083) and occupying the fifth position. Zee TV was the next highest gainer with 415,793 GVTs (384,111) holding the number three slot.

     

    Star Plus retained its number one position with 501,683 GVTs (506,317). Life OK is at number four position with 347,291 GVTs (334,306). Sab has reported with 317,170 GVTs (331,772). Sahara One continues to be at the bottom of the GEC chart with 33,222 GVTs (26,838).

     

    Back to the top charter, Star Plus’ popular show Diya aur Baati Hum saw a drop in its ratings and rated 9,911 TVTs (9,614). Another prime time show, Yeh Rishta Kya Kehlata Hai saw a huge rise in its ratings and scored 7,614 TVTs (6,328). Pyar Ka Dard Hai reported 7,708 TVTs (7,191). Saathiya witnessed a rise and registered 7,237 TVTs (7,101). Epic series Mahabharat witnessed a drop in its third week with 4,909 TVTs (5,518).

     

    Second placed, Colors much hyped reality show Bigg Boss seven reported 4,835 TVTs (4,811) this week. Long running fiction series Balika Vadhu saw a drop in its ratings and marked 6,759 TVTs (7,797), Madhubala – Ek Ishq Ek Junoon scored 4,519 TVTs (4,743) and Uttaran reported 4,056 TVTs (3,464). Comedy Nights with Kapil reported 4,462 TVTs (6,804). The channel aired twice a day, Hindi feature film Raanjhanaa that garnered 4,493 TVTs and 3,400 TVTs respectively.

     

    Third placed, Zee TV’s fictional offering Qubool Hai saw a rise and scored 6,003 TVTs (5,511). Pavitra Rishta generated 4,646 TVTs (4,421). Sapne Suhane Ladakpan Ke notched up and scored 6,490 TVTs (5,343). The channel’s historical show Jodha Akbar is working wonders for the channel with its strong storyline and reported 9,337 TVTs (8,027). Drama series Do Dil Bandhe Ek Dori Se registered 5,696 TVTs (4,675). Its dance reality DID – Dance ka Tashan took its tally to 3,870 TVTs (4,088) on a Saturday and 3,707 TVTs (4,290) on a Sunday.

     

    Fourth placed, Life OK’s top mythological series Mahadev scored notched up and scored 4,009 TVTs (3,623). Do Dil Ek Jaan stood at 1,884 TVTs (1,725), Savdhan India rated 2,479 TVTs (2,563), Shapath generated 3,637 TVTs (3,729). Ek Boond Ishq propped up this week taking its tally to 2,635 TVTs (2,351).

     

    Fifth placed, Sony’s long running crime series CID witnessed a huge rise and recorded 7,048 TVTs (5,505), Crime Petrol saw a drop and registered 3,882 TVTs (4,789). The channel’s historical show Maharana Pratap generated 3,057 TVTs (2,840). KBC lost its score and only garnered 3,911 TVTs (5,176). Other fiction shows either held on to their viewership or dipped marginally during the week.

     

    Sab’s fiction show Taarak Mehta Ka Ooltah Chashmah continues to be the channel leader with 8,489 TVTs (8,096). Chidiya Ghar saw a rise as it rated 3,817 TVTs (3,176). Lapataganj reported 2,380 TVTs (2,015). Baalveer registered 2,925 TVTs (2,835). Other fictional shows witnessed marginal rise and fall as well.

     

    In the movie channel genre, Zee Cinema reported 198,401 GVTs (201,334); Star Gold witnessed a slight drop to 174,671 GVTs (183,757) and Movies OK notched up taking its tally to 126,462 GVTs (107,863). On the other hand, &pictures garnered 61,530 TVTs (67,942), Zee Anmol rated 38,080 GVTs and Max scored 220,318 GVTs (207,046).

     

    Let’s see what’s in store for the channels in the coming weeks.

  • 30 minutes: No country for women

    30 minutes: No country for women

    MUMBAI: In the wake of the gang rape of a photojournalist in Mumbai just months after the brutal gang rape and murder of Nirbhaya in Delhi, CNN-IBN is forced to ask yet again whether working women in India’s 2 biggest metros feel safe or not. In an effort to get an answer to this question, 4 CNN-IBN reporters track 8 women (including a radio-jockey, salesgirl, photographer, school teacher, and a college student) in Mumbai and Delhi, right through their daily routine to understand what they experience as women living, working and commuting in a big city.

     

    Speaking candidly, these 8 ladies talk about the anger and the helplessness they feel. They talk about the inaction they see from police, they talk about the societal pressure that’s put on women to ‘adjust’, ‘cover-up’, and ‘compromise’ with the way men behave, while men see no need to change themselves. A stark, no-holds-barred documentary of how India is NO COUNTRY FOR WOMEN.

     

    Don’t miss this special episode on Sat, Sep 7 @ 7:30 PM and Sun, Sep 8 @ 3:30 PM & 9:30 PM (R), only on CNN-IBN.

  • Plus is all India ‘star’ in GECs, while Sun shines brightest among regional channels: IRS 2006

    Plus is all India ‘star’ in GECs, while Sun shines brightest among regional channels: IRS 2006

    MUMBAI: While in the regional space, Star Plus has managed to rise up on the charts more than any other Hindi general entertainment channel (GEC) in the last five years; the story is no different as far as the Top 10 television channels in the country are concerned.

    Since 2000, Star’s flagship channel has managed to topple DD2/Metro, Sony, Zee TV and Zee Cinema to claim the second position with a viewership share of nine per cent in 2006. DD1 (National Network) has maintained its top position over the years.

    DD1’s viewership in the Top 10 TV channels in the All India market in 2006 is 27.4 per cent as compared to its share of 43.2 per cent in 2000 according to the findings of IRS Round I done by Hansa Research and Media Research Users Council (MRUC). Going by these numbers, DD1 viewership on an all India basis has dropped by almost half in the last five years.

    DD2/Metro, which was second in line in 2000 with a share of 11 per cent has completely gone off the Top 10 television channels list in 2006.

    Sony Entertainment Television, on the other hand, which was the number three channel in 2000 with a viewership share of 9.4 per cent, has fallen to the seventh position in 2006 and currently has a share of 4.6 per cent. Rival channel Zee TV saw an even steeper fall over the years, but all the same has maintained its place in the Top 10 television channels list. From its third position in 2000 with a share of 9.2 per cent, Zee TV lost 5.6 per cent share to other channels and fell straight to the tenth position this year with a share of 3.6 per cent.

    The reason for the drop in Sony and Zee’s channel shares, which were the third and fourth best viewed channels after the national channels in 2000, could be because of the change in the program genre of these channels. Both channels focused more on music shows and game shows to garner viewership, reasons Hansa Research marketing and client servicing India head V Sudarshan.

    Going by the data thrown up, the fact remains that viewers are still hooked to the soaps and serials, which is clearly indicated by Star Plus viewership numbers, predominantly garnered by the ‘K’ serials. However, now both Sony and Zee have a robust line up of dramas like Thodi Khushi Thode Gham, Aisa Desh Hai Mera, Saath Phere and Jabb Love Hua in the primetime. Hence it remains to be seen whether the channels’ popularity soars on the charts riding on these shows. Zee TV’s Saath Phere, for one, has been consistently delivering for the channel in terms of ratings.

    While three channels from the Top 10 All India list have disappeared from the charts in 2006, three other channels have made their entry. DD2/Metro (second position), Star Sports (seventh position) and DD10 Marathi (eighth position), which were on the charts in 2000 seem to have made way for DD News (third position), Aaj Tak (fourth position) and Sun TV (fifth position) in 2006.

    One of the interesting trend that is seen in the current Top 10 and the Top 10 five years back is that in 2000, no news channel made its way to the Top 10 list. Whereas in 2006, DD News and Aaj Tak have been featured.

    “This explains a very big phenomenon, that there are possibilities that these news channels are now eating into the share of the print medium, and it could be that people are now preferring to tune rather than turn, for their news requirement. Viewers are interested in current news, and not yesterday’s news and this also reiterates the fact, why magazine readership has come down so dramatically over the period,” said Sudarshan.

    One channel that has maintained a consistent performance on the charts since 2000 is Zee Cinema. In term of viewership share, the channel has dropped only marginally from 6 per cent in 2000 to 5.3 per cent in 2006 and is now placed in the sixth position as opposed to its fifth position in 2000.

    Among the regional channels, apart from Sun TV, that have made a mark in the Top 10 channels in the All India market in 2006, are ETV (4.4 per cent) and Gemini TV (4.1 per cent) in the eighth and ninth position respectively.