Tag: Messrs Goyal

  • STAR PLUS : THE LOOMING THREAT

    STAR PLUS : THE LOOMING THREAT

    This is a channel, which is crackling – crackling with electrifying programming. And if it does not regain its rightful place at the top of the viewership stakes, the blame will lie squarely at poor marketing and show packaging or at the door of the God of the television world – the viewer. No finger pointing at the viewership monitoring agencies should be resorted to as has been done earlier by the channel’s new management. (A bad carpenter can blame his tools only so many times.)

     

    Yes, the channel being talked about is Zee TV. A month into its new programming lineup, and it is looking good. Much better than what was expected. Hordes of viewers have not been swept away by it as yet; Star Plus is still the flavour of the year. But that does not mean it’s going to stay that way for long. Zee TV in its current avatar looks set to give Star Plus programming head Sameer Nair and his team some headaches.

     

    First let’s get what’s wrong with channel out of the way.

     

    As mentioned earlier, the lack of finesse in interstitials for its shows. Zee TV’s management has to invest in making it promos classy…like TV commercials. Better means better. No halfway measures will suffice. The sooner Zee TV chairman Subhash Chandra and broadcasting CEO Sandeep Goyal and his team work on this, the earlier will the positive results start showing up.

     

    The second thing Zee TV needs to do is push each of its shows harder and treat each of them as a brand. Specific communication for at least a handful of the chosen ones, which appear to be potential winners, is what is called for. What is pitiable is that despite having highly rated professionals such as Sandeep Goyal and Partha Sinha, this is not being done. Instead, a frail girl ‘Khushi’ is being used as a mascot for all shows doggedly.

     

    A lot of hype was created around the interactive show Aap jo bhole haan to haan, aap Jo bhole na to na It has turned out to be just hype. Trite storylines, trite plots, shoddy production values with no connection between the story and the sets and the props, a corny anchor..how terrible can television programming get.

     

    This is a show, which requires a lot of re-think. For starters, do Indian viewers really want interactivity? Do they want to actively take a moral position as do juries in US courts? Messrs Goyal and Zee TV marketing head Partha Sinha’s claims about the zillions of phone calls they are getting for the show cut little ice; the duo is just resorting to a sales spiel to keep a dead horse running. Better still would be to bury AJBHTH,AJBNTN along with its host, the smooth talking ad agency man Suhel Seth.

     

    Razzmatazz presents no quantum programming leap over the existing offerings Boogie Woogie, or Kya Musti Kya Dhum. The dancers are mediocre, the hosting kiddish, the camera seeks the judges and the sets more than the dancers. Clean up your act on this one, if you want to exploit the show’s potential.

     

    Now on to the good stuff that should keep Star Plus’ programming executives awake. Shows such as Niilaam Ghar, Baazi Kiski, the Derek O’Brien hosted Bournvita Quiz Contest, Close Up Antakshari, the Ravi Rai produced Aaj Bhi Ateet, Sarhadein, Kohi Apna Sa come out tops. (As far as Dollar Bahu, Chotti Maa..ek anokhan bandan go, poor starts to these two shows have put off many viewers. A lot of work will be needed to undo the damage.)

     

    On a Sunday morning, the line up of Close-up Antakshri, Baazi Kiski, Bournvita Quiz Contest totally annihilated the competition. KBC Jr and Amitabh Bachchan are no match for the flavour and passion that Anu Kapoor whips up amongst the kids taking part in the national challenge song competition.

     

    The talent seems to be there aplenty. Close Up Antakshri is all about the great vocal chords that participating kids have, and not the anchor as is the case with KBC Jr, where AB Baby takes centre stage, participants are relative passengers.

     

    Baazi Kiski with Ashutosh Rana came across as a pleasant surprise. Was this the same channel that produced the disastrous Sawaal Dus Crore Ka? Preparation can go a long way in creating a good product. And the efforts show in Baazi Kiski. The sets are pleasant to look at. Rana, oozing charisma, speaking in shudh Hindi is clearly a cut above Kher and Koirala, and his efforts at goading men against women and vice-versa in this battle of the sexes show, make for compulsive viewing. The fact that participants end up with money, cars, TV sets, as their winnings on answering quizzes, make it even more riveting.

     

    Derek O’Brien, what can one say about the General knowledge evangelist. Bournvita Quiz Contest enthralled us on radio when we were kids. One could not miss the 1:45 or was it 2:00 PM Sunday appointment with Vividh Bharati and the host of the quiz then, Ameen Sayani.

     

    One cannot afford to miss the television version either. The sets look snazzy, the promo is zippy, there’s some hitech too in the form of a notebook computer that O’Brien keeps referring to. The show has a fast pace, O’Brien makes for a very affable and avuncular host. And the celebrity guests, well they play along with O’Brien and the participating students. BQC scores the highest marks. And it’s a show that can only go one way – up.

     

    Niilaam Ghar…bid, bid boom. Chaos, confusion, sweat, teeming crowds, which are the characteristic of a World Wrestling Federation face off, are the signature of this show hosted by Shekhar Suman. Suman does a great job, a remarkable job in fact. Informality is key for Niilaam Ghar. While KBC is propah, suited and booted, with a clipped accent, Niilaam Ghar is about letting your hair down and being yourself, screeching and screaming to get Suman’s attention as he stomps all over the place in his see-through T-shirts, worn to reveal his pectorals and biceps, popping questions which look easy as a daisy. Niilaam Ghar should be a winner in the heartland and with urban audiences too. The new series – Aaj Bhi Ateet, Sarhadein, Kohi Apna Sa – too are extremely promising and will build up audiences as time progresses.

     

    This at a time when Kyuunki Saas Bhi Kabhi Bahu Thi, and Kahani Ghar Ghar Ki seem to be tiring on Star Plus. KBC is continuing to hang in there despite a very perceptible limp. But thankfully for Star Plus new shows like Khulja Sim Sim, Shh.. Koi Hain, Kangan, Kalash, Kahin Kissi Roz are bubbling over. However, it cannot afford to ignore the looming threat from Zee TV.

     

    ANIL WANVARI,
    CEO, INDIANTELEVISION.COM

  • ZEE TV: NO RATINGS, NO SWEAT – YOUR TIME WILL COME

    ZEE TV: NO RATINGS, NO SWEAT – YOUR TIME WILL COME

    The latest TAM ratings are out. And the entire industry is agog about one revelation: not one of Zee TV’s new shows figures on the Top 100 list. Old diehards such as Mehandi Tere Naam Ki (65), Amanat (74) and Koshish Ek Aasha (99) are Zee TV’s candidates in The Top 100.

    There is some sniggering about this amongst rival broadcasters and producers, who are saying we told you. The question is: why the excitement about this development or non-development?

    No one at indiantelevision.com expected Zee TV’s new shows to spring up in the Top 10, let alone the Top 100, overnight. And we don’t think anyone at Zee TV expected it either. There are enough professionals within that organisation that understand the television business and the fact that programmes grow on audiences and audiences on programmes. A Kaun Banega Crorepati happens probably once in a lifetime. And expecting a repeat is like expecting sextuplets every time you go for delivery in the maternity home.

    Indiantelevision.com is of the view that Zee TV’s new shows should be given at least another six weeks to stabilise and generate the ratings (if the ratings systems are allowed to continue). (The channel’s management has said the new shows will run their 13-26 episodic run).

     

    We expect at least four of the new shows – we cannot predict which because all that depends on the marketing and promotion push that Messrs Goyal and Sinha give – to pop up in The Top 50 in the time frame predicted.

    But for that to happen some course correction may be needed. According to indiantelevision.com, there appears to be a disconnect between the new Zee TV brand promise and the delivery that is being made in terms of new programmes.

     

    (When Sony Entertainment Television was launched it had very clear communications, which it lived up to for quite some time. It was the innovator: it had a young feel, new programming genres, new initiatives, it had snazzy packaging, and it came as a breath of fresh air. Hence, it succeeded. As did Zee TV when it launched in the time of DD.

    A year ago, Star Plus did to Zee TV and Sony what a Zee TV and Sony Entertainment did to DD and Zee TV respectively in their time. And the duo has not been able to find a counter to Star Plus. For the past year, both Zee TV and Sony have been strangely behaving like imitators; they appear to have stopped innovating.)

    One school of thought in industry is that the communications around the Zee TV brand need to be improved; the programming is wow.

    The other school of thought is that programming needs to be spruced up.

     

    The school which believes that Zee TV’s communication needs correction question its very basis.

     

    What is the new Zee TV brand all about?

     

    A lovely young lass – represents the new Zee TV brand. She is fresh as dew, she is pretty, she is vivacious, she is playful, she is charming, she is dimpled, she likes kids – one could go on.

    But can she on her frail frame hoick Zee TV out of the rut it has been stuck in for some time now? Nahin dekha Zee to kya dekhenge nayee Zee TV ka message?

     

    More push is needed for specific shows – more specifically large scale canvas dramas and soaps (for example, why is not Sudha Murthy’s Dollar Bahu being promoted as a show based on a book written by India’s most innovative software entrepreneur’s wife. Or Aaj Bhi Ateeth, Hip, Hip Hooray Series 2) that live up to the promise made by the new Zee TV lass. Zee TV was known for well-told stories (at times long-winded ones though); for Antakshari, for Khana Khazana, original Indian programming.

    One has not seen enough of the Zee TV game shows – Baazee Kiski or Niilaam Ghar – to give a verdict on whether they should be pushed.

    The push has to be a determined one across media. A budget of Rs 10 crore (or is it Rs 15 crore?) has been set aside for this purpose. Let’s see effective spending of that.

     

    The second school of thought questions the basics of some of Zee TV’s programmes. Do most Indians want to watch cross-continental shows? Or is it a microcosm that wants such programming? Will these shows work well with Zee TV’s audiences in Europe and the US? They well may but production values have to be stepped up for those audiences. Additionally, will Indians in interior Maharashtra or Varanasi indentify with them? There is a big question mark there.

     

    Most importantly, Zee TV has to spruce up on its programme packaging and promos. Most of the promos look tacky; many shows have signatures that lack class and finesse; the shows themselves are running short on production values; technically, the audio and video standards are not up to the mark.

     

    Star / Sony treat every promo on their channels as an ad for the programme they are promoting; that effort seems to be lacking with Zee TV. A promo is a filler for them; very little creative input seems to be going into it. Today, television audiences have to be teased, lured and retained, continuously and consistently.

     

    The Zee TV girl promo manages to do that. If the values presented in that promo are taken as a standard and replicated across the channel, it could do wonders for it.

    And a couple of months down the line, the past year may seem just a memory.

     

    ANIL WANVARI,
    CEO, INDIANTELEVISION.COM