Tag: Media & Entertainment Industry

  • Preventing content piracy in the cloud era

    Preventing content piracy in the cloud era

    Sacred Games Season 2, an original Indian series by Netflix, ended up being one of the many victims of rampant content piracy in India. The series was available on illicit websites and other digital mediums on the internet even before the original content was made available.

    The online TV and movie revenue lost to piracy in India is expected to reach USD 3.08 billion by 2022. This is a development we’ve seen not just India; revenue losses and lost monetisation opportunities by virtue of content theft and piracy continue to plague the global media & entertainment industry today. The cost of global online streaming piracy will hit $52 billion by the year 2022, according to a report by Digital TV Research. Nearly 190-billion visits were made to illegal piracy websites in 2018, of which 17.4 Billion were from the US, followed by the Russian Federation (14.5 Billion), Brazil (10.3 Billion); with India (9.6 Billion) and the United Kingdom (5.75 Billion) as the other top nations affected by online piracy. In terms of the type of content pirated, almost 50 percent of the visits to pirated websites were for television shows, and 20 percent of visitors were looking for the latest movies.

    The widespread availability of online video content, instigated by factors like ubiquitous high-speed data connectivity, hyper-connected devices and living room experiences – are all playing their part in the explosion of video content consumption online, making it lucrative for pirates to steal a portion of the pie. As more and more viewers are moving to mediums and platforms that are digitally native, circumvention of subscriptions and geo-based restrictions to access premium content with no loss in experience or quality, motivates end-users to embrace pirated means of consuming content.

    There are multiple ways in which digital content piracy exists today. There might be genuine users who are paying for the content but start sharing their credentials with other users. Pirate sites might sign up with content providers in a single-user model but then start re-distributing content. There are sophisticated piracy tools like re-encoders or stream ripping tools being used to grab content and redistribute it. Another popular content piracy technique is circumventing geo-restriction by using Virtual Private Networks (VPNs) and proxy servers to mask unauthorized IP addresses to make it look like an authorized IP which might lead to media companies breaching contractual obligations with their rights' holders due to content viewership from unauthorised regions.

    According to a survey of almost 200 media technology influencers and decision-makers conducted by Akamai in 2018, attacks on media organisations are widespread and of different types. Service downtime, caused by DNS based attacks or DDoS attacks were listed as an important area of concern, the second most important was protecting premium video content.

    For media & entertainment organisations, monetising premium video content and protecting it against unauthorised usage and distribution is key to a successful video strategy. Based on the survey, organisations face a few challenges in implementing technologies to prevent content piracy.

    The Akamai content protection portfolio is designed in a way to help media organisations defend themselves against critical threat vectors so that organisations can focus on their core, which is creating and managing content; while offloading content distribution and the threats related to safeguarding it. The portfolio aims at helping organisations prevent content piracy, unauthorised access and maximise monetisation opportunities. The portfolio provides a few key capabilities including user authentication, access revocation, geo-restrictions, encryption, watermarking and securing last mile delivery using Standard TLS.

    Security in the media & entertainment industry means securing the entire content delivery path from the content provider to the viewer – adopting a holistic approach to security. Any media company that wants to serve or distribute its content to these end-users or viewers needs to protect itself from attacks that can originate at multiple points across the content delivery path. Content consumption has changed over the last few years, and in that, it has shaped the next wave of technology, and how we interact with it. If viewers believe that Content is King, companies should invest well to protect it.

    (The author is product marketing manager, media and entertainment, APJ, Akamai. The views expressed are his own and Indiantelevision.com may not subscribe to them.)

  • FICCI FRAMES: Prasad says -Indian broadcast industry needs an improved rating system

    FICCI FRAMES: Prasad says -Indian broadcast industry needs an improved rating system

    Mumbai, 30 March: Communication & IT Minister Ravi Shankar Prasad today said the Digital India initiative of the Government is a $ 1 trillion business opportunity across IT and IT enabled services, telecom and electronics manufacturing.

    Speaking at the inauguration of the 17th edition of FICCI Frames Media & Entertainment Industry Conclave, Prasad said Digital India is aimed at empowering the citizens of India digitally.

    He said nearly $400 billion will be added from the electronics manufacturing including mobile phones, solar panels etc, while a $ 350 billion opportunity will be presented by the IT and ITES sector. The Communication services will provide business opportunities of $ 250 billion.

    The Minister said: “the aspirational urge of Indians is driving the digital world in a phenomenal way. And the Government’s job is to create an enabling eco-system for its growth.”

    Speaking about the Media & Entertainment Industry, Prasad who had been the Information Minister under Mr Atal Behari Vajpayee said Indian content has a global reach and “we must utilize its strength to depict virtues of our rich cultural heritage”. Prasad suggested that the epic stories of Ramayana and Mahabharata should be taken to the world via quality film making.

    Prasad said the Government recognized the importance and relevance of promoting media and entertainment industry. Hence, visa processes were being eased for film shootings.

    A National Centre of Excellence was coming up for the media and entertainment industry and a new film facilitation office was also being set up.

    He added that a new category in the National Film Awards – Most Film Friendly State – had been introduced to felicitate the state that provides greater access to the film industry.

    He said with the spread of internet new platforms were emerging which would lead to change in business models.

    The Minister asserted at the same time that Internet should remain democratic, plural and inclusive. “Internet is the finest creation of human mind, it should not be abused by few,” he said.

    Stressing that the television rating system must improve, Prasad said he was not impressed with TAM’s alternative – BARC – either.

    It was imperative for the television rating data to be more fair and reasonable. “I was not impressed by the TAM, and I am not impressed by the alternative too. How can a few thousand boxes determine what India is watching?” he asked. He said there was a need for a structured, fair and reasonable system to allow creation of quality content.

    He said several of his government initiatives like Skill India, Stand Up India, Aadhar roll out, Make in India, and Smart Cities involve enormous use of digital technology.

    “If the industry needs more policy initiatives, the government is open to it,” the Minister asserted.

    Prasad said with 250,000 gram panchayats being connected through Optic Fiber Network, the entire country was being brought under the broadband regime.

    He claimed that India is now the second largest mobile phone market. The internet penetration had reached 400 million, with 60% of it being mobile internet. He also said that India with one billion mobile phone connections had overtaken the United States to becomethe second largest mobile phone market in the world behind China.

    He asserted that with successful Aadhar enrolment, the government has been able to save Rs 15,000 crore through direct delivery of subsidies.

    Driving home the importance of Digital India and the opportunities it was offering, the Minister cited examples of a mathematics teacher-cum-App maker from Rajasthan, and a 68 year old person from Telangana who became digitally literate in order to communicate with her grandson in Dubai through skype. He said “Indians first watch, then adopt, enjoy and become empowered”.

     India’s talent combined with the power of Information Technology would act as a springboard to launch India into the big league, said Prasad.
    He ended by expressing his unhappiness towards the rating system in India, “I was never happy with TAM and I am not very happy with BARC either, I request Uday and the industry to have an improved rating system” he concluded

     

  • FICCI FRAMES: Prasad says -Indian broadcast industry needs an improved rating system

    FICCI FRAMES: Prasad says -Indian broadcast industry needs an improved rating system

    Mumbai, 30 March: Communication & IT Minister Ravi Shankar Prasad today said the Digital India initiative of the Government is a $ 1 trillion business opportunity across IT and IT enabled services, telecom and electronics manufacturing.

    Speaking at the inauguration of the 17th edition of FICCI Frames Media & Entertainment Industry Conclave, Prasad said Digital India is aimed at empowering the citizens of India digitally.

    He said nearly $400 billion will be added from the electronics manufacturing including mobile phones, solar panels etc, while a $ 350 billion opportunity will be presented by the IT and ITES sector. The Communication services will provide business opportunities of $ 250 billion.

    The Minister said: “the aspirational urge of Indians is driving the digital world in a phenomenal way. And the Government’s job is to create an enabling eco-system for its growth.”

    Speaking about the Media & Entertainment Industry, Prasad who had been the Information Minister under Mr Atal Behari Vajpayee said Indian content has a global reach and “we must utilize its strength to depict virtues of our rich cultural heritage”. Prasad suggested that the epic stories of Ramayana and Mahabharata should be taken to the world via quality film making.

    Prasad said the Government recognized the importance and relevance of promoting media and entertainment industry. Hence, visa processes were being eased for film shootings.

    A National Centre of Excellence was coming up for the media and entertainment industry and a new film facilitation office was also being set up.

    He added that a new category in the National Film Awards – Most Film Friendly State – had been introduced to felicitate the state that provides greater access to the film industry.

    He said with the spread of internet new platforms were emerging which would lead to change in business models.

    The Minister asserted at the same time that Internet should remain democratic, plural and inclusive. “Internet is the finest creation of human mind, it should not be abused by few,” he said.

    Stressing that the television rating system must improve, Prasad said he was not impressed with TAM’s alternative – BARC – either.

    It was imperative for the television rating data to be more fair and reasonable. “I was not impressed by the TAM, and I am not impressed by the alternative too. How can a few thousand boxes determine what India is watching?” he asked. He said there was a need for a structured, fair and reasonable system to allow creation of quality content.

    He said several of his government initiatives like Skill India, Stand Up India, Aadhar roll out, Make in India, and Smart Cities involve enormous use of digital technology.

    “If the industry needs more policy initiatives, the government is open to it,” the Minister asserted.

    Prasad said with 250,000 gram panchayats being connected through Optic Fiber Network, the entire country was being brought under the broadband regime.

    He claimed that India is now the second largest mobile phone market. The internet penetration had reached 400 million, with 60% of it being mobile internet. He also said that India with one billion mobile phone connections had overtaken the United States to becomethe second largest mobile phone market in the world behind China.

    He asserted that with successful Aadhar enrolment, the government has been able to save Rs 15,000 crore through direct delivery of subsidies.

    Driving home the importance of Digital India and the opportunities it was offering, the Minister cited examples of a mathematics teacher-cum-App maker from Rajasthan, and a 68 year old person from Telangana who became digitally literate in order to communicate with her grandson in Dubai through skype. He said “Indians first watch, then adopt, enjoy and become empowered”.

     India’s talent combined with the power of Information Technology would act as a springboard to launch India into the big league, said Prasad.
    He ended by expressing his unhappiness towards the rating system in India, “I was never happy with TAM and I am not very happy with BARC either, I request Uday and the industry to have an improved rating system” he concluded

     

  • “More than skill and knowledge, Zee focuses on talent of an individual”: Rajendra Mehta

    “More than skill and knowledge, Zee focuses on talent of an individual”: Rajendra Mehta

    The performance of a company depends largely on how happy its employees are. And this precisely is the reason why one of India’s top most General Entertainment Channel (GEC) Zee Entertainment, has been able to climb the ladder of success at the quickest pace. The Network tests how happy its employees are… It conducts an annual Employee Survey, which measures employee opinions and perceptions, based on the level of trust between management and the employees. Called the Trust Index, Zee has seen an increase in it from a mere 65 per cent in the previous year to 74 per cent this year. The Network is now also listed as ‘The Best Company to work for in the Indian M&E (Media & Entertainment) Industry’ (as per a study conducted by Great Places To Work).

     

    Zee engages with its employees globally through its ‘Samvad’ philosophy, which ensures prosperity both at a micro and macro level and of the individual and the Company.

     

    The one connect between the employees and management is Zee & Essel Group Human Resource Head Rajendra Mehta. With a rich experience of over 17 years, Mehta has worked with various companies representing diverse sectors, ranging from engineering, lighting, mining, retail, commodity trading and media, giving him profound insight into implementing human resource plans.   

     

    In a t?te-?-t?te with Indiantelevision.com’s Seema Singh, Mehta talks about the reason behind the increase in the Trust Index, why one should join Zee, the best employee policies and much more…

     

    Excerpts:

     

     

    What according to you has helped Zee become the ‘Best Company to work for in the Indian M&E Industry’?

     

    Building an environment, which is a great working place, to my mind is a journey. And I believe that we are trying to build upon different pillars of strength, which help the company become a great place to work. Zee is one organisation which gives you an opportunity to do what you enjoy doing. It has all the ingredients of entrepreneurship, has the cheek of innovative culture and provides the opportunity to experiment with ideas. Hence, as a professional, if I have ten ideas, I will have people who support them and do not act as roadblocks.

     

    Even the shareholders are very open to new ideas as they want to experiment with them. The biggest advantage with promoter shareholders is that they don’t want a stagnant status quo and the need to keep evolving is the biggest strength of this workplace.

     

     

    How does the Trust Index work?

     

    In 2012, we came up with a long-term mission objective exercise. It was called the ‘2015 Commitment’. So, we worked on it in 2012 and at that point of time, we were assessing the strengths and weaknesses of the organisation and in our kind of industry, it is the people who make or break it. And therefore, we decided to work around a people-oriented strategy because they are critical to the success of our business. Then, we identified the fact that if we want to know exactly where we are, the only way to find out is to test our Trust Index based on some recognised framework.

     

    We chose the ‘Great Place to Work’ format because it actually does peer comparison; thus, comparing us with others in the media industry and also the top 50 organisations in India. In the first year of our Trust Index, we were at about 63, which is a low from a media perspective. We have worked hard on this since then and now, the scores have jumped to 74 and we are on par with the top media companies.

     

    The plan is to surge ahead and feature amongst the top 50 companies, which include the FMCGs and telecom companies. We want to be right on top because the entry and exit of people doesn’t only happen from the media sector. So, we should be as interesting an organisation for people from other domains to join as well.

     

    We are doing a lot of promos on the social media to vigorously promote Zee as a brand and as a result, there is a decent following that we have created. We have embarked upon a fulfilling journey.

     

     

    What is the strength of the workforce in Zee? What measures have you adopted to retain employees?

     

    Zee Entertainment has about 2,600 employees globally. Our presence is in 169 countries with full-fledged offices in Johannesburg, South Africa; New York, USA; Singapore, Dubai, UAE; China, Mauritius among others.

     

    Zee has one of the least attrition rates. The environment is conducive to people freely experimenting with ideas. We also ensure that the issues that employees face are resolved immediately so that it doesn’t keep them from working efficiently.

     

     

    Do you think enough people are looking to enter the media industry? What kind of promotional activities does Zee use to inform people about the industry and the company?

     

    I think people don’t have much awareness about the media and entertainment (M&E) industry. That’s why we do a number of campus sessions, activities online as well as engage on social media to create visibility about Zee. We are trying to attract people from other domains as well. I feel people don’t really understand the subsets of media.

     

    The domain is far more forward-thinking than meets the eye and is looking good and glamorous to boot. We therefore, try to talk about the positives as this domain has tremendous growth potential and is here to stay.

     

    What we also do is create case studies about Zee, which is then studied across premier institutions in India and abroad. We take campus sessions, where we talk about media, because more often than not, we are on the lookout for fresh blood, who we can then groom and they later become long-term assets to the company.

     

     

    How often do you hire? What do you look for in a person while hiring?

     

    It is an ongoing process. Say our attrition is 10 per cent, then there is still a churn of 200 people and hence, we need those many employees. On top of that, business is growing, new segments are getting added as well as new channels are coming in place; digital is taking shape and so we keep adding on people in these departments. There is a significant hiring spree. We hire about 50 – 55 people from good reputed B Schools every year and fortunately, we find people who end up being long-term resources for us. Generally, the professional lifespan of a management trainee extends over 10 years here. This implies good retention.

     

    More than skill and knowledge, we focus on the talent of an individual. We spend maximum time in identifying the talent suitable for a respective post.

     

     

    How different are your HR policies in comparison to other organisations?

     

    My belief is that Zee is far more forward looking in terms of its HR practices. I can safely say that from an HR person’s perspective, we are far ahead of others.

     

     

    What are the incentives and perks given to employees? Do they help to retain people in the organisation?

     

    I think the people-oriented practices that we have such as learning skills and development, capability building and so on. We want to build our learning skills as an organisation. Talent acquisition is focused upon while hiring personnel on the basis of strengths. We have a ‘Samvad’ philosophy, which we follow in this regard.

     

    For Performance Management System, I think we have the best tools. We believe in nine-blocker Performance Management System, and we have turned our organisational structure in such a way that it would be doing far more justice to people and their performances post this method.

     

    We have moved away from grade to band structure, which is far more forward looking and we believe that will bring some cultural changes.  Earlier, we had 10 grades and now we have moved to five band structure. The spirit behind this is far deeper and so, it is not a simple shift from a grade to band structure, but it is with the intent of real change in attitude, in the thought processes of people and what growth means for them and the organisation. The spirit behind it is what counts the most while implementing it.

     

     

    How do you keep your employees suitably engaged?

     

    We look at not only engaging employees conducive with the environment of the organisation, but also keeping in mind his or her role. Both are critical to us and we keep assessing the happiness quotient around these two broad objectives. If there is a conflict of interest, we resolve it faster. If there is a mismatch of talent and the respective role, then we try and change the role as soon as possible. We keep changing the scenario to make this place a happier one.

     

    We have trainings which we run through a practice called ‘Zenith’, which is our capability development initiative. Last year, we trained more than 1,700 employees through this programme. Our focus is not only on skills, but also behavioural transformation areas.

     

     

    What is Samvad?

     

    It is a people-oriented philosophy and it is all about the effectiveness of leaders. Talent is the basic foundation of Samvad.

     

     

    Zee is an organisation, where it is said that people can become business heads after spending 7 – 8 years in the company. Is that so?

     

    We believe that taking up a post is not about having a wealth of experience, but it is a matter of talent that people possess. And if people have the necessary talent, we don’t hesitate in pushing them up the ladder. This also helps them gain in maturity and confidence.

     

     

    How are people motivated to experiment? Don’t they face flak for their failures? 

     

    This organisation is supportive of failures after experimenting. Even if certain ideas fail, we do not take punitive action. On the contrary, we keep pushing people to experiment with ideas, because we believe that of the 10 experiments, even if two or three are implemented well, it will give you a humongous impetus in business performance. Failure is an integral part of growth and the organisation is supportive of that.

     

     

    What are the highlights of Zee’s employment policies?

     

    You can aspire to be the business head in the quickest possible time frame. It is an entrepreneur-friendly organisation, where you can experiment with novel ideas, and this place keeps you happy. The HR here supports people in both their personal and professional aspirations. We as HR have a far more inclusive approach in the business and are not sitting at arm’s length.

     

     

    What are the policies with regard to women employees?

     

    We have a forum on the internet called the ‘Zee Connect’. People can come up and if they have any grievance or feedback they can write to the forum. We also have a formal structure of addressing various concerns of women and are very sensitive to them. Also, we have a lawyer onboard to ensure there is an impartial investigation with regard to complaints. There are senior women from the organisation in the Committee, who are free to take decisions. We have even sacked employees and have also found that at times, complaints have been malicious in nature. There is absolute impartiality.

     

     

    What are the trends in the media and entertainment (M&E) industry, which would attract fresh blood?

     

    I think digital is a changing trend, which will attract. Secondly, digitisation will create multiple space for a very niche genre, and that will give individual geeks that opportunity to do what they enjoy doing in their characteristic manner. From content consumption, that will continue to grow. It will have its own niche and people can experiment and do well in the segment.  This whole space is growing rapidly in terms of size and volume. That will give rise to opportunities of employment and being associated with this domain.

     

     

    What keeps you busy?

     

    I think complete focus on growth areas and therefore, thinking about new opportunities and how we can deploy our people. What keeps me busy is also learning and development. If we have to be focused on the future, then we will have to keep building skills. Engagement is a big domain. My foremost aspiration will be that we don’t lose productivity of a single employee, just because he is now disengaged. It is our grave concern and so we keep addressing that issue. We keep building a conducive environment, which is positive so that people feel part of this business, and this helps us to hire with ease. Creating a bigger pool of talent that aspires to be here, is the biggest challenge.

  • M&E industry to meet I&B Minister next week

    M&E industry to meet I&B Minister next week

    MUMBAI: After the mammoth election, the new BJP-led NDA government took charge on 26 May and since then, the new Information & Broadcasting Minister, Prakash Javadekar, has been a busy man. From attending press conferences and ceremonies to meeting the various stakeholders, he has been on the move since he took the oath.

     

    The Minister has been vocal about his thoughts on what he expects from the industry and what needs to be done. On day one itself, he had announced his commitment towards freedom of press and there is no intention of regulating the media. This has given new hopes to the media industry which is currently caught-up in policy hurdles, implementation delays and controversies.

     

    As per industry sources, the Minister will be meeting the various associations of the Media & Entertainment industry together early next week.

     

    Though the dates aren’t clear yet and so is the agenda, but the various sources have hinted upon the following topics which will be discussed over the table.

     

    Digitisation – With the phase I & II over and III & IV in the pipeline, it will be one of the hot topic. The Minister, couple of days back had said that in a step to boost employment and small-scale industry, efforts will be made to encourage indigenisation of set-top boxes. The stakeholders could also discuss carriage fees, opportunities in the DTH and how digitisation can help broadcasters.

     

    Licences – More the merrier has been the slogan for large media houses. With more and more channels being launched by networks, many pending licence files have been gathering dust in the numerous Ministry offices.

      

    FDI – The Ministry is already looking for inputs from various stakeholders on whether to allow 100 per cent FDI in News media. Currently, the FDI allowed is up to 26 per cent in news and current affairs media, while 100 per cent is allowed in non-news media like trade publications and entertainment channels.

     

    Way forward – The industry has been in a limbo for a long say highly placed industry sources who are betting that the new Minister will be able to hurry up things and set a positive tone for the coming years.

     

    “The meeting is all about the big picture. Everyone has been wanting to meet the new Minister and discuss the grievances and hurdles they face,” says a source who believes a little pep talk and a push is needed to take things in a positive trend.

     

    Agreeing, another industry source adds, “Everyone will come with their own wish list in a hope to get things to work in their benefit and economically do better than what it has been doing so far.”

     

    One thing is clear that in the meeting set to be held early next week, the new I&B Minister will have his platter full, with M&E industry handing him a checklist.

  • Tata Elxsi introduces consulting services for M&E industry

    Tata Elxsi introduces consulting services for M&E industry

    MUMBAI: Global technology and engineering services provider Tata Elxsi has announced the launch of Strategy & Technology Consulting services (S&TC) for the Media & Entertainment industry.

    The bouquet of consulting services is directed towards Multi System Operators (MSOs), Broadcasters and Original Equipment Manufacturers (OEMs) facing challenges related to growth, expansion and technology in both mature and emerging markets, including US, Europe, Latin America and India.

    Tata Elxsi offers its experience in devising and improving customer-centric strategies to increase reach, engagement and monetisation, technology-led strategies to help clients identify, evaluate and deploy cutting-edge B2C technologies and operational aspects to help improve service delivery and quality.

    Tata Elxsi‘s VP and Head-Broadcast Business Unit M Thangarajan said, “Our customers face different and constantly evolving priorities and challenges across geographies. For example, government driven digital switchover policies in countries such as Brazil, India and Mexico present great opportunities as well as challenges for operators, including the choice of adopting technology in a phased manner versus leapfrogging, and related aspects of deployment and operations. The expertise and insight we have developed in mature markets will help us provide the right solutions and strategies for such customers.”

    Tata Elxsi has over 15 years of specialised and global experience in working with leading MSOs, Broadcasters, OEMs, platform and software vendors, supporting their technology, product and services roadmaps.

  • Ekta Kapoor to set up ICE branch at Bangalore

    Ekta Kapoor to set up ICE branch at Bangalore

    MUMBAI: Ekta Kapoor is all set to open a branch of her media school – Institute of Creative Excellence (ICE) – in Bangalore. The institute is already running in Mumbai and Delhi.

    “Almost 15 per cent of total applications to our Mumbai institute come from South and since Bangalore is the hub of South India, we decided to open up a training set up there,” ICE CEO Anurag Gupta said.

    “In the recent past, Bangalore has nurtured models who are very successful in Media & Entertainment Industry today. Keeping that in mind we would be conducting modeling, dance and young filmmakers program directed at children in our Bangalore facility,” he said.

    ICE covers specialisations in acting, modeling, cinematography, direction, editing, production, scriptwriting, sound and visual effects.