Tag: Media & Entertainment

  • Prime Focus Technologies debuts Clear AI Agents at IBC 2024

    Prime Focus Technologies debuts Clear AI Agents at IBC 2024

    Mumbai: Prime Focus Technologies (PFT), AI-powered technology solutions, unveils CLEAR AI Agents at IBC 2024 in Amsterdam. These are designed to assist & co-work with professionals within Media & Entertainment (M&E) enterprises to execute specific tasks across content management, postproduction, and marketing. The agents seamlessly handle repetitive tasks, freeing teams to focus on strategic and creative tasks. Their round-the-clock availability and autonomous capabilities in select areas ensure timely task execution, enhancing the overall user experience. Most importantly, the agents drive scale, contributing to efficiency gains and monetisation, ultimately helping content meet revenue.

    Meet CLEAR AI Agents:

       Converse – A personal assistant that helps you engage with and utilise the content in your library to its full potential.

       Search – Use AI-powered semantic search equipped with the power of reasoning, to find contextual results quickly.

       Content Highlights – Automatic generation of highlight reels from long-form videos.

       Social – Generate social media posts and hashtag recommendations to create compelling social narratives.

       Synopsis and Thumbnails – Generate titles, thumbnails, and synopsis for clips and highlights.

       Reframe – Automatically convert horizontal videos into square and vertical formats for multiple platforms.

       Dedup – Compares assets and eliminates redundant versions, ensuring a clean and cost-effective content library.

       Localize – Translate and transcreate content into the language of choice and expand into newer markets.

       ImageGen – Generate custom images to build concept art and pre-visualizations during production.

    The CLEAR AI platform now features enhanced support for agent-driven workflows, offering a new level of integration that drives impactful results across the industry.

    The launch of AI Agents underscores the pivotal role generative AI plays in making these intelligent agents a reality,” said PFT founder & global CEO Ramki Sankaranarayanan “They are the culmination of seven years of investment in AI, combining Gen AI with the small language models reflecting our commitment to fundamentally reshape the M&E industry. These agents illustrate AI’s ability to drive significant change by enhancing productivity and driving new revenue streams. Get ready to meet your agents at IBC.”

  • India’s first private satellite TV channel Zee celebrates 30 glorious years of entertainment

    India’s first private satellite TV channel Zee celebrates 30 glorious years of entertainment

    Mumbai: Zee Entertainment Enterprises (ZEEL) celebrates 30 years of glory in India. The company has transformed the media & entertainment industry by providing the best experiences to audiences in India and around the world.

    Throughout its glorious three-decade journey, the company has consistently evolved, paving the way for it to become one of the most iconic home-grown brands. From its humble beginnings as the country’s first private satellite television channel, Zee has made significant contributions to the nation’s liberalisation journey by driving positive societal change on and off screen.

    The company’s spokesperson said, “Today, Zee is not only a well-loved household name, but it also enjoys a formidable position as a global media & entertainment powerhouse with its consumption platforms as the cultural ambassador for Indian content on the global stage.”

    In line with its Zee 4.0 vision, the company is broadening its horizons by establishing a strong tech foundation through its state-of-the-art technology and innovation centre to boost innovation and data-led capabilities, as well as recently re-entering the sports segment.

    The company further added that the mantra at Zee has always been to lead by example, demonstrating its commitment and determination to create a robust version of the company while also defining the future of the media and entertainment industry in India.

    On this milestone, Zee Entertainment Enterprises MD & CEO Punit Goenka said, “It is indeed a momentous occasion as the nation’s first home-grown entertainment company, Zee, completes three wonderful decades of entertainment and value-creation. This milestone is extra special as we also celebrate the genesis of the media & entertainment industry in India. Zee’s journey over the years can be defined by its sharp growth, its risk-taking ability to constantly tap into newer avenues and its consistent vision to generate higher value for all stakeholders.”

    He added, “As  we lay the strategic roadmap for the next 30 years, we are gearing up to propel the company’s growth and transform into a formidable player from the emerging markets. With our sharp strategic vision across the business coupled with a keen eye on profitability, our endeavour will always be to stay ahead of the curve. I would like to extend my gratitude to all our viewers, stakeholders, and partners, for sharing this memorable journey with us and expressing their continued faith in our capabilities.”

    For three decades, Zee has been known as an academy of talent, and its alumni have played an important role in shaping the industry’s future.

    On this occasion, several stalwarts acknowledged the industry and Zee’s contribution towards making India a formidable economy on a global stage.

    Actor Vidya Balan expressed, “It fills me with pride to note that Zee, the institution that gave me a platform to showcase my talent through an iconic show like Hum Paanch, has completed 30 magnificent years. Zee has been a home to a thousand stars and has relentlessly encouraged homegrown talent, irrespective of their background, to achieve their dreams. I hope that the company continues to remain a beacon of hope for budding talent across the nation and wish the Zee family all the very best for the journey ahead.”

    A leading investor and ENAM group co-founder Vallabh Bhansali stated, “As someone who believes in entrepreneurs as the prime drivers for creating valuable businesses, I have always trusted Zee’s ability to generate consistent returns for its stakeholders. I have been an ardent admirer and supporter of its amazing entrepreneurial journey—from a single channel on a rented transponder to a global media conglomerate. Throughout its journey, Zee has taken necessary risks and proved time and again its ability to stay ahead of the curve. I congratulate Punit and team for achieving this glorious milestone and wish them all the best for a bright future.”

    Zee has also made significant contributions to the welfare of society, driving positive societal change not only through iconic stories but also through various initiatives that improve the lives of people from all walks of life.

    Zee is laying a strong foundation for its next phase of growth by focusing its investments on television, digital, and its movie production businesses.

  • “India is amongst the largest content hub”: Ficci DG Arun Chawla

    “India is amongst the largest content hub”: Ficci DG Arun Chawla

    Mumbai: Ficci Frames is back in 2022. The two-day convention kicked off on 27 September at the Westin in Mumbai. The event focused on creating content and its consumption by eminent media and entertainment industry leaders.

    Ficci Frames Fast Track had plenary and parallel sessions along with workshops and master-classes on issues and topics covering the entire gamut of media and entertainment like films, broadcast (TV & radio), digital entertainment, animation, gaming, visual effects, etc. over a period of two days.

    While giving a welcome address, Ficci director general Arun Chawla remarked that the media has shown resilience and will continue to grow. He said, “According to the Ficci report, India’s M&E industry will grow 17 per cent this year (to $25.2 billion) and try to recover its level from the 2019 pre-pandemic level and maintain a CAGR of 11 per cent. The industry is trying to reach $30.9 billion. This indicates a strong growth rate. India is amongst the largest content producers. Approximately 1,50, 000 hours of TV content, 2,500 hours of premium OTT content, and 2,000 hours of filmed content will be produced in 2021.”

    In his opening remarks, Chawla discussed how the media and entertainment industries not only survived but also kept the country’s morale high by providing entertainment while the rest of the world was suffering from the pandemic.

    He said, “India’s media and entertainment market is one of the most vibrant and diverse groups. Media and entertainment industries have come a long way and are contributing to the GDP of this country. We have over 900 TV channels, more than 1,44,000 print publications, and more than 385 private radio stations. Showing immense resilience, the industry is back on its feet but still must overcome its pre-pandemic level.”

    Chawla further added, “We are all aware of India’s digital transformation. It has caused the number and importance of online media platforms to rise dramatically. The government has actively supported the M&E industry, particularly through several initiatives to increase digitization and the creation of digital communication infrastructure.

    The ministry of information & broadcasting secretary Apurva Chandra, said that the media and entertainment industry in India is about $23 billion. He also talked about setting up a film facilitation office and working with Invest India to build a single-window portal for opening theatres. We were also informed about proposed amends to the Cinematograph Act.

    Also Read : We should aim for the M&E industry to grow more than $100 bn by 2030: I&B secretary at Ficci Frames Fast Track’ 22

    Actor Ranveer Singh, who enthralled the audience with his infectious energy, was awarded the ‘Frames Achiever of the Year’ at the event.

    On receiving the award, Singh stated, “Collectively coming out of a very difficult time, I hope that we crack great ideas at Ficci Fast Track in the rapidly changing hyper-dynamic world. I deliberately say the hyper-dynamic landscape of Indian entertainment that we are going to see because it is so.”

    Speaking at the event, West Yorkshire mayor Tracy Brabin said, “We want to work with the talented and creative people to champion sustainability in the creative industries and the film industry, through investment and support. We are open for business. We would like to invite you to get involved in our cultural festivals; to attend, but also to partner in the exciting programmes of activity.”

    “With the strength of the sector in the region, there are huge opportunities for companies from India to partner with our leading companies and invest in the region. The rewards are there for the taking, and we will support you every step of the way. We want to deepen our relationship with creative India, attracting more investment from production companies, studios, post-production houses, and VFX companies,” added Brabin.

    Film director Ramesh Sippy reflected upon the changes that happened during the pandemic. He said, “As much as the pandemic has affected us, it has also brought in some changes. OTT is certainly getting a big boom. Both cinema and small platforms will perform jointly as they used to, but in a much bigger way.”

    The session on the topic “M&E Consumption: Evolving Trends Across Segments” received a good response from the audience where panellists from various TV and OTT platforms explored trends such as short vs. long vs episodic video, the resilience of radio, the rise of regional and vernacular media, etc.

    A parliamentary representative participated in an engaging discussion on the “Role of M&E in Building the Social Fabric of the Nation” and spoke on the importance of the media in fostering critical and proper public awareness of planners’ goals and limitations.

    On the first day, the event saw actor Ranveer Singh, director Ramesh Sippy, MIB secretary Apurva Chandra, West Yorkshire (UK) mayor Tracy Brabin, and members of parliament (MP) like Sumalatha Ambareesh, Priyanka Chaturvedi & Sanjay Seth.

    The two-day convention saw sessions with renowned names of the industry like Nikhil Advani, Divya Dutta, Madhur Bhandarkar, Paresh Rawal, Tannishtha Chatterjee, Adil Hussain, Revathy, Tamanna Bhatia, Raj Nidimoru, Krishna DK, Sohum Shah, Karan Johar, Ayan Mukherjee, Imtiaz Ali, Anees Bazmi, Abhishek Sharma, Nitesh Tiwary, Ashutosh Gowarikar, to name a few, along with studio heads. They talked about the gamut of media & entertainment like films, television, digital entertainment, radio, animation, gaming, visual effects, film tourism, IP rights, and film incentives.

  • Viacom 18’s Jyoti Deshpande appointed as co-chair of FICCI media & entertainment board

    Viacom 18’s Jyoti Deshpande appointed as co-chair of FICCI media & entertainment board

    Mumbai: FICCI on Monday announced the appointment of Viacom 18 Media CEO Jyoti Deshpande as the co-chair of the FICCI media and entertainment board. This is the first time that a woman executive from the media industry has been appointed as one of the office bearers of this very important vertical.  

    Deshpande is an industry veteran with over 29 years of experience across the country’s foremost media and entertainment companies. She pioneered Eros’ early entry into the OTT space (through Eros Now) and established Jio Studios as a key player in the entertainment value chain. She is currently serving as the CEO of Viacom18, making her the first woman to lead a big-four media and entertainment company.

    She has featured among Fortune India as well as Business Today’s 50 Most Powerful Women in Business lists, both of which celebrate the journeys and triumphs of women who not only impact their organisation but are also thought leaders in their industry.

     “FICCI has always been at the forefront of collaborating with various stakeholders across Indian commerce and the government to effect meaningful policy discussions and adoption,” commented FICCI director general Arun Chawla. “Given the very dynamic nature of the media and entertainment industry, this engagement is crucial for the development of the sector and the allied ecosystems. Jyoti’s experience across the value chain of this industry makes her an apt choice to lead the Committee’s holistic advisory agenda. I look forward to working with her.”

    “I feel truly fortunate to be part of an industry that is at the cusp of phenomenal growth, straddling traditional theatres to the metaverse and everything in between like television and OTT,” said Jyoti Deshpande. “I look forward to working with industry captains, custodians of brands that fuel consumption in our economy and the government as we look to leverage the confluence of technology, content and distribution to move the needle rapidly towards the $100 billion industry that we have been aspiring to be for a number of years now.”

    “The M&E industry can very much be a true embodiment of the ‘Make in India and Show the World’ mantra and I thank Sanjiv Mehta and FICCI for offering me this platform to meaningfully collaborate on shaping the future of an industry that I have invested my whole life in and am very passionate about,” she further said.

    FICCI media and entertainment board drives the media and entertainment committee. It counts promoters and CEOs of the media and entertainment industry across verticals like TV and radio broadcast, film production and exhibition, print, animation, visual effects, gaming, comics, AR/VR/MR (AVGC-XR), entertainment events, OOH etc. It remains at the forefront for policy changes towards the growth and development of the media and entertainment industry in India.

  • MullenLowe Lintas forays into content & entertainment business under Lintas C:EX brand

    MullenLowe Lintas forays into content & entertainment business under Lintas C:EX brand

    Mumbai: MullenLowe Lintas Group has unveiled a specialised content business unit under the Lintas C:EX (Lintas Creative Executions) brand. The unit called Lintas C:EX Entertainment will create content & IP that entertains and engages, said the statement.

    To lead the entertainment business unit at Lintas C:EX, seasoned media and entertainment (M&E) specialist Yogesh Manwani has been appointed as president. Manwani comes with a rich and diversified experience of over two decades across different facets of the M&E business having worked in organisations such as Star, Zee5, and most recently, Applause Entertainment as head revenue and marketing. He was involved in multiple premium drama series like “Scam 1992,” “Criminal Justice,” “Hostages,” “Undekhi,” “Avrodh,” “Mind The Malhotras,” “Bhaukaal,” “Chakravyuh,” and “Call My Agent” to name a few. 

    Manwani’s appointment is with immediate effect and will operate from the Mumbai HQ of MullenLowe Lintas Group. In his role as president at Lintas C:EX Entertainment, Manwani will work with Naveen Gaur, who is responsible for the new and specialised lines of business at MullenLowe Lintas Group.

    In his previous roles, Manwani has managed responsibilities across various content genres – Hindi News, regional news, regional entertainment, Hindi entertainment and English entertainment – across mediums such as TV and digital. A UCLA Anderson alumnus, he has handled varied challenges like business launches and turnarounds, brand strategy, customer acquisition & retention, market development and affiliate marketing. 

    Speaking about the formation of the new business building block and the leadership announcement, MullenLowe Lintas Group – group CEO Virat Tandon said, “We are seeing a huge surge of digital content, platforms, creators as well as viewers and this space is only going to grow in the coming years. Lintas is uniquely poised at the intersection of powerful ideas that shape pop culture, master creative storytelling, extraordinary video production ability and ambitious brands and clients. Lintas C:EX Entertainment is the logical next step for us to unlock the huge potential that lies ahead of us.”

    “In the past, we have had a few tactical brushes with this space. The memorable ones were when Alyque was involved with producing the pilot for “Karamchand” and then later when we conceptualised the show ‘Smart Shrimati’ for brand Wheel. This time, Lintas C:EX Entertainment is a deliberate and a strategic foray into original and branded content space. There couldn’t be a better person than Yogesh Manwani to lead this venture. He comes with a deep experience in the original content business. He is a big believer in our vision for Lintas C:EX Entertainment and I am sure he will make it a success,” he added.

    The Lintas C:EX Entertainment unit has ambitions to develop, create, produce and distribute distinct forms of curated and original content cutting across genres, languages and formats, said the agency in a statement. 

    Not only will the unit create original content for various streaming platforms, it will also work with brand partners to create and distribute ‘content for & by brands.’ The unit will also help brands identify and participate in relevant content led marketing opportunities, it added.

    “We are breaking the shackles of the ad agency descriptor that we had imposed on ourselves,” stated MullenLowe Lintas Group – group CCO and chairman Amer Jaleel. “There has been such an abundance of talent that has sprung from Lintas and gone on into the world of entertainment, I have no clue why we did not give it the shot it deserved up until now! With Yogesh at the helm of this completely separate and independent initiative, we are opportunising the era of original content and content for brands, that’s landed smack in our lives! Yogesh will spearhead, shape and structure Lintas C:EX Entertainment into possibly an equal or bigger rival to our brand and marcomm business. 

    “He has both the relationships and the experience in building channels, platforms, intellectual properties which will now propel the Lintas group into a full-blown media and entertainment powerhouse,” Jaleel added.

    Reacting to his appointment, Yogesh Manwani said, “Backed by strong, fearless and visionary leadership, the group is on a critical self-transformational journey. Entering the Content business is an integral and important part of this journey and with the acceleration of the creator economy it could not have been better timed. The long term vision that Group’s leadership has for this independent and specialised business under the Lintas C:EX brand is what excites me to lead this mandate. I look forward to bringing my experience and learnings to the table that could help in building this content company as the magic glue that binds content creators with brand owners & platform partners.”

  • Amazon, Apple emerge as most valuable global brands 2021: Kantar

    New Delhi: Multinational giant Amazon consolidated its position as the world’s most valuable brand, growing 64 per cent to $ 684 billion, Kantar said in its latest BrandZTM Most Valuable Global Brands 2021 ranking released on Monday.

    Amazon’s brand value grew by almost $268 billion this year and it became the first half-a-trillion-dollar brand, alongside Apple, at number two, valued at $612bn. The other brands that figured in the top ten most valuable global brands in 2021 were: Google, Microsoft, Tencent, Facebook, Alibaba, Visa, McDonald’s, and MasterCard.

    China’s TikTok and USA’s Tesla are among the brands that doubled their brand values during the pandemic. Tesla even emerged as the fastest growing brand and became the most valuable car brand, growing its value by 275 per cent year-on-year to $ 42.6 billion, said the report.

    Tech brands dominate global rankings

    Seven of the top ten brands are from the tech sector. Tech has also enabled non-tech brands to achieve significant growth, for example Gucci – harnessing the power of TikTok during the pandemic, and Domino’s – leveraging online and delivery services. New entrant Zoom was one of the big tech stories of 2021, with its ease of use and reliability driving momentum with business and personal users. It entered the ranking at 52 with a valuation of $36.9bn.

    World’s most valuable brands show record growth

    Despite the economic downturn brought by the devastating wave of Covid-19, the report found that the world’s most valuable brands experienced record growth. Their total worth reached $7.1 trillion – equivalent to the combined GDP of France and Germany. This was largely driven by confidence derived from vaccine availability, economic stimulus packages, and improving GDP outlooks, said Kantar Group.

    “Despite many facing a difficult year, our research has again proven that strong brands deliver superior shareholder returns, are more resilient, and recover more quickly,” said Kantar CMO, Nathalie Burdet. “With global e-commerce growing from 12 per cent to 15 per cent of all sales in 2020, it has been a positive year for brands involved in that value chain.”

    Apparel brands overtake M&E brands

    Despite reduced travel and lockdowns globally, apparel brands have collectively grown even more than media and entertainment brands in the ranking, as people redefined the boundaries between work and leisurewear. Adidas, Nike, and Puma all secured over 50 per cent value growth. Whilst, collectively, fast fashion did not grow as fast, notably, Uniqlo (+88 per cent) and H&M (+47 per cent) grew valuations significantly. The Top 20 retailers grew their brand value by a combined 48 per cent.

    Success of subscription-based models

    Microsoft innovated offers to adapt to new working environments and transitioned to subscription models to improve convenience and scalability, recording a growth of 26 per cent. Xbox (+55 per cent), Disney (+13 per cent), and Netflix (+55 per cent) all saw growth, while Spotify entered the ranking following a 454 per cent growth in subscribers from 2015-20 and a significant improvement in consumer brand equity.

    Reputation: A Key factor

    According to the report, reputation, especially for sustainable and ethical purposes, is increasingly a driver for brand growth. The luxury category saw 34 per cent brand growth with, predominantly, French and Italian luxury companies such as LVMH investing in their corporate reputation through pandemic-related initiatives, sustainable transformation, and support for social movements such as BLM. Similarly, L’Oréal Paris successfully bucked the trend across beauty brands in the pandemic, securing brand growth by flexing its assets and driving female empowerment.

    Emphasis on Trust and Reliability

    “Our analytics have uncovered that 70 per cent of what makes a brand successful is executing four fundamentals well: providing superior experience across consistently branded touchpoints, a range of well-designed and functional products and services, convenience, and exposure through great advertising. However, COVID-19 has emphasised consumer values such as trust and reliability. Those brands that are evolving their values, projecting leadership on these issues are demonstrating differentiation and standing out,” said Burdet.

  • Lower 2020 outlook, review investments, use big data for advertising, says EY M&E report

    Lower 2020 outlook, review investments, use big data for advertising, says EY M&E report

    MUMBAI: Given how things have unfolded in the last three months, media and entertainment companies foresee a lowered outlook for 2020, will have to review their investments and ramp up capacity to address the challenges, as per a new report by EY titled ‘Building a resilient enterprise- Now, Next and Beyond’. It shows that OTT, gaming, eSports, digital subscriptions and VFX will be most benefitted in the near future while live events, films, sports, out of home and print will be hard hit.

    The report adds that digital advertising saw five per cent to 15 per cent growth till 31 May but will drop to under five per cent by 30 June. Additionally, TV subscription will also reduce from minus five per cent to minus 15 per cent in the same time period. However, film will be worse off with minus 50 per cent.

    The media and entertainment sector is facing unprecedented challenges from the spread of Covid2019. Rapid changes in consumer behaviour and consumption, stoppages in content production, cancellation of live events and sports and cuts in advertising spend are impacting companies across the ecosystem.

    Publishers and media companies are benefitting from some marketers seeing the opportunity but face advertising revenue losses. Film and TV producers are under pressure to mitigate the impact of delayed-release schedules, theatre closures and production stoppages. Companies are currently focused on enterprise resiliency and triaging revenue, but will likely need to turn to rapid cost reduction as business models settle into new norms as business models are not on a solid foundation. Bright spots across the industry include digital pure-plays (such as video gaming) and other virtualised production capabilities, the report said.

    The report suggests that for ad revenue, companies should provide ad packages that are “calibrated to the gradual geographical lift of the lockdown as well as reorient ad products and capabilities to build targeted offerings for marketers.” The industry also needs to shift to a big data-based advertising.

    As a way to mitigate costs, companies can develop work-from-home strategies and consider real estate cost reduction strategies, with a focus on utilising purpose-built spaces. It also suggests updating the insurance coverage and contract clauses to provide cover for similar events in the future.

    Going forward, the report stated that segments such as online education, broadband and internet, hygiene, home entertainment and OTT, e-commerce/home shopping, health and wellness and online banking will see a rise.

    For advertisers, EY suggests engaging with marketers to understand changes to media strategy, content and ad placement. Additionally, leverage consumer insights and brand sentiment analyses to better engage marketers and provide targeted packages and offerings. One good source will be to introduce ad spend continuity initiatives.

    For content producers, it suggest coming with precaution-led production schedules to get back to shoot. Companies can repurpose their library or acquire content to serve loyal customers with new things. There needs to be more ways to shoot from home and ideation.

    Content distributers should look at leveraging digital platforms and OTT solutions to engage consumers and potentially serve as alternative channels for planned launches.
     

  • COVID-19 to impact 2020 ad rev estimates: FICCI-EY report

    COVID-19 to impact 2020 ad rev estimates: FICCI-EY report

    MUMBAI: The rapid spread of COVID-19 has fractured the whole world, particularly hitting India’s economy, which could have a drastic impact on the predicted advertising revenues for 2020, says FICCI and EY India’s media and entertainment report 2020.

    According to the report, “the coronavirus’ impact on various segments of M&E could include postponement or cancellation of events, impact on theatrical revenues due to loss of weekends, stoppage of print production or circulation in impacted areas, newsprint import blockage, stoppage or delay of content production and post-production, etc.”

    Already, a majority of sporting events at both international and local levels have been postponed or cancelled, including the first-ever postponement of 2020’s Tokyo Olympics. Even tech seminars and auto events are being scrapped one after another to curb the spread of the virus. FICCI’s own international convention – FICCI Frames – had also been postponed. The event was scheduled to take place between 18-20 March.

    The report estimated that the pandemic will cause disruption across the sector in the world, reducing the global economy by 0.5 per cent in 2020. “Organisation for Economic Co-operation and Development (OECD) reduced its growth forecast for India by 1.1 per cent for 2020, despite it being the fastest-growing major economy in the world,” says the report. The country’s growth was expected to be around five per cent, which is higher than the global average of around 2.5 per cent. India’s expected growth rate is a little higher than that of China.

    Reaffirming a positive stance for India in the future, the report expects that despite a growth slowdown in 2019 and 2020, India is expected to regain its position as a global growth leader. As a glimmer of hope, the report mentions that the positive angle is the increased time that people will spend with media in their homes. This is likely to boost media consumption and sampling.

    Giving a fresh statement on the current economic situation of the world, International Monetary Fund’s chief Kristalina Georgieva in her online press briefing said: “It is now clear that we have entered a recession as bad or worse than in 2009.” Her statement came on the back of unstoppable cases of coronavirus that has created a financial stir across the globe.

    Projecting a recovery in 2021, Georgieva adds: “There may be a sizeable rebound, but only if we succeed with containing the virus everywhere and prevent liquidity problems from becoming a solvency issue. A sudden stop of the world economy could create a wave of bankruptcies and layoffs.”

  • M&E stakeholders need to collaborate for growth: Sudhanshu Vats

    M&E stakeholders need to collaborate for growth: Sudhanshu Vats

    MUMBAI: If the Indian media and entertainment (M&E) sector, poised to be Rs 2 trillion industry by 2020, is to be a force multiplier and up the present growth trajectory, then all the stakeholders, including the government, need to collaborate sinking differences, according to Viacom18 Group CEO Sudhanshu Vats

    “We need to learn to collaborate as an industry. We need to collaborate with competitors at times so collaboration and competition can coexist. The scale of industry is such that innovation and disruption is bigger than what any single one of us can achieve. It is only when we form partnerships [and] collaborate that we can achieve greater heights,” Vats on Monday said delivering a keynote address, themed ‘Media and Entertainment: The Force Multiplier At The Heart Of Society’, at the ongoing FICCI-Frames 2018 here.

    Pointing out that the M&E sector has deep links with other sectors of the economy, Vats asked and answered, “Where is it that you first heard about the mobile phone in your hands? Why do you even use it? How did you come across the shampoo you used this morning? What did you do in the car while driving to this conference? Well for most of you, the answer will be some form of media, be it print, or digital or electronic.”

    Deconstructing his observations in terms of numbers, Vats explained that the M&E sector has added over Rs 50,000 crore in output in the last five years, has a revenue size of Rs 130,000-135,000 crore and the direct or indirect induced benefits to the economy of the total industry size is Rs 450,000 crore with a contribution of 2.8 per cent to the country’s GDP. This apart, the industry also employed, across both formal and informal sectors, 1-1.2 million people, contributing significantly to India’s job creation.

    Having excited the audience with some hard data, Vats added, “Did you know that by several estimates, video streaming accounts for over 50 per cent of total mobile internet usage in India? This is expected to touch 75 per cent over the next three years. Today itself, the contribution of data to telco revenue stands at 20-25 per cent. Imagine what will happen when virtual reality (VR) becomes a commonplace phenomenon?”

    According to Vats, while presently the media sector employed around 1.5 million people directly and indirectly, it has the potential to add another million over the next five years, which might seem a small number —  given the total workforce of 460 million — but these are jobs that were non-routine, least likely to be automated and, more importantly, most of these jobs will need ‘on-the-job training’ — meaning that these jobs don’t need to wait for the country’s education infrastructure to catch up.

    But, given the M&E industry’s role as a force multiplier, how much steam is left? Because if the engine starts to weaken, it is obvious that its role as a force too will reduce. Vats thinks the answer to the question need not be a pessimistic one. Why?

    Vats listed the reasons for growth opportunities: (i) M&E industry’s ad-spend to GDP ratio was still 0.4 per cent compared to 1 per cent in developed economies (ii) the total sector is one per cent of GDP compared to 2.5 per cent or so in developed economies and (iii) while Indian TV audience (780 million) is bigger than that of the total population of Europe (745 million), India has only 64 per cent penetration with 183 million TV households. “With electrification progressing at a blistering pace, imagine future growth,” he reasoned.

    Though the opportunities are there, can the M&E industry pull it off? Certainly yes, if all the stakeholders sunk their differences and learnt to collaborate without being skeptical of newer techs and data-driven findings instead of always asking the government and regulator for help, which they must provide being facilitators and further adding to ease of doing business, Vats said exhorting the industry to rise to the challenges as one.

    “We need to become comfortable with data because we need to bring in more transparency, authenticity and objectivity to our data. If a new-age entrepreneur comes to us, we are skeptical of his idea or technology. If someone approaches us with a new way of measuring, say, our audiences, we are dismissive. We need to change this attitude. We need to change this mindset,” Vats reasoned, adding that Viacom18 was doing its own little bits, including starting a pan-network engagement programme with startups where the company partners with validation. The initiative is called Vstep or the Viacom18 Startup Engagement Programme.

    Urging the Indian society to loosen up a bit — learning to “laugh at ourselves” — Vats signed off saying: “Let us, the media and entertainment industry, be the force multiplier for growth, the force multiplier for change, the force multiplier for jobs and, above all, the force multiplier for the good of society.”

    Also Read :

    M&E to cross Rs 2 trillion by 2020: FICCI-EY reportFicci

    Frames 2018: Smriti Irani for highlighting M&E’s economic importance 

  • PFL reports growth in operating revenue

    PFL reports growth in operating revenue

    BENGALURU: Integrated media services player Prime Focus Ltd (PFL) reported 20 per cent year-on-year (yoy) growth in operating revenue at Rs 609.61 crore for the quarter ended 31 December 2017 (Q3 2018, quarter, the quarter under review) as compared with Rs 508.03 crore for the corresponding year ago quarter (Q3 2017). Total income increased by 20.3 per cent yoy in Q3 2018 to Rs 612.21 crore from Rs 508.84 crore. The company, however, reported a net loss of Rs 7.03 crore for the quarter under review as compared with profit after tax (PAT) of Rs 28.18 crore in Q3 2017. The company says finance charges considered for Q3 2018 were higher by Rs 5.5 crore on account of change in accounting treatment towards redemption premium on Standard Chartered PE NCDs–expensed as against capitalised in the balance sheet in earlier quarters.

    Adjusted operating EBITDA for the quarter at Rs 157.34 crore (25.8 per cent of operating revenue) grew by 27.8 per cent yoy from Rs 123.16 crore (24.2 per cent of operating revenue). Adjusted EBIDTA of Rs 157.34 crore for Q3 2018 includes ESOP costs of Rs 4.21 crore, foreign exchange (forex) losses of Rs 2.51 crore and Rs 10 crore of non-operating non-cash forex charges on account of balance sheet translation exposure and approximately Rs 20 crore for certain one-time Montreal setup costs and conservative provisions at PFW/DNEG.

    Total expenditure in Q3 2018 increased by 25.9 per cent to Rs 610.09 crore from Rs 484.43 crore in Q3 2017. Employee benefits expense in Q3 2018 rose by 25.9 per cent to Rs 332.61 crore from Rs 268.74 crore in the corresponding quarter of the previous year. Technician fees more than doubled (2.08 times) to Rs 15.12 crore from Rs 7.27 crore in Q3 2017. Technical services cost in the quarter under review increased by 72.4 per cent to Rs 28.45 crore from Rs 16.50 crore in Q3 2017. Finance cost in Q3 2018 increased 97.6 per cent yoy to Rs 45.32 crore from Rs 22.94 crore in Q3 2017. Other expenditure in the quarter increased 14.9 per cent yoy to Rs 106.08 crore as compared to Rs 92.36 crore in the corresponding quarter of fiscal 2017.

    Commenting on the results, PFL founder, executive chairman and global CEO Namit Malhotra said, “We are pleased to report a strong quarter with continued momentum across businesses. Ourcreative services continued to deliver marquee projects such as recent Hollywood blockbusters – Thor: Ragnarok and Justice League which have grossed over $800 million and $600 million, respectively. Our order book includes good projects like Venom, which is the next movie in the Spiderman franchise. In tech/tech enabled business, we added new clients and invested in new talent to strengthen our reach in North America while India FMS continues to deliver robust profitability in line with our expectations.

    “Given the significant growth we have witnessed in our creative services business and continued momentum visible going forward, the board has decided that Vikas should focus all his energies toward helping manage this growth and maximise the potential at PFW/DNEG. Vikas has relocated to London and will now be fully focused on his role as the CFO of PFW/DNEG. Nishant Fadia has now been re-appointed as the CFO of PFL. As you may know, Nishant has been with Prime Focus for the last 18 years and was the CFO of PFL till 2014 and since then has been the COO for the Group. I wish them both the very best as we look to take the Prime Focus Group to greater heights in the years ahead.

    “We are happy to continue to deliver performance ahead of plans and look forward to ending FY18 on a higher note.”

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