Tag: Mastiii

  • Reliance joins the horde of TV channels challenging the 12 minute ad cap in TDSAT

    Reliance joins the horde of TV channels challenging the 12 minute ad cap in TDSAT

    NEW DELHI: The Telecom Disputes Settlement and Appellate Tribunal (TDSAT) today said a petition by Reliance Big Broadcasting, Mumbai, relating to their television channels will be heard along with other matters challenging issues relating to the ad cap sought to be implemented by the Telecom Regulatory Authority of India (TRAI).

     

    The matters will be heard by the TDSAT on 21 October along with other channels such as Music Xpress, Mastiii, B4U Music, M Tunes and 9XM.

     

    Earlier, TDSAT had accepted an assurance by TRAI not to take any coercive action against television channels from 1 October, when the ad cap of 12 minutes per hour was to have come into force.

     

    In a hearing earlier this week in a similar matter, counsel for TRAI had told TDSAT that an anomalous situation had been created with some channels having accepted the ad cap with effect from 1 October. It was therefore requested that the matter be resolved once for all.

     

    TRAI has so far admitted a large number of matters including one by the News Broadcasters Association (NBA) which seeks to challenge the status quo of TRAI in the matter. That petition had been listed for hearing on 11 November but will now be heard along with the others.

     

    The Tribunal had earlier said that while the channels will maintain weekly records of the advertising time per hour on a weekly basis, they will not be required to submit this to the regulator. Unlike the current practice, the records will only be submitted to TDSAT at the time of the hearing of the case.

     

    At that time, Counsel A J Bhambani for the NBA had said that a delegation of the Indian Broadcasting Foundation (IBF) had submitted a formula to the regulator but that did not preclude the broadcasters from challenging the validity of the regulations.

     

    He also said that this was only a compromise reached between the broadcasters and the regulator and could not form the basis of penal action since it was not a regulation or legal provision.

  • 2011: The defining year for the music genre

    2011: The defining year for the music genre

    Year 2011 was special for the youth and music channels in more than one way. For starters, the genre grew with the advent of focused new players, and also came of age as channels clearly selected the model they want to follow.

    If 2010 was the year of uncertainty for the genre, 2011 was the Buddha moment, when the players found the light, the path and, most importantly, the business model.

    So far the category was suffering with the biggest limitation – no scope for differentiation as every channel had access to the same pool of music. But 2010 end was a watershed moment, after which viewers started witnessing an urge amongst the players to be, for the lack of a better word, different.

    Finally, in 2011, the two clear categories emerged within the genre – one was pure play music and other was youth centric channels.

    The clear distinction or segregation happened with the launch of pure play music channels like Mix and MTunes. This channel brigade was led-by 9XM with other players including B4U Music, Music India and, up to some extent, Mastiii. Meanwhile, the youth genre found stability on the tri-pad of MTV, Channel [V] and UTV Bindass.

    Though executives of all of these channels differ on their content strategies and business models, they all agree that this genre is extremely competitive and in order to reach their target audience, they need to be far more than a mere TV channel.

    The biggest challenge is that the genre is highly fragmented and is marred with low viewership. As it is, music is no longer the mainstay of music channels. So experimentation by the youth channels continued in 2011. While Channel [V] found solace in fiction properties, MTV went for a mix of reality along with non-film music. UTV Bindass targeted youth from campuses and also focused on relationships.

    Similarly, among the pure play channels, while 9XM continued serving latest Bollywood music with the animated characters, Mastiii had comedy gags to retain audiences. Mix, the four-month-old channel, opted for mood mapping and is working on improving its distribution.

    The genre now has 19 players and they are fighting for an ad pie between Rs 3.5-4 billion yearly and a share of 200-240 GRPs (gross rating points)on a per week basis. Thankfully, the music space has undergone transformation and today they have some differentiated content and not the same generic content – be it music or reality shows.

    UTV Bindass business head Keith Alphonso says, “Finally, after 14 years, the genre has matured in 2011. We have taken the positioning of a youth channel and it is a three-horse race – MTV, UTV Bindass and Channel [V]. Though every channel is creating its niche, we have decided that we want to own the three verticals which are close to heart of the youth – campus, relations and music. For us, it is important to emerge as a brand.”

    But the question remains: How will the music and youth channels survive with such competition? Answers MTV India EVP and business head Aditya Swamy, “Unlike general entertainment channels, youth genre is not sold on GRPs. In any case, the difference between the top and the eighth player will be less than 10 GRPs. Advertisers and clients look at what more we are putting on the table; its always GRP++. And so, we give them much beyond TV. We give social media, digital etc as we are engaging our consumers on multiple platforms.”

    Agrees Channel [V] EVP and GM Prem Kamath, “First I think calling this genre niche is a big oxymoron. Youth constitutes 60 per cent of total population. Everyone is targeting them, so definitely its not niche. But, having said that, the problem with the genre is that with only music, there is a certain level you can grow. Best chances are you can get up to 30-35 GRPs. Yes, you can make some money if you are on top, but there is no growth.”

    About Channel [V]‘s decision of entering into fiction, he says, “Our offerings are customised for the youth. The two fiction properties are top rated shows and in certain markets, they rate even higher than shows on the GECs.”

    Among the three youth channels, Channel [V] plays least amount of music. It has only two bands — 8-11 am and 4-6 pm – reserved for music.

    Kamath explains, “Today the maximum consumption of music is happening over the phone or music players. Secondly, it is same everywhere and exclusive music is not working as it is not monetiseable. Plus we do
    not want just a visual radio.”

    Interestingly, the genre suffers from a very low time spent of around 25 minutes per week. Even FM radio stations become a competition for the channels, given the passive listening that is happening with pure music channels.

    “The biggest challenge is to increase the time spent on the channel. The average time spent on our channel is 28-30 minutes per week, but that needs to grow. Secondly, the whole genre is struggling to get the due respect from viewers as well as advertisers,” Max EVP and business head Neeraj Vyas says.

    Vyas adds that in order to increase the stickiness and to get appointment viewing, the channel will have more format shows, and Mix will be a platform for the singers and other musicians.

  • Music channels face uncertainty

    Music channels face uncertainty

    Year 2010 saw major changes in the music and youth TV channel genre. Firstly, the space got further cluttered with the launch of a new player – Mastiii. Secondly, at least three channels – MTV, UTV Bindass and 9XM – were fighting week-on-week to know who is first among the equals. And thirdly, the focus of the channels shifted – some went for pure music and others for pure youth.

    The 13-odd channels in the genre (as per Tam) are locked in a rat race. From January –December 2010, in the C&S 15+ age group of Hindi speaking Market (HSM), MTV and 9XM were leading the pack with a 14 per cent average market share. UTV Bindass was, however, in hot pursuit with 13.9 per cent.

    To add on to the fierce competition, Sri Adhikari Brothers’ Mastiii, which launched in July, quickly climbed and captured a good 12.6 per cent average share.

    Meanwhile, Channel [V], Zoom (Bollywood and lifestyle channel), B4U Music, ETC and E24 (Bollywood news channel), which Tam puts in the same genre, followed with 9.1 per cent, 8.8 per cent, 7.7 per cent, 6.5 per cent and 6.3 per cent respectively of the overall pie.

    The also rans include Zing, Imagine Showbiz and Vh1.

    The question remains: How the music and youth channels will survive with such competition? Industry pundits peg the whole pie between Rs 2.5–3 billion yearly and believe the market is small while the players are too many. Some say that the music space has undergone tremendous transformation and today they all have the more or less same generic content – be it music or reality shows.

    But how true is it? Answers Channel [V] EVP and GM Prem Kamath, “TV is not the primary medium for music anymore as it is available everywhere. More importantly, the greatest monetisation in television comes from differentiation. The biggest limitation of the music television model has been that there is no scope whatsoever in differentiating the content of one channel from another. Every channel has access to the same pool of music and, hence, very little differentiates one channel from another.”

    And to counter this situation, Channel [V] has cut down its reliance on music drastically. The channel airs music only between 7-10 am band, which is a prime slot for music channels.

    However, at the same time, pure play music channels – 9XM and Mastiii – are doing great so far as ratings go. What is their success mantra?

    9XM programming head Amar Tidke says, “It’s all about how you package your content. Yes, you have to break through the clutter and for that we have animated characters.”

    Tidke believes that other “youth channels” have diluted the music proposition. And on the point that music is skewed towards Bollywood only, Tidke strongly replies that it is wholesome music. “Bollywood music contains all the forms of music including romantic, sad, sufi, bhajans, etc. So it is wrong to say that we are neglecting other forms of music,” he says.

    And while Channel [V] and Bindass are youth channels, through and through, MTV, the long standing undisputed leader of the genre, changed its positioning twice in the year.

    While MTV continued cutting down its music content to 20 per cent, in the later part of the year it backtracked and increased it to 50 per cent. Some rival channels executives believe the step taken by MTV is rather unfortunate. “The channel has lost its positioning. It had a head start with cult shows like Roadies. But they have spent a lot and the latest seasons of the shows did not perform well. The high cost may have been a reason behind going back,” one senior executive on condition of anonymity said.

    However, MTV India channel head Aditya Swamy said that the channel has adopted a new “Raw” identity. “MTV as a brand is much bigger than a TV channel,” Swamy said. “We felt that a good combination of music and reality is necessary, so we have increased the music content.”

    However, experts believe that pure music channels 9XM and Mastiii are forcing the older music channels to relook on their music content. “MTV and Channel [V] had taken steps to reduce their music content as they repositioned themselves as youth brand channels. MTV could now be trying to play a fine balance between their reality and music content,” says a media tracker.

    Meanwhile, on the reality content front, MTV’s reign is shaking as UTV Bindass has succeeded with bold homegrown reality shows like Emotional Attyachaar and Dadagiri. And Channel [V] also is upping the ante with new reality shows.

    Also, as per ad sales executives, a pure play music channel can have a revenue upside of Rs 600-650 million, if it leads the genre and buying music is not expensive. And that precisely is the opportunity Sri Adhikari Brothers’ saw while launching Mastiii.

    As might be the case with MTV, the reality content doesn’t come cheap. It increases your cost significantly, while results are not always that great. So is it not safe to play pure music? Kamath disagrees. “Music is very easy form of content to put on a channel, but then there is a limit to grow. Moreover, many pure play music channels are getting good ratings from retro songs, which are not sampled by youth,” he says. Channel [V] claims of targeting youth in the 15-34 year segment.

    Meanwhile, the year 2010 saw a slight increase in the whole genre, presumably because of the launch of a new channel and the combined effort of other channels to market their shows.

    However, 2011 will be a tougher year for the players. There is one more new player in Sony Entertainment waiting for licence to launch its music channel – Sony Mix. Imagine Showbiz has also changed ownership and is now in the hands of Anil Ambani. So wait for more uncertainty in the genre.