Tag: Masaan

  • “You Better Do A Good Job Because He’s Our Best Man” Indian Army’s advice to Vicky Kaushal ahead of Sam Bahadur

    “You Better Do A Good Job Because He’s Our Best Man” Indian Army’s advice to Vicky Kaushal ahead of Sam Bahadur

    Mumbai: Vicky Kaushal made his debut over eight years ago in the Neeraj Ghaywan directorial Masaan. Since then, he has established himself as one of the prominent actors in the country with notable performances across films including Raazi, Sanju, and Lust Stories, amongst others. In early stages of his career, Vicky won the National Award for Best Actor for his performance in Uri: The Surgical Strike. He will next be seen in the upcoming biographical war drama film Sam Bahadur which has been directed by Meghna Gulzar. Ahead of its release, Vicky appeared on the IMDb exclusive segment ‘Essential Guide to Vicky Kaushal’ where he spoke about his journey so far in Bollywood while sharing personal anecdotes of his upcoming film.

    Find out more below:

    Sharing his experience of shooting for Sam Bahadur, Kaushal mentioned, “Every time I would interact with the Indian Army, every time they would be like, ‘we are very happy you’re getting to play this role, but you better do a good job because he’s our best man and you’re playing our best man’. Most of the dialogues in the film, which sound like these filmy dialogues, are actually said by him, quote, unquote. And I’m just praying that when the film comes out, people feel the tribute that we wish to give to the man, to the legend.”

    Revealing the moment he knew he wanted to be an actor, Kaushal said, “During my engineering college days, we were taken to a multinational company. They showed us the work culture post completion of college. That day I knew what I didn’t want to do in life. So, I started asking myself what’s going to make me happy. That’s where I got the answer that once I finish graduation, I am going to become an actor.”

    Speaking of Masaan, the first film where he played a protagonist, Kaushal said, “I didn’t know that it was going to affect me so much. We shot in Banaras where there was magical magnetic energy, which just pulled me in. With this movie, I saw myself for the first time on the big screen at the Cannes Film Festival. One year prior to that, I was looking for opportunities, for a job, knocking doors.”

    Speaking of when he assisted Anurag Kashyap on Gangs of Wasseypur, Kaushal said,  “I consider it to be my film school  where I got the opportunity to assist Anurag Kashyap on Gangs of Wasseypur. It was a bunch of fantastic actors coming together to do this film. And it was also a film made with very limited resources. It did not have the vanity of a big-scale Bollywood film. I still carry those learnings with me, it still helps me when I’m performing.”

    Sharing his experience of working on Sanju, Kaushal said, “I got the opportunity to work with one of the best directors in the country, Rajkumar Hirani. Kamli was a beautiful character I got to play with some beautiful writing done for the film. I got to work with Ranbir. I had heard other actors say that it is a great feeling to be called by your character’s name. I got to experience that with Kamli. I got to live that moment with Sanju.”

    Speaking of the turning point of his career, Kaushal shared, “Uri: The Surgical Strike has to be my biggest turning point as an actor in terms of the success of the film, in terms of how well this film was received, celebrated. It was a tribute to the Indian army. For four months, there was a proper boot camp training which I had to undergo. I was trained by the Indian army. I got to win the National Award for this film, which is probably one of the happiest days of my life because it’s a huge honour.”

  • US$ 20m Drishyam fund for 10 Indian films in two years, releases showreel

    MUMBAI: Mumbai-based Drishyam Films is set to launch a $20m Production Fund to facilitate the growth of independent Indian cinema and to escalate it to a global reach.

    The fund will be spent in developing and producing cutting edge original content that will be true to the Drishyam vision of cinema, i.e. local in its setting but global in its appeal. It will be put to use for producing 10 independent Indian films over the next two years.

    Manish Mundra, founder of Drishyam Films, expects to announce the first projects under the fund in the early 2018. In addition to the production of the films, the fund will also be used to develop Drishyam Films’ VFX Studio in Mumbai.

    The production fund, which is raised independently by Manish Mundra, will help Drishyam Films towards accomplishing their goals of building a platform for unique voices of Indian independent cinema and create global content with rich Indian flavours. 

    Mundra says: “This fund has been set up with the objective of taking Indian cinema to the next level internationally. We plan to take our focus on content driven cinema and merge it with high technical finesse to make films that will travel across the world.”

    The studio which has produced some of the most acclaimed and globally feted Indian films recently such as Ankhon Dekhi, Masaan, Dhanak, Umrika and Waiting also released a special showreel that celebrates their impressive body of work, and also gives audiences a sneak preview of their forthcoming releases.

    Apart from the fund, Mundra has two new features going into production over the summer – Mohamed Gani’s Cycle, about the importance of the humble bicycle in small-town India, and Ganesh Shetty’s Anonymous, about a woman and her relationship with society as she undergoes an abortion. Both films are being readied for festival submission by the end of the year.

    Drishyam Films has already had a great start to 2017, with their next release Newton starring Rajkummar Rao winning the CICAE Award at the Berlin International Film Festival 2017 and the Jury Prize for Best Film at the 41st Hong Kong Film Festival, 2017. More recently, their films won big at the 64th National Film Awards where Dhanak won Best Children’s Film, while Kadvi Hawa bagged a Special Mention.

  • Rajkummar Rao’s Newton to make world premiere at Berlin Festival

    Rajkummar Rao’s Newton to make world premiere at Berlin Festival

    MUMBAI: The New Year is beginning on a high note for Drishyam Films, the makers of much loved films such as Masaan, Dhanak and Waiting. Their latest film Amit V Masurkar’s Newton is all set to make its World Premiere at the Berlin International Film Festival, one of the world’s most prestigious film festivals to be held from 9-19 February 2017. The film will have a red carpet premiere with its cast and crew on 10 February, during the opening weekend of the top-tier festival.

    The public programme of the Berlin International Film Festival shows about 400 films per year, mostly international or European premieres. Films of every genre, length and format find their place in the various sections: great international cinema in the Competition, independent and art house in Panorama, films for the young audience in Generation, new discoveries and promising talents from the German film scene in Perspektive Deutsches Kino, avant garde, experimental and unfamiliar cinematography in the Forum and Forum Expanded, and an exploration of cinematic possibilities in Berlinale Shorts.

    Newton, starring Rajkummar Rao in the title role is a sharp political black comedy that takes place on an election day in Central India. Rajkummar Rao, whose star is on the rise following with strong, highly appreciated performances in films like Aligarh and Queen, plays Newton, a rookie clerk on election duty in a conflict-ridden jungle of Chhattisgarh, who tries his best to conduct free and fair voting despite the apathy of security forces and the looming fear of an attack by Maoist rebels.

    The film also stars acclaimed actors Anjali Patil (of Mirzya fame), Pankaj Tripathi (of Gangs of Wasseypur fame) and Raghubir Yadav (veteran actor from Peepli Live).

    Newton is Amit V Masurkar’s second film after the sleeper hit Sulemani Keeda in 2014. The film produced by Manish Mundra will be screened in the ‘International Forum of New Cinema’, considered as the most daring section of the Berlinale featuring avant-garde, experimental works, political reportage and yet-to-be-discovered cinematic landscapes.

    Newton was part of the Co-Production Market (CPM) at Film Bazaar 2015 and also one of the Film Bazaar Recommends titles at Film Bazaar 2016.

    Interestingly, all of Drishyam Films’ films starting from Ankhon Dekhi, Masaan, Waiting, Dhanak and Umrika have made their world premieres at top-billed international film festivals. Masaan (2015), directed by Neeraj Ghaywan premiered at the Cannes Film Festival 2015 and won two awards — FIPRESCI, International Jury of Film Critics prize and Promising Future prize in the Un Certain Regard section. Umrika won the audience award in the World Cinema Dramatic Competition section at the Sundance Film Festival, in 2015. Newton is Drishyam Films’ second venture to make its world premiere at Berlinale after Nagesh Kukunoor’s Dhanak (Rainbow) which made its world premiere at Berlinale 2015 and also received a special mention from the jury.

    Amit V Masurkar, who has co-written and directed Newton, says, “We’re all excited to have a grand premiere of Newton in Berlin which is a very prestigious festival and has launched some of the most interesting films from across the world. Newton is a political film with a generous helping of quirky, dark humour which reflects the absurdity of the world we live in. We’re sure it will resonate with audiences at home and abroad.”

    Starting 2017 with such great news, Founder of Drishyam Films and the producer of Newton, Manish Mundra says “Newton stands true to our vision of telling powerful stories that are rooted in our culture yet universal in their appeal. We are thrilled to be back at Berlin with this special film, and plan to bring it to our audiences at home soon after.”

    Drishyam Films aims to build a platform for unique voices of Indian independent cinema and create global content with rich Indian flavours. Their filmmaking journey started with the award-winning film Ankhon Dekhi directed by Rajat Kapoor. Its success was followed by Umrika directed by Prashant Nair which premiered at Sundance Film Festival 2015 and bagged the Audience Choice Award.

  • Rajkummar Rao’s Newton to make world premiere at Berlin Festival

    Rajkummar Rao’s Newton to make world premiere at Berlin Festival

    MUMBAI: The New Year is beginning on a high note for Drishyam Films, the makers of much loved films such as Masaan, Dhanak and Waiting. Their latest film Amit V Masurkar’s Newton is all set to make its World Premiere at the Berlin International Film Festival, one of the world’s most prestigious film festivals to be held from 9-19 February 2017. The film will have a red carpet premiere with its cast and crew on 10 February, during the opening weekend of the top-tier festival.

    The public programme of the Berlin International Film Festival shows about 400 films per year, mostly international or European premieres. Films of every genre, length and format find their place in the various sections: great international cinema in the Competition, independent and art house in Panorama, films for the young audience in Generation, new discoveries and promising talents from the German film scene in Perspektive Deutsches Kino, avant garde, experimental and unfamiliar cinematography in the Forum and Forum Expanded, and an exploration of cinematic possibilities in Berlinale Shorts.

    Newton, starring Rajkummar Rao in the title role is a sharp political black comedy that takes place on an election day in Central India. Rajkummar Rao, whose star is on the rise following with strong, highly appreciated performances in films like Aligarh and Queen, plays Newton, a rookie clerk on election duty in a conflict-ridden jungle of Chhattisgarh, who tries his best to conduct free and fair voting despite the apathy of security forces and the looming fear of an attack by Maoist rebels.

    The film also stars acclaimed actors Anjali Patil (of Mirzya fame), Pankaj Tripathi (of Gangs of Wasseypur fame) and Raghubir Yadav (veteran actor from Peepli Live).

    Newton is Amit V Masurkar’s second film after the sleeper hit Sulemani Keeda in 2014. The film produced by Manish Mundra will be screened in the ‘International Forum of New Cinema’, considered as the most daring section of the Berlinale featuring avant-garde, experimental works, political reportage and yet-to-be-discovered cinematic landscapes.

    Newton was part of the Co-Production Market (CPM) at Film Bazaar 2015 and also one of the Film Bazaar Recommends titles at Film Bazaar 2016.

    Interestingly, all of Drishyam Films’ films starting from Ankhon Dekhi, Masaan, Waiting, Dhanak and Umrika have made their world premieres at top-billed international film festivals. Masaan (2015), directed by Neeraj Ghaywan premiered at the Cannes Film Festival 2015 and won two awards — FIPRESCI, International Jury of Film Critics prize and Promising Future prize in the Un Certain Regard section. Umrika won the audience award in the World Cinema Dramatic Competition section at the Sundance Film Festival, in 2015. Newton is Drishyam Films’ second venture to make its world premiere at Berlinale after Nagesh Kukunoor’s Dhanak (Rainbow) which made its world premiere at Berlinale 2015 and also received a special mention from the jury.

    Amit V Masurkar, who has co-written and directed Newton, says, “We’re all excited to have a grand premiere of Newton in Berlin which is a very prestigious festival and has launched some of the most interesting films from across the world. Newton is a political film with a generous helping of quirky, dark humour which reflects the absurdity of the world we live in. We’re sure it will resonate with audiences at home and abroad.”

    Starting 2017 with such great news, Founder of Drishyam Films and the producer of Newton, Manish Mundra says “Newton stands true to our vision of telling powerful stories that are rooted in our culture yet universal in their appeal. We are thrilled to be back at Berlin with this special film, and plan to bring it to our audiences at home soon after.”

    Drishyam Films aims to build a platform for unique voices of Indian independent cinema and create global content with rich Indian flavours. Their filmmaking journey started with the award-winning film Ankhon Dekhi directed by Rajat Kapoor. Its success was followed by Umrika directed by Prashant Nair which premiered at Sundance Film Festival 2015 and bagged the Audience Choice Award.

  • Jio MAMI: ‘The Lady of the Lake’, Konkona Sen awarded

    Jio MAMI: ‘The Lady of the Lake’, Konkona Sen awarded

    NEW DELHI: David Chou’s Diamond Island and Haobam Paban Kumar’s The Lady of the Lake won the top Golden Gateway Awards in the International and National categories respectively in the MAMI International Film Festival.

    Mastercard gave Konkona Sen Sharma the Best Female filmmaker. Mastercard recently partnered with the Jio MAMI 18th Mumbai Film Festival with Star as a sponsor for the Best Female Filmmaker Award for the Festival held in Mumbai from 20 to 27 October.

    The festival showcased some of the latest cutting-edge, independent cinema and art house fare alongside genre movies from Bollywood, Hollywood and cult international movies. Mastercard South Asia Country Corporate Officer, India and Division President Porush Singh handed over the award to Konkona for the film ‘A Death in the Gunj’.

    Porush said, “MAMI has been a brilliant platform bringing the best of world and Indian cinema to Indian audiences. We at Mastercard are delighted to associate with MAMI and feel privileged to recognize the MAMI Best Female Filmmaker for the year 2016. This award is a validation of our commitment to empower and enable women across all walks of life.”

    The Festival screened over 180 films from 70 countries. The finale ceremony, hosted by Vickey Kaushal and Shweta Tripathi of Masaan, was attended by directors like Vishal Bhardwaj, Rajkumar Hirani, Kabir Khan, Zoya Akhtar, Anurag Kashyap, actresses Sonam Kapoor and Richa Chadha besides several others.

    Undoubtedly, the stars of the night were Anupama Chopra, Kiran Rao, and Smriti Kiran, the three women who painstakingly put the festival together, sourcing films from across the globe, arranging carefully planned masterclasses, besides hosting a number of other sessions, and one very memorable reunion of the cast and crew of Jo Jeeta Wohi Sikander.

    Festival Director Jio MAMI with Star Anupama Chopra added, “MAMI is and has always been at the forefront of promoting excellence in cinema, be it unique, cutting edge parallel cinema or mainstream Bollywood cinema. The award for the Best Female Film-maker, presented by Mastercard was a tough choice for the jury as we sifted through many pieces of creative work. We hope to see more women come forward to directing or being a part of the creative process of cinema and thus contributing to the heritage of the Indian film fraternity.”

    INTERNATIONAL COMPETITION
    Silver Gateway Award – Ralitza Petrova’s Godless.
    The Jury Grand Prize Natalia Almada’s Everything Else.
    Special Mention for Political Commitment of the Film – When Two Worlds Collide.
    The Special Mention – Macarena Arias’s Alba.

    INDIA GOLD
    Silver Gateway Award – Satish Babusenan and Santosh Babusenan’s The Narrow Path.
    Jury Grand Prize – Aicheng Jai Dohutia’s The Hidden Corner.
    Special Mention – Deepak Sampath’s Autohead
    Special Mention – Shirley Abraham and Amit Madhesiya’s Cinema Travellers.

    DIMENSIONS MUMBAI
    Golden Gateway Award – Santosh Ganpat Kamble for Mumbai’s Mahuwa.
    Silver Gateway Award – Tabu Kaariya’s Ajeeb Dastan Hai Yeh.
    Special Mention (Dimensions Mumbai) Award – Yashwardhan Goswami’s Bombai.

    HALF TICKET
    Golden Gateway Award (Feature) – Laha Mebow’s Hang in There, Kids!
    The Silver Gateway Award (Feature) – Evi Goldbrunner and Joachim Dollhopf’s At Eye Level.
    Special mention (Feature) – Mrinmoy Mondal, Shupratim Bhol’s Colours of Innocence.
    The Golden Gateway Award (Short) – Vincent Patar and Stephane Aubier’s A Town Called Panic: Back to School.’
    The Silver Gateway Award (Short) – Nina Sabnani’s We Make Images.
    Special Mention (Short) – Pedro Paulo De Andrade’s The Best Sound in the World.

    Oxfam awarded Alankrita Shrivastava’s Lipstick Under my Burkha for Best Film on Gender Equality while the Audience Choice Award went to The Salesman by Asghar Farhadi.
    The Young Critics Choice Award was won by Shirley Abraham and Amit Madhesiya’s Cinema Travellers.

    The Special Mention for Excellence in Writing on Cinema (Hindi) went to Naye Daur Ka Naya Cinema by Priyadarshan, whle the Special Mention for Excellence in Writing on Cinema (English) went to Kanan Devi: The First Superstar of Indian Cinema by Mekhala Sengupta.

    Excellence in Writing on Cinema Award (Hindi) – Bhartiye Cinema Ka Itihas by Anil Bhargava.

    Excellence in writing on Cinema Award (English) – The World of Hrishikesh Mukherjee by Jai Arun Singh.

  • Jio MAMI: ‘The Lady of the Lake’, Konkona Sen awarded

    Jio MAMI: ‘The Lady of the Lake’, Konkona Sen awarded

    NEW DELHI: David Chou’s Diamond Island and Haobam Paban Kumar’s The Lady of the Lake won the top Golden Gateway Awards in the International and National categories respectively in the MAMI International Film Festival.

    Mastercard gave Konkona Sen Sharma the Best Female filmmaker. Mastercard recently partnered with the Jio MAMI 18th Mumbai Film Festival with Star as a sponsor for the Best Female Filmmaker Award for the Festival held in Mumbai from 20 to 27 October.

    The festival showcased some of the latest cutting-edge, independent cinema and art house fare alongside genre movies from Bollywood, Hollywood and cult international movies. Mastercard South Asia Country Corporate Officer, India and Division President Porush Singh handed over the award to Konkona for the film ‘A Death in the Gunj’.

    Porush said, “MAMI has been a brilliant platform bringing the best of world and Indian cinema to Indian audiences. We at Mastercard are delighted to associate with MAMI and feel privileged to recognize the MAMI Best Female Filmmaker for the year 2016. This award is a validation of our commitment to empower and enable women across all walks of life.”

    The Festival screened over 180 films from 70 countries. The finale ceremony, hosted by Vickey Kaushal and Shweta Tripathi of Masaan, was attended by directors like Vishal Bhardwaj, Rajkumar Hirani, Kabir Khan, Zoya Akhtar, Anurag Kashyap, actresses Sonam Kapoor and Richa Chadha besides several others.

    Undoubtedly, the stars of the night were Anupama Chopra, Kiran Rao, and Smriti Kiran, the three women who painstakingly put the festival together, sourcing films from across the globe, arranging carefully planned masterclasses, besides hosting a number of other sessions, and one very memorable reunion of the cast and crew of Jo Jeeta Wohi Sikander.

    Festival Director Jio MAMI with Star Anupama Chopra added, “MAMI is and has always been at the forefront of promoting excellence in cinema, be it unique, cutting edge parallel cinema or mainstream Bollywood cinema. The award for the Best Female Film-maker, presented by Mastercard was a tough choice for the jury as we sifted through many pieces of creative work. We hope to see more women come forward to directing or being a part of the creative process of cinema and thus contributing to the heritage of the Indian film fraternity.”

    INTERNATIONAL COMPETITION
    Silver Gateway Award – Ralitza Petrova’s Godless.
    The Jury Grand Prize Natalia Almada’s Everything Else.
    Special Mention for Political Commitment of the Film – When Two Worlds Collide.
    The Special Mention – Macarena Arias’s Alba.

    INDIA GOLD
    Silver Gateway Award – Satish Babusenan and Santosh Babusenan’s The Narrow Path.
    Jury Grand Prize – Aicheng Jai Dohutia’s The Hidden Corner.
    Special Mention – Deepak Sampath’s Autohead
    Special Mention – Shirley Abraham and Amit Madhesiya’s Cinema Travellers.

    DIMENSIONS MUMBAI
    Golden Gateway Award – Santosh Ganpat Kamble for Mumbai’s Mahuwa.
    Silver Gateway Award – Tabu Kaariya’s Ajeeb Dastan Hai Yeh.
    Special Mention (Dimensions Mumbai) Award – Yashwardhan Goswami’s Bombai.

    HALF TICKET
    Golden Gateway Award (Feature) – Laha Mebow’s Hang in There, Kids!
    The Silver Gateway Award (Feature) – Evi Goldbrunner and Joachim Dollhopf’s At Eye Level.
    Special mention (Feature) – Mrinmoy Mondal, Shupratim Bhol’s Colours of Innocence.
    The Golden Gateway Award (Short) – Vincent Patar and Stephane Aubier’s A Town Called Panic: Back to School.’
    The Silver Gateway Award (Short) – Nina Sabnani’s We Make Images.
    Special Mention (Short) – Pedro Paulo De Andrade’s The Best Sound in the World.

    Oxfam awarded Alankrita Shrivastava’s Lipstick Under my Burkha for Best Film on Gender Equality while the Audience Choice Award went to The Salesman by Asghar Farhadi.
    The Young Critics Choice Award was won by Shirley Abraham and Amit Madhesiya’s Cinema Travellers.

    The Special Mention for Excellence in Writing on Cinema (Hindi) went to Naye Daur Ka Naya Cinema by Priyadarshan, whle the Special Mention for Excellence in Writing on Cinema (English) went to Kanan Devi: The First Superstar of Indian Cinema by Mekhala Sengupta.

    Excellence in Writing on Cinema Award (Hindi) – Bhartiye Cinema Ka Itihas by Anil Bhargava.

    Excellence in writing on Cinema Award (English) – The World of Hrishikesh Mukherjee by Jai Arun Singh.

  • Box Office: ‘Brothers’ collects Rs 50 crore in opening weekend

    Box Office: ‘Brothers’ collects Rs 50 crore in opening weekend

    MUMBAI: Brothers faced negative reports and a below par opening on Friday. The film had average collections on Friday to show a marked improvement despite bad word of mouth on Saturday thanks to 15 August, the mandatory Independence Day holiday. However, the film’s lack of merit caught up with it soon enough and despite being a Sunday, the film took a drubbing at the box office. The collections dropped instead of growing on Sunday to end its opening weekend with Rs 49.7crore.

     

    Gour Hari Dastaan: The Freedom File is a biopic about a freedom fighter from a small town in Odisha who has contributed to India’s freedom struggle against the British rule. This film about the protagonist’s 32 year determined drive to earn recognition for his contribution from the authorities is rather personal, slow moving account and, hence, not the kind to impact the box office. Though appreciated on the international festival circuits, it has found scant patronage with the moviegoer. 

     

    Bangistan can be called a mediocre effort on all counts. With poor opening weekend, the movie continues with its poor run through its first week to end with collection figures of Rs 5.1 crore.

     

    Jaanisar fails to relive the era that the maker’s earlier film, Umrao Jaan created. The film met with total rejection at the box office as it completes its first week run.

     

    Drishyam fares reasonably well in week two in the absence of any strong opposition. There is a section of people who have positive things to say about the film, which helped it maintain in its second week. The film has collected Rs 17.45 crore to take its two week total to Rs 58.75 crore.

     

    Masaan collects Rs 35 lakh in its third week to take its three week total to Rs 3.8 crore.

     

    Bajrangi Bhaijaan establishes itself as among the biggest hits as it continued to hold sway even its fourth week to collect Rs 11.4 crore, taking its four week total to an unassailable Rs 312.85 crore. 

     

    Baahubali: The Beginning (Hindi- Dubbed) also continues to draw people. The film added an impressive Rs 5.3 crore in its fifth week taking its five week total to Rs 104.15 crore. 

  • Box Office: ‘Bangistan’ bombs; ‘Bajrangi Bhaijaan’ crosses Rs 300 crore

    Box Office: ‘Bangistan’ bombs; ‘Bajrangi Bhaijaan’ crosses Rs 300 crore

    MUMBAI: Coming from a production house, which is known to churn out quality films, Bangistan fails to deliver. Produced by Farhan Akhtar and Ritesh Sidhwani’s Excel Entertainment, the movie was expected to be a commercial entertainer. However, Bangistan, inspired from a British film Four Lions – about four waylaid terrorists, is an utterly senseless film exhibiting total lack of the film medium. The film managed to put together just about Rs 1 crore on its opening Friday and despite expected improvement over Saturday and Sunday, the first weekend collections stand at a measly Rs 3.35 crore.

     

    On the other hand, Jaanisar, was marketed as ‘From the maker of Umrao Jaan’ and to his credit, Muzaffar Ali did make Umrao Jaan and Gaman, two hugely appreciated films. However, his latest lacks the purpose and the human interest story that his previous two films had. This film lacks identification for any kind of audience, as a result of which, meets with a disastrous fate at the box office: no takers.

     

    Ajay Devgn’s experiment with a family thriller sans action, Drishyam, does not quite work despite all three of its previous versions in Malayalam (original), Telugu and Tamil remakes making their mark at the box office as well as with critics. While critics stayed divided over handing out stars in ratings to the film, ticket buyers remained mostly indifferent. Except Devgn, that too not the way his fans like to see him, the rest came as a patch up job.  You make an economical film but admission rates remain the same at the cinema halls and audiences expect their money’s worth. After an opening weekend of Rs 27.6 crore including collections from paid previews on Thursday before regular release, the film ended its first week with Rs 41.3 crore.

     

    Masaan could muster praise from the critics as well as few who paid to watch it but not enough to register at the box office. It added Rs 1.05 crore to its first week figures taking its two-week total to Rs 3.45 crore.

     

    Bajrangi Bhaijaan still holds sway over the audience also getting some repeat footfalls as it collects over Rs 29.4 crore in its third week. This takes the film’s three-week tally to Rs 301.45 crore.

     

    Bahubali: The Beginning (Hindi- Dubbed) continues to do well during its fourth week. The film has added Rs 10.9 crore to take its four-week tally to Rs 98.85 crore.

  • Box Office: ‘Drishyam’ collects Rs 27.6 crore; ‘Bajrangi Bhaijaan’ going strong

    Box Office: ‘Drishyam’ collects Rs 27.6 crore; ‘Bajrangi Bhaijaan’ going strong

    MUMBAI: Much touted, successful in its Malayalam, Telugu and Tamil versions, Drishyam carried some expectations in the trade but, with only Ajay Devgn in the top billing, the film could not draw the expected audience. Despite praise from the critics, word of mouth failed to do much for the film. 

     

    Drishyam opened at little over Rs 5 crore on Friday and, as expected, did show some improvement on Saturday and got better on Sunday. However, despite its economical making and saving on casting, the weekend figures had Rs 27.6 crore to show including paid previews on Thursday. This being not up to the mark, much will depend on how the film holds through the rest of the week.

     

    Masaan, critically acclaimed film as well as a Cannes awardee, could not do much at the box office. Awards of any kind don’t really matter to the Indian audience. The film collected a measly Rs 2.4 crore in its first week.

     

    On the other hand, Salman Khan’s Bajrangi Bhaijaan maintained a strong trend even in its second week. The film has become a rage all over and Khan’s docile character without action has found much appreciation. What’s more, the film’s climax has been winning the audiences’ hearts. The film added a fantastic Rs 87.2 crore in its second week to take its two week tally to Rs 272.05 crore. 

     

    Baahubali: The Beginning (Hindi-Dubbed) continues its strong run notwithstanding strong opposition from Bajrangi Bhaijaan. The film is already the highest grossing Hindi dubbed film ever and looking at the trend it will most likely also be the first dubbed film to make it to Rs 100 crore club. The film has collected Rs 21.7 crore in its third week, which is barely Rs 3 crore less than its second week. This takes the film’s three week total to Rs 87.95 crore.

  • Box Office: ‘Bajrangi Bhaijaan’ zooms past Rs 200 crore

    Box Office: ‘Bajrangi Bhaijaan’ zooms past Rs 200 crore

    MUMBAI: While most films shy away from releasing immediately after a much expected blockbuster is released in theatres, the small but critically acclaimed film Masaan was bold enough to come in the week following the Salman Khan starrer Bajrangi Bhaijaan.

     

    Masaan, despite being awarded at the Cannes Film Festival earlier this year, fails to make a mark at the box office as its very limited opening weekend footfalls show.

     

    After a weekend of over Rs 100 crore, Bajrangi Bhaijaan continued to cash in on post Eid revelries. The almost universal positive word of mouth also helped the film continue its record-breaking spree throughout its first week outperforming all top grossers of recent times. The film ended its first week with Rs 184.85 crore and went on to cross the Rs 200 crore mark on day nine.

     

    The film has an open week and will continue its march into the second week where it is expected to create more records, especially on Saturday and Sunday.

     

    Baahubali: The Beginning (Hindi- Dubbed) maintains a strong trend in its second week despite strong opposition in Bajrangi Bhaijaan. At the same time, the film also benefitted from Eid celebrations as the Muslim audience throng the cinemas after a month of restraint due to Ramzan. The film collected Rs 24.7 crore in its second week to take its two-week total to Rs 66.25 crore.

     

    Having crossed the Rs 100 crore mark, which matter much to such controlled budget films, ABCD 2 comes to the end of its run adding Rs 10 lakh in its fifth week taking its five week total to Rs 105.05 crore.