Tag: Maruti Suzuki

  • Expert speak: Traditional brands taking the unconventional, new-age route

    Expert speak: Traditional brands taking the unconventional, new-age route

    Mumbai: Technology and its advancement have been put to effective use across various domains. Much to everyone’s surprise, legacy and traditional brands are not lagging behind either in the optimal usage of new-age technology to communicate and engage with their cohort. From AR, VR to metaverse, chatbots, NFTs – brands have taken a sip of these and many more to make their presence felt and lure their target audience, and continue to do so. Considering that, there is no looking back ever since technological advancements have made inroads into the hearts of traditional brands; there is only one way to move with it – upwards.

    Indiantelevision.com spoke to some legacy brands that have made their mark in the country with their communication strategy and also illustrated their boldness in experimenting largely with new-age technology while putting together their advertising and marketing plans.

    The transition for legacy brands: From traditional to new-age technology-based innovative solutions

    When it comes to communication plans, the obvious question is how have legacy brands transformed from simply using traditional media to using cutting-edge new-age technology-based solutions which are innovative?

    One of the largest advertisers in the snacks and food category and also one of the first to experiment with technology-based innovations, was Mondelez, for its much-loved brand Cadbury. Mondelez India vice president – marketing Nitin Saini points out, “Traditional brands have historically relied heavily on TV advertising and the approach has also been to create a TVC first. However, the changing consumer landscape means that you can no longer rely on reach from TV alone. Today there are 700mn + internet users in the country and 350 Mn+ online shoppers. This shows that consumers not only have a choice to purchase off online platforms, but they can also research and learn about brands online. In fact, Digital has overtaken TV in terms of Ad Expenditure as more and more advertisers are coming on the digital platforms with an omni-channel approach. Large and evolved advertisers are putting more than 50 per cent of their media dollars on digital which is growing at a much more rapid pace. The other point to note is that consumer journeys are not linear and hence presence offline and online becomes imperative.”

    “Brands are embracing social media to connect better with their consumers through evolved targeted and personalized communication. Content marketing and influencer partnerships are moving brands into the creator economy which involves creating valuable, relevant, and consistent content to attract and engage their target audience. New age practices like Generative AI are helping brands create more frictionless communication that resonates with the consumer,” he adds.

    Maruti Suzuki executive director – marketing Shashank Srivastava understands that legacy and traditional brands have seen a major transition in terms of communication in recent years. “They have reduced the dependence on traditional media, such as print and television, and have embraced new-age technology-based innovative solutions like digital media (social, OTT, mobile & DTH), and cinema. This is due to the changing demographics of consumers and increasing demand for personalized experiences.”

    According to him, some of the ways in which new-age technology has been adopted in communication in recent years are:

    a.    Use of Customer Data Platforms (CDP) for personalized experiences: To cater to increasing demand for personalized content and experiences, CDP platforms help create unified customer view (SVOC), improved customer experience providing relevant and customized information and offers and helps improve marketing ROI by identifying and optimizing the media channels most effective for generating brand KPIs and sales.

    b.    Tailored media channels to reach new age consumers (Gen Z): Social media platforms like Facebook, Twitter and Instagram are now essential tools for brands to connect with new age Gen Z consumers. Video on demand (VOD) has sprung up in a big way and consumers today are increasingly watching content on OTT platforms. Brands are now creating media campaigns not only planning on TV but starting with TV+OTT as a base for media plans. This helps cater to incremental reach of OTT over TV.

    c.    Email, Mobile & WhatsApp marketing: Tools like WhatsApp and email are being leveraged to engage with consumers in more personalized and cost-effective way targeting consumers for both upper and lower funnel marketing activities like newsletters, promotional offers, DIY guides and other such updates.

    d.    Use of Innovative Cinema & OOH: Today brands leverage tools like 3D projection in cinema halls and Anamorphic displays in Outdoor campaigns to create mesmerizing experiences for their consumers.  

    MG Motor India head of marketing Udit Malhotra states that in the ever-evolving landscape of consumer behaviour, organisations are recognizing imperative ways to keep up pace with shifting consumer preferences in order to secure a competitive edge within their respective industries. “As businesses have transformed from traditional to technologically advanced platforms, AI stands out at the pivot of key marketing communication. MG Motor India Celebrates 100 Years of Innovation and Customer-Centricity and our latest ad campaign has reincarnated Cecil Kimber, who is talking about MG’s vision for India. These advanced tools like MG’s Mobile App, NFT and Metaverse are enabling customers to understand a brand with refreshed outlook. Through the digital, authentic, and relatable content MG tries to meet customer needs and drive traction to the brand. The momentum behind adopting such solutions is rapidly increasing and is poised to become the standard practice in the foreseeable future.”

    Opening the door to modern technology and tech-based innovations in communication

    What has made traditional brands such as these, open their hearts and minds to modern technology and tech-based innovations in their communication strategy?

    Srivastava says, “In today’s world, tech-based innovations are helping marketeers like us tailor made our communication, making it more relevant and useful for our TG.”

    He feels that these innovations are being mandated due to the following reasons:

    a.    Increasing media proliferation and consumption of different mediums

    b.    Need for contextual and personalized targeting.

    c.    Changing consumer demographics (rise of Gen Z consumers) where appointment viewership is on the rise.

    d.    Increasing Media ROI: Brands like us are increasingly being conscious and choosing to optimize our media mix thus staying both relevant and competitive in today’s business scenario.

    e.    Better creative optimisation: Now one creative for all the mediums does not work and both creative optimization and placements basis the media tools are required.

    Malhotra fathoms that in today’s world, modern technology enables brands to get unmatched global reach, facilitating heightened engagement. “This engagement, in turn, empowers brands to craft content of immense value, delivering education, entertainment, and solutions tailored precisely to their target audience’s needs. MG paves the way for personalized communication, enabling it to swiftly respond to customer inquiries and issues through MG Mobile Apps and chatbots. With the dynamic customer behaviour and a surge in connected car technologies, brands have the incredible opportunity to connect with consumers no matter where they are. This connection is further strengthened by real-time interactions through social media, instant messaging, and chatbots.”

    He goes on, “Moreover, the proliferation of smartphone users and the seamless integration of cutting-edge technologies, such as artificial intelligence, have prompted MG to introduce state-of-the-art innovations like MG AViRA and MG Metaverse. These advancements signify MG’s commitment to staying at the forefront of innovation and meeting the evolving needs of our customers. Ultimately, this contributes to the development of stronger and more meaningful customer relationships. KYC (Know your customer) is the center piece of our communication strategy, any initiative that supports us in this endeavour is always welcome. With the help of these innovations our latest campaign of “EVing is Living” is centred around the idea behind the overarching thought is manifested into “EVing is Exploring/Thrilling/Saving/Easy charging,” focusing on the myths about EVs, reassuring those who are indecisive about transitioning to EVs, while also alleviating any uncertainties they may hold regarding EV cars.”

    Saini reveals, “At Mondelez, we believe very strongly in being where the consumer is. The changing consumer behavior and landscape has made us also evolve our strategies to be more open to modern technology and tech-based innovation. As legacy brands we face competition not only from other traditional players but also from agile, digitally native startups, thus embracing technology allows us to level the playing field, differentiate ourselves, and stay competitive. Technology allows for better understanding of customer preferences and behaviors through data analytics. This, in turn, enables brands to deliver personalized experiences, products, and content, fostering stronger customer relationships. Today most of our campaigns are tech-enabled to create delightful consumer experience. We have increased using own understanding of consumers from our data capital and arrive at consumer insights that can further fuel our brands’ strong equity with consumers.”

    Enthusiastic about experimenting with modern technology

    As a traditional brand, when it comes to modern technology and tech-based innovations, what are they most enthusiastic about experimenting with, in their advertising and marketing strategy? And why?

    Malhotra emphasises that as an auto-Tech brand, innovation has always been a driving force for MG. “These innovations open more avenues to reach out to our customers in a focused manner, it is a source of competitive edge for us. We are always looking for the next big thing, new possibilities keep us excited. MG’s tech-first spirit is evident in its industry-leading initiatives, such as MG Xpert, Epay, MG VPhy NFT, and MGVerse and now our recent AI led 100 year of innovation and Customer-Centricity campaign as well as ZSEV ‘Eving is Living’ has made a profound impact on our marketing outcomes and our customers. It helps us personalize content for individuals and improves creativity to captivate customer mindspace. With this, we hope to embark on a new benchmark and keep up with the dynamic marketing activations, in the automotive realm.”

    “Today the avenues in technology are manifold. There is AR/VR that is becoming a very interesting space and allows consumers to have an immersive experience with brands. There are AI powered chatbots that are answering consumer queries and solving problems in real time and then there is Gen AI which is enabling personalized content creation at scale. All these are very exciting spaces to explore in the near future,” elucidates Saini.

    Srivastava tells,”Big data and analytics are no more a catch phrase but a reality. Augmenting its impact by further using AI is something we are very enthusiastic about. AI is still a relatively new technology, but it is rapidly becoming an essential tool for businesses of all sizes.”

    He concludes by pointing out that as AI continues to evolve, it is likely to have an even greater impact on the future of advertising and marketing. It can be helpful in:

    a.    Personalisation : Basis single view of customer, their past driving and purchase habits , we can personalize advertising campaigns based on interests, demographics, and past purchase history. This may be very helpful for repeat buyers as well as First Time Buyers based on their interests.

    b.    Community Creation : Very impactful in creating a sense of community around our brands, by sharing interesting content, responding to comments and questions, and running contests and giveaways.

    c.    Using AI and VR helps us in creating immersive and interactive experience for our customers. We are already working towards it with launch of ARENAVERSE and NEXAVERSE and use of oculus/ other tools in our dealerships.

    d.    Chatbots powered by AI: We are already progressing in this field with use of our MS Chatbots to help provide customer service, answer questions, and quell queries. Hence, its potential is immense ranging from precise targeting, experiential marketing, and moment marketing to self-serving ads and that makes us very enthusiastic about it.

  • After two years of muted celebrations, India’s festive spirit is back once again: Disney-Star India’s Kevin Vaz

    After two years of muted celebrations, India’s festive spirit is back once again: Disney-Star India’s Kevin Vaz

    Mumbai: With the return to normalcy and restrictions having been lifted, broadcasters are upbeat about revenue growth during the festive season. Disney Star head of network entertainment channels, Kevin Vaz, is no exception. He tells Indiantelevision.com that the festive season this year is one of the best so far.

    “The sentiment of both the viewers and the advertisers is extremely positive. As a network, we have always celebrated the festive season with much fervour, and our goal this year is to up the entertainment quotient for our viewers when families sit down to watch their favourite content together. This year, we have an exciting content line-up across our Hindi and regional channels to ensure the same. With our strategically planned content pipeline, this festive season, we aim to enhance the viewing experience with more exciting content and build a deeper connection with our viewers. “

    Talking about how he sees the overall TV Adex faring during the festive season, he said that the overall market is extremely positive. “After two years of muted celebrations owing to the pandemic, India’s festive spirit is back once again. There is a great deal of optimism in the market this year and brands are eager to spend.”

    When asked about price hikes that the broadcast industry has gone for, he pointed out that local advertisers have come back after two years and high pricing categories are also reviving, which is adding to the AdEx this festive season. “Also, to ensure higher absorption capabilities, we have lined up our best festive content to entertain the viewers. There are various tentpole properties, festive events, and blockbuster movies planned, improving the overall monetisation capacities of the broadcasters. The advertisers will leverage these to reach out to their customers during the festive season, thus driving overall adex growth.”

    When asked if inflation has been a challenge to yield maximisation during the festive season, he explained that brands have not had the opportunity to engage with their target audience in the last two years and this year there is no stopping them.

    He elaborated on the strategy to work with national and local brands in India. Onam always sets the tone for the festive season. He said, “From what we have witnessed on our Malayalam channels, I can say the season is off to a great start. There is a rise in the local/retail sectors coming forward, aided by positive consumer sentiment. Similarly, Ganesh Chaturthi and Dasshera were great for Star Pravah and Star Jalsha, respectively. All of this has already paved the way for the upcoming Diwali outputs.”

    He also noted that there is more brand integration compared to last year. “Brands are increasingly looking for innovative brand solutions to engage the audience. Maruti Suzuki launched its latest car, the Grand Vitara, on Star Plus’ non-fiction show Ravivaar with Star Parivaar. Reliance Trends collaborated with us on Star Jalsha to launch the celebratory campaign, Trends Saj Parbon 2022, to usher in the spirit of Durga Puja and inclusivity. We are also seeing brands like Flipkart and Max Fashion doing vignettes to increase their festive sales.”

    In terms of spending by various categories, he said that categories like consumer durables, electronics, retail, jewellery, fashion, and lifestyle are going all out this season. “These categories provide the boost and make the difference between a festive quarter and a regular quarter. Some categories have not been able to advertise for the last two years; they are coming back with a bang.”

    When asked about how much of TV’s annual ad spend happens during the festive season, normally, he said that in the last two years, the share of TV’s annual spend during the festive season increased drastically due to other months impacted by the pandemic. “This year we are seeing similar trends to the pre-pandemic year 2019, where the share during the festive quarter was higher than other quarters marked by categories like consumer durables, electronics, retail, jewellery, fashion, and lifestyle.”

    “The festive season is a great time for categories like consumer durables, electronics, retail, jewellery, fashion, and lifestyle to advertise. While the regular categories like FMCG and e-commerce continue to advertise all year round, it is these categories that drive the festive spending.”

    He, however, added that the biggest icing on the cake is the auto industry. “Normally we would see two or three manufacturers advertising during Onam. But this year, every manufacturer was advertising. That will be the standout category this time. In fact, Maruti Suzuki launched its latest car, the Grand Vitara, on Star Plus’ non-fiction show Ravivaar with Star Parivaar.

    Content line-up

    For Onam celebrations, Asianet had a line-up of movies and shows like Bro Daddy, Bheeshma, Twenty One, and Lalitham Sundaram. During the season, the channel brought special non-fiction formats, including cookery and celebrity chat shows.

    Asianet announced the tagline “Anudinam Valarunna Atmabandham” (a relationship that grows every day). The theme and proposition of Onam, he explains, was to help Malayalis celebrate with the best entertainment on offer – blockbusters, events, Onam themed shows etc.

    In Maharashtra, viewers witnessed Star Pravah Ganeshutsav 2022 to welcome Ganesh Chaturthi. In West Bengal, the prime attraction was Mahalaya. This was a two-hour pre-festive event paying special tribute to Devi Durga, and Vaz said that it witnessed more colour and energy.

    Star Jalsha launched a non-fiction show called Dance Dance Junior Season Three (on 6 August) in Bengal, in which the participants celebrated Durga Puja through the dance medium.

    Tamil and Telugu audiences were delighted by the grand and much loved show Bigg Boss at Star Maa on 4 September and at Star Vijay on 2 October. 

    In Hindi, Star Plus launched Rajjo on 22 August.

    For movie-loving audiences, blockbusters were aired across the Disney Star network – Vikram (Star Gold, Star Vijay, Star Maa, Star Suvarna and Asianet), Akshay Kumar starrer Samrat Prithviraj and Ranbir Kapoor’s Shamshera (Star Gold), Kaathuvaakula Rendu Kaadhal on Star Vijay, Kishmish & Belashuru on Star Jalsha.

  • Zee Zest, Nexa partner to launch new show Luxe Pins

    Zee Zest, Nexa partner to launch new show Luxe Pins

    Mumbai: Zee Zest, in collaboration with Nexa, has launched the first episode of its multi-part Nexa Journeys series, Luxe Pins. The first episode, hosted by actor Karan Tacker, aired on Zee Zest on 14 August.

    Luxe Pins is an eight-episode series that aims to let the audience experience exclusivity through the host’s eyes.

    From luxury hotels to handcrafted fragrances, treetop adventures to bespoke personal accessories, India offers unfathomable luxury experiences to a select few.

    The host takes the audience on an unexplored journey of the finer things in Nexa XL6 as he travels through this world of splendour.

    The launch of Nexa Journeys presents Luxe Pins also marks the beginning of a year-long collaboration between Maruti Suzuki India Ltd. and Zee Zest, that aims to bring forth a series of unique shows, centred around travel, luxury, road-tripping and much more, over the next year.

    Zee Entertainment Enterprises chief cluster officer-west, north & premium channels, Amit Shah, said, “Zee Zest, being a leader in the lifestyle space since launch, has always endeavoured to offer high-quality content and ideas for advertisers to partner. Our association with Nexa is a clear win for both since Luxe Pins aligns with our content philosophy to unlimit life and its experiences and Nexa Journey’s objective to create premium travel experiences. We hope this breathtaking series will capture our viewers’ hearts by offering them an experience they can enjoy with the entire family.”

    Maruti Suzuki India senior executive officer marketing and sales Shashank Srivastava said, “Nexa was born in 2015 when conventions were challenged, ‘premium’ was redefined, and car buying was transformed. Nexa introduced three experiential pillars which catered to the expectations of the discerning customers; Nexa music, Nexa lifestyle, and Nexa journeys.”

    He further added, “Being a part of exclusive curated experiences that are unique, resonates with the concept of Nexa journeys. Nexa is pleased to showcase the gateway to providing exclusive, immersive, and indulgent experiences. So, while viewers see the Nexa cars in action as they traverse across the country, they also savour some truly unique and marvellous sights to behold on this journey.”

    ZEE Entertainment Enterprises chief sales officer-FTA cluster and north branch head Ali Zaidi said, “At ZEE, we have been at the forefront of delivering personalised, holistic solutions to our partners through our diverse offerings. We are glad to further strengthen our partnership with Maruti Suzuki India Ltd. through Nexa Journeys on Zee Zest. Through this association, our aim is to weave Nexa’s objectives seamlessly into our programming, enabling them to target their audiences more effectively.

  • Zee Zest & Nexa launches new show Luxe Pins

    Zee Zest & Nexa launches new show Luxe Pins

    Mumbai: Zee Zest, in collaboration with Nexa, has launched the first episode of its multi-part Nexa Journeys series, Luxe Pins. The first episode, hosted by actor Karan Tacker, aired on Zee Zest on 14 August.

    Luxe Pins is an eight-episode series that aims to let the audience experience exclusivity through the host’s eyes.

    From luxury hotels to handcrafted fragrances, treetop adventures to bespoke personal accessories, India offers unfathomable luxury experiences to a select few.

    The host takes the audience on an unexplored journey of the finer things in Nexa XL6 as he travels through this world of splendour.

    The launch of Nexa Journeys presents Luxe Pins also marks the beginning of a year-long collaboration between Maruti Suzuki India Ltd. and Zee Zest, that aims to bring forth a series of unique shows, centred around travel, luxury, road-tripping and much more, over the next year.

    Zee Entertainment Enterprises chief cluster officer-west, north & premium channels, Amit Shah, said, “Zee Zest, being a leader in the lifestyle space since launch, has always endeavoured to offer high-quality content and ideas for advertisers to partner. Our association with Nexa is a clear win for both since Luxe Pins aligns with our content philosophy to unlimit life and its experiences and Nexa Journey’s objective to create premium travel experiences. We hope this breathtaking series will capture our viewers’ hearts by offering them an experience they can enjoy with the entire family.”

    Maruti Suzuki India senior executive officer marketing and sales Shashank Srivastava said, “Nexa was born in 2015 when conventions were challenged, ‘premium’ was redefined, and car buying was transformed. Nexa introduced three experiential pillars which catered to the expectations of the discerning customers; Nexa music, Nexa lifestyle, and Nexa journeys.”

    He further added, “Being a part of exclusive curated experiences that are unique, resonates with the concept of Nexa journeys. Nexa is pleased to showcase the gateway to providing exclusive, immersive, and indulgent experiences. So, while viewers see the Nexa cars in action as they traverse across the country, they also savour some truly unique and marvellous sights to behold on this journey.”

    ZEE Entertainment Enterprises chief sales officer-FTA cluster and north branch head Ali Zaidi said, “At ZEE, we have been at the forefront of delivering personalised, holistic solutions to our partners through our diverse offerings. We are glad to further strengthen our partnership with Maruti Suzuki India Ltd. through Nexa Journeys on Zee Zest. Through this association, our aim is to weave Nexa’s objectives seamlessly into our programming, enabling them to target their audiences more effectively.

  • PVR launches an in-cinema ad innovation

    PVR launches an in-cinema ad innovation

    Mumbai: Cinema exhibition company PVR Cinemas has announced its latest innovation in the in-cinema advertising space since its come-back after the pandemic. It has introduced 270-degree on-screen experiential in-cinema advertising for the first time in India to drive higher excitement for brands. Maruti Suzuki has become the first advertiser to use this platform to launch its all-new 2022 Maruti Suzuki Brezza in cinemas. The experiential view of the product is being showcased in select PVR locations in Delhi, Gurugram, Mumbai, and Bangalore for a week.

    This differentiated offering from PVR in collaboration with Xperia Group, an OOH media company, uses 3D Projection Mapping on the side walls, powered by hybrid technological integration. The company explains that projection mapping can actually convert ordinary commercials into highly attention-grabbing commercials and give the content a new life.

    PVR CEO Gautam Dutta said, “We are thrilled to partner with one of the finest carmakers in the country and have the chance to showcase their newly launched product in an immersive manner to visiting patrons inside the theatres. Innovation is at the core of PVR, and we are optimistic about offering our customers and advertisers something that is beyond their expectations. We are happy to expand the in-cinema advertising space. We are confident that this innovative method of advertising, which is ideal for product debuts, will help brands make a lasting impression on theatregoers’ emotions. PVR is really looking forward to collaborating with more brands and advertisers to revolutionise in-cinema advertising.”

    PVR added that after the pandemic, it has been distinctly unique to break the inertia of inaction in advertising and film promotions. Strong partnerships with movies and brands were forged in the process. After it’s reopening, PVR tied up with leading personal care brand Dettol as a hygiene partner for its customer care programme (PVR Cares). For the first time in the history of world cinema, PVR & SS Rajamouli came together with PVR reimagining its brand identity and logo as ‘PVRRR’ and launch “PVRRR NFT,” iconic digital collectibles of the movie. A shift in the aspirations of customers from value-buying to seeking experience led to the launch of the Kotak PVR Movie Debit Card, India’s first co-branded movie debit card.

    PVR has high affinity among young audiences, including a sizeable section of its loyal customers, and PVR chose this differentiated approach to create a youthful and exciting appeal for Brezza customers. Families bond over the shared experience of watching movies, and a utility vehicle purchase is mostly a family decision, hence the experiential advertising works well for the launch of the brand.

    Cinema advertising has proven to be an effective medium of advertisement, as it attracts undivided attention from the audience. However, with the impact of the lockdown, the share of in-cinema advertising has declined against traditional forms of media. Introducing what it says is the industry’s first experiential advertising in cinemas, PVR reinforces the fact that it is an uber-effective medium for active advertising and brand engagement. With experiential advertising, PVR is set to offer exposure to in-cinema advertisers and it aims to push the boundaries of on-screen cinema advertising for an immersive experience of the brand.

    On and off-screen media at the cinema offer advertisers a unique opportunity that no other medium can match, with cinemagoers spending an average of 15 minutes in and around the theatre. Cinema design and navigation, PVR explains, ensure that audiences enjoy a great experience at every touch point across their cinema journey, starting from the box office till the exit.

  • Colors launches the new season of ‘Khatron Ke Khiladi’ with Rohit Shetty

    Colors launches the new season of ‘Khatron Ke Khiladi’ with Rohit Shetty

    Mumbai: Hosted by a Bollywood filmmaker, the popular stunt-based reality show produced by Endemol Shine India Khatron Ke Khiladi is back on Colors, according to a company statement on Monday.

    Last year, the show broke significant records by becoming the number one non-fiction programme in the Hindi general entertainment channel (GEC) space for the financial year 2022 (on 2+) reaching 168 million viewers across India.

    Returning with an exciting new season, Khatron Ke Khiladi will see many electrifying contestants challenging their innermost fears and taking on many thrilling and gruelling tasks in the picturesque locations of Cape Town, South Africa. Ace filmmaker and an epitome of action Rohit Shetty will return as the host leading and mentoring the daring troop in their journey.

    Extending their association for the new season, Maruti Suzuki once again comes on board as the presenting sponsor while ‘Charged’ by Thums Up has been signed on as the powered by the sponsor for the new season of the show. This season will feature popular faces including Rubina Dilaik, Sriti Jha, Shivangi Joshi, Mohit Malik, Erika Packard, Aneri Vajani, Kanika Mann, Tushar Kalia, Faisal Shaikh, Chetna Pande, Nishant Bhat, Rajiv Adatia, Jannat Zubair and Pratik Sehajpal who will set out on an action-filled journey in Cape Town.  

    Colors Viacom18 revenue head Pavithra KR said, “Khatron Ke Khiladi is our flagship property and has become synonymous with action on Indian television. The previous season was the number 1 non-fiction property in the Hindi GEC category, and we are excited about its return. Given the show’s popularity, it serves as a great opportunity for advertisers to engage with and reach out to their audience. We are excited to once again associate with Maruti Suzuki as the presenting sponsor and welcome onboard ‘Charged’ by Thums Up as the powered sponsor for the show and look forward to a great partnership. The new season will see a powerful ensemble of contestants experiencing the thrill and adventure with the action maestro Rohit Shetty.”

    Filmmaker Rohit Shetty said, “Khatron Ke Khiladi is special to me, and I am delighted to be back. This season, the adventure and entertainment quotient is going to increase manifolds with new and innovative stunts designed by me. It’s always an honour to be such an integral part of the show’s journey and it’s always our endeavour to take the show to greater heights. Cape Town is an incredibly amazing high action ground and with this exceptional mix of daredevil contestants, it is going to be extremely exciting.”

    Maruti Suzuki India senior executive director, marketing and sales Shashank Srivastava commented, “We are excited to be a part of season 12 of Khatron Ke Khiladi. This is our fourth association with Khatron Ke Khiladi in a row and the partnership has only gone from strength to strength. Khatron Ke Khiladi is an extremely popular show and has created a niche for itself, especially amongst the youth of our country.”

    He added, “At Maruti Suzuki, we constantly strive to bring out more youthful and dynamic imagery. We are extremely delighted to associate the iconic Swift with Khatron Ke Khiladi, which since its launch in 2005 has revolutionized the premium hatchback segment in India. The all-new Swift stands out from the crowd and has earned the love of nearly 2.4 million customers with its upright stance, sporty performance and unmistakable road presence which emphasizes individuality. Our partnership with the show resonates with Swift’s proposition of performance and being limitless. We believe that the Khatron Ke Khiladi contestants of this season will bring ‘Limitless Action’ to the viewers through their ‘Limitless Performances’ on the show.”

    Coca-Cola, India & Southwest Asia head of integrated marketing experiences Sumeli Chatterjee said, “We have recently introduced ‘Charged’ by Thums Up to the Indian market, and we are excited with the immense consumer applause and appreciation that has been received for this electrifying drink. With double caffeine and double kick, this beverage is a perfect partner to the action-packed Khatron Ke Khiladi franchise. We are thrilled to be part of this season.”

  • Rainshine Entertainment produces web series for Maruti Suzuki

    Rainshine Entertainment produces web series for Maruti Suzuki

    Mumbai: Rainshine Entertainment’s brand solutions arm has conceptualised and produced Maruti Suzuki’s first long format fiction series “Ek Extra Mile.” The project is supported by dentsu Impact.

    The show, starring Anuj Sachdeva and Meghana Kaushik, will be available on OTT streaming service Voot and social media handles of Being Indian. The web series revolves around the life of a nuclear family that embarks on a quick road trip journey to reconnect with each other.

    “The show is our endeavor to position what ‘Maruti Suzuki Arena’ embodies to their target audience and gives them another touchpoint to experience the brand ‘Dzire’,” said Rainshine Entertainment CEO Anuraag Srivastava. “As the forerunners in providing integrated solutions, we’re proud to have seamlessly integrated Maruti Suzuki Dzire’s philosophy through the show. With our projects and campaigns receiving their due acclaim in the past, our key challenge is to keep growing and delivering consistently to our brand partners. We’re confident that ‘Ek Extra Mile’ will be another step in that direction.”

    “We at Voot Studios are thrilled to bring a beautiful and heart-warming show like Ek Extra Mile onto our platform and are looking forward to associating with Rainshine Entertainment and Maruti Suzuki in the times to come,” said Voot Studios head Ranjitha Priyadarshini. “Just like the journey embarked by the protagonists, audiences too will experience the many ups and downs and relate to its fascinating narrative. On the back of relatable characters and an engaging plot, it promises to be an offering that our viewers will thoroughly enjoy.”

    “We at dentsu Impact, have always believed in the power of storytelling for our brands,” said dentsu Impact vice president Binodan Sarma. “Our association with Rainshine Entertainment and Voot is an extension of this belief. Not only has this association opened up new frontiers for branded storytelling but the experience of working on this project has helped us as a creative agency to discover fresher insights to brand building, which we plan to continue with clients going ahead.”

  • IPL brings growth in traffic and advertisers for ESPNcricinfo

    IPL brings growth in traffic and advertisers for ESPNcricinfo

    Mumbai: The second phase of IPL 14 is witnessing a strong surge in consumption on the ESPNcricinfo app with a 30 per cent jump in time spent and 25 per cent growth in unique users on the back of the India-England test series. With over 95 per cent active users, the platform has cricket fans checking out new features like pinning and sharing of live scores, dark mode, and runs forecaster. 

    To further engage the audience the platform had launched its latest product ‘Askcricinfo’ – an AI-powered tool for all cricket stats.  

    “ESPNcricinfo has once again proven its dominance as a leader in well-rounded cricket coverage and in nurturing a strong community for cricket fandom and multiple opportunities for advertising and content partnerships,” said ESPN head of sales for South Asia Akshaya Kolhe. “We have an excellent line-up of traditional and new age brands onboard such as Maruti Suzuki, Intel, HDFC Ergo General Insurance, TVS Tyres, ITC Bingo, Coinswitch Kuber, HDFC Life, ForexTime, GoMechanic, Swiggy, Playerzpot, Upstox, and FreshToHome. We are thankful to our partners for their continued trust in the platform which is a testimony to the strength of our multiple brand partnership opportunities.”

    A mix of live shows, chat rooms, stats-based daily coverage and insights, fun and comedy, and off-field stories in English and Hindi serves fans with the unique perspectives of the game from experts in an interactive format. Most popular among them is the pre, mid, and post-match show “ESPNcricinfo T20 Time:Out,” which has experts such as Carlos Brathwaite, Daniel Vettori, Gautam Gambhir, Dale Steyn, Ian Bishop, Aakash Chopra, and Deep Dasgupta providing a holistic analysis of every match.

    The daily live is being simulcast on the ESPNcricinfo YouTube and Facebook channels to enhance reach and make it available to fans anytime, anywhere, said the platform.

    “Indian customers love two things – cricket and value for their money! As the presenting sponsors on ESPNcricinfo T20 Timeout, we are thrilled to engage cricket fans across the country, throughout the day as they consume match-related content and stories,” stated Maruti Suzuki senior executive director of sales and marketing Shashank Srivastava. “We have the daily post-match segment – Kam Se Kaam Banega Player of the Day centred on the key facet of our current campaign – optimisation or efficiency. These content propositions are a great way to reach out to our customers as they seamlessly integrate our brand communication and help us drive brand love.”

    “We believe it is important for fans to be cautious and aware of what they are purchasing when it comes to a health insurance plan and our partnership will witness fan-favourites come together and educate viewers on the nuances of our Optima Secure Health Insurance,” commented HDFC Ergo General Insurance president of accident and health business Ravi Vishwanath. “IPL is a great communication platform for brands and ESPNCricinfo being the hub of all things cricket provides the opportunity to build awareness through intriguing post-match segments like “Sabse Bada Performer.”

    In addition to the flagship show ESPNcricinfo is also hosting a range of in-depth programmes such as “Newsroom” and debate-led shows like “Runorder” and “Mute Me.”

  • National brands gauge the Bangla TV market on Tele-wise Bangla summit

    Mumbai: There is little doubt about television as a far-reaching instrument of viewership connecting masses pan India. It remains the medium of choice to build reach and brand salience. However, as the second wave of the pandemic swept through the country, it also impacted the overall TV viewership across regions. This, in turn led the advertisers and brands to reflect on the way they leveraged TV to reach out to their target audience.

    As a part of the inaugural edition of the Tele-wise Bangla Summit 2021 organised by Indiantelevision.com in partnership with Zee Bangla, industry experts and stakeholders from across sectors weighed in on the strength of the West Bengal TV market and the disruption caused by Covid-19 on people’s lives, their consumer spending, and TV viewing habits.

    In an informative discussion ‘Gauging the Might of the Market’ –  moderated by independent media consultant Paritosh Joshi, marketers debated on how the Bangla market remains highly relevant for national brands looking to make their presence felt in the state when it comes to TV ad spends.

    The session kicked off with Joshi observing that, although the pandemic has largely resulted in an overall bleak economic environment, FMCG remained the sole bright spot. Godrej Consumer Products Limited marketing head (homecare category) Somasree Bose Awasthi pitched in that it was true specifically with regards to essential items, which have been driving the growth in the sector. The premium or discretionary categories like grooming or hygiene products have suffered a setback in the last year. She added, however, that the reverse migration due to the pandemic had led to a revival in the rural economy across the country, including West Bengal.

    Shyam Steel India, head of brand marketing, Bidyut Nath corroborated this by saying that, while the pandemic had brought most large-scale construction activity in the cities to a standstill, with workers going back to their villages, it had continued almost uninterrupted in the rural areas as people did not cease to build houses for themselves, irrespective of the pandemic. So while there was little positive growth in the sector, it did reflect a steady growth with nearly 69 per cent of the populace constructing homes, he said.

    The panellists discussed how the pandemic also caused people to become risk-averse when it came to buying decisions, due to which market leaders in a particular sector and trusted brands gained.

    According to Maruti Suzuki India’s marketing & sales executive director Shashank Srivastava in such times, the trusted brands become the anchor for consumers. “That trust helped us, and our market share went up in most segments, despite Automobiles being a discretionary, high-value purchase. In general, the retail sales were better in 2020 than the previous year for Maruti, mainly because of the change in consumer perception towards public transport, resulting in more people becoming inclined towards owning private vehicles,” he said.

    However, the fall in incomes did show in the “telescoping of demand”, whereby the demand for a higher segment shifted towards a lower segment vehicle, he added.

    Future Group’s Big Bazaar marketing head Aditi Mahale shared that while the group had 15 to 20 stores across the state, nearly eight to ten of them were based out of Kolkata.

    “We had to cut back on TV ad-spend last year, mainly due to lack of fresh content, and we focused more on the news genre and digital,” said Mahale, but the group continues to use television as part of its marketing strategy, especially during regional festivals, for “retail is, by nature, always local” with even their competition being largely local in the genre.

    For ITC, which has its roots in West Bengal, the state is “priority #1 market”, said ITC’s Media & PR head Jaikishin Chhaproo, largely because of the unparalleled distribution strength that it provides.

    When it came to the media mix in the state, panellists shared that television had a regional reach of more than 70 per cent in the state. Hence brands try to capitalize on the richness of the regional content by preparing creatives with local flavour and by going “hyper-local”.

    “Becoming hyper-local is the need of the hour. Doing local TVCs with local actors really pays off. But brands face challenges in terms of talent & cost,” said Wavemaker India’s ITC lead and special initiatives president MK Machaiah.

    In West Bengal, like most other markets- there is an innate attachment to sports. So while Shyam Steel India did see great brand engagement post onboarding Virat Kohli and Anushka Sharma as brand ambassadors, Bidyuth Nath agreed that going hyper-local by engaging with local celebrities is also indispensable. All panellists agreed on the value that localised content brings to brand promotions in the state, regardless of the medium – print, television, or digital.

  • Former Maruti MD Jagdish Khattar no more

    Former Maruti MD Jagdish Khattar no more

    New Delhi : Former managing director of Maruti Suzuki India, and veteran of the Indian automobile industry, Jagdish Khattar passed away on Monday due to cardiac arrest. He was 78.

    Khattar had joined the company as director (marketing) in July 1993 and went on to become the managing director in 1999. He was first appointed as a government nominee, and then in May 2002 as Suzuki Motor Corporation (SMC) nominee.

    He had served Maruti Udyog for 14 years and steered the company towards remarkable growth. His last day at Maruti as MD, at age 65, was on 18 December 2007.

    Prior to this he had worked as joint secretary in the ministry of steel, government of India, for about five years and held several administrative positions in the Uttar Pradesh government before that.

    In 2008, Khattar launched his next venture – Carnation Auto to develop a multi-brand automobile sales and service network.