Tag: Maruti Suzuki India Ltd

  • The Big Picture with Shashank Srivastava, as he shares insights on Marketing, Media & Movies

    The Big Picture with Shashank Srivastava, as he shares insights on Marketing, Media & Movies

    Mumbai: The power of movies on television, often referred to as “The Big Picture”, has impacted how we consume entertainment, making it an essential part of our lives. Not only that, the synergy of Movies and TV has also proven to be lucrative for brands who want to reach India at large and impact their daily lives. In a series of chats with marketers and media veterans, we discuss all things related to marketing, media and especially movies. I am your host, Kalpana Ravi, Associate Editor Indiantelevision.com and today my guest today is Shashank Srivastava – Senior Executive Director of Sales and Marketing – Maruti Suzuki India Ltd.

    Edited excerpts

    On your early life, about how you grew up and what has been your experience.

    My hometown is Bhopal and I did my initial schooling there. Then I did my engineering, I was always out of Bhopal after that. I did my MBA from IIM Ahmedabad, post which I joined Maruti Suzuki. And that was a long time back, just out of college. And this is actually 33 years I have been in this industry. People asked me this question as to why the how, and why this long innings in Maruti Suzuki? The clear answer is that this is one industry, which I really love. It’s always cars, it has always been my passion, starting from my school days. Therefore, I wanted to join an organisation, which was in this industry. Maruti Suzuki, of course, has been leading organisations for a very long time. That’s how I came into Maruti Suzuki. It gave me a lot of good experiences across different areas of work. That’s how I kept on with Maruti Suzuki. I’m glad because we did contribute a lot to the industry. I feel that I have also been a part of that contribution to the Indian economy.

    On your connection with cars

    I started driving the car when I was in the seventh standard. My father used to have an Ambassador car. In those days, cars had these radiators, so we had to fill the water to cool the engine down. I was given the task of cleaning the car every morning and putting that water on the radiator. Once in a while I started, I started the car as well, and started driving a little bit just about 10 metres. I’m not sure that my father ever knew about this. But my mother clearly knew about this activity of mine. I’m not sure whether she told this to my father because he didn’t say anything. That’s how I started driving the car and started getting to have the feel of the car.

    On choosing to be a marketer in the automobile sector.

    It’s basically a consumer perspective and I thought that as a consumer, what should be what product it should be, what it should mean to a consumer. So, I got interested in the technicalities of the car in the mind of the consumer of the car, and that is how I started thinking about the products especially automobiles from a consumer perspective. For that obviously, during my course, in my MBA at the at IIM Ahmedabad but I mastered in you know, there was a subject I had to choose to specialise in and I chose marketing and it gave a very structured sort of knowledge a very structured approach to the entire consumer behaviour, consumer mind and how companies should make products and how to market them and that is how I chose marketing.

    On sharing some highlights from your journey so far

    There are many actually. Starting from the early 90s, you had a very high tax structure, the penetration of cars was just around two cars per 1000 people. Today it is 32. When I joined Maruti Suzuki, we had two other car manufacturers in the industry, the total sale was about 50,010 per annum. Today, we are selling 50,000. Maybe in the industry, we are selling almost 40 lakh this year. From about 50,000 to 40 lakhs, I have seen these changes happening in the last 30 years, not only in terms of volumes, which I just mentioned, also in terms of the different segments which emerged earlier. The Maruti 800 was being used by everybody, the bureaucrat, the businessman, the family guy, the young boys and the girls. But today, you see a lot of segmentation. So, you have family cars like the Ertiga, the Sedan’s then you have the SUVs, which were earlier a rougher sort of thing as technology has changed immensely. While volumes have changed, segments have changed and the consumers themselves have changed. You see a lot of digitalization in the industry today, which means the consumer buying process itself has changed. The type of buyer also has changed and the income level of the buyers has changed. In that sense, there has been a complete change from what it was 30 years ago, and each of these changes has been a highlight. For example, when the new Swift came in, it started a new segment which people thought would never exist, but it did then we had the Esteem. It was also a segment which suddenly came in. Therefore, each of these moments are like highlights of the last 30 years and I have been very lucky to be a witness to almost all of them.

    On some of the memorable campaigns you have worked on work

    One good thing about the large experience is also that I have been part of most of the memorable campaigns actually, because Maruti’s a 40-year-old company and I have worked for more than 33 years. In essence, the theme of those campaigns also defines how the consumer has been changing. So initially, there was a campaign about fuel efficiency. There was one Sardar Ji campaign that became a rage because it really defined in a very nice way how fuel efficiency is so dear to consumers. Those times consumers were obviously the first criteria for car purchase was the running cost and therefore, the second campaign on the network, which was about a guy who goes up to Ladakh somewhere, and he says, Is there a hotel? There is no hotel and he says there is a Maruti Suzuki service station. And they say yes, there is. So even in remote areas, that was a great campaign on fuel efficiency. Of course, some really good campaigns on the products as well. Like the new alto campaign, we had a blue-eyed boy campaign and so on and so forth. So, there are and there is one other campaign which is the corporate car campaign, which was about how Maruti Suzuki cars are integral to Indian consumers. It was a campaign which had a lot of elements of the brand being ubiquitous as it was everywhere. So that was another campaign, which I really loved and the consumers loved them too. And it became a talking point in the advertising world as well. So, some of these campaigns are really memorable. Even after 20-25 years, when I think about them, they really lift my spirits, because I’ve been part of them.

    On your thoughts on Bollywood movies making record-breaking numbers this year

    Indian consumers are really big movie fans. If you see this year, some of the movies have really done well in the theatres like Pathaan, Gadar 2, Jawaan, Kantara etc. Then down south KGF and RRR, have all done business in excess of 500 crores. So it’s encouraging not only for the film industry but also if you look at it from an advertisers’ point of view, it’s really very encouraging. In fact, when a movie does well at the theatre, you also have a high anticipation of the OTT and Television as well, because there will be a World TV premiere of these blockbusters as well. They tend to garner a lot of buzz because of them doing well in the theatre. Some of the movies have delivered extremely good numbers on television. Obviously, in a media strategy, we have tried to leverage these movies for our brands and going forward, I think we will continue to do that. One point about this is obviously the evolution of the OTT, there is a lot of content which are now available to consumers. So of course, he’s spoilt for choice in that sense, but even OTT premieres are big, and hence for the advertisers, I think we need to analyse the ROI very diligently and invest on both TV and OTT to get the best ROI. And that’s what Maruti Suzuki has been doing.

    On watching movies on television creating value and impact that offer your brands?

    It creates immense value because it is about memory structure as they say. It is not just about one advertisement or FCT that you put on. Of course, if you look at marketing as an investment and not as an expense, then what it does is build a longer-term brand value and these values come from these memory structures like watching a movie together with the family so, that becomes a brand conversation, which happens because of the family watching together. There are other memory structures like logos for example, or the packaging design, or, the visual treatment of the product itself, if you look at our Maruti Nexa product, for example, the design language is different. So there is also brand communication through the design language, we call it crafted futurism. So, therefore, I think these memory structures are extremely powerful, and very valuable for any brand. So, therefore, these memory structures are extremely powerful and very valuable for any brand. What it does is, it probably requires a small investment to keep the brands on top of the mind, because the investments have grown over time. That’s how those memory structures have evolved. These are the things which have a greater cultural relevance. Brands that see the advantage of this approach, will succeed and their ROI will grow. And we at Maruti Suzuki, feel that these occasions such as the ones that you mentioned, are really great opportunities for marketers.

    On the current media spectrum of TV and digital contributing a winning mix for a marketeer and on the overall effectiveness of TV plus digital advertising

    I’m glad that you said what is the ideal mix, rather than a lot of people who asked this question, which is better, is it TV or is it digital, because obviously, you have to strike the right balance between television and digital and find out the best way to reach the TG. For example, television is great, because for automobiles, if you really want to create imagery, the stickiness of the imagery is good on television, because you can have a large video format there. That’s essential, especially when you are launching a product. Also, the television media today in India has got a larger reach. So, if you’re trying to build a quick reach, and if you want to create imagery for brand positioning, initially, television is a great medium. However, in the funnel, if you look at the marketing funnel, as you go down for consideration and the actual conversion, then you need to have a more personalized message for consumers, their digital becomes more accurate, better, and less wasteful. Therefore, digital platforms obviously have got unparalleled, targeting capabilities because it allows marketers to reach specific audience segments and send personalized messages. That’s great for converting to an actual sale. And therefore, you need to have a mix of both television as well as, digital. It depends on the product category. A category such as car, imagery is very important. Because the category is different from the finance product, it also depends on the specific target audience, if you’re looking at really young consumers, who consume a lot of media in the digital sphere, obviously, you have to spend more money on digital. It also depends on your campaign objective, or even on the creative integration, the creative which is there. If you’re looking at performance measurement, obviously, that’s also one important thing because you can have a better measurement of the digital thing. It also depends on budget constraints. So, I would say that the media effectiveness and the mix are determined by the reach & engagement, if you want reach then TV. It definitely provides that broader reach and mass appeal, digital channels offer targeted engagements and personalised interactions. If you look at brand building, obviously, TV excels in brand building and emotional storytelling, digital platforms, drive performance marketing and maybe measurable results. So, a synergistic effect is what we are looking at. Therefore, a mix is good. In our case, the mix currently is about 30 per cent digital, television is about 40 per cent and the rest is print, radio, OOH and cinema.

     

  • Why ZEE Kannada’s Sa Re Ga Ma Pa is a hit with audience and advertisers?

    Why ZEE Kannada’s Sa Re Ga Ma Pa is a hit with audience and advertisers?

    Mumbai: ZEE Kannada, the number one Kannada entertainment channel in the country seems to be getting it all right with its content and business strategy in recent times. The channel, which crossed  the significant milestone of completing 250 weeks of leadership in the Karnataka market continues to enjoy the acceptance and loyalty of its audience and advertisers alike.

    Known for its relentless efforts to craft the best fiction and grand non-fiction shows, all of the channel’s newest launches like Amruthadhaare, Seetha Rama and Bharjari Bachelors have gone on to become slot leaders and propelling the leader channel to increase the gap between them and competition. Its newest launch Sa Re Ga Ma Pa Season 20 has already got the audience rooting for their favourite singers.

    For the uninitiated, ZEE’s flagship show Sa Re Ga Ma Pa has been the longest-running reality show on ZEE Kannada completing 19 seasons, successfully establishing itself as one of the best singing platforms the country has witnessed. With the new season, the channel for the first time has opened the platform to singing talents from across the globe and has already launched to become the number one Kannada Reality Show.

    Prior to the launch, the ZEE Kannada team spent an entire month searching for the best singers in the age group of 14 and 60 years across the state and the country, and among Kannadiga NRIs between the age group was six to 60 years. Twenty precious and talented candidates were hand-picked from the record-breaking number of passionate contenders who attended the mega auditions, and they are now ready to cast a spell on the audience this season.

    The show boasts of a stellar judges panel comprising of iconic composer Naadabramha Hamsalekha as the Mahaguru along with singer Vijay Prakash and composer Arjun Janya with Ansuhree taking on the anchoring duties.

    Talking about the show’s legacy and the love of the audience ZEE Kannada & ZEE Marathi chief content officer Raghavendra Hunsur said “Sa Re Ga Ma Pa is our channel’s pride, and it has experienced substantial growth in its following over the years. What sets us apart is the fact that we have retained the soul of music as an art within the show and our judges panel plays a big role in it which the audience love. The show is rooted in its values while being presented with unmatchable grandeur.  This season going global is in line with our commitment to offer something new in each of our shows which I’m sure will add to the excitement of the audience.”

    What makes the show a big hit among the advertisers?  

    According to ZEEL chief growth officer Ashish Sehgal, “ZEE Network’s reality shows have a unique ability to captivate the diverse audiences in every market that they are launched, due to our profound expertise in creating content based on the cultural understanding. Leading the pack is the pioneer of music reality shows in India, ZEE’s Sa Re Ga Ma Pa – an iconic brand and one of the most successful reality shows of India for more than two decades. The story is similar for our top channel from South, where ZEE Kannada’s Sa Re Ga Ma Pa has delivered blockbuster content for 19 seasons, discovered unique talents and created the singing stars of the future. With the launch of the 20th season this month, we have kept the promise of adding more depth and unique elements to the show to keep our viewers hooked. Complementing the popularity of the show, we have got a phenomenal response from the advertisers this season, with substantial interest from the retail market. I whole-heartedly welcome all the 14 sponsors of the show and I am extremely delighted to continue our partnership with Maruti Suzuki and White Gold, who joins us as the Co-Title sponsors. Each of the sponsors will get innovative brand engagement opportunities in every phase of the show to bring out their brands’ core propositions effortlessly and leave a long-lasting impression among the viewers in this festive season. I am certain that this new season of Sa Re Ga Ma Pa will inspire millions of our Kannada viewers to sing along with the talented contestants and generate massive value for our revered partners.”

    ZEEL chief sales officer – South cluster VS Raghavan agrees with Ashish. He added, “Being a market leader for over 250 weeks, ZEE Kannada has always been the first choice platform for brands targeting Kannada heartland to build reach, TOMA or drive consideration. Sa Re Ga Ma Pa, being our flagship has always been investors’ preferred destination given the distinct set of viewers it caters to, enabling brands achieve sharper connections with consumers be it for new launches, build awareness or for better engagement. In our 20th season, we have  raised our bar a notch higher by taking it global and onboarded many great brands this season with as many as 14 sponsors as part of the show, including several home grown local brands, which testify the trust and aspirations behind a talent show like Sa Re Ga Ma Pa.”

    Maruti Suzuki India Ltd Sr executive officer, marketing & sales Shashank Srivastava shared his thoughts on the association saying “On behalf of Maruti Suzuki, I’d like to extend my best wishes to another year of Sa Re Ga Ma Pa on ZEE Kannada. It is exciting for all of us to partner again with the show in its 20th Season which promotes and celebrates the best of Kannada singing talents from India and across the globe.  This partnership helps us reach out to our relevant audiences in the most engaging manner making the association truly symbolic.”

    “At Amrith Noni company, we firmly believe in partnering with properties that align with our values and contribute positively to society and ZEE Kannada’s shows have been doing exactly that in the Karnataka market.  We have been closely associated with many of the channel’s marquee shows that have a strong following among our core consumers.  Our association with ZEE Kannada over the years has given us the opportunity to make a real difference in the lives of people, our products are aimed at making life easy and so are their shows and we see this as a harmonious marriage that go on for longer” said Amrith Noni CEO Narayan N.

    White Gold managing director Babu C J who is associating with the show for the first time said, “We are delighted to announce our collaboration with ZEE Kannada’s Sa Re Ga Ma Pa. White Gold aims to transform the unorganized gold-buying market in India with its organized work process and 100% transparency. We have been serving people who wanted to sell gold by providing them with liquidity for their emergency money requirements and offering a fair value for their gold. Sa Re Ga Ma Pa embarks on a parallel journey where talent converges with opportunity and has scripted many underdog-winning stories. This collaboration further enhances our brand’s positioning within the pertinent audience and together we aspire to deliver an exceptional season that resonates with all.”

    Sa Re Ga Ma Pa Season S20 airs every Saturday and Sunday at 7.30 pm, on ZEE Kannada and ZEE Kannada HD.

  • Brands celebrate Asian Games 2023 with full fervour on Sony LIV

    Brands celebrate Asian Games 2023 with full fervour on Sony LIV

    Mumbai: India’s remarkable resurgence in the global sporting arena is a testament to its status as a multi-sport powerhouse. The captivating narratives and exhilarating moments in sports have long been a source of inspiration and entertainment for people of all ages. Recognizing the fervour and enthusiasm of viewers, renowned brands such as EatFit, Maruti Suzuki India Ltd, JSW, ACKO, and Limca Sportz have forged powerful collaborations with Sony LIV for the Asian Games 2023. These partnerships serve as a resounding expression of solidarity with and support for Indian athletes who are set to compete on this prestigious platform.

    EatFit, Maruti Suzuki India Ltd, and JSW have come on board as co-presenting sponsors and will have a prominent presence within in-studio showcases to drive deep associations. JSW aims to shed light on India’s multi-sport achievements and showcase JSW-sponsored athletes. ACKO has come on board as co-powered by Sponsor and will present highlights and introduce the ‘ACKO Changemakers series on Sony LIV. Furthermore, Limca Sportz is a Hydration Partner and will present ‘Unstoppable Player of the Day’, while RBI has exclusive rights to Top Moments. These collaborations promise engaging content and unique branding opportunities, enhancing the brand’s messaging among the audience.

    The Asian Games is poised to be a significant one for India, as a total of 655 Indian athletes will be competing in 41 disciplines. After 19 years, the Asian Games will feature a T20 tournament, where Indian men’s and women’s cricket teams will be making their debuts, giving many more reasons for viewers to be glued to their screens this year.

    Sony LIV head of Ad sales revenue Ranjana Mangla commented, “Over the last few years, Sony LIV has proved to be a trusted and seamless partner for streaming multi-sporting properties, and the Asian Games is one of the world’s most prestigious tournaments. Our coveted list of sponsors shares our passion for sports, with some renewing with us and others signing up for the first time. Each of them keenly wants to connect with a young and affluent subscriber base that makes us a strategic choice for their communications”.

    Curefoods founder  Ankit Nagori, “I am thrilled to announce our partnership as a co-presenting sponsor for the Asian Games 2023 on Sony LIV. This exciting collaboration exemplifies the immense potential for brands to elevate their presence through multi-sports tournaments. In the spirit of competition and unity, we look forward to a journey that not only fuels athletic excellence but also nourishes brand association, bringing together the worlds of health, fitness, and sports in perfect harmony”.

    JSW Sports Founder Parth Jindal, “We are proud of our sponsorship of Team India at the Asian Games 2022, reinforcing our commitment to sporting excellence in the nation. This support extends through our Inspire Institute of Sport, Vijayanagar, which propelled 25 athletes to represent India at Guangzhou.  ‘RukNa Nahi Hai’ is a rallying cry for sports to inspire and unite India’s diverse landscape.

    As proud sponsors, we look forward to Team India’s performances, donning the JSW jersey and embodying our brand’s determination and excellence. Through this partnership with the Indian Olympic Association, and in collaboration with Sony LIV, we aim to foster a culture of sportsmanship, determination, and excellence for future generations”.

     

  • Aroon Purie, RC Bhargava, Rohini Nilekani, given Managing India Award

    Aroon Purie, RC Bhargava, Rohini Nilekani, given Managing India Award

    Mumbai: India’s G20 Sherpa Amitabh Kant presented the Managing India Awards at the Golden Jubilee National Management Convention in New Delhi.

    The India Today Group founder, publisher and editor-in-chief Aroon Purie got the Lifetime Contribution to Media Award while Maruti Suzuki India Ltd chairman R C Bhargava received the Lifetime Contribution Award. Rohini Nilekani Philanthropies chairperson Rohini Nilekani took the Corporate Citizen Award. All awardees were joined by their spouses during the presentation of trophies.

    The citations for the awards were read by Hero Enterprise chairman Sunil Kant Munjal, television show host Rajiv Makhni, and renowned cinema actor and director Nandita Das.

    Presenting the awards, Kant said that it was a great honour for him to present awards to three great people who he had grown up admiring.

    Sharing his experience as India’s G20 Sherpa, Kant said that it was a job of taking one’s leader to the top of Mount Everest.

    Talking about India’s strategy and achievements during its presidency of G20, Kant said that the PM wanted the opportunity to be used to transform the districts and cities where the 220 G20 meetings were to take place, which was done.

    The negotiations proved tougher than anticipated, Kant said. However, he could be ambitious and courageous as G20 Sherpa because he had the full backing of the Prime Minister. “The PM’s directive was to be decisive and action oriented,” he said. It took nine days of non-stop negotiations in a room without phones, away from the media, to achieve consensus on the Russia-Ukraine statement. “We pushed the limits and took it to the level of brinkmanship to achieve success,” he said.

    India demonstrated its ability to drive multilateralism and bring everybody on board, Kant said, and attributed India’s ability to do so to India’s status as the 5th largest economy in the world.

    Talking about pushing the agenda of global south in G20, Kant said that the PM wanted India to put the global south first and India’s G20 presidency began with a virtual meeting of the region’s countries. This year, 80 per cent of the global growth came from the south, he pointed out.

    Kant said that India managed to achieve consensus on every issue, including redesigning the multilateral institutions, pushing digital public infrastructure, climate change, climate finance, green growth, women-led development, and inclusion of Africa. He pointed out that India achieved 112 outcomes during its presidency of G20 compared to 50 by the previous president, Indonesia.

    India’s digital public infrastructure was a key focus during the presidency, as 133 countries lack fast payment systems. “It became important to evangelize DPI model, which is open and interoperable unlike the big tech model of the US and China,” he said.

    Accepting the Managing India Award, Purie said that he was delighted to receive the award at this particular time because the media has become the whipping boy for everyone and everyone blames all ills of the society on the media. “We’re not perfect. Bad apples exist in every industry and profession. Aren’t there bad apples in business and bureaucracy?” he said.

    Stressing the importance of the media in today’s India, Purie said,”A free press is essential for our democracy, especially when democracy is not functioning so well…when more debates are held on television than in Parliament.” Purie expressed worry about the epidemic of fake news, and the potential of AI to make it worse. “Truth is in danger of becoming an endangered species…journalists have to step up and do their job honestly,” he said.

    Bhargava said that the award was somewhat an anomaly because when he joined Maruti, he knew nothing about management. He credited his colleagues for teaching him management. “Individuals can never achieve. All achievements are collective,” he said.

    In her acceptance speech, Nilekani said, “We live in complex and challenging times. We need to cultivate empathy, self-restraint and charity to create a successful samaaj, a safe harbour for our children and grandchildren.”

    Opening the awards ceremony, AIMA president Shrinivas Dempo brought attention to the focus of the 50th National Management Convention and emphasized that India needed to raise its thinking and action to the next level. “The new India needs a new dream – a dream of being a country with high standards of living for every Indian, a dream of being an evolved country that offers the world new models of economy, democracy, governance, technology, and culture,” he said.

    AIMA senior vice president Nikhil Sawhney thanked Kant for presenting the awards and congratulated the winners. “Each one of you is special and each one of you has made a transformative contribution in a critical sector of the Indian economy,” he told the awardees.

    Rieter India Pvt Ltd co-chairman Sudhir Jalan introduced the awards and complimented the jury for its excellent selection of awardees.

    The awards ceremony was live-streamed on AIMA’s social media channels. 

  • Brands celebrate Asian Games 2023 with full fervour on Sony LIV

    Brands celebrate Asian Games 2023 with full fervour on Sony LIV

    Mumbai: India’s remarkable resurgence in the global sporting arena is a testament to its status as a multi-sport powerhouse. The captivating narratives and exhilarating moments in sports have long been a source of inspiration and entertainment for people of all ages. Recognising the fervour and enthusiasm of viewers, renowned brands such as EatFit, Maruti Suzuki India Ltd, JSW, ACKO, and Limca Sportz have forged powerful collaborations with Sony LIV for the Asian Games 2023. These partnerships serve as a resounding expression of solidarity with and support for Indian athletes who are set to compete on this prestigious platform.

    EatFit, Maruti Suzuki India Ltd, and JSW have come on board as co-presenting sponsors and will have a prominent presence within in-studio showcases to drive deep associations. JSW aims to shed light on India’s multi-sport achievements and showcase JSW-sponsored athletes. ACKO has come on board as co-powered by sponsor and will present highlights and introduce the ‘ACKO Changemakers’ series on Sony LIV. Furthermore, Limca Sportz is a Hydration Partner and will present ‘Unstoppable Player of the Day’, while RBI has exclusive rights to top moments. These collaborations promise engaging content and unique branding opportunities, enhancing the brand’s messaging among the audience.

    The Asian Games is poised to be a significant one for India, as a total of 655 Indian athletes will be competing in 41 disciplines. After 19 years, Asian Games will feature T20 tournament, where Indian men’s and women’s cricket teams will be making their debuts, giving many more reasons for viewers to be glued to their screens this year.

    Sony LIV head ad sales revenue Ranjana Mangla: Over the last few years, Sony LIV has proved to be a trusted and seamless partner for streaming multi-sporting properties, and the Asian Games is one of the world’s most prestigious tournaments. Our coveted list of sponsors shares our passion for sports, with some renewing with us and others signing up for the first time. Each of them keenly wants to connect with a young and affluent subscriber base that makes us a strategic choice for their communications.

    Curefoods founder Ankit Nagori: I am thrilled to announce our partnership as a co-presenting sponsor for the Asian Games 2023 on Sony LIV. This exciting collaboration exemplifies the immense potential for brands to elevate their presence through multi-sports tournaments. In the spirit of competition and unity, we look forward to a journey that not only fuels athletic excellence but also nourishes brand association, bringing together the worlds of health, fitness, and sports in perfect harmony.

    JSW Sports founder Parth Jindal: We are proud of our sponsorship of Team India at the Asian Games 2022, reinforcing our commitment to sporting excellence in the nation. This support extends through our Inspire Institute of Sport, Vijayanagar, which propelled 25 athletes to represent India at Guangzhou.  ‘RukNa Nahi Hai’ is a rallying cry for sports to inspire and unite India’s diverse landscape.
    As proud sponsors, we look forward to Team India’s performances, donning the JSW jersey and embodying our brand’s determination and excellence. Through this partnership with Indian Olympic Association, and in collaboration with Sony LIV, we aim to foster a culture of sportsmanship, determination, and excellence for future generations”.