Tag: marketing

  • No Pulse, no life: Candymaker resumes conversation with consumers

    No Pulse, no life: Candymaker resumes conversation with consumers

    NEW DELHI: DS Group-owned Pulse Candy was introduced in 2015 and it immediately became a rage – people couldn’t get enough of the super sour, piquant taste. On most occasions, consumers preferred to buy loose candies, but in this case they were keen on purchasing the entire box. The brand grew like an addiction, so much so that it ended up achieving Rs 100 crore sales in a matter of eight months. Since then, the launch of Pulse Candy has been known as one of the biggest success stories in the hard-boiled candy category, which is currently growing at a rate of 12-16 per cent. For the record, India’s overall candy category is around Rs 6,000 crore growing at a CAGR of six to nine per cent. The brand clocked sales of nearly Rs 300 crore in the first two years.

    The core idea behind the launch Pulse candy was that the makers identified a gap in the category. They found that kaccha aam was a preferred flavour among the audiences but traditionally it was consumed with spices to make it tangy. However, no other candy brand was offering this combination to the audiences and hence the brand decided to go for an innovation.

    The kaccha aam-flavoured candy initially grew on the back of word-of-the mouth campaign, and after a massive increase in demand, the brand launched its first major advertising campaign. The core positioning of the brand is ‘Praan Jaaye par Pulse Na Jaaye’ that aims to poke fun and make people laugh. Over the last three years, it has released several campaigns that show slapstick situations and brings a smile to consumers’ faces in less than 30 seconds.

    The initial campaign was aimed at reflecting the ‘irresistibility’ or the obsessive love people have for Pulse candy. The tag line kind of reflected that love and positioned the candy accordingly in the minds of the people.

    The candymaker’s last big splash was in early 2019 when it released two films Classroom and Dangal.

    After a gap of over a year, Pulse Candy has released a TV campaign. This time, the brand has done away with actors and is using stick figure characters in the spots. The campaign has been launched with two films, titled The Husband-Wife and Recycle Bin. The stick figures are named Wifey, Hubby, Sticky and Micky.

    Designed and conceptualised by Wunderman Thompson, the film aims to capture the extent to which the stick figures or the Pulse fans will go for the enticing taste of Pulse candy.

    The first one captures the banter between a husband and wife; the second one is altogether a different take between two stick figure friends pulling a fast one on each other inside a computer screen. The set-up of the second film also makes you slightly nostalgic as it takes you back to the early days of Microsoft Windows with a similar screen, Recycle Bin and VLC player icons (name changed to WLC in the film).

    DS Confectionary Products joint general manager- marketing Arvind Kumar said, “The brand must keep re-inventing execution themes to retain the excitement around the proposition of Pran Jaaye Par Pulse Na Jaaye. We have done some captivating campaigns in the past and the current campaign brings in a new and exciting style of content with stick figures, to fortify the alluring magnetism of Pulse in an amusing and entertaining way.”

    Wunderman Thompson executive creative director Sundeep Sehgal said, “Pulse stands for joy and uniqueness, the irresistibility of Pulse lends itself to this unique proposition. We wanted to make simple, short, and share-worthy stories and stick figures give an exciting take to our narrative.”

    The campaign is amplified on the social page of the brand that commands a million-member-strong community. The brand continues to engage with its audiences via social media platforms using moment marketing, contests, videos and content formats.

    Pulse Candy was initially launched as a test project in the states of Rajasthan and UP and after its success, the brand was expanded to pan-India. It has grown massively in the last four years on the back of a strong distribution network. DS Group has also taken Pulse beyond the Indian shores. The brand continues to sell it at a price point of Re 1. It competes with the likes of Parle and several other regional and national players. 

  • Star Sports names Sudhir Shukla as marketing head

    Star Sports names Sudhir Shukla as marketing head

    New Delhi: The Walt Disney Company-owned Star India has elevated Sudhir Shukla as head of marketing for Star Sports. He will be managing the marketing for the entire sports portfolio at Star Sports. 

    Shukla announced the development on his social handle.

    He joined Star India in 2016 and has served in different roles such as VP & head marketing and brand strategy, SVP – cricket.

    In his previous role, he has successfully spearheaded marketing for IPL, ICC World Cup 2019, women’s cricket and launched several campaigns.

    Previously, this portfolio was handled by Rajiv Mathrani who had recently moved on from the organisation. 

    Shukla has over 17 years of experience and has previously worked at Mondelez, and Tata Consultancy Services. His longest stint was at Mondelez where he served for over 10 years in different roles such as area sales manager, brand manager, category manager – gum and candy, category head – cocoa beverages, and head of modern trade, CSD and away from home (NCD) channel.
     

  • Mathrubhumi.com wins at Wan IFRA’s South Asian Digital Media Awards 2020

    Mathrubhumi.com wins at Wan IFRA’s South Asian Digital Media Awards 2020

    Kochi: Mathrubhumi.com the digital news platforms of mathrubhumi group was recently conferred with a bronze metal at South Asian Digital Media Awards 2020 jointly presented by Wan – IFRA, (World Association of Newspapers and News Publishers,).  

    Creating its impact in the industry the metal was honoured to Mathrubhumi under Best Data Visualisation. The article titled’ Lockdownil Pranayuviny Jeevanvechu’ highlighted and explained the difference in air quality in different cities after the lockdown was implemented. The article was selected for illustrating the quality of air in various Indian cities using graphs.

    Mathrubhumi executive editor (Periodicals & Digital) Ramachandran O.R said, "This award winning visualisation is on the unbelievable air quality changes happened during lock down period in India. It is based on the air quality data published by Central Pollution Control Board on their website. They took measurements of 6 air quality elements from 120 cities in India during the four stages of lockdown and compared it with the observed values of the same elements 30 days before lockdown. We analysed the entire data and took a subset of the data having measurements from cities of Kerala and selected cities outside Kerala and made a sun burst visualisation of this data. This visualisation reveals the rise in air quality happened in the cities of Kerala during lockdown. This conveys a positive message to our readers about the reasons behind the rising air pollution of the state and the need of keeping it clean. The whole package was the result of journalistic passion ignited with technology and team work”.  

    The South Asian digital media awards presented by Wan –IFRA, recognise publishers who have adopted digital media and mobile strategies as part of their total product offering to meet the major changes in how people consume news today. Wan-IFRA digital media awards are presented in every region across the world and the winners from each region subsequently compete for the world digital media awards.   

    South Asian Digital Media Awards are presented in ten different categories including best website, audience engagement, native advertising /branded content, paid content strategy, news literacy and Covid19 projects among others. Twenty judges from across the globe evaluated the entries and selected winners. The winners will be presented trophies and shall be honoured virtually at the upcoming Digital Media India 2021 Conference on 2-4 March, next year.

  • Amazon Prime Video’s Unpaused is about new beginnings

    Amazon Prime Video’s Unpaused is about new beginnings

    MUMBAI: The trailer of Amazon Prime Video’s Hindi anthology Unpaused is out. The movie, featuring five short films directed by some of the most talented filmmakers in the Indian film industry, aims to show the importance of moving on and finding new beginnings when things look dim. Unpaused will drop on the streaming platform on 18 December in over 200 countries and territories. 

    The trailer gives viewers a glimpse of the five stories encapsulated in the movie: 

    I.  The Apartment, directed by Nikkhil Advani (D-Day) and starring Richa Chadha (Inside Edge), Sumeet Vyas (Wakaalat From Home), Ishwak Singh (Paatal Lok)

    II. Rat – A – Tat featuring Rinku Rajguru (Sairat), directed by Tannishtha Chatterjee (Parched)

    III. Chaand Mubarak directed by Nitya Mehra (Made in Heaven) starring Ratna Pathak Shah (Thappad) and Shardul Bhardwaj (Bhonsle)

    IV. Sample House directed by Avinash Arun (Paatal Lok) starring Abhishek Banerjee (Paatal Lok) and Geetika Vidya Ohlyan (Thappad)

    V. Glitch directed by Raj & DK (The Family Man) starring Gulshan Deviah (Afsos), SaiyamiKher (Breathe: Into the Shadows)

    “The union of such creative forces during these unprecedented times is testament to the fact that creativity cannot be capped,” said Amazon Prime Video head of India Originals Aparna Purohit. She added, “These turbulent times call for faith and assurance in the power of new beginnings. It is our endeavour to consistently bring unique stories and newer formats on the service through our Originals offering; and we are delighted to offer a fresh format with Unpaused.” 

    The anthology follows the successful launch of Putham Pudhu Kaalai, the Tamil five-film anthology, as well as the releases of several widely-acclaimed Hindi films like Chhalaang, Shankuntala Devi and Gulabo Sitabo, along with Amazon Original series Bandish Bandits, Paatal Lok, Breathe: Into The Shadows, and Mirzapur 2, among others. 

    Unpaused was shot in compliance with government rules and regulations issued in the state of Maharashtra for filming during the Unlock phase. 

    "We are excited to extend our successful association with Amazon Prime Video and explore a new genre together,” said Raj and DK. “Creating The Family Man was a liberating experience for us as content creators, and the assurance of thinking unconstrained has only encouraged us to extend our collaboration through Glitch. We are certain viewers will enjoy the film as much as we enjoyed making it.” 

    “We went far down the roads of ingenuity and resourcefulness to come up with an exciting visual experience like The Apartment,” director Nikkhil Advani said. “With the cast and crew working towards a common goal, and having to think outside the box to bring this creation to life, this production experience has been a novelty. The intent is to showcase the optimism new beginnings carry, and we are happy to be able to take this story to a global audience.”

  • ISL 20-21 opening week clocks 8% growth in viewing minutes

    ISL 20-21 opening week clocks 8% growth in viewing minutes

    NEW DELHI: The craze for football is getting bigger and bigger in India with every passing edition of Hero ISL. This year, the championship is into its seventh season and is the first major sporting league playing in the country since the pandemic started.

    Hero ISL returned on 20 November in a new 11 team avatar, raising the competition a notch higher. The live action is telecast and live streamed in 82 territories across the world through five partners across TV and digital platforms.

    Official broadcasting partner Star Network is exclusively bringing ISL matches in India on Star Sports 1 SD & HD, Star Sports 2 SD & HD (English); Star Sports Hindi 1 SD & HD, Star Sports 3, Star Gold 2 (Hindi), Asianet Plus, Asianet Movies (Malayalam); Star Sports Bangla; Star Sports Kannada; Star Sports Tamil; Star Sports Telugu and Star Sports Marathi. Online streaming will be available on Disney+ Hotstar VIP and JioTV.  

    In the latest, Broadcast Audience Research Council (BARC) has stated that the opening week of ISL clocked eight per cent more viewing minutes in comparison to last year. In 2019, ISL garnered 3.16 billion minutes while in 2020, it garnered 3.42 billion minutes.

     

     

    Another report from the broadcaster also noted that the tournament clocked a 16 per cent spike in viewership in the opening week (first eight matches), as compared to the previous season. The growth is universally seen across markets – HSM 18 per cent, south 14 per cent.

    Not to mention that the highly-anticipated Kolkata Derby between SC East Bengal and ATK Mohun Bagan on 27 November recorded the highest viewership for the legendary rivalry match.

    The matches are taking place in a closed door setup and several technological innovations have been introduced to ensure a higher engagement with the audiences.

    "We are thrilled to deliver a blockbuster opening week of the ISL 2020-21. After a successful IPL 2020, we laid emphasis on an enhanced viewing experience for football by stressing on product innovations, improved story-telling, and fan engagement. We hope to maintain the momentum and build on the gains in viewership in Week 1. ISL 2020-21 has also set the precedence for other sporting events to resume in India by following the highest safety standards," Star India sports head Sanjog Gupta had said in an official release.

    Some of the sponsors for this year include Hero MotoCorp, Byju’s, Dream11, Himalaya Drug, Apollo Tyres, Nivea and others. 

  • Vi elevates Anveesh Khosla as CMO, Kavita Nair moves on

    Vi elevates Anveesh Khosla as CMO, Kavita Nair moves on

    New Delhi: Vi, a leading telecom player, has elevated Avneesh Khosla as the new CMO of the brand. He will be spearheading the overall marketing activities of the new brand entity Vi.

    Khosla is an old hand at Vodafone and has been with the organisation for over 12 years and served in multiple roles. In the last role, he was serving as the director of marketing for the brand.

    The development comes after Vi chief digital transformation officer moved on from the organisation. She is also an old hand at the telecom brand and has been associated with it for over 20 years.

    She successfully spearheaded the Vi launch in the Indian market.

    She has led different roles such as Marcom, data business, enterprise marketing, retail digital and customer experience. Nair will be soon moving out of the organisation and is said to have chosen a different career path for herself in the future.

    The company has confirmed both the developments.  

  • Ad volumes for auto sector witnessed 36% growth during festive season in 2020: BARC

    Ad volumes for auto sector witnessed 36% growth during festive season in 2020: BARC

    New Delhi: Every product category has been hit in 2020 by the pandemic and lockdowns. The sales for most of these product, categories got impacted as people were restricted to their homes and were reluctant in spending money even after the lockdowns were over.

    Initially, the advertising volumes of many such categories was also hit but soon it started reviving as marketing heads realised that it is not the time to stop but to be even more aggressive if they wanted to make the best out of this year.

    Automobile is one such category that was affected. Most brands did not make a sale of a single unit in the lockdown period (excluding exports). However, once the lockdown was lifted, the brands started opening up their showrooms and retail experience centers and started inviting customers to come and sample their product.

    Initially, the response of audiences was slow but digital marketing came to the rescue as many of these brands created a virtual experience of their product and created enough content around it for the customer to research and find information that he/she was looking for.

     

     

    Slowly, the customers also started returning to the retail centers. And, if we go by the festive season reports, the sales for several of two-wheeler and four-wheeler brands have increased. These reports have induced a lot of positivity in the industry and a lot of it has also come from the massive advertising campaigns taken by the brands across national and regional channels.

    Broadcast Audience Research Council (BARC) has released a report comparing the ad volumes and share of the automobile industry for 2019 and 2020 between 1 Oct and 27 Nov (festive season).

     

     

    The report states that the ad volumes for the automobile sector have grown by 36 per cent in 2020. In 2019, the total advertising done during this period was around 9.3 million seconds which grew to 12.6 million seconds in 2020.

    Also, the ad volumes for four-wheelers have increased by two times. In 2019, there were approximately 2.39 million seconds of advertising while in 2020, there have been more than 5.86 million seconds of advertising. The ad volume share has also increased from 26 per cent to 46 per cent in the last year.

     It will be interesting to see if the industry can carry forward this momentum and continue selling the products.

  • HomeLane to invest Rs 100 crore in marketing over 12 months

    HomeLane to invest Rs 100 crore in marketing over 12 months

    BENGALURU: In India, getting home interiors done is generally regarded as a significant but chaotic exercise. As a result, the business segment remains highly unorganised and plagued with unpredictability in terms of time, quality, transparency and expertise. A chaotic experience brings down the joy of creating a new house and unpredictability becomes a serious nightmare. With this rationale, home interiors brand HomeLane is aiming to reduce the pain currently associated with this process through its 45-day delivery promise.

    The company has launched a new digital campaign ‘Switch to HomeLane’, across a wide spectrum of OTT/video streaming platforms to urge the Indian consumer to bank on the HomeLane guarantee and “switch” to enjoy its predictable experience. With the digital-first approach, HomeLane is kicking off the new campaign on OTT platforms, beginning with SonyLiv during the India vs Australia T20 series, and supported by YouTube and other social media platforms across key cities.

    HomeLane is planning to invest over Rs 100 crore during the next 12 months on various marketing initiatives. This campaign is part of this strategic direction and will run through the entire Q4 of FY 20-21.

    HomeLane VP marketing Rajeev GN said, “At HomeLane, we bring predictability into an unorganised and chaotic journey of getting home interiors done. Our 45-day delivery with a penalty backed promise of ‘we pay, you rent’ has been a huge differentiator. It has benefited our customers through price transparency combined with high quality delivery making the last mile of the experience easy for them. Through our new campaign we reiterate this promise as Indian consumers start adjusting to the new normal.”

    The campaign involves a couple in the process of getting their new home’s interiors done. However, they are faced with multiple challenges such as delays, poor quality and hidden costs along the way when it comes to dealing with a carpenter. By highlighting these pain points, the campaign aims to appeal to the homeowners to switch to HomeLane in order to enjoy a hassle-free experience through the HomeLane guarantee of 45-day delivery, superior quality and complete price transparency.

    Established in 2014, HomeLane has grown into one of India’s leading tech-enabled home interiors brands, providing end-to-end interior services in a personalised, professional way. The company claims to have delivered over 15,000 homes across the country, over the last six years. HomeLane currently services 12+ cities across the country through 21 experience centres.

  • Seniority & Nobel Hygiene’s latest offering is for silvers with active lifestyle

    Seniority & Nobel Hygiene’s latest offering is for silvers with active lifestyle

    NEW DELHI: Adult incontinence is a major health issue affecting millions of senior citizens across the world. In an effort to cater to the evolving needs of the elderly, Seniority and Nobel Hygiene have joined hands to launch a new range of adult diapers – Friends Premium Pants with a unique odour-lock technology and anti-bacterial core for added comfort.

    Friends Premium Pants has been designed with exclusive features such as leak guards on both sides to enhance its absorption capacity for up to 10 hours. The pant-style diapers offer greater comfort and hygiene, and are the perfect solution for elders with light incontinence issues. Its unique features provide the freedom, dignity, and confidence to the elderly to lead an active lifestyle.

    Seniority co-founder Tapan Mishra said, “Incontinence is not just a physiological issue but also a major mental health concern for the elderly and their caregivers. Our deep understanding of the consumers’ requirements, combined with the industry intelligence of Nobel Hygiene, has allowed us to introduce Friends Premium Pants. We are delighted with this collaboration since it strengthens our commitment to cater to the lifestyle needs of seniors and make them more mobile and independent.”

    Nobel Hygiene VP- marketing and commerce Kartik Johari said, "Friends Diapers remains steadfast in our commitment to the silvers in India, and to ensure that they receive the best-in-class products for their azadi. Thus, when Seniority approached us to co-create an offering for their audience, it was the perfect meld of market and product. We are glad to offer a special collaboration product to serve the needs of even more silvers.”

    Seniority has released several campaigns in order to reach out to its audience and create awareness about its products in the category.