Tag: marketing

  • Media personality Pranav Harihar Sharma joins Pippip Media as showrunner & partner

    Media personality Pranav Harihar Sharma joins Pippip Media as showrunner & partner

    Mumbai: New age content house Pippip Media has announced the onboarding of Cannes Lions winning filmmaker and ad-man Pranav Harihar Sharma as partner and showrunner of the company.   

    With close to two decades of noticeable work in the advertising industry, Sharma will now lead Pippip’s foray into long format storytelling and branded campaigns. With over two hundred ad films under his belt as director, and having won multiple awards for his short films at several international festivals such as the Cannes Film Festival, New York Film Fest to name a few, Sharma feels this is the right time to get into new-age storytelling.

    Speaking on his association with Pippip Media, he says, “The world is fast moving from advertising to media & entertainment and in no time we will see branded content replacing the good old TVC. The change is already here and at Pippip, we want to be at the forefront of this change.”

    “I’ve been working closely with Pippip on various projects last year. While working together we realised that we share the same vision and passion for creating cutting edge content. As Showrunner, I may not be writing or directing every content piece hereon but will be responsible for the final creative product,” Sharma added.

    Director and chief business officer Joy Bhattacharya said, “We are delighted to announce the inclusion of Pranav as Showrunner and Partner. We believe he will play an instrumental role in building Pippip Media and accelerating the growth further.”

    Pippip Media director and chief creative officer Aritra Mukherjee said, “The time is here to toggle between films, TVCs, digital content, branded campaigns, web series and not be limited to any one particular medium. We want to be present where good content can be created and no one better than Pranav to lead this vertical for us.”

    Pippip Media’s recent IPL focused campaign for Fantasy Akhada with Harsha Bhogle and Ali Fazal has been well received and their short film ‘The Table’ for Greenply has been officially selected for the Dadasaheb Phalke International Film Festival. They have also produced the 18th season of the iconic show MTV Roadies, filmed in South Africa with actor Sonu Sood.

  • OLX Autos onboards Siddharth Agrawal as country head – marketing

    OLX Autos onboards Siddharth Agrawal as country head – marketing

    Mumbai: OLX Autos has brought Siddharth Agrawal on board as its new country head – marketing. He will be reporting to the company’s CEO, Amit Kumar.    

    In his new role, Agrawal will lead OLX Autos’ marketing initiatives as the brand enters the next phase of growth across India’s rapidly expanding pre-owned automobile space, said the statement.

    An alumnus of NMIMS, Agrawal comes with experience spread across marketing, sales and operations in multiple leadership roles in FMCG and mobility sector, with organisations such as Unilever and Ola.

    Formerly, Agrawal served as senior director at Ola – spearheading its ‘First-Mile Last-Mile’ categories (Ola Autos and Ola Bikes). He was instrumental behind the successful launch and scale-up of Ola autos and bike categories in India, and led Ola’s global category development efforts.

    Prior to Ola, he served as global marketing director at Hindustan Unilever Ltd for over a decade across various sales and marketing roles. He was actively leading the marketing efforts for the launch of Pureit range of water purifiers in India, and its global expansion into SouthEast Asia and Africa. He was a key member behind the Pureit ‘Rs one crore safety challenge’ campaign which was based on the insight that consumers think that all purifiers are the same.

    On joining OLX Autos, Siddharth Agrawal said, “Having spent more than two decades in various leadership roles across industries from India to South-East Asia and Africa, I have witnessed how marketing initiatives are crucial in building new categories, and developing a differentiated brand identity to unlock growth. I am excited to embark on this journey along with an enthusiastic team that will support OLX Autos’s strategic vision.”

    OLX Autos India CEO Amit Kumar commented, “More Indian consumers are shifting their preferences to pre-owned vehicles and the trend has accelerated over the last few years especially in the wake of the pandemic. An evolving & competitive market brings new opportunities for us to communicate our brand proposition in a new avatar in line with changing consumer preferences. Siddharth’s extensive experience of scaling businesses across diverse portfolios in the auto sector is of immense value to us.”

  • Mintoak appoints Khushaal Talreja as Head of Marketing

    Mintoak appoints Khushaal Talreja as Head of Marketing

    Mumbai: The fintech company, Mintoak has appointed Khushaal Talreja as Head of Marketing. He will be responsible for brand building and creating more opportunities.

    Khushaal is a detail-oriented marketer and has an agile approach to building business in both offline and online ecosystems. He also steered the Marketing & Partnerships department of LitmusWorld in his earlier stint. He has sound marketing capabilities and unbelievably sharp strategy skills that will grow any business.

    Mintoak’s Co-Founder and Ceo Raman Khanduja says, “At Mintoak, we are poised to redefine the digital payments landscape in India with a comprehensive platform offering. With a sustainable business model that chooses to be the rightful partner for banks across the globe, we hope, Khushaal with his wide experience in digital marketing will help us achieve brand leadership in the fintech ecosystem. We look forward to working together.”

    Mintoak’s Head Marketing Khushaal Talreja says, “I am excited to charter the marketing roadmap for Mintoak in India and new markets abroad. With a sharp brand positioning and collaboration with our partners, I’m certain that we will build a strong presence across our target markets. I look forward to working with the team.”

     

  • Mango announces Kiara Advani as its brand ambassador

    Mango announces Kiara Advani as its brand ambassador

    Mumbai: Mango has announced Kiara Advani as the new brand ambassador in India on Thursday. She will endorse the Spring Summer 2022 collection and the campaign will be visible across regions and mediums. Mango has also collaborated with Myntra for its brand building.

    The Spanish fashion giant, Mango has established itself as a brand of choice and aspiration, especially among a young fashion-forward audience in India. With its world-class offering and the association with Kiara, a fashion bellwether and beloved of the nation, Mango is set to build stronger brand salience with its shoppers and the actor’s enormous fan base across the country.

    The campaign will be promoted extensively across digital mediums, including social media to reach the brand’s target audience, which largely comprises young urban shoppers. The campaign pivots on the theme of enjoying the flowers of summer and is called, ‘summer blooms with Mango’.

    The 57-second ad campaign, titled, ‘enjoying the bloom’, showcases Kiara enjoying the bounties of summer while wearing bright and colourful ensembles that reflect the flowers and the mood of the season. She is seen enjoying her day out at a flower garden, lush with the season’s blooms and is comfortable, happy and confident – characteristic of a woman dressed in Mango.

    Speaking on the occasion, Kiara Advani, a Bollywood actor said, “I’m delighted to be representing Mango, which is one of my personal favourites. I strongly relate to the brand and its philosophy and the new summer collection is an ode to women who are carefree and like to enjoy the seasons with conforming ensembles. As such, I believe, my attitude and style syncs well with the brand’s own and I look forward to being a link between the brand and its audience.”    

    Myntra’s Senior Director Vishal Anand said, “Kiara’s established presence has the potential to pull audiences across the nation and influence people with her sartorial choices. She is a reigning style icon of the country; her fan base is growing by the day. The association with Kiara for the new vibrant -Summer collection is sure to enamour the fashion-forward audiences of the country.”

    Mango’s board of directors and head of expansion Daniel Lopez Garcia, “The new Mango Spring Summer 2022 campaign captures the essence of summer blooms perfectly. The designs have been created by adopting the current trends while leaving room for personal expression among women in the age group of 18-45. With Kiara onboard, we are confident of strengthening our presence further and reaching our target audience, which is also the actor’s core audience.”

  • Akshay Kumar issues public apology for endorsing pan masala brand

    Akshay Kumar issues public apology for endorsing pan masala brand

    Mumbai: Bollywood superstar Akshay Kumar often remains in the discussion for his films. The actor has been in talks on social media again for the past several days. Nonetheless, the discussion is not a film but an advertisement, which he recently did for a tobacco company.

    Kumar was recently seen in an ad of Vimal, after which he was trolled fiercely on social media. The actor is constantly facing criticism from the people, has now come forward and issued an apology for hurting his fans’ sentiments.

     

     

    He took to instagram and twitter to write an apology to his fans and followers. His post reads, “I am sorry. I would like to apologise to all my fans and well-wishers. Your reaction over the past few days has deeply affected me. While I have not and will not endorse tobacco, I respect the outpouring of your feelings in light of my association with Vimal Elaichi. With all humility, I step back. I have decided to contribute the entire endorsement fee towards a worthy cause.”

    “The brand might continue airing the ads till the legal duration of the contract that is binding upon me, but I promise to be extremely mindful in making my future choices. In return, I shall forever continue to ask for your love and wishes,” he added.

    It is worth noting that this advertisement of Akshay Kumar was released recently. The ad features actors Shahrukh Khan and Ajay Devgan too, who were seen welcoming Akshay Kumar in this advertisement. This was the first time that three big Bollywood actors had come together in an ad. Ajay Devgan has already appeared in many pan masala brand advertisements for a long time. There was not much ruckus when Shahrukh Khan appeared in this advertisement. But as soon as Akshay came in this ad, people criticized him fiercely and trolled him.

  • Wondrlab appoints Sameet Ali Soni as content lead

    Wondrlab appoints Sameet Ali Soni as content lead

    Mumbai: A data-driven influencer marketing platform, Wondrlab has appointed Sameet Ali Soni as content lead. He joins from Wunderman Thompson Bangalore, where he was assistant vice-president (AVP) and senior creative director.  

    At Wondrlab, Sameet will oversee the creative integration and content creation on a large set of key accounts. He will report to the What’s Your Problem’s (WYP) co-founder and CCO Amit Akali. For the record, Wondrlab has acquired WYP in 2020. 

    Sameet comes with nearly 17 years of experience in advertising, having worked on brands like ITC Foods, Kingfisher, Sony ESPN, Lifestyle, Britannia (digital), Rohan Builders and McDowells.  

    Speaking in this context, Akali said, “We’ve done away with the 13/14 designations that other agencies have. Our senior-most creative positions are our ‘content leads’ and ‘content directors’. Sameet is someone I’ve worked with at the beginning of his career. Even then, he was a special talent creating the iconic Bingo Mad Angles ‘Board Room’ film.”

    “While he brings many more skills with him now, he brings the same love for advertising. The last year (our first at Wondrlab) has been amazing with us winning some of the biggest and most exciting brands. That is looking for the platform first, new-age, truly integrated work. The coming days are full of opportunities and I am sure someone senior and experienced like Sameet and Rahul will help us make the most of it,” he added.

    “What’s Your Problem and WondrLab have been doing some wonderful integrated work for all its brands with fresh platform-first ideas. I am excited as I set a path on a new journey and of course, working with my old boss and mentor Amit Akali,” Soni added further.

  • Cred IPL 2022 campaign: Has the brand lost the plot with its ‘nostalgia’ overkill?

    Cred IPL 2022 campaign: Has the brand lost the plot with its ‘nostalgia’ overkill?

    Mumbai: Love them or hate them, you can’t ignore them! Yes, we are referring to the ubiquitous Cred bounty ads. Whether you tune into Disney+ Hotstar to catch the day’s play of IPL or switch on your TV, the Cred bounty advertisements are out in full force. This time around, the brand turned the clock back to the 1990s, going on to serve the viewers a ‘bounty’ful of small screen nostalgia in a scene-by-scene recreation of the period’s all-too-familiar advertisements and television shows. There might even be a risk of overkill, with the jarringly repetitive call of “Cred Bounty” playing on a loop, ad nauseam.

    Nostalgia done right? Let’s hear what the industry executives and discerning netizens have to say on the latest bounty of Cred ads unleashed on the unsuspecting viewer.

    Cred ads have consistently played up the 90s nostalgia factor. Be it their 2020’s ‘Not everyone gets it’ IPL campaign with the decade’s popular film stars, playback singers, musicians who have you jamming to Cred jingles. Or its 2021’s ‘Great for the good’ IPL campaign, that had a staid Jim Sarbh doling out the credit card payment app’s virtues followed by a video of diverse celebs and sports stars from the decade in wholly uncharacteristic avatars. So we had a fuming, ballistic Rahul Dravid, a team of 90’s cricketers featuring in a boy-band and an eclectic Kapil Dev channelling his inner Ranveer Singh to the hilt. There was even a normally reticent, fresh off his Olympic-win Neeraj Chopra showing off his acting chops, though he technically belongs to this era.
    These ads were high on entertainment quotient and managed to grab one’s attention without trying too hard. Of course, whether they helped sell the product or not, is another matter entirely.

    For this year’s IPL season, the Bengaluru-based fintech brand has notably decided to play it a tad differently for its ‘Play it different’ 2022 IPL campaign, promoting its Cred Bounty feature.

    So we have the vintage Nirma Super Detergent ad recreated with Karisma Kapoor starring as the modern-day ‘Deepikaji’ in a near-perfect reproduction of the original ad. Then there was the recreation of the 90’s popular reality TV show Antakshari with its original anchors, Annu Kapoor and Renuka Shahane pumping up the energy levels of their teams ‘Afsane,’ ‘Begane,’ and ‘Tarane’ as well as that of the viewers with their infectious enthusiasm. The latest in the series shows Sharma ji chatting up his neighbour Gupta ji about the prizes in store with Cred bounty, in yet another throwback to the 90s ads. All three of the brand’s latest attempt at rewinding the years are rendered in the definitive technicolour aesthetic of the retro-era that effectively transport one back in time.

    While there were several individuals who felt the fintech brand is “revolutionising” the advertising industry with its novel and innovative marketing experiments to grab attention there were the naysayers too, with one user on social media going so far as to declare, “The only reason I am not seeing IPL this season is due to the flurry of irritating ads from Cred.”

    “I don’t hate the new Cred ads. How can I hate something I don’t understand?,” posted Schbang creative strategist Devargh Mukherjee on LinkedIn, with several voices from the corporate world chiming in agreement.

    Bombay Shaving Company founder and CEO Shantanu Deshpande noted tongue-in-cheek that the quality of the Cred ad is directly proportional to the value of the Cred coin.

    Some were scathing in their critique. “Cred I guess you have bought the wrong book of 1000 best marketing ideas or got the wrong agency. Go buy another one or change your agency,” ABC Talkies founder and chief executive officer Shalibhadra Shah held.

    The ads are conceptualised and written by the brand’s established team of writers, comprising Tanmay Bhat, Devaiah Bopanna, Puneet Chadha and Deep Joshi, and produced and directed by Early Man Film and Ayappa respectively.

    “IPL with Cred is a platform for us to work with iconic celebrities in the most creative and twisted ways possible,” Ayappa had said of the latest 90’s blitzkrieg from the Cred factory.

    There were many who lauded the campaign’s production values and attention to detail to reinvent the bygone era’s ads. “Bhai maan gaye, aapki soch and production dono ko,” extolled one netizen.

    “What makes both the antakshari and the Karisma Kapoor ads stand out is the authentic recreation of the square-sized video and the then picture and sound quality, in order to hit the nostalgia among the credit card users,” stated SoCheers Film director Jitendra Hirawat to IndianTelevision.com. “For this year’s IPL campaign too, they picked up yet another strong insight that most credit card users in 2022 would have grown up in the 90s. Hence, the use of typical 90s ad templates for the execution,” he said, adding that, despite the execution for the campaign being “a little different from all their other properties,” it held up “Cred’s innovative USP.”

    Independent brand strategist Ambi Parameshwaran had a differing point of view. “Cred advertising is attempting to do just one thing: Brand recall. Their ads featuring old film stars and cricketers were much talked about. Their recent series spoofing old ads is patchy. Some of the ads spoofed were hardly memorable to start with. And their spoofs are missing the zing of the Bappi Lahiri or Rahul Dravid spots,” he lamented.

    According to White Rivers Media influencer marketing and video production director Tanish Shah the ad is well shot and packaged too, but slightly more could have been done instead of simply playing repeat. “Perhaps, a lot could have been done to explain the product than just speaking about a particular feature of the product – which is vital. Besides, if I think from that lens, it kind of missed the bus. I’d have to say that the earlier ads were much better, he added.

    There were some who praised the creative agency but dissed the product, saying that Cred ads have done really well in using that to hide a “subpar” product.

    Some industry executives also lauded the brand for the creative freedom the writers of their ads got, positioning “creative freedom” as the most important thing in marketing.

    “Kudos to Cred for giving its agency free rein. However this is also reflective of the dangers of giving agencies free rein,” noted Singapore-based Ambrish Chaudhry on LinkedIn. “Half interesting idea but probably felt more powerful in the boardroom with its advertising and marketing echo chamber than in the real world. Also no consistency with the previous hugely successful campaign and no link to existing brand assets. This could have been an ad for any brand. In my opinion, the recall and link with Cred will be minimal,” he added.

    Similar sentiments were echoed by several creatives. “While everyone’s talking about Cred, Jar, and Zepto for aptly portraying the 80s and 90s, some of us are still dealing with clients who’ve rejected similar ideas in the past and will probably show us these brand films tomorrow as a reference,” rued creative strategist Palak Kaur Anand.

    Meanwhile, J Walter Thompson creative director Anurag Acharya wrote: I think there should be a ‘Cred’ category in ad awards for ads that cater to consumers, not to awards, made for products/services, not for a document called brief.

    One argument that is consistently made out in favour of these ads are that they are meant to strike a nostalgic chord with their target audience- that’s the growing-up-in-the-90 generation and present day credit card users and payers. Millennials aren’t their TG. It’s the people in their late 30s, 40s and 50s, who are the majority spenders of their credit cards. It’s the perfect way to hook the 90s kid, felt many.

    But is the “90s kid” such a prospective demographic as a customer for the brand? Apparently, yes!

    “Well played, Cred, once again! 🙂 Attention-grabbing for those who have grown up with/ seen the older DD ad!,” communications strategy consultant Karthik Srinivasan posted about the campaign.

    So, what is it about nostalgia and why do brands latch onto it for marketing?

    Cred’s not the first, and far likely to be the last to peddle nostalgia- There’s beverage brand Paperboat, which right from its brand name to its packaging has been invoking nostalgia.

    Nostalgia marketing” is a strategy rooted in psychology, and these processes are incredibly effective. Because nostalgia makes us crave the past, and when used in advertising, it appeals on a sentimental, emotional, and powerful level to the audience.

    Well, if the surge in traffic to its app is any indicator, the strategy seems to have paid off for the fintech brand, at least so far. The Cred app saw a spike in traffic to the tune of 10-20 times during the IPL powerplays this season, according to Ganesh Subramanian, who heads architecture at the fintech company.

    So, whether it’s brickbats or bouquets its ads have been garnering, Cred may well be laughing its way to the bank! How much longer will the “nostalgia economy” work for the brand, however, remains to be seen.

  • Turn up the volume! Podcast marketing becomes brands’ new favorite

    Turn up the volume! Podcast marketing becomes brands’ new favorite

    Mumbai: Covid-19 disruptions and months-long lockdowns hampered the marketing industry for the last two years. While some mediums became irrelevant during the pandemic, others witnessed enormous growth. One leading example of the latter is podcast! Experts feel that with the restriction on movement during the pandemic, podcast emerged as a screen-free comfortable medium to deliver content to the listeners and consumers are increasingly inclining toward passive entertainment leading marketers to invest more in audio advertising.

    According to a KPMG study, podcast consumption increased by 29.3 per cent in the first year of the pandemic. A survey by Spotify and YouGov says that as of 2021, 50 percent of Indians prefer listening to at least one episode of a podcast every week. In 2018, PWC estimated that among 500 million internet users in India, only 40 million ever listened to a podcast. But the number changed dramatically during the pandemic as the listener base increased to 57.6 million monthly listeners, revealed another PWC report of 2020. The PWC Global Entertainment & Media Outlook 2020 study also predicted that India’s podcast listening market, the third-largest globally, is expected to reach Rs 17.61 crore by 2023, growing at a CAGR of 34.5 per cent.

    By offering advertising opportunities, the podcast is emerging as an influential platform. The key reason behind brands’ interest and increasing spending on podcast advertising is that it works, and it works more effectively compared to the traditional advertising mediums that have become increasingly less effective. It is a popular medium especially among millennials and gen-Z as the medium lets them learn more about self-love, discover something new, cope with anxiety, or simply entertain themselves.

    Surge in ad sales 

    Spotify, which is believed to be the largest music streaming app in India, recorded a surge in ad sales from a big investment in newer services such as podcasts while recording a 16 per cent increase in paid subscribers in the fourth quarter of last fiscal year. According to reports, Spotify has recorded major growth in the regional market, leading them to launch 30 new podcasts with local creators.

    Local creators tapped into the trend by understanding the need of the time. While the pandemic brought unavoidable challenges to life, podcasts made content consumption easier.

    As digital players are moving back to the traditional way of storytelling, open mics and sharing content through audio, audio platforms expect even bigger growth numbers in the upcoming years. Gaana.com, another leading music streaming app, is also eying to improve its marketing efficiency by 50 per cent by the end of 2022, tells Gaana head of marketing Shashwat Goswami. 

    Goswami says that their efforts are dedicated to diversification and personalisation. Revealing the marketing strategy for the year, he states, “Our major focus is non-music content for the year because the growth trajectory in the future will be led by podcasts.” 

    On being asked why is so hopeful about the growth of podcasts, he explains that podcasts are highly personalised and getting hyper-local. “Podcasts are becoming increasingly popular among local communities, if it goes at the same pace, we can expect growth in tier 2 and 3 cities,” he asserts. 

    Brands are all up to leverage the medium 

    This change in numbers attracted many brands to invest in the medium. If we see the trends, brands like Oppo, Netflix, HDFC Life, Unacademy, Cadbury’s, and many more started investing in the medium a long time ago. 

    The Man Company, an ultimate solution to becoming a gentleman, is soon launching a very exciting show with a significant modern gentleman as the host and an amazing lineup of guests, reveals The Man Company director-brand marketing Rumi Ambastha. 

    Ambastha feels that this becomes a platform that’s worth exploring both from an education and entertainment perspective. 

    QuackQuack founder and CEO Ravi Mittal says, “The usage of podcasts is going up in India. Our observation shows people who were listening to music are now also switching to podcasts for entertainment, knowledge and inspiration. We are finding this concept interesting for marketing our products.” 

    “Podcasts should see continuous growth in India for now as people opt to get more productive with their free time and consume more audio-based content. Audio-based marketing has a tremendous scope from a sponsorship point of view if done in the right manner leading to a win-win for the podcast and the brands,” he adds, while evaluating the future of podcast marketing. 

    The popular dating app Bumble also collaborated with JioSaavn during the pandemic to spread the message of being together among young adults. With a highly-engaged and young user base, JioSaavn was the perfect destination for Bumble to build a community to foster safe, meaningful, and true connections. 

    Dairy Milk Silk also launched a campaign with Spotify to bring lovestruck couples together. The campaign was targeted toward the couples who couldn’t meet during the lockdown. According to Spotify official data, the campaign reached five million+ listeners and eight thousand Spotify users opted to gift a Dairy Milk Silk to their loved ones. 

    Supertails, an online vet consultation platform, also invests in podcast marketing. Supertails co-founder Varun Sadana says, “We definitely see podcasts as an interesting brand building tool and are working in this direction. Our initiatives for the medium are still in the works and we’re excited to see how our community takes it when we launch.”

    Well! Not just the mainstream brands but other industry players are also investing in the medium. Scenic Communication, a leading communication agency, has invested in the medium by collaborating with leading podcasters. 

    Scenic Communication co-founder Anindita Gupta says, “We invest in the medium by collaborating with leading podcasters.” She added, “as a communication agency we are aware of how significant this platform is going to be in the future of brand engagement and we are working towards a strategy to involve most of our clients to create a presence on this platform.” 

    The relevance of podcast: Explained by experts 

    Gupta feels podcast as a medium has rapidly evolved over the last five years, mainly as an alternative to video, as it allows people to reduce screen time, multi-task, and still consume content of their choice. 

    “Over a period of time, podcasts also became a source of knowledge, entertainment and news, helping both podcasters and brands to engage with a fast-evolving audience willing to ‘Listen’ instead of being attached to an ‘immersive viewing’ experience all the time. This is how podcasts started as a marketing medium and are now used as a tool for brands to showcase their products and services,” affirms Gupta. 

    Adding to it, The Man Company’s Ambastha says, “podcast emerged as an interesting respite from all other video streaming platforms. So one can say podcasts literally and figuratively found their space and voice during the pandemic.”

    “Podcast is a welcome change from the erstwhile omnipresent mobile phones. Gives you the liberty to watch and do other household chores or workout all while listening to your favorite personalised podcasts,” she explains.

    Pulp Strategy founder and MD Ambika Sharma shares that podcasts are a great way to reach hyper-targeted audiences. “Podcasts can be information, and engagement on-demand while audiences are on the go, they are easy to tune into and offer the advantage of repetitive engagement if the content is great. It is a very useful medium for new-age brands that are majorly targeted to millennials and gen-Z and if we deep dive into the demographics of the users of audio platforms, we realise that 75 per cent of their consumers are from these age groups. Hence, audio streaming platforms become relevant for dating applications,” she further says. 

    4AM Worldwide chief creative officer Anand Nair thinks that audio-based content has certain transparency and intimacy to it. “The beauty of listening to a well-conducted podcast as it transports the listener to the room where the host and the guest are conversing makes it feel like a personal experience. Whether from entertainment or from a learning perspective, this kind of engagement is remarkable in the times we live in where distractions abound,” asserts Nair. 

    “Podcasts make more sense for a certain type of brand targeting a certain type of audience thanks to the level of intimate and extensive engagement it offers. It makes the speaker appear as an authority thus inducing trust which is the precursor to most purchase decisions,” he further says, adding that, “If used strategically as part of a larger media plan, it can help build recall and become a channel to build more evangelists for the brand since the audience listening are likely to be among the influencers of their social circles.” 

    Moreover, podcasts appeal to the mass audience as it has the added advantage of less attention span which does not require any extra screen time making them an ideal option for consuming productive content even in a busy schedule. 

    Grapes Digital CEO and co-founder Shradha Agarwal thinks that podcasts as a platform show a great affinity for story-telling. Explaining further, she said, “The sector has always shown significant growth, which in the past two years got the desired mileage with the onset of a pandemic that necessitated a reduction in the screen time which worked in favour of podcasts.”

    “However, the listenership for podcasts is growing, but on a small base because in the end, it’s difficult to define how many listeners have actually tuned in for how many minutes but there is an immense scope in the industry to grow.”

    “In recent times, various categories of brands have started advertising audio marketing. The brands usually tap the millennials or people in the age bracket of 20-40 years. With the rising popularity of podcasts and the wide reach it exercises, diverse brands are foraying in this platform where e-commerce, fintech, education, food delivery apps etc are highly active on the platform,” Agarwal attests.

  • The Knot Worldwide names Jenny Lewis as CMO

    The Knot Worldwide names Jenny Lewis as CMO

    Mumbai: The Knot Worldwide, a global digital wedding planning company and the parent company of WeddingWire India on Monday announced the appointment of a former executive of Uber Technologies Inc Jenny Lewis as its new chief marketing officer.

    In her new role, Lewis will lead all marketing, insights, and editorial initiatives for The Knot Worldwide and its 19 global brands across 16 countries, said the statement.

    “Lewis is a highly experienced, seasoned business leader responsible for building one of the most well-known global marketplace brands: Uber,” said The Knot Worldwide chief executive officer Tim Chi. “I am confident that Jenny’s consumer-centric approach to full-funnel marketing and ability to anchor a brand’s relevancy with current and prospective consumers will drive innovation for the millions of engaged couples and hundreds of millions of wedding guests that we serve each year in the $200 billion global wedding industry.”

    Over the course of her seven-plus years with Uber as head of US & Canada marketing, Lewis was the driving force behind a number of product and brand-defining initiatives, including UberPool and the brand’s Covid-19 response campaign. Before Uber, Lewis worked at Undertone Advertising and Fox Networks Group (FX, National Geographic Channel, Fox Sports), where she developed co-marketing strategies with Fortune 500 brands such as MillerCoors and Volkswagen, according to the statement.

    “As the number of weddings around the world will hit an all-time high this year, I’m thrilled to join this talented leadership team at such a pivotal moment when our services are needed more than ever,” said Lewis. “I look forward to further developing and implementing a strategy that supports our global growth plans, eCommerce business objectives, and above all, provides couples with an unparalleled experience during one of the most important moments of their lives.”

    The company has most recently scaled its e-commerce offerings, which include The Knot Registry, The Knot Invitations, WeddingWire Invitations, and more.

    “Jenny joins us at a pivotal time when the market opportunity is immense,” commented WeddingWire India associate director of marketing Anam Zubair. “She brings on board a wealth of experience from managing brands like Uber, where she has been instrumental in driving growth. This empowers The Knot Worldwide and WeddingWire India to identify new growth opportunities and derive actionable insights from an audience that is extremely digital-savvy. We are certain that with Jenny’s leadership, we’ll be able to make WedTech an indispensable part of every Indian consumer’s life.”

  • Kunal Jeswani moves to Singapore as group CEO at Ogilvy Singapore & Malaysia

    Kunal Jeswani moves to Singapore as group CEO at Ogilvy Singapore & Malaysia

    Mumbai: After 17 years with Ogilvy India, Kunal Jeswani will be moving to Singapore as Ogilvy Singapore & Malaysia’s group chief executive, the agency said on Friday. It further announced that VR Rajesh will be elevated as Ogilvy India group president, effective 1 June. 

    Having led the India business for the last seven years, Jeswani will be with Ogilvy India for the next two months to manage the country leadership transition. 

    On his new role, Jeswani said, “Ogilvy India is easily one of the best agencies in the world and it has been an absolute privilege to spend the last 17 years in the company of giants who I love, respect and have grown with. As I move to a different market and a different Ogilvy experience – Ogilvy India is bigger, better and more vibrant than it has ever been. I am sure that under VR’s leadership, our client relationships will thrive, and our work will shine even brighter.”       

    As group president, VR Rajesh will lead the integrated Ogilvy India P&L across all its offices and will be responsible for the acceleration of all its core capabilities in India – advertising, brand and content, experience, health, PR & influence and Ogilvy Consulting.  

    VR Rajesh joined Ogilvy in 2004 and has grown from strength to strength in the organisation. A powerful growth driver, an influential client partner and a passionate creative partner, he has led Ogilvy Mumbai & Kolkata since 2018, growing the business consistently year after year, the agency said in a statement. 

    “Over the last seven years, Kunal has shaped a people-centric culture and laid foundations for Ogilvy’s digital transformation. It’s a privilege to take the baton from him and continue the journey,” commented VR Rajesh. “The next couple of years will see us accelerate new-age digital competencies and strengthen our content offering by being more regional and local. It’s going to be an exciting ride in creating a comprehensive Ogilvy offering for our clients. I am sure it won’t be difficult when one has a family of giants.”

    “I am delighted that after a stellar performance at Ogilvy India, Kunal is moving to head Ogilvy Singapore & Malaysia. This important responsibility will add international exposure to Kunal’s rich experience across the many aspects of the communications business. VR Rajesh, who takes on the baton from Kunal, is an Ogilvy stalwart and I am confident he will take Ogilvy India and our clients to greater heights. On behalf of the Ogilvy India Board, I welcome VR to this new responsibility,” stated Ogilvy chairman – global creative Piyush Pandey.