Tag: Marathi films

  • Planet Marathi launches anthem song featuring Marathi film & TV celebs

    Planet Marathi launches anthem song featuring Marathi film & TV celebs

    Mumbai: Planet Marathi, the first-ever Marathi OTT platform for exclusive regional content, has released an anthem saluting the pride of the Marathi language.

    The song features prominent names from the Marathi film and television fraternity, namely, Sharad Kelkar, Amruta Khanvilkar, Sonalee Kulkarni, Tejaswini Pandit among many others.

    Directed by Pushkar Shrotri, the song is penned by lyricist Sameer Samant and composed by Kaushal Inamdar. Mithilesh Patankar and Amit Padhye have arranged the musical treat. Swapnil Bandodkar, Adarsh Shinde, Yogita Godbole, and Vaishali Made have crooned it, with backing from Suzanne D’mello and Leon D’souza.

    Actor Sharad Kelkar shared his thoughts on being a part of this anthem and said, “Today Marathi industry is looked upon as a regional entertainment industry, whereas we are more than the language. We are part of a legacy that is centuries old. The planet Marathi anthem truly honors that legacy and so does this platform.”

    Amruta Khanvilkar commented, “Being a part of Planet Marathi Anthem was like being a part of Marathi history, culture, pride, and its heritage. It was an amazing experience to be sharing the screen with almost every Marathi superstar. Planet Marathi has taken a bold and revolutionary step towards strengthening the industry and binding us together. This song signifies the spirit of togetherness. Also talking about Akshay who comes with a strong vision and I trust with what he steps into.”

    Tejaswani Pandit said, “It is so exciting to be a part of this movement that Planet Marathi OTT has started. The movement of digital transformation in Marathi entertainment is marked by this anthem that speaks about the unified force that the Marathi entertainment industry is. I am so overwhelmed to be a part of this one big family that is steering the industry towards a better future.”

    Planet Marathi head & CMD Akshay Bardapurkar said, “Planet Marathi has always been on an endeavour to raise the bar for Marathi language, entertainment, art and talent. With the launch of our Planet Marathi OTT platform, we have redefined Marathi entertainment for the world. The new wave in Marathi has already begun, it is only right to coronate this landmark moment with an anthem that invokes the same pride in every Maharashtrian heart. I am grateful that every prominent face of the Marathi entertainment industry has proactively joined this movement. This industry has time and again demonstrated that we are one big family that steers the industry towards a glorious future. This anthem will surely inspire the audiences with the same comradery.”

    Planet Marathi OTT, powered by Vistas Media Capital, was launched with the release of first-ever Marathi TVOD film “June” on 30 June.

  • Arré launches marathi originals in collaboration with Reverb Productions

    Arré launches marathi originals in collaboration with Reverb Productions

    MUMBAI: After the launch of its studio business, Arré is now making its foray into the Marathi regional market with a strong slate of originals, in collaboration with Reverb productions.  

    The last few years have been a renaissance for Marathi films, television and music where creators have experimented with differentiated content and have seen exponential growth in the Marathi audience base. With consumption moving to digital platforms, there is a large viewership and monetisation opportunity to offer Marathi digital viewers premium original content.

    Reverb productions (Reverb) has been creating high quality Marathi entertainment content across web series, short films, music videos etc. including content for their rapidly growing YouTube channel Reverb Katta. Reverb brings with it a strong understanding of the Marathi idiom and viewer along with an established studio plus music production set up. 

    With this collaboration, Reverb’s regional content expertise and Arré’s unique creative sensibility,  wide distribution, and monetisation capabilities come together to lead the next wave of Marathi content. 

    The first series from this collaboration is Season 2 of Moving Out, Reverb’s successful hit series. Season 2 is set to launch on the Arré platforms and Reverb Katta’s Youtube channel on 12th February. 

    This will be followed by a slate of 4 original shows that will be exclusively produced by Reverb for Arré Marathi including Season 3 of Moving Out.  Besides, Arré is actively looking at taking its successful franchises – Official Chukyagiri/CEOgiri, A.I.SHA My Virtual Girlfriend, The Real High among others, into this market. 

    Commenting on the association, Ajay Chacko, Co-Founder and CEO, Arré said “Marathi cinema and theatre have been at the vanguard of creativity and the talent in this market is exceptional. Besides, the Marathi regional audience is emerging as a large viewer base for original content on digital and I believe this is the right time for Arré Marathi to bring in cutting edge original stories that resonate with a new generation of Marathi speaking audiences. In Reverb Productions we see a great fit to create premium original content at scale and I’m excited about partnering with Abhijit, Shilpa and their talented team at Reverb.”

    Abhijit Kolhatkar, Founder and CEO, Reverb Productions said “The Marathi speaking audience is very discerning but also willing to experiment with bold new subjects and genres.  Reverb has always focused on creating and presenting culturally rich content in a very crisp and relatable manner.  We ensure that the content appeals equally to the smartphone generation as well as traditional viewers and their sensibilities.  With our collaboration with Arré we are looking forward to greatly expanding the viewer base.  While speaking to Sai, Ajay and the rest of the Arré team we realised that our vision was so aligned that Arré seemed like our own alter ego, time warped a few years ahead.”

    Jaideep Singh, Director, Arré said “Exponential consumption of regional content has opened up a large consumer market for national and regional advertisers. Our content proposition for Arré Marathi is going to further enhance our offering of original content to our brand partners.”

  • ‘Digitization helped us become Maharashtra’s No. 1 channel in reach:’ Bavesh  Janavlekar

    ‘Digitization helped us become Maharashtra’s No. 1 channel in reach:’ Bavesh Janavlekar

    MUMBAI: Even as the third phase of Dgiital Addressable System (DAS) is witnessing implementation issues across some states, the completion of Phase I and II has changed the broadcasting landscape to a large extent. One of the first genres to feel the benefits of digitization are the regional channels.

     

    Speaking to Indiantelevision.com about the same, Zee Talkies business head Bavesh Janavlekar says, “Earlier visibility of the channel was an issue in some of the areas but now with digitization, we don’t face that problem. Digitization helped us become the number one movie channel of Maharashtra and Phase III will also contribute considerably towards it.”

     

    In the Marathi regional channels’ genre, Zee Talkies was in second spot in week 2 of Broadcast Audience Research Council (BARC) India data. Speaking about the strategy to stay on top in the pecking order, Janavlekar says, “We ensure that when it comes to our channel, we continue to have high points, which are relevant to our audience. We also make sure that the audience remains engaged with our brand. It’s not only about watching Zee Talkies but also living it. Last year we had a contest in August – September wherein we received approximately 1.3 crore votes with people participating in our month long activity. One doesn’t get these kinds of numbers in Hindi mainline channels and hence the engagement is very important.”

     

    While many free to air channels like Zee Anmol and Star Utsav benefitted with the roll out of BARC’s rural data, Janavlekar says that Zee Talkies’ viewership numbers drastically reduced in the all India data. Before the industry starts trading on the BARC all India data, which will in turn also see a change in advertising rates, the channel has addressed this issue with BARC. “We are in conversation with BARC to deal with the issues that we are facing. Ad rates on the Marathi regional genre have not really gone up,” he says.

     

    Over the last couple of years, multiplexes have contributed immensely in the blossoming of regional cinema, specially Marathi films. While being critically acclaimed, movies have also been money churners at the box office. Some have even won National Awards. What’s more, this year the Marathi movie Court was India’s official entry to the Oscars. In the light of this development, the satellite rights of Marathi films have also seen a rise of approximately 10 – 20 per cent.

     

    “While there has been a rise in satellite rights acquisition price of Marathi films, there have been only a few examples of movies crossing a certain threshold. But undoubtedly the movies are doing well and an increase in box office collections, is good news for us,” informs Janavlekar.

     

    Explaining the dynamics of acquisition costs, he says that while the acquisition price of South Indian movies would be almost similar to Hindi movies, Marathi consumption was very exclusive. “There is a very minuscule population that watches only Marathi movies and 90 per cent of Maharashtrians in Maharashtra watch Hindi channels. However, that is not the case in the South, where only about 10 per cent of the population would watch Hindi channels,” he says.

     

    On the programming front, Zee Talkies launched a first of its kind short film format for the audience of Maharashtra with Talkies Lighthouse. The band was launched earlier this month wherein a series of handpicked short films are telecast in a 90-minute format.

     

    The short films will be showcased by television and theatre actor Lalit Prabhakar and Neha Mahajan from the Coffee Aani Barach Kahi fame.

     

    “There are lot of beautiful Marathi movies in short format and the access to those films was primarily confined to the digital space. Being the number one movie channel in Maharashtra, we thought of giving a larger platform to those stories and storytellers to reach out to the audiences. Another objective was to unearth new talent for the industry via this initiative. We believe this is the right time for us to experiment,” says Janavlekar.

     

    Come February, Zee Talkies will also invite people to participate in a contest after the series of short films are telecast. The contest will run from 20 February – 20 March and will ask people to send in their short films. The channel is planning to hold an on-ground film festival of the shortlisted entries. 

     

    Zee Talkies has roped in Hero Motocorp – Duet as the presenting sponsor along with Mcvities and Whisper as the co-powered by sponsors for Talkies Lighthouse. Apart from these, the channel also has Dish TV, Parachute and Santoor as associate sponsors.

     

    “The response has been good as many P&G brands for the show including Gillette and Olay came onboard. While the whole initiative was not commercially driven, I think we need to have a case study to have a rigorous sales pitch for the next year. In terms of advertising, we are very fortunate that P&G brands came on board. However, having said that, there is a long way to go in terms of brands coming on board for such formats,” says Janavlekar.

     

    Experiential marketing is the buzz word these days and not the one to be left behind, Zee Talkies has also adopted that route while targeting its audience. “We focus more on engagement activities and contests. Apart from that, we try to do a lot on the digital platforms around Zee Network’s properties. We don’t really go for print advertisement,” he says.

  • ‘Digitization helped us become Maharashtra’s No. 1 channel in reach:’ Bavesh  Janavlekar

    ‘Digitization helped us become Maharashtra’s No. 1 channel in reach:’ Bavesh Janavlekar

    MUMBAI: Even as the third phase of Dgiital Addressable System (DAS) is witnessing implementation issues across some states, the completion of Phase I and II has changed the broadcasting landscape to a large extent. One of the first genres to feel the benefits of digitization are the regional channels.

     

    Speaking to Indiantelevision.com about the same, Zee Talkies business head Bavesh Janavlekar says, “Earlier visibility of the channel was an issue in some of the areas but now with digitization, we don’t face that problem. Digitization helped us become the number one movie channel of Maharashtra and Phase III will also contribute considerably towards it.”

     

    In the Marathi regional channels’ genre, Zee Talkies was in second spot in week 2 of Broadcast Audience Research Council (BARC) India data. Speaking about the strategy to stay on top in the pecking order, Janavlekar says, “We ensure that when it comes to our channel, we continue to have high points, which are relevant to our audience. We also make sure that the audience remains engaged with our brand. It’s not only about watching Zee Talkies but also living it. Last year we had a contest in August – September wherein we received approximately 1.3 crore votes with people participating in our month long activity. One doesn’t get these kinds of numbers in Hindi mainline channels and hence the engagement is very important.”

     

    While many free to air channels like Zee Anmol and Star Utsav benefitted with the roll out of BARC’s rural data, Janavlekar says that Zee Talkies’ viewership numbers drastically reduced in the all India data. Before the industry starts trading on the BARC all India data, which will in turn also see a change in advertising rates, the channel has addressed this issue with BARC. “We are in conversation with BARC to deal with the issues that we are facing. Ad rates on the Marathi regional genre have not really gone up,” he says.

     

    Over the last couple of years, multiplexes have contributed immensely in the blossoming of regional cinema, specially Marathi films. While being critically acclaimed, movies have also been money churners at the box office. Some have even won National Awards. What’s more, this year the Marathi movie Court was India’s official entry to the Oscars. In the light of this development, the satellite rights of Marathi films have also seen a rise of approximately 10 – 20 per cent.

     

    “While there has been a rise in satellite rights acquisition price of Marathi films, there have been only a few examples of movies crossing a certain threshold. But undoubtedly the movies are doing well and an increase in box office collections, is good news for us,” informs Janavlekar.

     

    Explaining the dynamics of acquisition costs, he says that while the acquisition price of South Indian movies would be almost similar to Hindi movies, Marathi consumption was very exclusive. “There is a very minuscule population that watches only Marathi movies and 90 per cent of Maharashtrians in Maharashtra watch Hindi channels. However, that is not the case in the South, where only about 10 per cent of the population would watch Hindi channels,” he says.

     

    On the programming front, Zee Talkies launched a first of its kind short film format for the audience of Maharashtra with Talkies Lighthouse. The band was launched earlier this month wherein a series of handpicked short films are telecast in a 90-minute format.

     

    The short films will be showcased by television and theatre actor Lalit Prabhakar and Neha Mahajan from the Coffee Aani Barach Kahi fame.

     

    “There are lot of beautiful Marathi movies in short format and the access to those films was primarily confined to the digital space. Being the number one movie channel in Maharashtra, we thought of giving a larger platform to those stories and storytellers to reach out to the audiences. Another objective was to unearth new talent for the industry via this initiative. We believe this is the right time for us to experiment,” says Janavlekar.

     

    Come February, Zee Talkies will also invite people to participate in a contest after the series of short films are telecast. The contest will run from 20 February – 20 March and will ask people to send in their short films. The channel is planning to hold an on-ground film festival of the shortlisted entries. 

     

    Zee Talkies has roped in Hero Motocorp – Duet as the presenting sponsor along with Mcvities and Whisper as the co-powered by sponsors for Talkies Lighthouse. Apart from these, the channel also has Dish TV, Parachute and Santoor as associate sponsors.

     

    “The response has been good as many P&G brands for the show including Gillette and Olay came onboard. While the whole initiative was not commercially driven, I think we need to have a case study to have a rigorous sales pitch for the next year. In terms of advertising, we are very fortunate that P&G brands came on board. However, having said that, there is a long way to go in terms of brands coming on board for such formats,” says Janavlekar.

     

    Experiential marketing is the buzz word these days and not the one to be left behind, Zee Talkies has also adopted that route while targeting its audience. “We focus more on engagement activities and contests. Apart from that, we try to do a lot on the digital platforms around Zee Network’s properties. We don’t really go for print advertisement,” he says.

  • Mukta Arts forays into making Kannada film

    Mukta Arts forays into making Kannada film

    MUMBAI: After making its foray into Marathi films, Mukta Arts has announced the making of its first Kannada movie.


    Titled Nimbe Huli (Sweeet and Sour), the film is to be directed by Hemanth Hegde. The film stars Komal Jha, Madhurima, Anupam Kher, Rangarayana Raghu, and Hegde himself.


    Nimbe Huli is currently being shot and is expected to wrap up by November-end.


    Mukta Arts‘ first regional language venture was Valu. The Marathi film was a big hit at the box office.