Tag: Manjot Singh

  • Fukrey 3 to premier on &pictures on 19 May at noon

    Fukrey 3 to premier on &pictures on 19 May at noon

    Mumbai: Hold onto your seats as the misadventures of the Fukras continue in the much-awaited Fukrey 3, making its premiere on &pictures. Expect nothing less than a hilarious rollercoaster of events filled with laughter, friendship, and unexpected twists. From comical misunderstandings to hair-raising escapades, the Fukrey gang sticks together through thick and thin, finding humor and support in each other even in the most unconventional circumstances.

    Machegi full on masti jab ayegi yeh fukro ki toli! &Pictures brings your favourites Hunny, Choocha, Lali, and Panditji and their hungamas to your TV screens. Whether you’re looking for a break from the week’s hustle or simply craving some light-hearted entertainment, Fukrey 3 guarantees a fun-filled experience that will leave everyone smiling and make your Sunday afternoon perfect.

    Richa Chadha expressed, “Fukrey has always held a special place in my heart, and seeing the audience’s reactions to each installment fills me with joy. Bringing life to my character, Bholi Punjaban, has been a fulfilling journey, allowing me to explore depth and complexity with each film. Returning to the sets for the third time felt like a homecoming, reuniting with my Fukrey family, whom I’ve grown close to over the years. I can’t wait for viewers to experience the magic of Fukrey 3 once again on &Pictures.”

    Pulkit Samrat reflected, “Each film in the Fukrey franchise has been a valuable learning experience for me, allowing me to delve deeper into the complexities of my character, Hunny. With each installment, I’ve been pushed to stretch my limits and venture into unfamiliar territories. The overwhelming love from our fans for each character has been a driving force, inspiring us to deliver our best. As Fukrey 3 gears up for its premiere on &Pictures, I can’t wait for viewers to be swept away by the sheer entertainment it brings..”

    The versatile, Pankaj Tripathi said, “Returning to the world of comedy with the Fukrey franchise always fills me with joy. Pandit Ji will always hold a special place in my heart as a memorable character. Fukrey 3 is a delightful treat, packed with laughter, fantastic chemistry, and clever jokes. After entertaining audiences in theaters, our Fukrey gang is ready to bring the laughs once more with the &Pictures premiere.”

    The vision behind the beloved Fukrey comedy franchise, Mrighdeep Lamba, expressed, “Directing Fukrey 3 has been an immensely rewarding journey. Seeing these characters come to life once again fills me with pride and now, with the &Pictures premiere, I’m excited for the audience to join us on this adventure and share some genuine laughs with our beloved Fukrey family.”

    Varun Sharma expressed, “Playing the character of Choocha has been a life-changing experience. Through this film and character, I’ve had the chance to showcase my talent. Just like the last two films, Choocha in Fukrey 3 continues to bring laughter, and I’m grateful that my character has always received immense love and appreciation from the audience. Fukrey 3 is the perfect film to enjoy with friends and family, and I’m excited for its premiere on the &pictures channel.”

    Manjot Singh said, “My character, Lali, resonates with many as they can find someone like him in their own family, and that’s what makes it special to me. Fukrey 3 is a fun-filled film, and Lali is just as entertaining, always having his friends’ backs. I’m thrilled that audiences will have the chance to enjoy the movie in the comfort of their homes when it premieres on &pictures.”

    A comic entertainer driven by smart writing, witty gags and quirky one-liners, Fukrey 3 is guaranteed to leave you in tears of laughter. Following the footsteps of the last two prequels of the Fukrey franchise, Fukrey 3 is set to take you on a journey filled with jokes.

    Tune in to &pictures and experience the magic of Fukrey 3 with your loved ones this Sunday, 19 May at 12 pm.

  • Enjoy National Cinema Day with these 10 must-see films!

    Enjoy National Cinema Day with these 10 must-see films!

    Mumbai: Attention, cinephiles! Prepare for a cinematic extravaganza this Friday the 13th, as we celebrate National Cinema Day, an ode to India’s deep-seated passion for the world of movies. Remember those golden moments when family movie outings over the weekends lit up our weeks? But then the era of inflation emerged and cast its shadow over the beloved tradition of movie-watching. Families, friends, and movie enthusiasts can indulge in a movie marathon at the theatres for just Rs 99. Yes, you heard it right! For a day, folks can set aside their cost concerns to unwind and indulge in the pleasure of watching their most awaited films in the comfy ambience of your nearest cinemas including PVR INOX theatres.

    If that isn’t enticing enough, we have more. Brace yourself for an exciting lineup of the 10 most anticipated films of 2023 playing at multiplexes across India on this National Cinema Day. Check out the list below:

    1.   Dumb Money (releasing 13 October)

    Dumb Money follows the staggering rise to riches of Redditor and investor Keith Gill, who invested his entire savings in GameStop, a video game retailer. The film shows how he then goes on to write about his investment on Reddit and attracting the mass attention, propelling GameStop’s stock value to its all-time high. The film depicts the stock market’s dichotomy, that it can either make or mar you.

    2.   Dhak Dhak (releasing 13 October)

    Nothing is more amazing than seeing women go for their goals and succeed in spite of social constraints. Dhak Dhak is the story of four ordinary women who transform into impressive bikers, their on-road adventures, and the heartwarming camaraderie they share. Not just this, this film marks the directorial debut of acclaimed actress Tapsee Pannu.

    3.   Paw Patrol: The Mighty Movie (releasing 13 October)

    It’s always fun to watch villains being defeated by superheroes and Paw Patrol: The Mighty Movie takes this to the next level. Witness a team of superhero pups defeat the enemy and save their city from doom and perish. This film promises endless entertainment with its gripping plot and vibrant visuals.

    4.   800 (in cinemas)

    800 is not just a cricket biopic; it is a story of overcoming adversity and staying true to your passion. The biographic sports film takes audiences through the life of Muthiah Muralitharan, a refugee who rose to become a cricketing legend. The film appeals to audiences across all age groups and will surely captivate fans of cricket & other sports, do not miss this inspirational tale.

    5.   Mission Raniganj (in cinemas)

    Mission Raniganj has captured our hearts with its heartfelt narrative of a nation’s quest to rescue the stranded labourers in the 1989 Raniganj coal mine disaster headlined by one man. The late Jaswant Singh Gill’s grit helped India’s first successful coal mine rescue mission and one cannot miss witnessing this historic portrayal calmness and bravery of one man on mission.

    6.   Fukrey 3 (in cinemas)

    The first two instalments in the Fukrey film series spread a wave of infectious laughter and Fukrey 3 upholds the expectations. The film has the audiences in splits with the funny antics and bond of a group of friends. Pulkit Samrat, Varun Sharma and Manjot Singh are once again out to win your hearts with Richa Chadha with their hilarious performances.

    7.   Dono (in cinemas)

    What’s one of the best places to find love? A wedding! The romance drama Dono starring Garima Agarwal and Rajveer Deol, is a beautiful portrayal of love flourishing between two broken hearts. The film’s refreshing take on modern love and growth along with its depiction of today’s youth and their perception of romance and intimacy is a worthy and fun watch.

    8.   The Exorcist: Believer (in cinemas)

    A terrifying sequel to the iconic The Exorcist, this supernatural horror has spread a dread among the audiences in cinemas. The eerie visuals paired with spine-tingling music along with the suspenseful plot has been a hit among the audiences. The film also sees the return of Chris McNeil, once facing the dark evil that once possessed her daughter. If you’re a horror buff, grab this opportunity to witness true horror that The Exorcist: Believer.

    9.   Thank You for Coming (in cinemas)

    Thank You for Coming is an enjoyable and touching narrative of women embracing their sexuality and womanhood, breaking out of the barrier set by our society. A married woman stuck in an unsatisfactory marriage reunites with her friends and together they embark on a journey of discovering their wants and desires. The film stars Bhumi Pednekar, Kusha Kapila, Shehnaaz Gill and Shibani Bedi as the leading ladies.

    10.   The Vaccine War (in cinemas)

    The Covid-19 pandemic tested our resilience during two years of lockdown, impacting our mental and physical well-being. The sudden isolation and rising death toll worsened the situation and kept us on edge. Amidst the doom, India’s medical workers emerged as heroes, working relentlessly to develop a vaccine. Vivek Agnihotri’s The Vaccine War tells the inspiring tale of India’s battle against COVID-19, highlighting the courage of those who sought a solution in the midst of chaos.

    These films promise a mix of laughter, romance, terror, and warmth, each worthy to be watched on the silver screens. This National Cinema Day, watch your favourite film at the nearest PVR INOX theatres at just Rs 99!

  • Azhar…Of a fallen idol!..Dear Dad…Its Complicated!

    Azhar…Of a fallen idol!..Dear Dad…Its Complicated!

    MUMBAI: Biographical or sports films are being mademore often in recent times than they ever were. With a dearth of script ideas as well as the writers to deliver, this is an easy way out to keep production lineup running for a studios like Balaji Motion Pictures. This genre facilitates mid-range star cast films at affordable budgets.

    Azhar is one such film from the Balaji stable which mixes the themes of sport as well as a biography and, as a bonus, promises a potential tale to tell which would complete the makers’ requirements.

    The film is said to be based on the life of the mercurial cricketer Mohammad Azharuddin; his cricketing career, his marriage followed by a romance with a film star and the controversy that followed implicating him in a match fixing scandal. However, a disclaimer in the titles belies all such claims as well as denies resemblance to any cricketer dead or alive.It is an account of the rise and fall of a celebrated Indian cricketer on his way to becoming a legend.

    There a great feeling of joy and celebrations in this Muslim household of Hyderabad as the scion to the family is born. The maternal grandfather, Kulbhushan Kharbanda, names the boyAzharuddin, an Arabic word meaning, brilliant, luminous and such. Kharbanda expects Azhar to shine, stand out and to this end, he hands over a cricket bat in the hands of the child. He has taught Emraan some mantras for success in life and also predicted that not only will he play for India but will play 100 test matches.

    Emraan Hashmi playing the protagonist is now grown up having championed the game of cricket at various levels starting from streets. Soon enough, he is selected for the state Ranji Trophy team. Before you realize the scene has changed and jumped several years into future, you seeAzhar playing test cricket for India.

    Azhar makes his debut with a ton and follows it up with two more hundreds in next two tests. He is an overnight sensation so much so that the past masters give him various complementary epitaphs. The next step is inevitable; Azhar is offered the captaincy of the Indian team. This is in a very dramatic filmy manner where, instead of the cricket board calling him to the office to convey the decision, it is done by an official of the board doing it in the middle of an empty stadium making it look morelike a conspiracy than anhonour.

    The rest of the team consists of senior players and the resentment at Azhar’s appointment to lead them is evident. Leading from the front, Azhar is soon in command and is now playing his 99th test match. That is when the bubble bursts as he is accused of match fixing. He is suspended and also found guilty by the CBI. What follows is an 11 year long court battle to clear his name. The board’s lawyer is Lara Dutta, imported from London. Lara has been an ardent Azhar fan all along, but feels betrayed now and fights the case vigorously.

    Azhar, the film, tries to change the deeply embedded perception of people who once idolized the star cricketer. It is not easy to erase their hurt. The script takes recourse to a haphazard narration with past and present overlapping ad nauseam. The direction lets many glitches pass. To claim to have made a film on Azharuddin with a disclaimer does not let one change the facts of the case which dominated the media for long. The only catchy song is the remix of the old time mass hit, Oyeoye…. from Tridev. Even at 131 minutes, the film needs further clipping.

    As for performances, Emraan does his best but, Azhar’s persona is too big to live up to even in a disgraced state. While Prachi Desai is impressive, NargisFakri, playing the second wife, is passable. Lara is okay.  The casting of other cricketers, especially Kapil is laughable. Kunal Roy Kapur saves quite a few scenes as an idiosyncratic defense lawyer.

    Azhar is about a disgraced hero: there may be a few who would watch his tale out of sympathy not as an idol, which is not enough to sustain at the box office.

    Producers: Shobha Kapoor, Ekta Kapoor, Sony Pictures Network.

    Director: Tony D’Souza.

    Cast: Emraan Hashmi, NargisFakhri, Lara Dutta, Gautam Gulati, Manjot Singh, Kunaal Roy Kapur, Rajesh Sharma.

    Dear Dad

    Dear Dad is a father son bonding story. That would not have been fine thinking of a film like Masoom (1983). But, here, the already perfectly bonded family of two children and their loving parents is shattered as the father comes out the closet to declare his homosexual leanings.

    Himanshu Sharma is a 14 year old lad in Delhi living with his father, Arvind Swamy, mother and younger sister. He is ready to go back to hostel in the hill station of Mussorie. The plan is to travel with his friends. But, the father, Arvind, carries a load on his mind and offers to drop Himanshu to Mussorie. It is the coming of age for Himanshu and Swamy wants to first get through to his son’s teen mind presently fed on nude pictures, playing games on his mobile and generally enjoying the stage of life he is in along with his friends. On the drive to Mussorie, while Swamy tries to strike a conversation, the son is immersed in his cell phone.

    On the way to Mussorie, Swamy decides to stop at his parental home. Done with dotting momma, Swamy proceeds to see his father who has lost his speech. For, some reason, Swamy decides to tell his father that he was never interested in women. While his father has lost his speech (also, for no explicable reason, also his expressions!) and cant reply, the son overhears Swamy’s confession.

    The son, Himanshu, is devastated and feels betrayed. He withdraws from his father and all his affection and is in a rebel mode. The son also suspects his father of wanting to spend the night with a TV reality show celebrity, Aman Uppal, who they have given a lift on the way.

    Himanshu has confided in his closest buddy (all closest buddies in films are fat and seem to be jovial; this one fits the stereotypical, too). The friend takes him to a Bengali baba who can turn a homosexual in to a mard again!

    While Himanshu wanted a normal happy family of father, mother and sister living happily, his dream is shattered.

    Quite a few films seem to open the closet midway through the film lately; the recent examples being Kapoor & Sons while another one, Aligarh, was all about same sex attraction.

    Dear Dad is the maker’s film; the audience is less likely to participate. The film follows a script of convenience as things happen because they happen. While the theme is serious, the treatment is casual. The father son patch up is as hurried as the fallout was for after all, a Debonair collecting son should know both sides of a coin!

    What works for the film are the beautiful locales of Uttarkhand as the duo travel from Delhi by road, the scenic beauty has been beautifully captured.  As for the performances, Swamy underplays his being gay and the son, Himanshu, complements this with aggression. Uppal does very well. The rest are incidental.

    Dear Dad will find it tough fit into a slot when it comes to identifying its audience.

    Producers: Shaan Vyas, Ratnakar M.

    Director: TanujBhramar.

    Cast: Arvind Swamy, Himanshu Sharma, Ekavali Khanna, Aman Uppal, BhavikaBhasin.

  • Azhar…Of a fallen idol!..Dear Dad…Its Complicated!

    Azhar…Of a fallen idol!..Dear Dad…Its Complicated!

    MUMBAI: Biographical or sports films are being mademore often in recent times than they ever were. With a dearth of script ideas as well as the writers to deliver, this is an easy way out to keep production lineup running for a studios like Balaji Motion Pictures. This genre facilitates mid-range star cast films at affordable budgets.

    Azhar is one such film from the Balaji stable which mixes the themes of sport as well as a biography and, as a bonus, promises a potential tale to tell which would complete the makers’ requirements.

    The film is said to be based on the life of the mercurial cricketer Mohammad Azharuddin; his cricketing career, his marriage followed by a romance with a film star and the controversy that followed implicating him in a match fixing scandal. However, a disclaimer in the titles belies all such claims as well as denies resemblance to any cricketer dead or alive.It is an account of the rise and fall of a celebrated Indian cricketer on his way to becoming a legend.

    There a great feeling of joy and celebrations in this Muslim household of Hyderabad as the scion to the family is born. The maternal grandfather, Kulbhushan Kharbanda, names the boyAzharuddin, an Arabic word meaning, brilliant, luminous and such. Kharbanda expects Azhar to shine, stand out and to this end, he hands over a cricket bat in the hands of the child. He has taught Emraan some mantras for success in life and also predicted that not only will he play for India but will play 100 test matches.

    Emraan Hashmi playing the protagonist is now grown up having championed the game of cricket at various levels starting from streets. Soon enough, he is selected for the state Ranji Trophy team. Before you realize the scene has changed and jumped several years into future, you seeAzhar playing test cricket for India.

    Azhar makes his debut with a ton and follows it up with two more hundreds in next two tests. He is an overnight sensation so much so that the past masters give him various complementary epitaphs. The next step is inevitable; Azhar is offered the captaincy of the Indian team. This is in a very dramatic filmy manner where, instead of the cricket board calling him to the office to convey the decision, it is done by an official of the board doing it in the middle of an empty stadium making it look morelike a conspiracy than anhonour.

    The rest of the team consists of senior players and the resentment at Azhar’s appointment to lead them is evident. Leading from the front, Azhar is soon in command and is now playing his 99th test match. That is when the bubble bursts as he is accused of match fixing. He is suspended and also found guilty by the CBI. What follows is an 11 year long court battle to clear his name. The board’s lawyer is Lara Dutta, imported from London. Lara has been an ardent Azhar fan all along, but feels betrayed now and fights the case vigorously.

    Azhar, the film, tries to change the deeply embedded perception of people who once idolized the star cricketer. It is not easy to erase their hurt. The script takes recourse to a haphazard narration with past and present overlapping ad nauseam. The direction lets many glitches pass. To claim to have made a film on Azharuddin with a disclaimer does not let one change the facts of the case which dominated the media for long. The only catchy song is the remix of the old time mass hit, Oyeoye…. from Tridev. Even at 131 minutes, the film needs further clipping.

    As for performances, Emraan does his best but, Azhar’s persona is too big to live up to even in a disgraced state. While Prachi Desai is impressive, NargisFakri, playing the second wife, is passable. Lara is okay.  The casting of other cricketers, especially Kapil is laughable. Kunal Roy Kapur saves quite a few scenes as an idiosyncratic defense lawyer.

    Azhar is about a disgraced hero: there may be a few who would watch his tale out of sympathy not as an idol, which is not enough to sustain at the box office.

    Producers: Shobha Kapoor, Ekta Kapoor, Sony Pictures Network.

    Director: Tony D’Souza.

    Cast: Emraan Hashmi, NargisFakhri, Lara Dutta, Gautam Gulati, Manjot Singh, Kunaal Roy Kapur, Rajesh Sharma.

    Dear Dad

    Dear Dad is a father son bonding story. That would not have been fine thinking of a film like Masoom (1983). But, here, the already perfectly bonded family of two children and their loving parents is shattered as the father comes out the closet to declare his homosexual leanings.

    Himanshu Sharma is a 14 year old lad in Delhi living with his father, Arvind Swamy, mother and younger sister. He is ready to go back to hostel in the hill station of Mussorie. The plan is to travel with his friends. But, the father, Arvind, carries a load on his mind and offers to drop Himanshu to Mussorie. It is the coming of age for Himanshu and Swamy wants to first get through to his son’s teen mind presently fed on nude pictures, playing games on his mobile and generally enjoying the stage of life he is in along with his friends. On the drive to Mussorie, while Swamy tries to strike a conversation, the son is immersed in his cell phone.

    On the way to Mussorie, Swamy decides to stop at his parental home. Done with dotting momma, Swamy proceeds to see his father who has lost his speech. For, some reason, Swamy decides to tell his father that he was never interested in women. While his father has lost his speech (also, for no explicable reason, also his expressions!) and cant reply, the son overhears Swamy’s confession.

    The son, Himanshu, is devastated and feels betrayed. He withdraws from his father and all his affection and is in a rebel mode. The son also suspects his father of wanting to spend the night with a TV reality show celebrity, Aman Uppal, who they have given a lift on the way.

    Himanshu has confided in his closest buddy (all closest buddies in films are fat and seem to be jovial; this one fits the stereotypical, too). The friend takes him to a Bengali baba who can turn a homosexual in to a mard again!

    While Himanshu wanted a normal happy family of father, mother and sister living happily, his dream is shattered.

    Quite a few films seem to open the closet midway through the film lately; the recent examples being Kapoor & Sons while another one, Aligarh, was all about same sex attraction.

    Dear Dad is the maker’s film; the audience is less likely to participate. The film follows a script of convenience as things happen because they happen. While the theme is serious, the treatment is casual. The father son patch up is as hurried as the fallout was for after all, a Debonair collecting son should know both sides of a coin!

    What works for the film are the beautiful locales of Uttarkhand as the duo travel from Delhi by road, the scenic beauty has been beautifully captured.  As for the performances, Swamy underplays his being gay and the son, Himanshu, complements this with aggression. Uppal does very well. The rest are incidental.

    Dear Dad will find it tough fit into a slot when it comes to identifying its audience.

    Producers: Shaan Vyas, Ratnakar M.

    Director: TanujBhramar.

    Cast: Arvind Swamy, Himanshu Sharma, Ekavali Khanna, Aman Uppal, BhavikaBhasin.

  • Get a little fishy on World Aids Day

    Get a little fishy on World Aids Day

    MUMBAI: In sync with the theme of its upcoming rip roaring comedy, Viacom 18 Motion Pictures’ What The Fish is planning a promotion with a twist.

     

    The cast of the movie will come out on the streets to promote safe sex among young adults 29 November, 2013. While Dimple Kapadia, who has a prominent role in the movie, will be a part of the campaign that will be carried out Mumbai, Delhi and Bengaluru, other actors including Manjot Singh, Manu Rishi, Anand Tewari starring in the film will take the responsibility to distribute the free Kamasutra MTV Hardwear condoms.

     

    The film is set in Delhi and revolves around the theme of many crazy things that can happen when parents take a vacation and leave behind their kids giving them an opportunity to party.

     

    The two important characters in the film are ‘masi’ played by Dimple Kapadia and ‘mishti’ — the fish.

     

    The current campaign is an extension to some of the comic elements used in the film. Keeping its quirky theme in mind, Viacom 18 Motion Pictures is trying to create enough buzz with its distinctive activities.

     

    Viacom 18 Motion Pictures head or marketing and operations, Rudrarup Datta says that since it’s a small-budget film made in just Rs three crore, the team’s effort is promote it as creatively as it can. “We want to stand-out with the campaigns that we are planning. We want people to react with ‘what the fish’ when they come across any of our campaigns,” he says.

     

    In one of the earlier activities, the team placed fish bowls with several fish sellers branded with the film’s title, What the fish to create a buzz among the buyers who come to purchase fish. In other, they distributed fish bowls with a joint, condoms and marbles to media people. This time, the pack of the condoms has the tagline – ‘better use a condom than going what the fish’.

     

    Viacom18 Motion Pictures has always been known for its innovative marketing campaigns and with this film they want to prove that once again. Datta says that they are spending almost two-and-a-half crore on the overall promotional activity of the film.

     

    What The Fish is directed by Gurmmeet Singh and is slated for release on 13 December, 2013

  • Somethings fishy!

    Somethings fishy!

    MUMBAI: Viacom18 Motion Pictures brings to its audiences a rip roaring comedy What The Fish, this December, set in a Delhi house which is left empty apart from Mishti the fish when ‘Masi’ (the evergreen Dimple Kapadia) goes on a trip, leaving it to the niece. Starting with a crazy party the house becomes a center for some hilarious activity. Manu Rishi, Manjot Singh and Anand Tewari join the act with the unique comic timing.

     

    Directed by Gurmmeet Singh the film is co-produced by Viacom 18 Motion Pictures, Lightform Pictures Production and presented by Tipping Point Films.

     

    Known for creating a buzz with their unique and innovative ways to promote a film, the producers have a lot of context to do so with this particular venture taking a hint from some of the bizarre items which make an appearance in the movie (condoms, a joint, mardangi ki goliyaan to name a few).

     

    Viacom 18 Motion Pictures has sent across a fish-bowl package to various trade organisations, media houses, celebrities, twitter/digital influencers and radio jockeys; and this doesn’t end here – even Mumbai with its rickshaw-walla’s, and not to forget the machliwali’s and various commoners have been plastered with the curious case of a fancy fish bowl literally making the city go – What The Fish!

     

    “WTF is the most hilarious comedy that you are going to see in a while. The sheer craziness of the happenings in the film though entirely situational makes it unmissable. The movie demanded that we go beyond the cliché and create some ‘comic curiosity ‘ to brace audiences,” said Viacom18 Motion Pictures head of marketing & operations Rudrarup Datta.

    What The Fish is set for release on 13 December.