Tag: Manjhi – The Mountain Man

  • Viacom18 Motion Pictures ‘unconventional Indian cinema’ journey

    Viacom18 Motion Pictures ‘unconventional Indian cinema’ journey

    MUMBAI: Just five years old in the Indian film industry and Viacom 18 Motion Pictures has successfully changed the dimensions of tried and tested formulas. It has challenged the conventional norms of film making and produced a variety of movies for Indian audiences. Viacom18 Motion Pictures was started in 2010 with an aim to disrupt the tried and tested formulas, to challenge the norms and to ensure that content stood out to be the true winner. With movies like Tanu Weds Manu, Kahaani, Gangs of Wasseypur, OMG:Oh My God, Bhaag Milkha Bhaag, Queen, Mary Kom, Gabbar is Back and Margarita with a Straw, Viacom MP has proved that it has the ability to choose the right kind of script based on insights combined with instincts.

    This multi-faceted studio backs rare concept based cinema that appeals to the masses, distributes and markets larger-than-life English films that become mega blockbusters in India and has even ventured into regional markets like Marathi, Bengali and South Indian languages. Viacom 18 Motion Pictures has over 100 awards in its kitty.

    On completing five successful years of storytelling across 80 films, Viacom18 Media group CEO Sudhanshu Vats said, “Viacom18 Motion Pictures is an integral part of the value proposition of Viacom18 as a media network. Over the last 5 years we have built a distinctive identity for our movie studio that is built around our strong focus on stories. This ‘content-first’ approach is in synergy with our broadcast and digital business lines and together films, broadcast and digital complete the ecosystem of entertainment that Viacom18 offers its consumers.”

    Elaborating further Vats revealed, “Today we have a library of films and lines of businesses that I feel proud of. With each new project we are increasingly integrating a scientific approach based on data mining and analysis, enabling us to incrementally maximize business value for the studio as a whole. We have some interesting projects lined up for the years ahead and I look forward to an exciting future.”

    Viacom18 Motion Pictures COO Ajit Andhare said,“Viacom18 Motion Pictures has stood for a distinctive kind of cinema and consistent delivery best reflected not in one film or another but in the collective body of work built over these 5years. A conscious and calibrated business approach of focusing on innovation in films and rooting them in strong viable economics has been our hallmark.”

    “At the core of Viacom 18, the approach to film making is —  what can we do differently?  What can we do that is not conventional? That approach has been at the heart of a whole lot of things we do. The kind of film universe we have created, the kind of grammar we have created for film making and the kind of films we have stood for have started to occupy the centre stage in the Indian movie industry,” added Andhare.

    Further, sharing insights on how Viacom monetizes and markets films, Andhare said, “As a studio we are not just a film making outfit, we are part of a larger media network. Besides box office, the second largest revenue comes from satellite and now the new emerging market is digital. There will be a natural synergy in the group that will make a lot sense. In the broadcasting revenue model where a lot of output will be captive consumed by both of our platforms, some of those things clearly help in monetization.”  

    On marketing of the unconventional films, Andhare explained, “Traditional films are led by stars and it is the stars that are marketed, but if you take an unconventional film like Maajhi, it was marketed as an inspirational story. It is difficult to give a specific answer as to how we market films as it all depends on the kind of film we are working on and the content. For each film we have a different marketing strategy.”

    “Viacom18 Motion Pictures has consistently stood out for its distinctive kind of cinema delivery, best reflected not in one film or another but in the collective body of work built over these 5 years. A conscious and calibrated business approach of focusing on innovation in films and rooting them in strong viable economics has been our hallmark,” Andhare added.

    Before giving a green light to a story there are a few points that the studio keeps in mind in the initial stages he revealed.

    “We look at two to three aspects. Firstly, it’s the script. We also have an advisory council which does not work for Viacom, but are independent directors, films enthusiasts, film journalists who share their views on the script and we get the sense from that. Besides that, we also have someone who technically looks after the script. The script is just one layer, apart from that there are performances and there are many parameters that are involved in the judgment,”   said Andhare.

    Viacom18 Motion Pictures will relive its blockbusters through a weeklong festival between 11 June and 17 June 2016 that will showcase some of the most successful and loved films from its library. Launched in collaboration with Cinepolis, this festival will be a multi-city treat for movie lovers across Mumbai, Delhi, Pune and Bangalore showcasing hits like Kahaani, Manjhi – The Mountain Man, Pyaar Ka Punchnama 2, Bhaag Milkha Bhaag, Queen and Gangs of Wasseypur I & II.

    “We will continue to be unconventional in our films and conventional in our business approach that focuses on return on capital. As we complete five years we feel inspired from what we have achieved and are spurred on to play a central role in shaping Indian cinema in our journey ahead,” asserted Andhare in conclusion. 
     

  • Viacom18 Motion Pictures ‘unconventional Indian cinema’ journey

    Viacom18 Motion Pictures ‘unconventional Indian cinema’ journey

    MUMBAI: Just five years old in the Indian film industry and Viacom 18 Motion Pictures has successfully changed the dimensions of tried and tested formulas. It has challenged the conventional norms of film making and produced a variety of movies for Indian audiences. Viacom18 Motion Pictures was started in 2010 with an aim to disrupt the tried and tested formulas, to challenge the norms and to ensure that content stood out to be the true winner. With movies like Tanu Weds Manu, Kahaani, Gangs of Wasseypur, OMG:Oh My God, Bhaag Milkha Bhaag, Queen, Mary Kom, Gabbar is Back and Margarita with a Straw, Viacom MP has proved that it has the ability to choose the right kind of script based on insights combined with instincts.

    This multi-faceted studio backs rare concept based cinema that appeals to the masses, distributes and markets larger-than-life English films that become mega blockbusters in India and has even ventured into regional markets like Marathi, Bengali and South Indian languages. Viacom 18 Motion Pictures has over 100 awards in its kitty.

    On completing five successful years of storytelling across 80 films, Viacom18 Media group CEO Sudhanshu Vats said, “Viacom18 Motion Pictures is an integral part of the value proposition of Viacom18 as a media network. Over the last 5 years we have built a distinctive identity for our movie studio that is built around our strong focus on stories. This ‘content-first’ approach is in synergy with our broadcast and digital business lines and together films, broadcast and digital complete the ecosystem of entertainment that Viacom18 offers its consumers.”

    Elaborating further Vats revealed, “Today we have a library of films and lines of businesses that I feel proud of. With each new project we are increasingly integrating a scientific approach based on data mining and analysis, enabling us to incrementally maximize business value for the studio as a whole. We have some interesting projects lined up for the years ahead and I look forward to an exciting future.”

    Viacom18 Motion Pictures COO Ajit Andhare said,“Viacom18 Motion Pictures has stood for a distinctive kind of cinema and consistent delivery best reflected not in one film or another but in the collective body of work built over these 5years. A conscious and calibrated business approach of focusing on innovation in films and rooting them in strong viable economics has been our hallmark.”

    “At the core of Viacom 18, the approach to film making is —  what can we do differently?  What can we do that is not conventional? That approach has been at the heart of a whole lot of things we do. The kind of film universe we have created, the kind of grammar we have created for film making and the kind of films we have stood for have started to occupy the centre stage in the Indian movie industry,” added Andhare.

    Further, sharing insights on how Viacom monetizes and markets films, Andhare said, “As a studio we are not just a film making outfit, we are part of a larger media network. Besides box office, the second largest revenue comes from satellite and now the new emerging market is digital. There will be a natural synergy in the group that will make a lot sense. In the broadcasting revenue model where a lot of output will be captive consumed by both of our platforms, some of those things clearly help in monetization.”  

    On marketing of the unconventional films, Andhare explained, “Traditional films are led by stars and it is the stars that are marketed, but if you take an unconventional film like Maajhi, it was marketed as an inspirational story. It is difficult to give a specific answer as to how we market films as it all depends on the kind of film we are working on and the content. For each film we have a different marketing strategy.”

    “Viacom18 Motion Pictures has consistently stood out for its distinctive kind of cinema delivery, best reflected not in one film or another but in the collective body of work built over these 5 years. A conscious and calibrated business approach of focusing on innovation in films and rooting them in strong viable economics has been our hallmark,” Andhare added.

    Before giving a green light to a story there are a few points that the studio keeps in mind in the initial stages he revealed.

    “We look at two to three aspects. Firstly, it’s the script. We also have an advisory council which does not work for Viacom, but are independent directors, films enthusiasts, film journalists who share their views on the script and we get the sense from that. Besides that, we also have someone who technically looks after the script. The script is just one layer, apart from that there are performances and there are many parameters that are involved in the judgment,”   said Andhare.

    Viacom18 Motion Pictures will relive its blockbusters through a weeklong festival between 11 June and 17 June 2016 that will showcase some of the most successful and loved films from its library. Launched in collaboration with Cinepolis, this festival will be a multi-city treat for movie lovers across Mumbai, Delhi, Pune and Bangalore showcasing hits like Kahaani, Manjhi – The Mountain Man, Pyaar Ka Punchnama 2, Bhaag Milkha Bhaag, Queen and Gangs of Wasseypur I & II.

    “We will continue to be unconventional in our films and conventional in our business approach that focuses on return on capital. As we complete five years we feel inspired from what we have achieved and are spurred on to play a central role in shaping Indian cinema in our journey ahead,” asserted Andhare in conclusion. 
     

  • Box Office: ‘Katti Batti’ takes poor opening with Rs 15.5 crore

    Box Office: ‘Katti Batti’ takes poor opening with Rs 15.5 crore

    MUMBAI: It all started with Hollywood film, Love Story (1970) based on a bestseller novel of same name by Erich Segal about a couple madly in love only to realise one of them is terminally ill. The Rajshris followed it up with its Indian version in the musical hit, Ankhiyon Ke Jharokhon Se (1978) while Hrishikesh Mukerjee used the theme again, albeit, with no similarities with the two in Anand (1981), which went on to become an all-time classic. Since then, quite a few attempts have been made to use a terminal illness and, except Kal Ho Na Ho in (2003), none seem to have worked.

     

    Katti Batti takes this theme and brutalises it badly. And, pays for it at both, the media as well as the box office. Besides poor merits, the film cuts corners heavily on supporting star cast. Having taken a poor opening, the film could not better its Friday collections on Saturday or on Sunday. All the film had to show for its opening weekend is Rs 15.5 crore.

     

    Meeruthiya Gangsters fails to find an audience. 

     

    Hero, an attempt to recreate the magic of the 1983 musical hit of the same name, proves disastrous. After a low opening weekend, the film closes its first week with Rs 29.2 crore not being able to sustain during the week days.

     

    Welcome Back did reasonable business in its first week but started losing steam thereafter despite poor new releases to affect its business. The film managed to add about 25 per cent of its first week total collecting Rs 17.5 crore in second week to take its two week total to Rs 90.6 crore.

     

    Phantom emerges a loser at the box office managing to add just about Rs 60 lakh in its third week to take its three week tally to Rs 50.5 crore.

     

    Manjhi: The Mountain Man collects Rs 18 lakh in its fourth week to take its four week total to Rs 12.88 crore.

  • Box office: ‘Welcome Back’ rakes in Rs 50.2 crore in opening weekend

    Box office: ‘Welcome Back’ rakes in Rs 50.2 crore in opening weekend

    MUMBAI: Welcome Back has clearly cashed in on its brand equity. However, it is not just the brand that has helped the film but its clean entertainer tag has made it generally acceptable. A zany comedy, it took an encouraging opening on Friday and, as expected, registered better figures on Saturday and Sunday on the strength of mouth publicity.

     

    The film belied trade estimates of about Rs 12 crore Friday at best and went on to collect over Rs 14 crore. The weekend tally stands at Rs 50.2 crore, which is healthy though the unnaturally high cost of the film’s making will always be hard to recoup.

     

    Phantom proves to be a dud at the box office. The film had decent figures to show only on its first Saturday it being a Raksha Bandhan holiday in parts of India. While collections remained static on the Sunday that followed, it started dropping drastically from Monday onwards and the Rs 33.2 crore weekend could not go beyond Rs 45.8 crore to show for the first week.

     

    Baaneky Ki Crazy Baraat proves to be a costly farce as the film sinks badly at the box office not even managing to cross a one crore mark in its first week stopping short at just about Rs 90 lakh.

     

    Kaun Kitney Paani Mein collects a poor Rs 30 lakh in its first week.

     

    Manjhi The Mountain Man holds well in its second week. Released on a limited screen engagement, the film adds Rs 2.8 crore in its second week to take its two week total to Rs 12.25 crore.

     

    All Is Well proves a total disaster managing to put together just about Rs 40 lakh in its second week to take its two week tally to Rs 14.3 crore.

     

    Brothers comes to the end of its not so impressive run with figures of Rs 65 lakh in its third week taking its three week total to Rs 77.35 crore.

     

    Drishyam collects another Rs 1.25 crore to take its five week total to Rs 81.2 crore.

     

    Bajrangi Bhaijaan collects Rs 50 lakh in its seventh week to take its seven week total to Rs 317.85 crore.

     

    Bahubali: The Beginning (Hindi-Dubbed) adds Rs 70 lakh in its eighth week taking its eight week tally to Rs 109.3 crore.

  • Box Office: ‘All Is Well’ collects Rs 8.45 crore

    Box Office: ‘All Is Well’ collects Rs 8.45 crore

    MUMBAI: All Is Well was much promoted through its popular song, ‘Baaton ko teri.’ While the song became very popular, the film could not reap the benefits. Director Umesh Shukla’s past record of OMG: Oh My God seemed sort of neutralised as the film’s lead star, Abhishek Bachchan who has not been able to create an audience for himself yet.

     

    To add to the poor start was the film’s content, which was mediocre in all aspects. The film, which had a weak start, managed to rake in Rs 8.45 crore in its opening weekend.

     

    Ketan Mehta’s Manjhi: The Mountain Man, a biopic about a Bihar resident who decides to make life easier for his fellow villagers by carving out a road from a mountain after losing his wife due to delay in getting medical attention, has caught the fancy of the media and some discerning film lovers. The film has a story to tell about a selfless man and his determination. The film had a small volume opening but improved bit by bit to end its opening weekend with a reasonable Rs 5.85 crore.

     

    Brothers, despite limited appeal, managed to sustain through its first week showing no major drop in collection. However, the film still remains within the limits set by Akshay Kumar starrers, not breaking any box office barriers. After a fairly decent opening weekend of Rs 49.7 crore, the film has ended its first week with a total of Rs 69.55 crore.

     

    Gour Hari Dastaan, a biopic about a freedom fighter taking on the system to get recognition for his contribution to the movement, makes it to the on the also ran list. Finding no audience, the film has about Rs 25 lakh to show for its first week run.

     

    Drishyam remained steady in its third week holding on to appreciation found among a section of filmgoers. The film collected Rs 7.75 crore in its third week taking its three week total to Rs 66.50 crore.

     

    Bajrangi Bhaijaan continues to squeeze the box office, mainly on the strength of its repeat audience. The film has added Rs 3.6 crore in its fifth week to take its five week total to Rs 316.1 crore.

     

    Bahubali: The Beginning (Hindi – Dubbed) has collected Rs 3.05 crore in its sixth week, which takes its six week tally to Rs 107.2 crore.

  • Mountain man Nawazuddin spreads ‘Manjhi’ message via #fame

    Mountain man Nawazuddin spreads ‘Manjhi’ message via #fame

    MUMBAI: Viacom18 Motion Pictures has partnered with #fame to promote its film Manjhi – The Mountain Man through a digital and social media campaign.

     

    As the official live video partner of Manjhi, #fame created digital content for the film, which spreads its message.

     

    The movie has seen more than 20 hours of live video content being created, which includes exclusive interviews with the film’s cast, city promotional tours and press events and customised live content around the film created by talent performing on the #fame app. #fame beamers from respective cities followed the cast throughout the promotional tour to create content and engage fans.

     

    Apart from live beaming, #fame conceptualised an Independence Day themed video with lead actor Nawazuddin Siddiqui, which captured the larger message of Manjhi – The Mountain Man The video, ‘Happy Swantantra to you’ has already garnered more than 1.1 million views across platforms.

     

    “As India’s No.1 live video entertainment platform, #fame is home to the country’s millenial audiences and a powerful movie like Manjhi, which has a strong message for the youth resonated well with this audience. Through #fame, the build up and excitement of Manjhi scaled up further with the promotional tours, special events and fan interactions with the cast all being captured live. Our objective is to deliver compelling live entertainment to every smartphone carrying youth,” said #fame CEO Saket Saurabh.

     

    “It was great to be associated with #fame for the promotions of Manji- The Mountain Man. The film has received an overwhelming response through the trailers. We wanted to engage strongly with digital audiences and the partnership with #fame was a great fit for this,” added Viacom18 Motion Pictures VP marketing Rudrarup Datta.

  • Nawazuddin Sidiqqui stars as Manjhi in Ketan Mehta’s next directorial

    Nawazuddin Sidiqqui stars as Manjhi in Ketan Mehta’s next directorial

    MUMBAI: Taj Mahal was constructed in the loving memory of Mumtaz Mahal by the Mughal emperor Shah Jahan. This monument took 21 years to build and thousands of artisans and craftsmen worked tediously to erect the magnificent structure.

    Then there is Manjhi, an inspiring love story of a poor Shah Jahan, Dashrath Manjhi. Over 22 years, with just a hammer and a chisel, he carved out a path through a mountain, in memory of his beloved wife who had fallen down while trying to cross it. He did it so that no one else would have to suffer her fate.

    “The story of Manjhi is truly inspiring, and for a man to actually break a mountain with just a hammer and a chisel for 22 years for his lost love just gave me goosebumps”, said director Ketan Mehta. “This has certainly been the toughest shoot of my life; we shot in Naxal infested areas on actual location in Bihar.”

    Marking the occasion of Dashrath Manjhi’s sixth death anniversary, renowned director Ketan Mehta announced the completion of his movie Manjhi – The Mountain Man. A biopic on Dashrath Manjhi, famous for being the man who broke a mountain for love, is a co-production between Maya Movies and National Film Development Corporation (NFDC).

    The movie is co-written and directed by Ketan Mehta and produced by Deepa Sahi and Nina Lath Gupta, with an ensemble cast. The movie has been shot on actual locations in remote areas of Bihar.

    “It was one of the most difficult films to shoot, with the unit having to climb a mountain on foot, every day literally”, said Manjhi – The Mountain Man producer Deepa Sahi. “The movie is looking very nice with brilliant performances by all the artists. We have completed the post-production and are looking forward to release it by the end of this year”, she further added.


     Acclaimed actor, Nawazuddin Sidiqqui, who has won the hearts of audience and critics alike, for his commendable performances in Gangs of Wasseypur, Talaash, Kahaani and Bombay Talkies, will be essaying the role of Dashrath Manjhi. Actress Radhika Apte, will be seen as Manjhi’s wife. Tigmanshu Dhulia, Pankaj Tripathi, Prashant Narayan, Gaurav Dwivedi, amongst others round up the ensamble cast.

    “I wanted the character of Manjhi to be as real as possible and after considering a few actors Nawaz suited the bill perfectly”, Ketan expounded. “The feel of the movie is really raw, intense and earthy; I am really pleased with the final product and am confident the audience will be too.”

    NFDC was approached with the script and they agreed to co-produce the feature film. The complete film has been shot in digital and Ketan is really pleased with the outcome. “This is the first time that I have shot with Red Epic cameras and the result is just amazing.” The duration of the film is just over two hours and should be releasing by end of the year or early next year.

    On being asked if he is confident of the film raking in the moolah at the box-office, here is what Ketan had to say, “Cinema is not just a numbers game. I make movie for the sheer passion of cinema. This is not just a movie, but a triumph of human spirit and to prove that nothing in this world is impossible.”

    Ketan Mehta’s magnum opus – Rang Rasiya – that has been stuck in the doldrums for quite sometime now has also finally got the green signal and should see the light of day by end of this year.

    Ketan has been off the radar for quite sometime now, hope with Manjhi and Rang Rasiya his fans can again have the opportunity to connect with him on the silverscreen.