Tag: Manisha Sharma

  • Colors to showcase darkest stories through ‘Code Red’

    Colors to showcase darkest stories through ‘Code Red’

    MUMBAI: After a year of successful non-fiction properties in 2014, Colors is back with some more action in 2015.

     

    Taking the premise of showcasing meaningful entertainment and shows that are a reflection of our society, the channel is all set to launch a new show titled Code Red, which is a beacon of hope addressing issues of human frailty. It will depict the inner conflict a human being goes through when faced with a crisis of conscience.

     
    Each week, six episodes featuring stories based on various human frailties, will be presented through three prominent themes under the brand umbrella of Code Red.

     

    1) ‘Umeed’ – focusing on stories who are on the verge of ending their lives.

    2) ‘Awaaz’ – focusing on violence against women and children.

    3) ‘Chakravyuh’ – focusing on various forms of entrapment – physical and psychological.

     

    Each theme will be brought to life by a different production house and the stories will be presented by Sakshi Tanwar who will embody the inner voice and be the voice of reason. The episodes will be produced by FremantleMedia India, Sun Shine Rise Productions and Optimystix India.

     

    Actors Manish Chaudhari, in the role of an NGO representative, and Yash Sinha, as a crime reporter, will take the viewers through various instances where circumstances and conditions pushed a person to the wall. The series will attempt, not only to showcase these stories but to make people believe that there is hope, only if they choose to break the silence.

     

    Colors CEO Raj Nayak believes that it’s not just a show but a movement to get people to believe that hope can be found, even in the darkest of times, if only one reaches out and breaks the silence. “At Colors, we have always emphasised on creating shows that are meaningful and which can bring about some kind of a conceivable change in the society. With Code Red, we are going a step further by showcasing stories of human frailties and urging people to break their silence on issues that are disturbing them and the people around them. In order to drive home this message, it gives me immense pleasure to announce that we have a prominent face from the world of TV – Sakshi Tanwar – who I believe has the right blend of empathy and sensitivity that is required for a show such as Code Red. I hope we are able to make a positive difference to peoples’ lives through this humble effort of ours,” Nayak said.

     

    Colors programming head Manisha Sharma added, “This is a genre on television that needs to be explored a lot more where stories inspired by real instances are mounted to create a show relatable to audiences. As human beings we all face dilemmas in life while choosing between right and wrong. Code Red is a show that explores these dilemmas and gives voice to the conscience of the people facing them. It’s a journey through their mind and their decisions and how their choices affect their lives. I hope our audiences find the show and these stories riveting.”

     

    The show will air from 19 January every Monday to Saturday at 10.30 pm.

     

  • Colors elevates Manisha Sharma; Prashant Bhatt to move out

    Colors elevates Manisha Sharma; Prashant Bhatt to move out

    MUMBAI: The Hindi general entertainment channel (GEC), Colors, has been witnessing many exists lately.

     

    Late last month, came the news of the channel’s commercial and digital head Vivek Srivastava quitting and moving to Times Television Network to head the English Entertainment channels.

     

    Now, highly reliable sources within the industry have confirmed to indiantelevision.com that Prashant Bhatt, who heads the weekday programming head, has been asked to put down his papers. Meanwhile, the current non-fiction head Manisha Sharma has been awarded extra responsibilities of the entire programming department of the channel.

     

    In the year 2012, Colors had split its programming unit into two separate teams to bring more focus on content for weekdays and weekends.

     

    The official spokespersons of the channel were unavailable for comment.

     

    With inputs from tellychakkar.com

  • ‘Parivarik’ Bigg Boss 8 ready to take off

    ‘Parivarik’ Bigg Boss 8 ready to take off

    MUMBAI: It is that time of the year when everyone will rush back home to switch on their television sets to watch 12 known faces stuck in the house. 

    Yes, one of the biggest non-fiction properties of the Indian television industry – Bigg Boss – is back on Colors. Come 21 September, in its eighth season, the show will have in store a never-seen-before thrilling adventure which promises to be all about bumps, jolts and spilled drinks.

    Pieced together by Endemol India, the bhai of Bollywood, Salman Khan, will host the show which is themed around aviation with the tagline ‘Bigg Boss aath, sabki lagegi vaat’.

    12 first-class passengers and newsmakers from all walks of life, will block their seats in this one of a kind aircraft, forge their own connections and survive in this airspace. So are contestants selected as per the theme? “No,” comes a quick reply from Colors CEO Raj Nayak. “Contestants are not chosen according to the theme. We choose contestants from different walks of life and then map them. There are certain characteristics we are looking for as we don’t want boring people in the house.” Thorough research is conducted to analyse their way of thinking and behaviour.

    He recalls the moment that two years ago after being the victim of too many controversies, the channel had decided to change the theme and go parivarik with the show. Like always, he believes the challenge is to not show content which can be uncomfortable for families. So, the channel takes the decision of editing the content.

    “At the end of the day one must realise that contestants are recorded 24 hour and it is not that things don’t happen in the house. But we will not show such things on-air. Obviously there are dos and don’ts, but on television we are very careful. And ever since we made it parivarik, we have not got a single complain,” says Nayak.

    Nayak further goes on to say that he has received a feedback saying it is an educational programme on human psychology. “For me, we have looked it as an education programme on human psychology and at the same time it is entertaining and see different sides of human beings. It teaches you a lot of things. So, here there is an opportunity for you to sit down and say that I am doing a crash course on human psychology in 100 days,” laughs Nayak.

    He states that the channel does not have any control on how the contestants behave on the show. According to Nayak it is a challenge because it is not scripted and there is no interference from the channel’s side even if things get ugly. The only communication between the channel and the contestants is through the Bigg Boss and the various tasks. “We create some tasks which may create friction, romance, etc. And if it gets little boring, we cover it by doing dance competition. We cannot control how they behave in what they do,” says Nayak.

    Considered to be the most expensive property on TV, the spend goes into the set, contestants, technological equipment, the celebrity host and marketing. According to sources, the production cost per season is around Rs 180 crore.

    Endemol managing director Deepak Dhar believes that the show has won over viewers across age groups. “The audiences revel in the erratic format of Bigg Boss and with every season we reinvent ourselves to make the show as unpredictable and entertaining as ever.” Also the creators have realised that the Khan as host transcends from a seven year old to a 75 year old.

    After five-long years, the channel has got on-board Snapdeal as its new presenting sponsor instead of Vodafone India. In a deal which is speculated to be worth Rs 35 crore, this is a giant leap for the e-commerce site which had previously sponsored reality shows on MTV including MTV Roadies.

    Talking about the partnership, Nayak says that several e-commerce firms wanted to get on board but they snapped the deal. He also added that the Bigg Boss 8 team approached the company for the sponsorship. The deal is currently for only one year and the CEO hopes to continue the association in the future.

    Excited with this new collaboration Snapdeal CEO Kunal Bahl says, “The money is well spent. Hopefully this is the beginning to a long relationship. This is the right show for our young brand to reach the right audience. Sure that we will get a good return for our investment.”

    With the huge competition in the e-commerce space and the stringent government policies, India-based online retailers like Snapdeal have been looking for various new ways for raising funds. This partnership is going to make perfect brand recognition for Snapdeal.

    The channel has also roped in Oppo Mobiles as the powered by sponsor. Moreover, Colors has created a new category called ‘Driven by’ and has roped Maruti Suzuki. Other associate sponsors are Garnier Men, TVS Motors, Cardekho.com, Bisleri Urzza and JK Tyres.

    The channel is not looking at getting more sponsors on-board. “There are lots of people who may not be able to afford the tickets as of Rs 10-12 crore. Plus we have a lot of advertisers who are our regular patrons, so we want to give them an opportunity to also be a part of Bigg Boss,” Nayak reveals that sponsors consume normally 65 per cent of the inventory. As for the ad rates this time, the channel has increased its overall pricing by almost 30 per cent as compared to the previous seasons.

    According to sources, each associate sponsor pays Rs 12-15 crore. Spot rates range from Rs 4.5-5 lakh per 10 seconds in episodes that feature Salman Khan, while other episodes command Rs 3.4-4 lakh per 10 seconds. For the channel to breakeven, ad revenues are pegged around Rs 350 crore.

    On the marketing front, hundred per cent consumer entertainment being the mantra of Airlines #BB8, the marketing strategies will revolve around increasing the market penetration and connecting with new consumers.

    The route will be encompassing all the mediums across 200 cities and towns to encourage repeat flying for the viewers. For a higher resonance radio stations across 30 cities will be tapped. For build-up, promotional content will be plugged in across 30 channels and, for a glaring visibility and tune in, an attractive outdoor campaign will don the high walls at strategic locations in key cities.

    On order for the consumers to get better passenger information an interesting digital plan has been floated. Viewers can source the entire daily dose via Facebook and Twitter. While FB will have a fun Bigg Boss themed app to test the survival strategies of the player, Twitter will leak live information 24*7. The website www.colors.in will have uncensored videos and a Khabri who will blog live updates. Moreover, a mobile app will beam the live feed to keep the viewers tuned in on the go.

    This time Snapdeal is very keen keeping in mind the virtual space. “You will find a lot of engagement activities on the digital space where you will be able to get Snapdeal vouchers, gifts and much more exciting stuff,” adds Nayak.

    Unlike last year, where Bigg Boss videos where also available on YouTube, this year the channel has banned it.

    About the expectations from this season, Nayak believes that he is very superstitious with numbers. “Every time you launch a show you hope that it will be better than the previous season. Previous season had a very good opening, so we think this season should do it even better. The promos we have launched this time and the amount of buzz we have got is the highest we have ever seen either on social media or general feedback.”

    On Twitter, Nayak confidently says that there is no other show in this country that trends as much as Bigg Boss does the moment the show is launched. “I don’t have to spend much money also on marketing because the buzz gets created on its own,” concludes Nayak.

  • Making sense of the loss-making Bigg Boss

    Making sense of the loss-making Bigg Boss

    MUMBAI: Love it or hate it but you just can’t ignore it! Which is what not just viewers but also television channels have been doing ever since Endemol India introduced Bigg Boss.

     

    First presented by Sony Entertainment Channel in 2006 with Arshad Warsi as the host, the ever popular reality show started off with a bang only to end with a whimper when the channel was forced to relinquish the loss-making show.

     

    Though that didn’t stop a five-year-old Colors from taking up where Sony had left, the channel continued to lose a lot of money over Bigg Boss even as the show became more and more popular.

     

    Intrigued by Colors’ determination to hold on to such a loss-making property, indiantelevision.com posed the question to CEO Raj Nayak in an earlier interview, to which he answered: “I do it because it is a cult show. People wait for it. Advertisers want it. If you speak to ‘Streax’, the owner told me two containers were bought in Afghanistan because of Bigg Boss. That is Bigg Boss for you.”

     

    He further said: “We generate PR worth Rs 15-20 crore when Bigg Boss is about to start. That’s the kind of cult image the show has – 100 days of non-stop entertainment during prime time, like an IPL match. We will not stop doing those things as the viewers want it. So, as long as it matches my bottom P&L, I am able to manage it, I am fine.”

     

    Indeed, one of the reasons to continue investing nearly Rs 120 to Rs 130 crore in Bigg Boss is the kind of buzz it generates well ahead of the launch. The contestants, their choice of clothes, their language and mannerisms, the controversies around them – constitutes fodder for endless discussion and hence, nothing to be unhappy about.

     

    Also according to Nayak, Bigg Boss gets the best advertisers by virtue of it getting the best ratings. Fact is while fiction is Colors’ staple food, advertisement rates for non-fiction shows are higher. Then again, walking the tightrope between fiction and non-fiction is of essence.

     

    Yet another reason for continuing with Bigg Boss is the rub-off it has on ‘Brand Colors’. “When you go to a restaurant, there will be many dishes (Chef’s specials) that will be expensive. They don’t make money on that but they keep it because some people keep coming for those dishes. And yet, these people eat other stuff as well,” explained Nayak.

     

    The show was high on viewership throughout the season; however it was its finale episode that added a cherry on the cake. It had all the makings of a ‘masaledaar’ blockbuster including power-packed performances by the contestants and the host Salman Khan himself.

     

    “The season seven has been the most watched, most buzzed and most trended season of all times,” believed Colors’ weekend programming head Manisha Sharma.

     

    Bigg Boss seven debuted with 7,711 TVTs on its opening day and continued to have a successful run for several of weeks.

     

    The spill-over effect of the popularity of Bigg Boss was felt on shows Colors airs before and after Big Boss. For example, in week 44 of TAM TV ratings, viewership of Madhubala rose to 4,441 TVTs from 4,305 TVTs a week earlier and that of Uttaran jumped to 4,299 TVTs from 3,722 TVTs.

     

    For Lodestar UM vice-president Deepak Netram, Bigg Boss is the kind of show which is an investment for the long term for the channel.

     

    A senior media planner said while Colors is seeing a 10 to 15 per cent year-on-year increase in the cost of producing Bigg Boss, the show continues to have a loyal set of viewers and continues to deliver on ratings.

     

    “It’s like you are making a product but not getting the right price for it. But does that mean you will stop making the product? Obviously, you will continue making the product. The problem you have is in terms of sales,” he said.

     

    Yet another planner opined the channel wouldn’t give up on the show. “If the show is making losses, it does not mean it won’t happen. Some other channel will pick it up and make it. So, they will sell it to their competitors. And the show has its audience; they will lose the viewers.

     

    So, to not lose those viewers, Colors will have to make the show. To get the right value, you’ve got to get sales active,” he rounded off.