Tag: Man Jit Singh

  • A fractured ad cap mandate dawns

    A fractured ad cap mandate dawns

    MUMBAI:  Who ever thought a cap could generate such a lot of brouhaha? The TRAI’s ad cap, which comes into effect from 1 October, has fractured the industry. The Indian Broadcasting Foundation (IBF) and most of its members have taken a decision to follow the TRAI’s mandate on limiting air time per hour to 12 minutes to ensure good quality of service and viewing experience to Indian TV viewers.

    Zee TV, Colors and Star Plus, according to company executives, have decided to follow TRAI’s diktaat. But the breakaway is Sony Entertainment Television that says it will continue booking commercials as before, beyond the 12 minute limit. That is a bold stance by its CEO Man Jit Singh if there was any, and it has totally confused one and all.

    Star India, sources say is insisting on implementing its ad rate hike following its adhering to the air time restrictions, something which advertisers such as Levers, Reckitt Benckeiser, among others have been resisting. In fact, the Indian Society of Advertisers has accused the broadcasters of being in breach of contract.

    Broadcasters have in turn stated that they are only following and complying with TRAI’s mandate. “The situation is quite confrontationist,” says a media veteran.

    Zee TV on its part has stated that it will adhere to TRAI’s order but has been relatively flexible on its ad rate revision, if one goes by unconfirmed reports.

    What has probably prompted Man Jit to take his decision is the fact that both the News Broadcasters Association (NBA) and a bunch of music channels have got reprieves on toeing the ad cap line from the TDSAT.  While the NBA got a stay against the TRAI order in August allowing them to continue operating status quo till the next hearing on 11 November, the music channels too got relief when the appellate tribunal gave them the same leeway till the next hearing on 21 October. The Sun Network too filed a petition with the TDSAT last week, the outcome of which is awaited, at the time of writing.

    “Sony Entertainment Television has done its legal homework and believes that whatever decisions have been taken against the TRAI ad cap is extendible to all channels and genres. It has also got some strong properties like KBC for which it has signed deals. Additionally, the Star and Zee group have enough inventory available to sell to advertisers, thanks to the number of strong existing and new channels in their portfolios,” says a media observer.

    “We are waiting for the outcome of the hearings on 21 October and 11 November before acting on the ad cap mandate,” says Sony Entertainment president Rohit Gupta.

    Advertising Agencies Association of India president Arvind Sharma believes that the parachute which was provided to news and music channels by TDSAT is applicable to the entire broadcast sector. Says he: “The TDSAT has said that ad cap cannot be implemented and no action will be taken against anyone. AAAI fully supports it.”

    However, a highly placed source at the IBF confirmed that the law will kick in from tomorrow and how it will play out is for everyone to guess. “There is no doubt that confusion still prevails,” he says.

    Some such as Discovery Networks have not been impacted by the ad cap at all. Says senior vice-president & GM south Asia and head of revenue, pan regional ad sales and south east Asia Rahul Johri,  “We telecast international programming with varying lengths and varying break patterns, and we have always followed the 12 minutes advertising cap. So this does not change anything for us.”

    Some speciality channels such as FoodFood have decided to walk the 12 minute ad line as the threat of criminal charges for violators is proving a major deterrent, says a source.

    An IBF member gives a perspective on the ad cap clap trap. Says he “There are two scenarios: IBF members comply with TRAI’s order. Then let’s say the TDSAT quashes the rights of TRAI on this issue on 21 October or 11 November. The ruling will be valid for everyone and every broadcaster (even those who have decided to comply with 12 minute ad cap) can go back to the old system.   In the second scenario, news and music channels lose the case in TDSAT. They can approach the Supreme Court for succor. Then let’s say the Supreme Court puts a stay on the ad cap, then it will be back to as the world was operating before this ad cap announcement by TRAI.”

    Apparently, it seems that we have not heard the last of it as yet!

  • Man Jit Singh re-elected IBF president

    Man Jit Singh re-elected IBF president

    MUMBAI: The 14 annual general meeting (AGM) of the IBF took place late yesterday in Mumbai, proceeding which multi screen media (MSM) CEO Man Jit Singh was re-elected as the president of the foundation for the year 2013-14.

    Discovery Networks Sr VP and GM south Asia Rahul Johri has been elevated as the new vice-president along with existing vice-presidents Zeel MD and CEO Punit Goenka as well as India TV chairman and editor in chief Rajat Sharma. Times Television Network (TTN) CEO Sunil Lulla is the new IBF treasurer.

    On his re-appointment Singh said “I am delighted that my industry colleagues continue to have faith in me to guide the IBF. The last year has been very eventful for our industry with digitisation phases I and II, considerable progress on a new measurement system under BARC, and a shift from TRPs to TVTs. Substantial challenges continue in the current year. We need to build on the success of content regulation, continue the process of digitisation and work collaboratively with the broader industry.”

     

  • Sonys Maha gamble

    Sonys Maha gamble

    MUMBAI: A look at Sony Entertainment’s TAM TV ratings from week 33 to week 34 shows that the channel has slipped to number six position with 292,684 television viewership ratings (TVTs) from its earlier score of 349,377 TVTs.

     

    With yo-yoing TVTs to contend with, Sony is betting big on the seventh season of Kaun Banega Crorepati, which comes to drawing rooms in a new and improved avatar.

    Big B to play Sapt Koti Mahadhani… Kaun Banega Maha Crorepati starting 6 September

     

    Sapt Koti Mahadhani… Kaun Banega Maha Crorepati premieres on Sony on September 6 at 8.30pm and will be aired over 13 weekends, with the aim of creating a platform of opportunities for Indians across ages, genders and socio-economic groups.

     

    The channel is looking for a big change in viewership numbers through the show. “Yes, we are not satisfied with a few of our currently running shows. Also the TAM TV ratings have moved to a new currency and we will take time to stabilise. The show will surely help us gain momentum,” says Multi Screen Media CEO Man Jit Singh.

     

    A measure of just how much is riding on the show is the many changes it has undergone in terms of its format, level of audience engagement, prize money and so on.

     

    For starters, not only has the set moved base from Film City to Yash Raj Films Studio, the set design too has had a complete makeover.
    Sneha Rajani is hopeful that the format, its simplicity and Big B will surely make it tick

     

    This time round, audiences will get to hear a different sound track as well. While the music has been scored by Sawan Dutta, Varsha Jain has done the set designing.

     

    Explaining why they’ve changed the set, Sony EVP & business head Sneha Rajani says: “We had booked YRF Studios last year to shoot this season of KBC. The set this time is bigger, better and grander. We have added more elements.”

     

    Adding to this, Big Synergy Media CMD Siddhartha Basu says: “It was a challenging task, but we achieved it. The licensors loved the changes and accepted the change in format and set. They have also suggested that it be used in other countries, if affordable.”

     

    The biggest change comes in the form of the prize money, which has been increased from Rs five crore to Rs seven crore. About the figure, Singh says, “Seven crore in the seventh season, is the right amount.”

     

    Elaborates Basu: “We had to increase the engagement level of the audiences. With the changes in format, the drama has risen and so has the engagement of the audience,” and points out that the show needed a change. “It has been accepted by people for 13 years. But now, the viewers deserved evolution, development and variety. Keeping the fundamentals same, we have given our audiences the change,” he says.

     

    Speaking at the show’s press launch at ITC Grand Maratha in Mumbai, Rajani says, “Big B is roaring in this season. The format, its simplicity and Big B will surely make it tick.”  

     

    What’s new?

    ·The money tree will now consist of 15 questions.

     

    ·Introducing Sapta Koti Sandook, which will give contestants a chance to win anything from Rs one crore to three crore, five crore and seven crore.

     

    ·The Fastest Finger First round will now be a ‘best out of three’ with the winner at the end getting to the hot seat.

     

    ·More choice of lifelines – Flip the question (Alat Palat) replaces Ask the expert and 50:50 replaces Double Dip.

     

    ·A brand new lifeline called ‘Power Paplu’ that will aid those who seek to revive an already used lifeline.

     

    ·In the entire game play however, a hot seat contestant may use only four of the five lifelines on offer.

     

    ·Introducing Play along for the Fastest Finger First contestants, who do not make it to the hot seat. These contestants can now play along with the hot seat contestant and the one who answers the maximum number of questions in the minimum amount of time gets to win Rs one lakh at the end of the episode.

     

    ·The time limit for the Phone a friend lifeline will now be 45 seconds instead of 30 seconds.

     

    ·Audiences can win by playing Ghar Baithe Jeeto Jackpot.

     

    As things stand, the first three episodes have already been shot and Sony is going the whole hog in terms of marketing and promoting the show. “It is a 360 degree market campaign on radio, TV, print and hoardings,” informs Rajani while a highly placed media planner reveals, “KBC is the biggest show for Sony. The channel hopes to improve its position in the ratings chart through this. It would have spent anywhere between Rs 10-12 crore on promotions.”

    The team brings a better, bigger and grander Kaun Banega Maha Crorepati

     

    Digitally-speaking, the channel is leaving no stone unturned to promote the show. It has launched its flagship KBC 2013 website (www.kbcsony.com) and the KBC official mobile application. On the cards is a host of rich and immersive video content and games that will see users take home Apple iPads.

     

    The website will include entire episodes of the show and an AB special, where users can watch Big B rendering poetry and catchy one-liners. Joyous moments of contestants on winning large sums of money and glimpses of interactions with stars and celebrities will also feature on the website. Surfers will be able to play games like Globe Quiz, where they can scroll and move round the earth’s axis, click on any part of the world and answer a trivia question. Other highlights will be the KBC Web Game, where users can test their speed and accuracy online, Insta Hot Seat and Prize meter & Heat map to name some.

     

    Elaborates SET executive VP-new media, business development and digital/syndication Nitesh Kripalani: “KBC is one of the most admired and loved game shows on television today. The popularity quotient is huge and the fan base is getting bigger every year. Our digital platform is especially designed to give our users much more than what they can get from their television sets – a whole new immersive on-demand second screen experience right at their fingertips.”

     

    He explains that the idea is to bring “the KBC experience up, close and personal, across multiple platforms, be it mobile, tablet or online.”

    With the changes in format, the drama has risen and so has the engagement of the audience, says Siddhartha Basu

     

    Says the top-placed media planner, “The channel will look strong with the show in the ratings chart,” and points out that with an airing time of one and a half hour, it will rake in money from advertisers. “The channel should have sold its advertising slot at Rs 3.5 crore (approximately) for per ten second advertisements. They would be targeting getting close to Rs 200 crore through ad sales,” he says.

     

    While Sony is sure hoping Big B’s charms reflect on its ratings, “The real competition will come from Bigg Boss and 24, both to be aired on Colors. Though the show will get good viewership in its first week,” he adds.

     

    Now whether this Maha Crorepati will have a maha effect on Sony’s rating, is something we will have to simply wait and watch…

  • Phase II of ad cap comes into effect; channels follow TRAI mandate

    Phase II of ad cap comes into effect; channels follow TRAI mandate

     NEW DELHI: Indian TV viewers are going to be a delighted bunch. Reason: the number of TV commercials being bombarded at them on TV channels just got reduced.

     

    The Telecom Regulatory Authority of India (TRAI) ad cap regime imposed on news and general entertainment channels came into force today with an upper limit of 20 and 16 minutes per hour respectively. This will run till 30 September, following which the 12-minute rule will come into play from 1 October.

     

    Both Indian Broadcasting Foundation (IBF) and the News Broadcasters Association (NBA) have said their members are following the regime, the first phase of which came into effect on 29 May when its members agreed not to exceed 30 minutes of advertising per hour. IBF president Man Jit Singh and NBA president K V L Narayan Rao told indiantelevision.com that the TV channels would stand by their commitment to the government since this was now the law.

     

    The final decision of 29 May had taken a lot of wrangling, with the matter also going to the Telecom Disputes Settlement & Appellate Tribunal against TRAI which insisted that it was only implementing a regulation which was part of the Cable TV Networks Rules 1994.

     

    Following this, the IBF Board finally appointed a committee of five persons – K V L Narayan Rao, Zee Entertainment CEO Puneet Goenka, Asianet managing director K Madhavan and Disney UTV media managing director K Anand with the assistance of secretary general Shailesh Shah – to research, debate, consult and arrive at what will work.

     

    The committee admitted in its report that some channels especially those in regional languages ran more than 30 minutes of advertising per hour. Shah, however, claimed to indiantelevision.com that the per hour ad time works out to just over 11 minutes if a full-day average is taken.

     

    The TRAI, however, says it is going to keep a sharp eye on each channel to ensure that there is no violation of the time cap set on the TV broadcast industry. “TRAI would continue to monitor the timing of commercials per hour by various channels,” says TRAI principal advisor on broadcasting and media N Parameswaran.

     

    It is quite likely that the air time reduction, could result in revenue losses for the channels. Though none of the broadcast bodies have clearly highlighted how much this erosion could be, media buyers do acknowledge that broadcasters will no doubt hike ad rates with the implementation of 12 minute ad cap on 1 October.
    “The impact cannot be felt as of now. Once the ad time comes down to 12 minutes (across GECs) in October that is when the crunch will be felt,” said an executive from a leading media buying and planning company. June to September is a lean period for advertising on channels, especially considering it is the monsoon season all over India.

     

    There are also few who believe that the ad cap restriction will improve quality of viewing. Madison Group COO- buying Neel Kamal Sharma opines, “It is a win-win situation. On one hand the advertisers will benefit as now they can target their audiences in an effective way. The broadcasters will also increase their ad rates. Parallel to this even digitisation will bring in extra revenue for the broadcasters, decreasing their dependence on ad revenue.”

     

    Sharma hopes for the transition to take place in a fair manner, which has been recognized by all without shifting the entire burden onto advertisers. “We must take a long term view of the situation and handle it carefully as some people may try to take advantage of the situation to increase rates disproportionately which may neither be good for them nor good for TV industry’s growth in the long run as many advertisers have already started exploring alternative options,” he adds.

     

    The message for broadcasters is clear: take tiny steps – together with your advertising partners. Don’t go for the long jump; you might end up jumping alone.

  • MSM Motion Pictures announces Mango in association with KEPL

    MSM Motion Pictures announces Mango in association with KEPL

    MUMBAI: One of India‘s leading television networks, Multi Screen Media (MSM) announced the release of two of the movies this year which have been produced by its motion picture arm MSM Motion Picture. First of which is ‘Bajatey Raho‘ releasing on 26 July. The revenge comedy flick has been co-produced by Eros International and stars Dolly Ahluwalia, Vinay Pathak, Ranvir Shorey, Ravi Kissen and Vishakha Singh playing the leading roles.

    Throwing light on their next titled, ‘Mango‘ which will be helmed by the renowned director Abbas Tyrewala and produced in association with Kaleidoscope Entertainment (KEPL). The romantic comedy will star Ranvijay in the lead, the winner of the reality show Roadies and also an accomplished host along with playing sidekick roles in Hindi and Punjabi films. Along with Ranvijay, Chandan Roy Sanyal, Harman, Monali Thakur and Swara Bhaskar will also be seen in prominent roles.

    Set in the heart of Goa, Mango marks Abbas‘ third directorial venture and is set to cast the same spell that his directorial debut Jaane Tu Ya Jaane Na did at the box office in 2008.

    In an interesting plot based in the calm atmosphere of modern Goa in the monsoons, this frenzied film traces one night in the life of five youngsters, whose stories intertwine in a manner quite unlikely changing their lives altogether.

    As revealed by the production house Mango outlines a story of love, life, friendship, relationships and betrayal with primary, secondary and even incidental romances sharing the spotlight with the main characters where some chase love, while others chase money.

    Commenting on MSM‘s venture into motion business, MSM CEO Man Jit Singh said, “We realise that there is a huge untapped market in the motion picture business and the sector has immense growth potential. We have the expertise and experience in this domain and hence it was a logical extension for us. We plan to produce movies across different genres.”

    “Mango is a romcom with a twist. Shot in the beautiful locales of Goa the film captures the tale of five youngsters whose lives are entwined by destiny. Mango is a young film and will appeal to masses. It will break the clutter through its refreshing content and fresh casting.” says MSM COO NP Singh.

    KEPL‘s Bobby Bedi added, “One of my most successful films was my first foray into mainstream Bollywood – that is Saathiya – a romcom with a difference. Today I re-enter the same space with some of my best colleagues – Abbas, who wrote Maqbool, Aradhana, who designed Fire, Allan – action director for Bandit Queen, and Mulchand who has lit every single work I have ever done. Together we are producing what we believe is a really funny and fast paced film, deliciously called Mango”.

  • “How is a bad TV rating better than no rating?”: IBF secretary general Shailesh Shah

    “How is a bad TV rating better than no rating?”: IBF secretary general Shailesh Shah

    The Indian Broadcasting Foundation (IBF) got a new president in the form of MSM (Sony Entertainment Network) CEO Man Jit Singh last year. It also got a new secretary general in Shailesh Shah who last was CEO of a Singapore based venture a few months ago.

    Both got their positions when the Indian television industry is going through its toughest transition in known memory.

    India’ cable TV landscape is being rejigged through a government mandated digitisation drive. The government is constantly playing big brother on the content front, threatening to switch off channels on the slightest excuse.

    Advertising revenues for the most part have been growing marginally even as carriage fees have been battering the broadcasters’ bottom lines. And, of course, there has been an explosion with channels popping up almost every second week. This has led to fragmented audiences.

    For more than half a decade since it was set up in 1999, the IBF was a weak agglomeration, set up with the intent of representing the broadcasting community. But it did not seem to go anywhere, until Essel Group managing director Jawahar Goel became its president and it really took off under the leadership of Star India CEO Uday Shankar who invested time to get the government and other partners and affiliates to understand the industry’s point of view and react favourably towards it.

    Shah’s job is not easy: he has many masters as he leads an organisation, which has some of the most influential Indian executives on its board. But he has been running it quite deftly, absorbing and implementing their advice and inputs. Over the past three months, the IBF successfully got agencies to agree to net billings, and it is now working on getting ratings agency TAM Media to take a fresh look at how it conducts its ratings service.

    We spoke to Shah on the IBF‘s strengths, accomplishments, stance on TAM, ad cap and much more…

    Excerpts:

    How does the IBF work?

    IBF is an Association that represents television broadcasters.

    Its sole goal is to collectively improve the governance-bound economic growth prospects of television broadcasters by helping open gateways of access to revenue opportunities that matter. In doing so, the Foundation collectively a) identifies issues of import, b) researches these issues deeply, c) builds consensus around these issues , d) agrees to a strategy and execution plan on resolving issues, and most important, e) stays focused on execution until the issues are resolved.

    Simple. No rocket science. Nose to the grind kind of stuff.

    Like all such sector or industry associations, IBF works through a board.

    Members of the board and/or the foundation office bring issues to the fore, and then follow the process above to figure out if the issue is important enough, the issue is researched sufficiently to arrive at root-causes, precedent, best-practices. The issue can be addressed with a strategy that will deliver a solution effectively, and the strategy and consequent execution plan is enabled by the board to deliver.

    Every issue is dealt with through a working team, a committee, a task force or by the all important team of office bearers to arrive at conclusions and take them forward

    The foundation office ensures that when an issue is important, consensus can be arrived at and discussions, dialogue, research presentations, white papers and the like are used to help arrive at a consensus.

    So what has changed at the IBF that has brought issues like ad-slots, net billing, audience measurement, digitisation and content-complaints to the fore?

    Honestly, nothing. IBF just became a teenager. In the grand scheme of organisational dynamics, the association, I believe is maturing to collectively take on issues more holistically.

    The effort behind issues that bring researched solutions to the fore, make systematic effort to build consensus, ensure issues are genuinely industry-wide, and use the bright wisdom of its board effectively where a multiplicity of strengths lie is what IBF is doing more consistently.

    IBF also is very clear about being governance bound. As a board, it has never attempted to do anything that attempts to lead toward incorrect, monopolistic or oligopolistic practices. Ever so often, emerging sectors face flack on collusion. IBF is extremely clear on this topic – if an issue has any bell or whistle around governance, the foundation will not allow it to be dealt with.

    IBF’s ability to create teams from within its board and membership to address issues is also maturing well. The Foundation is able to consistently bring abroad representation on sensitive issues so that the resulting consensus is real, has stickiness, and will work. Similarly, teams that execute on issues or individuals that participate in committees are much more aligned to getting things done.

    There are instances where slippages do happen, not differently from any other organisation. However, the collective efforts of the board ensure these are being improved upon. More important, the Foundation has every intention of becoming the best representative of its members, ever!

    Who calls the shots at IBF?

    The board, through its president calls the shots at IBF.

    Over the years, IBF has become significantly more aligned on a bunch of topics that have come to either hurt them, or will help them.

    If such topics pass the muster on governance, and will stay governance-bound, IBF’s board will work towards a resolution, plan and focused execution.

    The big change is, there is real impetus over the last two years to not sweep topics under the carpet and the Foundation Office is playing a more active role in ensuring this remains steadfast.

    I am so green behind my ears, it would be audacious for me to claim I have driven any change. I am fortunate to have come in at a time when I am being baptised by fire

     What issues is IBF focused on resolving?

    The key priorities for IBF are digitisation, freedom of expression and a level playing field to bring every local and national channel being broadcast and distributed under the same purview of the MIB as its members and the 828 licensed channels are.

    To address these key priorities, the foundation needs to be strong. Weaning away niggling problems is part of that.

    How is IBF structured to address the issues and concerns of its members?

    IBF forms committees to address issues that will take a while to resolve, or where recurring issues need to be addressed. On point issues, it will form task forces. These get agreed to after a debate at the board.

    What have been the achievements and milestones so far?

    Credit between agencies and broadcasters, has almost become a science. An exceedingly well-established complaints council manages issues related to content. Taxation resulting from the way broadcasters invoice agencies is being resolved. With the help of advertisers and agencies, a next-in-class audience measurement system is on its way. I think the real achievement is, broadcasters are able to see several issues in the same light much more today than ever before.

    The media industry needs to dig deeply into understanding what is necessary to capture, measure and rate this vast linguistic diversity, geographic-cultural-social-economic-not-so-urbanised diversity notwithstanding

    What changes have been brought in the IBF over the past years?

    One of the biggest changes is, the tenure of leadership positions is clearly stated and accordingly, going forward, each leadership position will have limited “reign”. This is welcome because it provides opportunity and creates greater stickiness.

    What changes have you driven?

    I am so green behind my ears, it would be audacious for me to claim I have driven any change. The truth is, today is my hundreth day at IBF. I am fortunate to have come in at a time when I am being baptised by fire.

    What is your vision for it?

    Enable television broadcasters with the economic growth canvas that provides governance-bound access to multiple revenue streams and ensures collective progress through effective advocacy and interventions on issues such as digitisation, copacetic relationships with advertisers, agencies and the government, and most important, the right to express oneself with complete freedom, and the responsibility to do it correctly.

    Tell us how Man Jit Singh came to be elected as the president? How was the election? Isn‘t it true that Uday Shankar wanted another term?
    As I clearly said, the term for leadership positions is now pre-defined. The board follows due process in electing members into leadership positions and this is today followed stringently.

    The Indian Broadcasting Foundation, today, is very much a cheetah in a hurry. The past few months have seen IBF take a united and strong stance on matters like Net Billing, Ad cap and the latest TAM rating issue. What will you accredit this newfound aggression to?

    Firstly, IBF has not come together on all these issues. While we have definitely worked on net billing together with the agencies, and worked with TRAI on trying to resolve advertising minutes, TAM is a problem some broadcasters are working on. We are working with the ministry on several components of digitisation. And we are working to ensure we have the right to genuine freedom of expression as we demonstrate commensurate responsibility in using that right.

     

     

    Broadcasters are unhappy with what they are getting. So are the agencies. We have a road map for TV ratings in mind, but the industry will have to go through its recognition pains

     How has your journey as the secretary general been so far? Tell us about the highlights and accomplishments according to you?

    When one gets to work with smart do-gooders who are intent on getting things done, helping drive that intent strategically, building relationships in places that matter, driving priorities to conclusion and being impactful, the journey becomes fun. The sector is in its infancy and I get to partake as it matures. What could be more satisfying.

    Tell us what roles do the sub committees play in the over-all brand building and administration of IBF.

    As you have seen from NASSCOM, CII and FICCI, the value of any industry or sector association is directly proportional to the work it does. We are becoming a cheetah in a hurry. Time will tell.

    The Broadcast Content Complaints Council (BCCC), today has become the ultimate self regulatory benchmark for the industry. Elaborate on its strength, accomplishments, decisions and scope for improvement.

    10 per cent of our work got done when IBF worked arduously to select a pre-eminent council, which includes socially responsible celebrities and several national commissions. They have executed exceedingly well giving us a rating exceeding 80 per cent. BCCC is evolving and as you shall see in the near term, it will show value from continuous improvement. Secretary general of the BCCC Ashish Sinha has provided yeoman stewardship to ensuring the foundation for self-regulation is well in its place.

    Where do you see the on-going TAM fallout going at? What does the IBF exactly want? Do you think, an interim blackout until the establishment of BARC, is ideal for the industry?

    80+ million Telugu speaking Indians and about 60 per cent of them watching television get compared on the same canvas as 600 million cricket viewers, one million CSI New York viewers and less than 20 million Punjabi television viewers. The media industry needs to dig deeply into understanding what is necessary to capture, measure and rate this vast linguistic diversity, geographic-cultural-social-economic-not-so-urbanised diversity notwithstanding. Simplistic, superficial answers will neither solve the problem nor satisfy ratings watchers who feel like they are at a discotheque. This is a serious problem and it requires serious thinking. To repeat, TAM is not the problem. Its ineffectiveness is viewed as one. I believe a solution will emerge and I request the industry to watch this space.

    We have a road map in mind, but the industry will have to go through its recognition pains.

    In the case of no ratings for the coming month, do you agree that historical benchmarks should be the guide for advertisers? There seems to be a conflicting support on the TAM issue with broadcasters vehemently against continuing ratings, whereas, advertisers are willing to give TAM a chance to solve its issues. What do you have to say about that?

    Let me say this very, very simply – broadcasters are unhappy with what they are getting. So are the agencies. Please help me understand how a bad rating can be better than no rating?

  • Six bags rights for Uefa Euro 2016

    Six bags rights for Uefa Euro 2016

     MUMBAI: MultiScreenMedia’s (MSM) sports channel Sony Six has added a feather in its cap in its bid to bag marquee properties that appeal to the youth.

     

    It has won the rights for the Uefa Euro 2016 soccer tourney across the Indian sub-continent. The channel will telecast live all 51 matches of the tournament. Last year’s edition aired on Neo. It has been learnt that Neo had paid around $10 million for it and the MSM deal was a substantial jump.

     

    The Euro, it is worth noting is the third most valuable soccer property behind the soccer World Cup and the English Premier League (EPL). The top European nations take part in it to find out which is the best in soccer. This acquisition is significant for Six as this marks its first entry into international football. The channel has aired the 2014 Fifa WC Qualifiers. The Euro 2016 event is the first successful acquisition of a major professional football competition by the channel.

     

    MSM CEO Man Jit Singh said, “Football has grown immensely in India over the past few years and has found great interest amongst the youth. With the successful acquisition of the Uefa Euro 2016 tournament broadcasting rights, we look forward to attracting viewership to Sony Six by leveraging on the growing popularity of European football in the country.”

     

    MSM COO NP Singh said, “We are delighted to bring one of football’s elite tournaments to the Indian viewers exclusively on Sony Six. As a broadcaster we are always in pursuit of the best of international sport and through our latest acquisition we will take the fans closer to the high impact action that the Uefa Euro 2016 promises to deliver.”

     

    Uefa marketing director Guy-Laurent Epstein said, “We are pleased to welcome Sony Six to the family of broadcasters for the Uefa Euro 2016. Uefa believes that the Sony Six channel and its commitment to high quality programming and sport is an excellent home for Uefa’s flagship national team competition.”

     

    Euro 2016 will be held in France with provisional dates of 10 June – 10 July 2016. For the first time in the tournament’s history, the 2016 finals will be a 24 team tournament, having been expanded from the 16 team format that had been used since 1996. At the finals, it is proposed that teams will be eliminated using a new format of six groups of four, followed by three knockout rounds, followed by the final. France has inherited direct entry into finals.

     

    In terms of other big soccer properties the 2014 World Cup rights are coming up for grabs as well and there would be competition for that as well. MSM president network sales, licensing and telephony Rohit Gupta said that the aim is to acquire marquee properties that appeal to the youth. “We already have the IPL which is the biggest property. We have identified soccer as a sport that we need to have. Euro was a big opportunity. As other properties come along like the World Cup we will evaluate them.”

     

  • 2009: Top 10 Executives

    2009: Top 10 Executives

    2009. A year when most of the television industry gasped as the Indian economy slowed down and advertising and distribution revenues dried up even as costs went up. Executives burnt the midnight oil grappling with the downturn. Most of them deserve a salute for coping with the tough times. But there were some who came out triumphant and did wonders for the companies they lead. Indiantelevision.com takes a look at those who made the cut in our 2009‘s Top 10 Executives listing.

    Our list is by no means comprehensive, but these gents and ladies clearly stood above the rest. The executives have not been listed in order of importance or achievement, and sure there are many more who made a difference. We raise a toast to them.

    In the meanwhile take a dekko at our Top 10 Executives of 2009.

    Rajesh Kamat & Ashvini Yardi

    Rajesh Kamat did what was considered nigh impossible in 2009. Under his leadership, Colors, one of the late entrants in the general entertainment television sweepstakes, toppled both the leader Star Plus and the second placed Zee TV from their perches. He did not stop at that. With the help of clever engaging and disruptive programming from his programming head Ashvini Yardi, he maintained that top slot for the rest of the year.

    And Kamat achieved that in just a matter of 13 months – a feat which could well enter the Guinness Book of World Records.

    For long, rivals Sony and Zee had taken a shot at the top spot, but Star Plus appeared to be unshakeable. Kamat and his band of merry programmers however made it look fairly easy with a mix of differentiated, disruptive programming and distribution (Kamat‘s 3 Ds) on the back of savvy marketing. As the year was ending, he had actually got his company close to profitability with revenues of close to Rs 6.5 billion.

    Kamat‘s success has to be juxtaposed against what happened to other players who dared to challenge the leader: new entrants 9X (launched by former Star CEO Peter Mukerjea) and Real took a beating and almost wound up. The other player NDTV Imagine ended up at the No 5 spot, and finally found a new owner in Turner.

    During his days at Star Kamat had seen the channel rise from obscurity to leader. And he had gained amazing consumer insights during his earlier stint at Coke. He brought all of that bear in his uphill battle against the leaders. He gambled with a young enthusiastic team and the gamble paid off.

    Today, he is the most sought after TV executive in the country. And he was rewarded with additionally responsibility just as the year ended: he was given additional charge of strategy, legal distribution and finance of the Viacom 18 group bringing the channels MTV and Nickelodeon under his charge.

    2009 also saw him take an extremely calculated risk. Nine months from launch, he took the channel pay putting it as part of the One Alliance bouquet, distributed by MSM Discovery. The timing would not have been better as IPL gave the channel a good mileage. Later he got Amitabh Bachchan to don the hat of Pop Philosopher for Bigg Boss and now Big B is taking the channel to US and UK as brand ambassador. Additionally, he got his son Abishekh to host Bingo, a popular international format. At the time of writing, Bingo has done it once again for Kamat: the show has generated higher ratings than other game shows.

    A large part of that credit goes to Yardi who has been the creative driving force behind Colors. A woman with a vision to create a channel so unique and distinguished from anything ever viewed by India, she has always given priority to innovation and creativity. Her focus on fresher concepts and disruptive programming is what elevated Colors to its leadership position so quickly.

    From the word go, Yardi stressed that the shows on her channels have to have “meaningful entertainment”. The characters are not in black or white but have different shades. Yardi strongly believes that Colors offers ‘something for everyone‘ and ‘everything for some‘.

    Known for incorporating audience insights in her search for the perfect television shows, be it fiction, reality, game show or any other format, Ashvini has been responsible for making entertainment bigger than ever and effectively changed the way Indians viewed television.

    2009 saw shows with hard hitting messages such as Na Aana Is Des Laado and Uttaran climbing to the top positions on the charts while the Colors flagship show, Balika Vadhu, continued to reign over peoples‘ hearts and minds. And as far as reality shows go, 2009 was the year for the biggest ever changes in the reality television scene. With Fear Factor getting a lot more exciting and the Big B Amitabh Bachchan himself hosting the third season of Bigg Boss, reality in India touched new heights in 2009.

    Genius clearly does not go unnoticed, and in Ashvini‘s case, her talent has been recognized from time to time by peers and various industry institutions. She has been the recipient of many an honour, amongst them being the Media Personality of the Year title at India Today Woman‘s Summit, apart from being hailed as one of the top 50 powerful people of 2009 in India by Business Week.

    Perhaps defining Ashvini in one word may not be easy, but trendsetter comes rather close. And now, she is at it again, conquering newer peaks, bringing in fresher ideas and ready to set some new trends in 2010.

    Uday Shankar

    While most media observers and trade writers in India tend to think that Star India CEO Uday Shankar missed the mark in 2009 because of the toppling of Star Plus from its leadership perch, the word overseas and in corporate circles is that he did an excellent job and continues to do so; that the Murdochs are pleased as punch with him.

    During the year, the former journalist continued the network‘s spread into regional language markets and even managed to get leadership status in one of them. He kept a sharp eye on profitability in difficult economic times, returning pleasing figures for the network.

    Viewed from a different perspective he staved off an aggressive attempt from No 3 Zee TV to usurp his GEC flagship channel Star Plus from its No 2 spot, even though he conceded the leadership position to rival Colors. He gambled with risqué programming during the year, something which got him a rap on the knuckles from the government, but also got reams of media coverage and some praise for pushing the envelope with shows like Aap Ki Kacheri.

    And as the year ended, he was gearing up to do battle and regain Star Plus‘ numero uno status: he had restructured the Hindi GEC, bringing in whiz kid Gaurav Banerjee to look after the channel. Star Plus GM Keertan Adhyanthya was moved out to head Star Movies and Star World. He had also put wunderkinder Sameer Rao in charge of Star Utsav and Star Gold.

    With Rupert Murdoch‘s News Corp restructuring its broadcast business in Asia, Uday Shankar got his pat on the back when he was delegated with many more tasks during 2009. He was handed over the responsibilities of managing the sales and distribution offices of Star in West Asia, Britain and the US, besides growing the Indian market and being under the direct mentoring of James Murdoch, the group‘s head of Asian and European operations.

    Uday also gets to look at the movie business with Fox Star Studios India CEO Vijay Singh. The grandiose plans are to distribute 18 movies a year and be involved in production. Avatar has become the biggest Hollywood hit in India, grossing over Rs 1 billion.The biggest catch in the distribution net is Shah Rukh Khan‘s My Name is Khan, set for release in February.

    His big win for 2009 was the runaway success of Star Jalsha in just its first year of existence as a Bengali general entertainment channel. It created waves in east India with its programming which gelled with audiences. Then he drove his team to come up with new programming at Vijay TV and Star Pravah – initiatives which are bound to start bearing fruit over the next few months.

    If there was one area which looked a little worrisome for Uday Shankar during 2009 it was the loss of the leadership position of Star Plus, its flagship channel in the Hindi entertainment space. Star Plus conceded it near nine-year monopoly to newbie Colors mid way through 2009. But that did not deter him as he continued to focus on re-jigging the programming and on the bottomline. The network also courted controversy thanks to its dare bare all on TV show Sach Ka Samna adapted from The Moment of Truth.

    Meanwhile, keeping pace with rival MTV, Shankar also saw Channel [V] re-furbish its content with a host of new shows under his leadership as the channel shifted gears to 60 per cent music and 40 per cent reality show content.

    He has his work cut out for him in 2010, but knowing Shankar he well might deliver. Yet once again.

    Sameer Manchanda

    He could well be labeled the cable cowboy of India. He has aspirations – like his esteemed US counterpart John Malone who agglomerated cable systems all over the US into one national network – to transform the fragmented Indian cable industry and create a giant Indian cable TV network.

    And to that end he took his company DEN Networks public this year raising Rs 3.64 billion through an initial public offering. The market cap of DEN today is Rs 24.72 billion.

    It looked tough seeing it through, but he finally cobbled together investors who helped in the oversubscription of the issue.

    The man being referred to is Sameer Manchanda, chairman and promoter of DEN Networks Ltd and the joint managing director of IBN18 Broadcast Limited.

    Manchanda is a feisty fighter. He spent many years with NDTV when he broke away to set up IBN18 Broadcast, along with Rajdeep Sardesai and Raghav Bahl in 2005. Channels such as CNN-IBN, IBN7, and IBN Lokmat, followed. All three channels have become a news force to reckon with and Manchanda was appointed as the president of the News Broadcasters‘ Association.

    A fellow of the Institute of Chartered Accountants of India, he has always been credited with stitching lucrative deals for the company. He founded DEN in 2007 and he was quick to seize the opportunity in cable TV. He prepared the base for expansion by getting distrib veterans Anuj Gandhi and SN Sharma on board and then went about building the network in the North.

    He first expended DEN in Delhi and Uttar Pradesh, the two lucrative carriage revenue markets for cable networks from broadcasters. DEN also gobbled up Amogh Broadband Services, a leading MSO promoted by former Karnataka chief minister D Kumaraswamy‘s family. It is also a major force in Haryana and Rajasthan.

    In 2009 DEN paced up in Gujarat and made a breakthrough in Mumbai by entering into a joint venture with Ravi Singh‘s cable network in Ghatkopar, a suburb in central Mumbai.

    Manchanda can be credited with the success of DEN‘s IPO in 2009, but the challenges are lying ahead. The biggest of them all: to spread digitisation across the network, launch broadband services, and make market corrections.

    Punit Goenka
    “I would not like to be in his shoes as expectations of him are very high because he is my son, but he has shaped up well,” these are the words Subhash Chandra spoke about Punit Goenka recently. The son has now come of age and all indications are that he is likely to take over the reins of the entertainment conglomerate his father, the chairman of Zee TV, built.

    According to insiders, Punit‘s management initiatives and style have impressed Chandra greatly and he is looking at hanging up his corporate boots in a couple of years and focus on his social responsibilities.

    Punit was hoicked into the MD‘s role at Zee Entertainment Enterprises Ltd (Zeel), giving him total operational responsibility for the Zee Network which includes a Top 3 Hindi GEC, Zee TV, and a clutch of popular channels including Zee Cinema. And he did leave his stamp. First, he yanked the six regional general entertainment channels (R-GECs) from ZNL into the Zeel fold. Then he merged the ETC Networks channels (ETC Music and ETC Punjabi) into the company he heads. He hived off the education business, and started playing an active role in the news business by becoming a non-executive director of Zee News Ltd.

    The year also saw him buying out Ten Sports from Taj Television after some hard nosed negotiation, even as his father‘s loss making T-20 format – the Indian Cricket League – ran out of steam following a backlash from the Indian cricket board and IPL Commissioner Lalit Modi.

    His major successful play was on the Hindi GEC front. Zee TV was under attack from a hungry for leadership Colors and an extremely defensive leader Star Plus. Goenka took a decision not to splurge to buy GRPs. While the other two forked out top dollar on big movies and big ticket celebrity driven reality and formatted shows, he along with his team of Nitin Vaidya (COO -national channels and Zee TV business head) and programming head (Ajay Balwankar, now in Sony Entertainment television), focused on traditional soaps and low cost formats. Pavitra Rishta, Agle Janam Mohe Bitiya Hi Kijo, Chhotti Bahu, Dance India Dance (an adaptation of Bangla dance reality show Dance bangle Dance) were his ripostes which helped the channel generate GRPs. So much so that it took up the No 1 spot in week 34 with 281 GRPs. Zee TV began the year with 190 GRPs.

    Though No 2 or No 3 today in terms of GRPs, the channel today is No 1 in terms of monetizable GRPs, a statement with which even the top bosses at Star Plus and Colors will concur.

    His staff acknowledges the fact that Punit is very easily accessible and always encourages new ideas. With that kind of zeal, it is no wonder that his father thinks Zeel is in good hands.

    Kalanithi Maran
    Kalanithi Maran proved yet again how he could cruise along in a year of global economic storm while the other media barons were scaling back their expansion plans. Far from groaning under financial woes, he searched for new growth.

    And the architect of the Sun TV empire found them in the areas of DTH, TV broadcasting and FM radio.

    Sun Direct is the fastest growing DTH company with a subscriber base of 5 million. Built on mass pricing, the business model is to grab market share while waiting for opportunities to lift ARPUs (average revenue per user) that stayed below Rs 100 in 2009.

    Critics say Sun Direct is leaning heavily on subscribers from the four southern states and predatory pricing can‘t be sustainable. But certain facts stay formidable in Maran‘s favour. His DTH company has the lowest losses on a per subscriber ratio, possibly because of hard bargaining to stay away from minimum guarantee deals with broadcasters.

    Also, Sun Direct has 80 per cent of its customers from the south, a rock-solid base that would provide him economies of scale as he starts scratching into the other markets where he doesn‘t have a distinct advantage.

    In the TV broadcasting arena, as the industry reeled under an advertising slump, Maran posted a robust revenue growth of 35 per cent. He fortified his position and launched two kids and a comedy channel during the course of the year, blocking out possible gaps in the marketplace.

    A master strategist, Maran believes that viewer tastes change every 3-4 years. He introduced a big-ticket weekend non-fiction programming based on the international format show Deal or No Deal that not only gave him viewership but also revenue spikes. The show ran across Maran‘s flagship general entertainment channels: Sun TV (Tamil), Gemini (Telugu), Surya (Malayalam) and Udaya (Kannada).

    Sun has emerged as one of the leading FM radio broadcasters, setting up a pan India presence. In 2009, Sun brought its FM radio stations outside Tamil Nadu and Pondicherry under the Red FM umbrella, offering advertisers a wider listener base and an opportunity to capitalise on a unifying programme format across key cities.

    Since the summer of 2009, Maran also corrected a single deficiency in his rapidly-growing media empire: He widened the talent pool, making a series of senior appointments including Ajay Vidyasagar as CEO and Ravi Menon as programming head.

    So what does the roadmap look like for Sun in 2010? Maran is tapping subscription revenues more aggressively, has floated a UK subsidiary to accelerate international revenues, hiked advertising rates after a gap of two years, and is readying the release of the mega-budget movie Enthiran. Looks like another blockbuster year for the man who rules the southern media landscape.

    Man Jit Singh

    His is a radical turnaround story. When he took charge of Multi Screen Media Ltd (the company that runs Sony Entertainment Television), Man Jit Singh had several tasks to handle. CEO Kunal Dasgupta had left suddenly in the first quarter of 2009, his flagship channel Sony was doddering around in the doldrums with sinking ratings, morale was low and the organisation had few clues as to how they could deal with the rapidly changing dynamics of the GEC business. Newcomer NDTV Imagine had beaten it to the No 4 slot, a far cry from its heydays when Sony was scrapping for the No. 1 slot in the early part of this decade.

    As interim CEO, Singh took the bit in his teeth, lopped off 50 staff, letting go off channel head Albert Almeida. He initially focused on seeing through a successful IPL as the network had invested for its channel Max while acquiring the rights for the cricket extravaganza. In the reworked deal, BCCI sold the nine-year rights for Rs 82 billion, parceling out the India

    That out of the way, he began the hunt for someone who would take up the corner office as CEO, apart from launching a new prime time programming band along with COO NP Singh and programming head Gurdeep Bhangoo The search for a CEO proved futile as did the new lot of programmes. He aborted both – hoisting himself into the CEO‘s seat and started scouting for a channel head. He found one in Ajit Thakur

    The programming was rejigged and a low cost idea plumped for: telecast reruns of its long running award-winning and successful thriller and horror fictional shows, CID and Aahat. In the meantime, a new programming head was appointed: Ajay Bhalwankar was brought in from Zee TV.

    In no time at all, the ratings shot up and Sony had got back into the reckoning, toppling NDTV Imagine from the No 4 slot. From 70 gross rating points Sony was clocking 170-190 GRPs, ahead of Imagine and close enough to possibly play catch up with Zee TV and Star Plus which were generating between 240-270 GRPs. The channel garnered almost two and half times more ratings within six months of the revamp.

    Along with his team, Singh sewed an exclusive content agreement with leading film production house YRF for a programming block which would help differentiate it from the regular fare. While the initiative generated a lot of hype, it did not generate the mass TRPs that were expected.

    For Singh, 2010 will be a crucial year with IPL 3 on it way in the next two months. Also, a rejuvenated and cash loaded NDTV Imagine (following the Turner deal) is definitely going to make a serious and concerted effort to reclaim its fourth place in the Hind general entertainment space.

    Steve Marcopoto
    2009 was Turner‘s fifteenth anniversary of operating in India. And 2009 was the year when the network clearly signaled that it was no longer satisfied in having a minor league play in India. In the first part of the year, it announced that it was launching WB Channel expanding its presence in the English entertainment channel space. In the second half of the year, Turner announced that it was pitching its tent in the rough Hindi general entertainment channel space. And leading Turner‘s charge into the big stake game was Turner Broadcasting System APAC head Steve Marcopoto.

    Marcopoto winged his way into the country on several occasions before he signed on the dotted line of a deal which resulted in Turner acquiring a 92 per cent stake in NDTV Imagine for $117 million. It took months of negotiation between the NDTV management and him and his team before a deal was hammered into shape. And it surely was a moment of triumph for him, making him one of the key media executives in India.

    For years, Turner has operated in India through channels such as CNN, Cartoon Network, Pogo and through a distribution joint venture with Zee TV, labeled Zee Turner.

    It has maintained its leadership position in the kids‘ segment with Cartoon Network and Pogo, currently ranked No. 1 and 2 respectively on an all-India basis. Growth has been steady and India revenues account for 25 per cent of its regional operations, making it Turner‘s largest and fastest growing market.

    During the year, Marcopoto persisted with the Turner mission to further develop the Indian animation industry. Along with Pogo and Cartoon Network India head Monica Tata and creative director Vishnu Athreya, he made various acquisitions, co-creations and initiatives such as Snaptoons (Short New Asia Pacific Cartoons), bringing the pre-school series Sesame Street to India in a local avatar – Galli Galli Sim Sim and nurturing one of the most successful homegrown, animated heroes – Chhota Bheem, amongst others.

    2010 will come with its set of challenges: he has to ensure a smooth transition of Imagine into the Turner fold, and work closely with CEO Sameer Nair to draw up strategies to make the investment pay off in the medium-to-long term. Marcopoto will also have to create compelling content and build the Turner brands across every possible platform, including TV, online, merchandising and mobile.

    Lalit Modi
    To say that Lalit Modi had an eventful year is an understatement. This year he showed his ability to turn a challenge into an opportunity while taking steps to make the IPL a global brand. He shrewdly renegotiated the IPL TV deal with Multi Screen Media in a fresh deal valued at Rs 82 billion ($1.6 billion).

    The earlier ten-year contract, which Sony couldn‘t protect, was worth $918 million for telecast and $108 million for promotion of the tournament. Then the IPL was forced to relocate to South Africa due to the elections. Undaunted by the challenge, Modi and his team worked around the clock at short notice and pulled off a success, thus silencing naysayers. With this move, the IPL took its first steps towards becoming a global brand.

    Modi‘s clout lies in bringing in the money while expanding the reach of the IPL. A deal was done for theatrical rights with Dar Capital and is worth Rs 3.3 billion. It is a known fact that cinema receipts suffer when the IPL is on. The message from Modi is clear – If you cannot beat us, join us.
    In 2009 Modi also announced a base price of $225 million for the two new IPL franchises who will come in later this year. This is more than double what the highest franchise paid in 2008. This gives an idea of just how much the IPL has grown in value in a short space of time.

    It is this ability of Modi to run a steady ship while raking in the moolah no matter what obstacles there are which made BCCI president Sharad Pawar throw his weight behind him when the IMG contract was cancelled by N Srinivasan. The contract was eventually re-negotiated.

    While there is a faction within the BCCI that would like to see Modi out, the fact is that he will head the IPL till 2012. Even BCCI members who have issues with Modi admit that they need him. Modi is effecting changes that are rapidly changing the perception of the game by stakeholders.

    Apart from the IPL, Modi also managed to get the Champions Twenty20 League off the ground. He formed a partnership with Cricket Australia and Cricket South Africa for this. The TV deals done by ESPN Star Sports saw cricket reach more countries than ever before in Europe and other territories. While the ratings in India were not great, one can expect Modi to come up with more innovations.

    In 2009 Modi also took up the issue of piracy on a war footing. Under his guidance an association in conjunction with the cricket boards of England, South Africa and Australia was formed. This move has the backing of the ICC and is the first time that sports broadcasters and stakeholders are making a concerted effort to fight this problem.

    In 2010 Modi is showing no signs of slowing down. The deal with YouTube this year could change the face of sports broadcasting in the years to come. And with the commercial success of the IPL, Modi is thinking in terms of spreading the global reach of the game. He has already hinted that the US may be the next frontier and is in that country at the moment. The aim is to possibly do an event within the next 18 months.

    Dr Prannoy Roy

    At the beginning of 2009, Prannoy Roy looked an extremely worried man. The psephologist turned hardcore newsman had got himself into a corner. Two of his diversifications were burning up cash and how, scorching the main mother news network.

    The first was a general entertainment joint venture channel NDTV Imagine with US major studio NBC Universal. The second was his lifestyle programming forays into NDTV Lifestyle. Roy had launched these services earlier when the times were good, and revenues were in full flow, but with the economic downturn he was being battered. It was imperative that something be done.

    The economics doctorate from the Delhi School of Economics decided to take the battle to the frontlines along with his senior management team spearheaded by KVL Narayan Rao. Get rid of the diversifications and focus on your core competence – news – became the mantra. Along with the senior team and investment bankers, he spent a large part of the first part of the year scouting for buyers for his non-news verticals.

    The other focus of the team was: reduce the group‘s high interest burden which had come its way courtesy its need for cash for its diversifications. He bought back NBC Universal‘s 26 per cent indirect stake in NDTV Networks Plc. The company‘s $100 million step up coupon bonds due 2012 were bought for $72.4 million. This drastically lowered its borrowings and concomitant high interest bill. NDTV was also freed from the undertaking to provide a $40 million guarantee to the bond-holders.

    He also shut down a local news channel he had started in Metro Nation Delhi, cutting down costs.

    NDTV Lifestyle was put on the auction block and around Diwali, he managed to find a buyer for it. The US-based Scripps Networks Interactive bought up 69 per cent of the company on a fully diluted basis for $55 million, in what was seen as an extremely profitable sale.

    Then just as the year was ending he unveiled his final coup de grace: he found a buyer for the hungry for cash NDTV Imagine. Turner Asia Pacific Ventures bought out 92 per cent of NDTV‘s stake in Imagine for $67 million, while investing in fresh equity in the company to the tune of $50 million, bringing up the value of the transaction to $117 million.

    The moves were lauded by all media watchers and the company‘s bottomline started showing improvement.

    And Prannoy ended the year with a beaming smile on his face. Yes, the network still has its work cut out for it. But the comeback has begun.

    Harish Thawani
    This year this street smart maverick renewed the deal with the BCCI with his company Nimbus for another four years till 2014 in a deal worth Rs 20 billion, thus ensuring stability. Thawani has asserted in interviews that the payout per match is similar. Of course, the deal does not include new media.

    Thawani also maintains that rationalisation was bound to happen with the economic environment. He insists that everybody in a deal has to benefit and that the days of bids reaching stratospheric levels are gone. The fact that the BCCI did not bother to go through a tender for the rights, as Nimbus had the first right of negotiation, shows that Thawani got his calculations right in terms of what these rights are worth. After all, the BCCI would have conducted some talks with other sports broadcasters to find out if they were willing to pay more.

    Thawani is known for being proactive in terms of deals being done. He asserts that the company got a 10 per cent discount on the earlier deal on account of the mandatory feed sharing act being passed. Even not going for the new media rights this time around was a deliberate strategy. Highlights and clips got more traffic than live streaming under the old deal. Therefore for him it was not a cost effective proposition.

    Last year Nimbus had complained to the BCCI in a letter about the quality of facilities for broadcasting which forced cricket‘s richest body to take action. Thawani is also said to have been a strong force behind the BCCI instituting the Corporate Trophy.

    On the distribution front, it is expected that Neo would have doubled its revenue for 2009. This is creditable given that Neo had to do the distribution on its own after the deal with Star went sour a couple of years back.

    Moreover the channel‘s audience deliveries have been better than the competition‘s at times as was seen with the India versus Sri Lanka series. Neo Cricket now claims to have finished as the top sports channel for two years in a row. Overseas, Neo Cricket bolstered its presence with several deals last year and is now present in 25 countries including Japan, Korea, Singapore.

    Thawani, though, is looking beyond just cricket. He has plans for two new channels in the lifestyle and film genres. And, yes, the IPO could be round the corner.

     

  • Kunal Dasgupta quits Sony

    Kunal Dasgupta quits Sony

    MUMBAI: Multi Screen Media (formerly known as Sony Entertainment) CEO Kunal Dasgupta has quit the organisation.
    Man Jit Singh, the chairman of MSM has taken over as the interim CEO.

    MSM is looking for a new CEO, sources say.

    Await detailed report…