Tag: MAM

  • What India Takes Offence To : ASCI reveals six major triggers in adverts

    What India Takes Offence To : ASCI reveals six major triggers in adverts

    Mumbai: In recent times, several advertisements have faced controversy with various individuals or groups objecting to them. There is also a growing trend of ads and brands getting trolled on social media when people take offense to a particular message or depiction. Given the sensitivity of our times, the advertising industry has had its work sharply cut out.

    The Advertising Standards Council of India (Asci) undertook a deep dive to identify trends in such complaints and came out with some interesting findings and insights on ‘What India Takes Offence To’- a report based on 1,759 complaints against 488 advertisements over the past three years. The ads covered include those that may not necessarily be in violation of Asci codes, but nevertheless offended people/ groups. The report that seeks to deconstruct, not only the messaging that was found objectionable, but also the articulation of the complaint along with the desired action asked for, uncovered six major triggers.

    ‘Socially undesirable depictions for commercial gains’. For example, ads that promote stereotypes such as fair skin, certain body shapes, or ads that create undue pressure on parents and kids in the field of education. ‘Inappropriate for children’ which included ads, mostly viewed at prime-time, that seemingly provoked children’s interest in ‘adult life’, particularly in the idea of sexuality and physical intimacy were also considered problematic. ‘Ads where people seemingly crossed cultural boundaries’ which included ads that showed intergenerational dynamics in non-traditional ways were also frowned upon by some people. ‘Advertising mocking men’ or where men were depicted in a negative or poor light, even in humorous or introspective ways, were considered offensive by some.

    ‘Hurting religious sentiments’ or ads portraying mixed religious narratives, depictions of new interpretations of traditions or the use of religious and cultural motifs in a humorous manner became a major trigger point. Complainants questioned the intent of the ads and felt the need to guard against ‘conspiracies’. Even ‘Depicting unpleasant realities’ or ads wherein everyday realities were depicted in an in-your-face manner, triggered complaints from consumers who preferred a more sheltered and ‘civilised’ version of realities. Showcasing death, raw meat or blood tended to raise the hackles of these complainants.

    The report noted that while in some cases, the offence is genuine and justified, in others it is observed that “some people seem to be intent on assigning a devious agenda to a particular ad where none actually exists.” It also stresses that, “Not all ads that are complained against may need modifications as per the discussions and recommendation of the CCC.” In fact, in some of the cases given in the report, the advertiser did not have to make a change, because the CCC, taking all things into consideration, did not find the ads to be in violation of the Asci code.

    The objective of the report is to provide a pulse on consumer sentiment to different stakeholders. The study gets to the heart of the complaints and the complainants to reveal the underlying issues in advertising that bother Indian consumers and citizens. For brands, the report offers insights that may help in more sensitized creative development.

    The report concludes by emphasising that “mature discussions between stakeholders, seeking remedies through a neutral forum such as Asci are perhaps the best way to navigate these complex waters in what are fairly polarised times.” “Being in direct touch with the complainants gives Asci a unique vantage point to understand what people find offensive in advertising. We are sharing these insights with our stakeholders to help advertisers plan campaigns better and be more cognizant of consumer sentiment,” said Asci secretary-general Manisha Kapoor.

    Asci chairman Subhash Kamath added “At ASCI, we believe our role is not just to police the narrative but to also constantly add value to the industry by guiding our members towards more responsible advertising. These kinds of reports, along with initiatives like our ‘Advertising Advice’ service will help the industry a lot in that direction.”  

    The report makes observations that could help advertisers plan campaigns better, even as it makes note that there would also be instances of brands deciding to stand firmly behind their advertising, particularly when it represents the core of their philosophy.

    The Advertising Advice is a paid-for service that helps advertisers and brands identify whether an advertisement potentially violates any Asci guidelines. A panel of technical experts from the relevant field helps the advertiser examine their claim and the evidence for technical claim support.

  • ‘Get Well Soon India’ says Youva Stationery in new campaign

    ‘Get Well Soon India’ says Youva Stationery in new campaign

    Mumbai: As the country recovers from the second wave of the pandemic, it is necessary for people to take precautions and hope for the recovery of the ones who are suffering. To educate children about the effects of the pandemic and how it impacts us, Youva, the domestic stationery brand from the house of Navneet has launched a heart-warming campaign “Get Well Soon India” where kids are seen creating a greeting card for the country.

    The campaign designed and produced by ANTS Digital brings out the innovation in children and at the same time spreads a positive social message targeted at generating health awareness.

    The campaign delivers a powerful message that defeating the novel coronavirus is a collective responsibility as a society and urges people to help India get well soon. It stresses the importance of wearing a face mask and washing hands as frequently as possible. It also urges people to participate in the nationwide vaccination drive against Covid-19.

    Youva, chief strategy officer and spokesperson, Abhijit Sanyal said, “Youva, as a brand, was conceptualised keeping children and the youth in mind. Our brand philosophy is creation, this campaign creates hope for our fellow citizens who are suffering, stressed, and are losing self-belief in these testing times. As a brand, if we can create positivity and confidence through our communication then we will be able to say that we made some contribution in these trying times. We earnestly hope our message is as well received as our products!”

    ANTS Digital Pvt Ltd, CEO, Sanjay Arora said, “We created this film for our client to send a strong message to the public that to fight tough situations like the ongoing pandemic we need to be disciplined all the time. Social distancing, vaccination and wearing a mask is not only important but mandatory. The Youva of this country is wishing the very best to all and encouraging them to do the right thing. We wanted to highlight the heroes of the future, our greatest asset, our children. We hope our key message of maintaining safety protocols reaches people at large.”

  • M&M hires Toru Saito as President & CEO of Mitsubishi Mahindra Agricultural Machineries

    M&M hires Toru Saito as President & CEO of Mitsubishi Mahindra Agricultural Machineries

    New Delhi: Home-grown multinational automotive manufacturing corporation Mahindra and Mahindra on Monday appointed Toru Saito as the president and CEO of Mitsubishi Mahindra Agricultural Machinery Co Ltd (MAM), Japan.

    He will also be a representative director on the board of MAM, which has played a key role in establishing Mahindra as a global player in the area of tractor and farm implements. 

    Saito carries over three decades of experience with Nissan Motors and Audi Japan. For the past six years, he was associated with Audi. Before joining Mahindra, he was president, Audi Japan Sales KK.

    ”Our endeavour is to bring on board top global talent to support our ambitious growth plans,” said M&M executive director and chairman of the board of directors, Rajesh Jejurikar. “Saito brings with him global cross-functional experience. I am sure under his leadership MAM will continue its transformative journey and meet the commitments of a profitable growth.”

  • Surf Excel celebrates Ramazan with #madadekibadat

    Surf Excel celebrates Ramazan with #madadekibadat

    MUMBAI: “Kisi ki madad karna bhi ek ibadat hai. Aur agar madad karne mein daag lag jaye, toh daag acche hai” — is the message Surf Excel is conveying in the holy month of Ramazan.

    The cute factor of Surf Excel campaigns with kids staining their clothes is something that we have always seen in its campaigns with the signature phrase ‘Daag Acche Hai’, but this time Surf Excel’s all new campaign has touched the chords of many hearts as innocent kids go out of their way to help an old samosa seller in need highlighting and bringing in #madadkiibadat.

    The advertisement tagged #madadekibadat has been conceptualised by Lowe Lintas and produced by Absolute Productions. It is shot in Old Delhi. The campaign has gone viral on digital platforms owing to its feel good factor. The advertisement is directed by Vasan Mala and music is by Hanif. It was released only on digital platforms on June 10. Apart from India, the campaign is garnering eyeballs in Pakistan as well; the brand is planning to launch the campaign internationally.

    “Surf Excel wished to create something with the divine feel of Ramadan, and the creative team of Lowe Lintas developed the story around it. We tried creating a story that people will connect to. We wanted to convey the true spirit of the holy month.” said Lowe Lintas CCO Arun Iyer.

    The 2 minutes 20 seconds video starts with three adorable kids celebrating Ramazan evening by breaking their fast at Iftaar. In between the celebrations, where some people just pass by a broken cart of an old samosa seller, the three kids decide to go out of their way and help the old man. In their shiny new kurtas, they pick the samosa cart and run around to sell them; and manage to bring smile on everyone’s faces leaving the strong message that the festival is about helping others. Their mother is shown in the end with a proud smile. After all, if you stain your clothes while helping someone, then stains are good; Daag Acche Hai.

    The vision came from pulling out a story that can touch viewer’s heart. The essence of the holy month of Ramazan is cleansing the souls and actions of people. The video reflects that perfectly – kids who could just carry on with their own evening, but instead decide to help an old man. That is a very strong message for people to realise that goodness and helping others is the true prayer. The makers of the video also explained that samosas and jalebis are very popular for Iftaar, which is another factor in developing a story like #madadekibadat.

    Ad campaigns have seen a turn over with digitalization where 30 seconds adverts have stretched to 1-2 minutes short films. There are many recent well received campaigns which have appealing stories to tell and emphasise on a message rather than just promoting the product in conventional ways. Brands have turned to narrating stories around the inspiration of the product, which can leave a greater impact on consumer. The same formula has worked for #madadekibadat campaign. The human emotion of helping in the holy month is what consumers are connecting with. Despite the hassle of cleaning stains, a mother is happy because of the gesture her child made.

    The agency seems very confident about the connection the story has with its viewers, and that the viewers will take it forward. It claims that the video had 21,000 shares and 142,586 views after going live.

    Commenting on the kids’ factor of Surf Excel advertisements, Iyer said, “The brand is planning to stick to children as they are the ones with most stained clothes. Even in the present campaign, both factors have connected the audiences with the goodness of the holy month and innocence of kids”.

    About making campaigns relevant to festivals, agency clarified it is not very focused on occasions but stories which will stay with people.

  • Surf Excel celebrates Ramazan with #madadekibadat

    Surf Excel celebrates Ramazan with #madadekibadat

    MUMBAI: “Kisi ki madad karna bhi ek ibadat hai. Aur agar madad karne mein daag lag jaye, toh daag acche hai” — is the message Surf Excel is conveying in the holy month of Ramazan.

    The cute factor of Surf Excel campaigns with kids staining their clothes is something that we have always seen in its campaigns with the signature phrase ‘Daag Acche Hai’, but this time Surf Excel’s all new campaign has touched the chords of many hearts as innocent kids go out of their way to help an old samosa seller in need highlighting and bringing in #madadkiibadat.

    The advertisement tagged #madadekibadat has been conceptualised by Lowe Lintas and produced by Absolute Productions. It is shot in Old Delhi. The campaign has gone viral on digital platforms owing to its feel good factor. The advertisement is directed by Vasan Mala and music is by Hanif. It was released only on digital platforms on June 10. Apart from India, the campaign is garnering eyeballs in Pakistan as well; the brand is planning to launch the campaign internationally.

    “Surf Excel wished to create something with the divine feel of Ramadan, and the creative team of Lowe Lintas developed the story around it. We tried creating a story that people will connect to. We wanted to convey the true spirit of the holy month.” said Lowe Lintas CCO Arun Iyer.

    The 2 minutes 20 seconds video starts with three adorable kids celebrating Ramazan evening by breaking their fast at Iftaar. In between the celebrations, where some people just pass by a broken cart of an old samosa seller, the three kids decide to go out of their way and help the old man. In their shiny new kurtas, they pick the samosa cart and run around to sell them; and manage to bring smile on everyone’s faces leaving the strong message that the festival is about helping others. Their mother is shown in the end with a proud smile. After all, if you stain your clothes while helping someone, then stains are good; Daag Acche Hai.

    The vision came from pulling out a story that can touch viewer’s heart. The essence of the holy month of Ramazan is cleansing the souls and actions of people. The video reflects that perfectly – kids who could just carry on with their own evening, but instead decide to help an old man. That is a very strong message for people to realise that goodness and helping others is the true prayer. The makers of the video also explained that samosas and jalebis are very popular for Iftaar, which is another factor in developing a story like #madadekibadat.

    Ad campaigns have seen a turn over with digitalization where 30 seconds adverts have stretched to 1-2 minutes short films. There are many recent well received campaigns which have appealing stories to tell and emphasise on a message rather than just promoting the product in conventional ways. Brands have turned to narrating stories around the inspiration of the product, which can leave a greater impact on consumer. The same formula has worked for #madadekibadat campaign. The human emotion of helping in the holy month is what consumers are connecting with. Despite the hassle of cleaning stains, a mother is happy because of the gesture her child made.

    The agency seems very confident about the connection the story has with its viewers, and that the viewers will take it forward. It claims that the video had 21,000 shares and 142,586 views after going live.

    Commenting on the kids’ factor of Surf Excel advertisements, Iyer said, “The brand is planning to stick to children as they are the ones with most stained clothes. Even in the present campaign, both factors have connected the audiences with the goodness of the holy month and innocence of kids”.

    About making campaigns relevant to festivals, agency clarified it is not very focused on occasions but stories which will stay with people.

  • Star Plus reopens 5.30pm primetime band with Jana Na Dil Se Door

    Star Plus reopens 5.30pm primetime band with Jana Na Dil Se Door

    MUMBAI:  Known for experimenting with programming strategies and bold moves, Star India’s Hindi general entertainment channel (GECs) Star Plus once again has decided to experiment with its time slot and open for early prime time programming. Starring Aparna Ghoshal, Vineet Kumar and ShilpaTulaskar in key roles, Jana Na Dil Se Door will start airing from 9 May every Monday to Sunday.

    The show makers believe that love when backed with motivation, courage and confidence gives the ability to discover oneself. Jana Na Dil Se Door is Vividha’s journey in Atharva’s love, where ‘Love Empowers’. At the 5.30 pm slot the show will be pitched against the repeat telecasts of other Hindi GECs.

    And it’s not the first time that the channel has opened up a new slot by extending its early prime time from 5.30 pm onwards. Last year on 15 June, the channel opened the slot for its new show Mere Angne Mein (MAM) at the 5.30pm time band.

    Initially, Star Plus aired MAM for one hour, but later it changed the time slot and made it a half hour show and started airing it at 6pm.  According to sources, the show at the 6.00-6.30 pm time band had failed to garner positive ratings and it had not worked well for them for combined higher prices.

    Speaking with Indiantelevision.com, a media planner opines that early prime time (600- 6.30pm) rates  at Star range from Rs 55-60 thousand for 10 seconds, whereas for the audience the 5.30pm slot delivers, it could easily demand a 10-second rate of Rs 34,000.

    The media planning fraternity believes that the placement of a show majorly depends on the content. “Star Plus has done a lot of as a first mover’s thing and if the show is good you will find the audience. There is a sizable audience at 500 or 5.30pm, though it’s not as big as the prime time audience, but I think the slot offers a lot more potential. If the show is good then I am sure it will find the audience as well,” explains the media planner.

    Another media planner adds, “Advertisers pay for the audiences and if the channel has good amount of audiences at 5.30pm, then Star Plus will get a good rate for that slot too. The entire universe watching television at that particular time slot is low, so it would be unfair to say that it might reach the level of a prime time show. But when the question comes to how much advertiser will pay, it all depends on how the show rates.”

    Produced by Beyond Dreams Production, Jana Na Dil Se Door is the story of Vividha and Atharva, two distinctly different individuals, raised in completely different environments and how when they meet their world changes forever. The channel says that Jana Na Dil Se Door is a powerful story of empowerment through love.

    The show is set in Ajmer Rajasthan, in a beautiful town, that is steeped in culture and social traditions that evoke strong emotional connect. The story is shot across famous places in Rajasthan such as the scenic saltpans of Sambhar, Ajmer’s holy Dargah and Jaipur’s historical Jal Mahal Lake. The show makers have recreated the popular and famous Pushkar Mela to capture the vibrant and colourful landscape of Rajasthan and its rich culture in Jana Na Dil Se Door.

  • Star Plus reopens 5.30pm primetime band with Jana Na Dil Se Door

    Star Plus reopens 5.30pm primetime band with Jana Na Dil Se Door

    MUMBAI:  Known for experimenting with programming strategies and bold moves, Star India’s Hindi general entertainment channel (GECs) Star Plus once again has decided to experiment with its time slot and open for early prime time programming. Starring Aparna Ghoshal, Vineet Kumar and ShilpaTulaskar in key roles, Jana Na Dil Se Door will start airing from 9 May every Monday to Sunday.

    The show makers believe that love when backed with motivation, courage and confidence gives the ability to discover oneself. Jana Na Dil Se Door is Vividha’s journey in Atharva’s love, where ‘Love Empowers’. At the 5.30 pm slot the show will be pitched against the repeat telecasts of other Hindi GECs.

    And it’s not the first time that the channel has opened up a new slot by extending its early prime time from 5.30 pm onwards. Last year on 15 June, the channel opened the slot for its new show Mere Angne Mein (MAM) at the 5.30pm time band.

    Initially, Star Plus aired MAM for one hour, but later it changed the time slot and made it a half hour show and started airing it at 6pm.  According to sources, the show at the 6.00-6.30 pm time band had failed to garner positive ratings and it had not worked well for them for combined higher prices.

    Speaking with Indiantelevision.com, a media planner opines that early prime time (600- 6.30pm) rates  at Star range from Rs 55-60 thousand for 10 seconds, whereas for the audience the 5.30pm slot delivers, it could easily demand a 10-second rate of Rs 34,000.

    The media planning fraternity believes that the placement of a show majorly depends on the content. “Star Plus has done a lot of as a first mover’s thing and if the show is good you will find the audience. There is a sizable audience at 500 or 5.30pm, though it’s not as big as the prime time audience, but I think the slot offers a lot more potential. If the show is good then I am sure it will find the audience as well,” explains the media planner.

    Another media planner adds, “Advertisers pay for the audiences and if the channel has good amount of audiences at 5.30pm, then Star Plus will get a good rate for that slot too. The entire universe watching television at that particular time slot is low, so it would be unfair to say that it might reach the level of a prime time show. But when the question comes to how much advertiser will pay, it all depends on how the show rates.”

    Produced by Beyond Dreams Production, Jana Na Dil Se Door is the story of Vividha and Atharva, two distinctly different individuals, raised in completely different environments and how when they meet their world changes forever. The channel says that Jana Na Dil Se Door is a powerful story of empowerment through love.

    The show is set in Ajmer Rajasthan, in a beautiful town, that is steeped in culture and social traditions that evoke strong emotional connect. The story is shot across famous places in Rajasthan such as the scenic saltpans of Sambhar, Ajmer’s holy Dargah and Jaipur’s historical Jal Mahal Lake. The show makers have recreated the popular and famous Pushkar Mela to capture the vibrant and colourful landscape of Rajasthan and its rich culture in Jana Na Dil Se Door.

  • Thomas Cook India bullish on India’s e-holiday market with ‘Bachat ka Baadshah’  campaign

    Thomas Cook India bullish on India’s e-holiday market with ‘Bachat ka Baadshah’ campaign

    MUMBAI  Thomas Cook (India) Ltd.(Thomas Cook)  is witnessing strong delivery of its e-commerce strategy with focus on leveraging the rapidly growing digital native Indian consumer. Today, the company’s e-commerce (led by its portalthomascook.in) accounts for over 11 per cent  of its overall travel business.

    This season, to tap into the innate value seeker Indian psyche and inspire bookings, Thomas Cook India has unveiled a new campaign ‘Bachat Ka Baadshah’, with a range of great value holiday packages easily bookable onthomascook.in.

    The campaign introduces a character called Bachat Ka Baadshah, with quirky, humour to drive home the benefits of being a ‘Smart Saver’ or Bachat Ka Badshah. The month–long campaign incorporates a healthy mix of, outdoor radio and digital focus, across Mumbai, Delhi and Bangalore. The campaign is also being promoted aggressively on social media via Twitter and Facebook contests.

    Thomas Cook  Technology & Shared Services  president and group head  Amit Madhan said, “Indian consumers today are looking at multiple options when planning their holiday, and our hybrid omni-channel ‘clicks n bricks’ strategy is hence working very well in our favour. As market leaders, Thomas Cook India’s objective is to give consumers what they truly want – a great value experience. Our ‘Bachat ka Baadshah’ campaign hence aims to optimise on the strong growth in traffic to our one-stop-shop portalthomascook.in and inspire demand by offering savings.

    He added, “The special air inclusive packages that have been launched as part of the campaign, are simple and easy to book online via thomascook.in, and the special offers only serve to sweeten the deal!”

  • Thomas Cook India bullish on India’s e-holiday market with ‘Bachat ka Baadshah’  campaign

    Thomas Cook India bullish on India’s e-holiday market with ‘Bachat ka Baadshah’ campaign

    MUMBAI  Thomas Cook (India) Ltd.(Thomas Cook)  is witnessing strong delivery of its e-commerce strategy with focus on leveraging the rapidly growing digital native Indian consumer. Today, the company’s e-commerce (led by its portalthomascook.in) accounts for over 11 per cent  of its overall travel business.

    This season, to tap into the innate value seeker Indian psyche and inspire bookings, Thomas Cook India has unveiled a new campaign ‘Bachat Ka Baadshah’, with a range of great value holiday packages easily bookable onthomascook.in.

    The campaign introduces a character called Bachat Ka Baadshah, with quirky, humour to drive home the benefits of being a ‘Smart Saver’ or Bachat Ka Badshah. The month–long campaign incorporates a healthy mix of, outdoor radio and digital focus, across Mumbai, Delhi and Bangalore. The campaign is also being promoted aggressively on social media via Twitter and Facebook contests.

    Thomas Cook  Technology & Shared Services  president and group head  Amit Madhan said, “Indian consumers today are looking at multiple options when planning their holiday, and our hybrid omni-channel ‘clicks n bricks’ strategy is hence working very well in our favour. As market leaders, Thomas Cook India’s objective is to give consumers what they truly want – a great value experience. Our ‘Bachat ka Baadshah’ campaign hence aims to optimise on the strong growth in traffic to our one-stop-shop portalthomascook.in and inspire demand by offering savings.

    He added, “The special air inclusive packages that have been launched as part of the campaign, are simple and easy to book online via thomascook.in, and the special offers only serve to sweeten the deal!”

  • Indian cinema has always showered me with immense love; sometimes even beyond my expectations: Amitabh Bachchan at IBC2013

    Indian cinema has always showered me with immense love; sometimes even beyond my expectations: Amitabh Bachchan at IBC2013

    In a candid conversation with Mohinder Walia, MD, Mumbai Media City at the Convention Keynote of IBC2013 (International Broadcasting Convention) in Amsterdam, Amitabh Bachchan’s opening line on his relationship with Indian Cinema created tremendous buzz, reaffirming what can only be described as “the power of his super stardom” and the humility that he accepts it with.

     

    Amitabh Bachchan, the greatest legend of Indian Cinema, was felicitated with the Judges’ Prize in addition to speaking on 100 Years of Indian Cinema: Creative Evolution and Global Markets. Mohinder Walia hosted the conversation and shared insights on the Indian Film Industry along with Amitabh Bachchan.

     

    Mohinder Walia said, “The Indian Film Industry today sees over 1,000 films released each year. According to a just released industry report, showbiz is set to grow at 18% in five years. Globally, there is a lot more interest in Indian Films. Having the iconic Amitabh Bachchan at IBC2013 adds perspective on what the Industry can offer the world”.

     

    About Mumbai Media City:

    MUMBAI MEDIA CITY is India’s largest Studio, Broadcast, Media Asset Management (MAM), and Media School Facility. Benchmarked to Hollywood standards, this facility will be a world class “One-stop shop” for all requirements connected to Film and TV Production, Post-production, VFX, Animation, Preview and Rehearsal Theatres, Auditorium, Make-up Rooms and Allied Services, Hotel, Digital Media Asset Management (MAM), Broadcast Play-out and Up-linking/Down-linking, Equipment, Training, and Hosting of Industry events. Mumbai Media City will commence operations in 2014 to be the first-of-its-kind-in-India facility conveniently located in the heart of Mumbai, while bring competitively priced.
    To know more, visit www.goldenbirdentertainment.com