Tag: Makrand Deshpande

  • Celebrate National Youth Day with five captivating youth-centric tales

    Celebrate National Youth Day with five captivating youth-centric tales

    Mumbai: On National Youth Day, also known as Vivekananda Jayanti (12 January), a United Nations report informs that half of the people on our planet are 30 or younger, and this figure is expected to reach 57 per cent by the end of 2030. This survey itself underscores why the concerns of the youth must be amplified in policy-making and also storytelling. This National Youth Day, watch stories that take you into the heart of the aspirations, challenges, dreams and hopes of the young.

    Sir Sir Sarla  (teleplay)

    This Zee Theatre teleplay is as much a coming-of-age tale about young love as about the clash between fantasy and reality. The story explores the feelings that Sarla, a naive student harbours for her professor. Though professor Palekar and she share an unspoken affinity for each other, the much older professor is unable to come to terms with his own feelings and steers Sarla towards a loveless marriage. The third angle of this story is his other student Phanidhar who admires the professor and resents him for the role he has played in his life by pushing Sarla away. Years later, when the three meet again, suppressed emotions bubble to the surface and Professor Palekar realises to what extent he has meddled with two young lives. Filmed by Suman Mukhopadhyay, this Makrand Deshpande teleplay stars him as the professor with Aahana Kumra,  Sanjay Dadhich  and Anjum Sharma.

    12th Fail (film)

    This biographical drama produced, written and directed by Vidhu Vinod Chopra is like a huge dollop of inspiration for every young person who is struggling to break the cycle of poverty. Based on Anurag Pathak’s book about Manoj Kumar Sharma who overcame  countless setbacks to become an Indian Police Service officer, the film shows how a student from a marginalized section of society manages to succeed. The film stars Vikrant Massey in the title role, alongside Medha Shankar, Anant V Joshi, Anshumaan Pushkar, and Priyanshu Chatterjee. This true story of  grit and resilience revolves around not just Manoj  but an examination system that is loaded against students from poor backgrounds. That Manoj still manages to crack a tough competitive exam like UPSC shows that the young can achieve any dream if they do not give up.  

    Jawaan (film)

    This massy high-octane action thriller is also a wake up call for the youth as it exhorts them to be aware of ground realities and do something positive for the country. Its protagonist who was born in a jail is named ‘Azaad’ to denote the unconquerable nature of the human spirit. He grows into a man with a mission and brings the nation’s attention to its invisibilized citizens including debt ridden farmers, doctors in under-equipped hospitals among others. He also appeals to citizens to vote for the betterment of the country and its democracy. Much like ‘Rang De Basanti’, this film is a call for change and has struck a chord with the youth of the country.

    Directed by Atlee, the film stars Shah Rukh Khan in a double role with  Nayanthara and Vijay Sethupathi.

    Dhak Dhak (film)

    ‘Dhak Dhak’ is a film that feels like a breath of fresh air and is for the young and for the young at heart. Its two young protagonists are dealing with the prospect of a loveless arranged marriage and sexist trolling respectively. A middle-aged homemaker and a grandmother on the other hand are eager to free themselves from the weight of duties and expectations. As these four women from different age groups and social backgrounds ride their motorbikes from New Delhi to the highest mountain pass in the world in Ladakh, they get in touch with their authentic selves. This road movie with a difference shows that dreams can be dreamt and achieved at any age.  Directed by Tarun Dudeja and produced by Taapsee Pannu, it stars  Ratna Pathak Shah, Dia Mirza, Fatima Sana Shaikh and Sanjana Sanghi.

    Dhumrapaan (Teleplay)

    Directed for stage by Akarsh Khurana and filmed by Adhaar Khurana, this Zee Theatre teleplay gives audiences an insight into the suppressed angst and frustrations of young people caught in the grind of a draining corporate career. They meet in the smoking area of their office and air their thoughts over  appraisals, interpersonal politics, relationships all the while dealing with their stress, fears and insecurities. The teleplay is a comedy about  rat race but also talks about mental health and the manner in which young people cope with the pressures in their professions. It stars Shubhrajyoti Barat, Akarsh Khurana, Sartak Kakkar, Taaruk Raina, Sidharth Kumar, Lisha Bajaj and Ghanshyam Lalsa.

  • It was a gamble, okay!

    It was a gamble, okay!

    MUMBAI: Jackpot is the name of the floating casino in Goa as well as the five crore jackpot at stake one big night. The motto of any gambling house is that ‘The House Always Wins’ which is to say a player may sometimes win some money but, eventually at the end of the day the house is the winner. The film also stresses on the principle in which case it is hard to understand why the casino is bent on gifting a five crore jackpot to any gambler? And when one talks of big time jackpot, what is five crore when even a TV show like Kaun Banega Crorepati offers more than that?

    Naseeruddin Shah is a residual hippie in Goa who sports some odd colour long hair of the kind Indian sadhus do. He owns the casino Jackpot. Sunny Leone works for his casino and has a five-year stint as the manager of a Las Vegas casino to boast of. She may work with Shah but sleeps with Sachiin Joshi, a drifter who leads an idle Goa life; his major talent is tricks with playing cards. He is a cardsharp. Tired of his idle life, Sachiin gets an itch to make some easy money and since easy money is not really easy to make, he plans a con on Jackpot. From the look of it, everybody is planning one, Sunny as well as Shah. The idea is to outwit the rest.

    So far so good but this is all you manage to gather in this film as it goes into its last few minutes and the characters themselves volunteer to tell you what it was all about. One consolation is that the film is only 92 minutes long.

    Producer: Raina Sachiin Joshi.
    Director: Kaizad Gustad.
    Cast: : Naseeruddin Shah, Sachiin Joshi, Sunny Leone, Makrand Deshpande.

    Just about everything in the plot is juvenile. Shah owns a casino worth crores where huge sums exchange hands while the casino is the only assured winner but he can’t raise five crores for a plot of land that is on offer. That he should want to deal with a street-side lad like Sachin at all whatever the bait makes no sense either. The film has been spread over 10 segments with each having its own title and the narration keeps jumping from present to flashback adding to the confusion.

    There is nothing much to performances as Shah only makes loud gestures for acting, Leone is not even in the  film for her acting skills. Sachiin tries not to act which is wise. Direction is poor. Musically, one song, Kabhi jo badal barse…is good.

    The word Jackpot has no antonym but that is what this film would be if there was one