Tag: Maitri

  • Mallus of merit Maitri’s creative storm puts Kerala on the winners’ map

    Mallus of merit Maitri’s creative storm puts Kerala on the winners’ map

    MUMBAI: They came, they played, they cleaned house armed with satire, nostalgia, and a killer instinct for viral storytelling. In a blockbuster awards season, Kerala’s very own Maitri is rewriting the rules of regional creativity, bagging a shower of accolades at the Kyoorius Creative Awards and the Abbys 2025. The independent agency, headquartered far from the metros that usually dominate India’s creative scene, is now firmly in the national spotlight.

    “We’ve always believed that there’s plenty of creativity in Kerala,” said Maitri managing director Raju Menon. “These wins affirm that you don’t have to leave home for the world to see your work.”

    And see it, they did. Maitri’s headline-grabbing campaign for Battlegrounds Mobile India (BGMI), a tongue-in-cheek scam ad that exposed scam ads snagged three Kyoorius metals in Topical Film, Social Media Engagement, and Film Craft (Produced Under Rs 10 Lakh). The same campaign added two Silver Abbys to its trophy shelf in Digital – online only video (30s to 60s) and Digital Craft – creative use of video.

    The kicker? It competed against high-budget campaigns from national giants and still stood out with originality and wit.

    Also racking up wins was Sandhesham, a Malayalee-nostalgia-laced BGMI film that struck gold in Kerala and went viral worldwide despite being in a language spoken by just 0.4 per cent of the global population. The result: two Blue Elephants at Kyoorius in Regional Film and Regional Digital and Social Media.

    On the Valentine’s Day front, Maitri flipped the script with Villantine’s Day, a villain-themed campaign for Asianet that blended nostalgia with pop-culture quirk. It earned a Blue Elephant and a lot of love from Malayalam-speaking social media.

    “Whether it was the satire in Thokkummoottil, the nostalgia of Sandhesham, or the humorous twist of Villantine’s Day, we tried to make each idea feel like it was born here but built to travel,” said Maitri Group creative director Francis Thomas.

    “The question we always ask ourselves is this something I’d send my friends?” added Maitri Group creative director Vincent Vadakkan.

    With a Baby Elephant and multiple shortlists, including under Young Maverick, Maitri’s momentum isn’t just a flash in the creative pan, it’s a marker of what’s to come.

    As Maitri director of digital & overseas business Sumit Raj summed up, “The best work comes from a place of mutual trust and respect, and we’re lucky we have that with our clients.”

    Maitri’s rise is not just a win for one agency, it’s a moment for the South, signalling that India’s creative future may well have a coconut tree in the frame and a cheeky, sharp script behind the camera.

    Kerala’s no longer just watching from the sidelines. It’s centre stage script in hand, mic turned up, and trophies in tow.

  • Maitri breaks new ground with BGMI ad for World Introvert Day

    Maitri breaks new ground with BGMI ad for World Introvert Day

    MUMBAI: In a world where extroverts dominate the narrative, a whisper of recognition often speaks louder than a shout.

    Maitri, in collaboration with Battlegrounds Mobile India (BGMI), has flipped the script on the traditional ad blitz with a campaign that’s as understated and impactful as its audience: introverts.

    While brands chase the loud fanfare of Valentine’s or Mother’s Day, Maitri chose World Introvert Day to quietly celebrate the unsung heroes who find joy in solitude, thrive in the shadows, and accomplish great things without fanfare. It’s a rare moment of applause for those who prefer none—a subtle yet powerful nod to the ones who rarely seek the spotlight but deserve it anyway.

    The ad, set to launch on World Introvert Day, 2 January 2025, focuses on providing a relatable story for introverts, capturing their quiet essence during the typically overwhelming holiday season. Directed by award-winning feature film director Manu Asokan, the ad stars actor and editor Sangeeth Pratap, whose portrayal resonates with the audience.

    “Games like BGMI provide the perfect balance of social interaction and community for introverts,” explained Maitri head of digital & overseas business, Sumit Raj. “By addressing them directly, we’ve crafted a campaign that engages BGMI’s audience in a light-hearted yet deeply meaningful way.”

    The ad leverages the timing of World Introvert Day, which follows the festive period—an especially challenging time for introverts. By weaving in relatable moments, the campaign positions BGMI as a platform where introverts can connect on their own terms.

    “The collaboration with Manu Asokan and Sangeeth Pratap gave the film a universal appeal,” said Maitri group creative director Francis Thomas. “Fans shared the ad widely, pushing it beyond the gaming community and into broader conversations about introversion and connection.”

    Maitri’s previous campaigns for BGMI in Tamil, Malayalam, and Kannada, such as the viral Malayalam ad with Dhyan Sreenivasan, set the stage for this ambitious project. However, this marks the agency’s first foray into creating a national Hindi-language ad for BGMI, typically handled out of Mumbai.

    “This national ad demonstrates the trust clients have in Maitri’s ability to consistently deliver impactful work,” said Maitri MD, Raju Menon. “As South India’s largest independent agency, we are proud to break new ground with campaigns that celebrate diversity, culture, and human stories.”

    With a 28-year history of award-winning campaigns for major national and international brands, Maitri continues to set benchmarks. The agency recently became the first independent firm to win a Grand Prix at Goafest 2024 and is a three-time winner of the IMA South Indian Agency of the Year award.

  • Maitri Advertising Works wins agency of the year award

    Maitri Advertising Works wins agency of the year award

    Mumbai: Maitri Advertising Works announced that it has won the South Indian Marketing Award for Agency of the Year. The agency has bagged four gold and one silver.

    The first gold medal was for Mathrubhumi Daily’s 100th-anniversary anthology ad series under the category ‘Series Branded Media Content.’ The next gold was for Asianet Bigg Boss Malayalam season 4 promo featuring Mohanlal under the category of ‘Best Use of Television.’

    The department of women and child welfare won its third gold with the “No More Compromise” campaign. The recognition was given for the skillful use of social media and digital platforms, which included two music videos starring Arya Dayal, Sayanora, and Indulekha Warrier; digital videos produced by director Basil Joseph; and posters & videos made with the assistance of other social media influencers.

    The fourth gold was for the promotion of Netflix’s Christmas release, Minnal Murali. The print campaign, designated as a superhero comics series, was considered for the award. The silver medal is for the hoarding done by joining forces with the Kerala motor vehicle department, asking people to stop speeding.

    “You don’t need to live in big cities to do global-scale advertising and campaigns. The success of Maitri is evidence that Kerala has an abundance of resources for it. Our ability to capture the trust of international companies is an example of it,” said Maitri COO Jayakumar.

    Maitri director of ideation Venugopal Ramachandran Nair commented, “The space and trust our advertisers provide us are what motivate us to think differently. Our energy comes from their courage to embrace innovation. A name worth mentioning here is Mathrubhumi MD M.V. Shreyams Kumar. His support, when we pitched the concept of ‘anthology advertising’ as part of the centennial celebration of Mathrubhumi, is one example. Maitri has been associated with Mathrubhumi for more than twenty years.”

    “The biggest asset of our creative team is the youth who think differently. Behind Maitri’s successful campaigns are a group of hard-working young people. They are the real strength of the seniors leading Maitri,” added Maitri group creative director Francis Thomas.

    Maitri director of operations & Kerala Advertising Agencies Association state president Raju Menon said, “In earlier times, network agencies used to come to Kerala and bag brands. Today, the situation has changed. Now, international clients are coming forward, realising the power of regional agencies. This has opened the door for the creative geniuses of Kerala to prepare world-class campaigns.”

  • Amazon Prime Video and MAMI launch ‘Maitri: Female First Collective’

    Amazon Prime Video and MAMI launch ‘Maitri: Female First Collective’

    Mumbai: Amazon Prime Video has partnered with Mumbai Academy of Moving Images (MAMI) to launch ‘Maitri: Female First Collective.’

    The aim of the initiative is to build a community for women in media and entertainment where they can come together on a quarterly basis to discuss their experiences, challenges and successes and offer their perspective and advice on how to bring about a positive shift, said the statement.

    The highlights of the sessions will be available on Amazon Prime Video India’s YouTube channel and MAMI’s YouTube channel and their respective social media platforms.

    The first episode featuring 16 women who participated in the debut session went live on Friday. These women include Junglee Pictures and Times Studios Originals CEO Amrita Pandey; screenwriter and hairstylist Ayesha DeVitre Dhillon; screenwriter and author Bhavani Iyer; filmmaker Gayathri; filmmaker Jeeva; screenwriter Juhi Chaturvedi; filmmaker Kunjila Mascillamani; actor and TV host Mini Mathur; filmmaker Nupur Asthana; actor and producer Richa Chadha; filmmaker Rintu Thomas; actor and producer Shweta Tripathi Sharma; comedian, actor, writer, creator, and CE-HOE founder Sumukhi Suresh; filmmaker and author Tahira Kashyap Khurrana; Amazon Prime Video head of India Originals Aparna Purohit, and artistic director of MAMI Smriti Kiran – who curated the room and moderated the discussion.

    “At Amazon, we believe that diversity, equity and inclusion, is not just needed, it is essential, and we are constantly trying to go beyond intention to institutionalize processes and mechanisms to create an ecosystem that mirrors true diversity,” said Prime Video’s Aparna Purohit. “Maitri means friendship or kinship, and the idea behind this initiative was to create a space for women to get together as friends, contemporaries and colleagues to collaborate, communicate and pave the way for others to follow.  I believe that making an impactful change takes time, and can only happen when we begin to have a conversation regularly and repeatedly. I am glad that we have taken this small, yet significant step with the help of MAMI.”

    “I have immense faith in collaboration, community building and shared experience,” said Maitri creator and curator Smriti Kiran. “It was invigorating to bring the first room for Maitri: Female First Collective together. The idea behind Maitri is togetherness. Very grateful to Aparna Purohit and Amazon Prime Video for seeing value in this vision and giving Maitri the support that it needs to soar.”

    In June last year, Amazon Studios had released the inclusion policy and playbook, which is being gradually rolled out across the organisation.

  • Kerala ad market pins hopes on Onam to bring respite

    Kerala ad market pins hopes on Onam to bring respite

    NEW DELHI: The South Indian ad market is a flourishing one, moving on an upward trajectory for the past decade. In 2019, it accounted for 30.7 per cent of the overall ad expenditures in India, as revealed by TAM AdEx’s Southside story report, contributing Rs 21,500 crore to the industry. Kerala market alone contributed Rs 4200 crore to the pie. 

    However, the past two years have been pretty difficult for the Kerala market, which was washed by floods in 2018 and 2019, and then  Covid2019, becoming one of the first states to get impacted by the contagious pandemic. 

    If Mplan CEO Parag Masteh is to be believed, the novel coronavirus alone has led to a 80-90 per cent drop in the investment cycle by advertisers. 

    Madison Media chief buying officer Vinay Hegde tells Indiantelevision.com, “The dip in Kerala ad market due to Covid2019 is roughly estimated to be around 75 per cent and largely in line with most other markets. Expectedly, it was the “essentials” categories like FMCG, foods and CSR for Covid2019-related issues that were active. Retail, a major player in Kerala, was just about present, being reduced drastically to around eight to 10 per cent of regular months.” 

    Maitri Advertising managing director Raju Menon adds, “February to May are the best months for Kerala market because of the tourist and wedding season. Around 30 per cent of the overall yearly sales happen during this time. However, it was a complete washout for us because of the lockdown. There are a few markets that work really well here, including banks, real estate, loans, textile and gold. But the pandemic left a negative impact on everything.”

    He continues, “For us at Maitri, there was a 60 per cent loss in billing during this lockdown. Not only was there a dip in queries, but some of our old bills, from January-February, were not cleared as well.” 

    Menon also shares that a few categories like automobiles, especially two-wheelers segment performed well than others given the market sentiment, but overall the whole industry witnessed a massive dip in revenues.

    In terms of television advertising, GECs saw their revenues down by more than 80 per cent YoY, both due to low inventory sales as well as discounts, reveals Hegde. He adds, “With the pandemic and the lockdown becoming the focal point, viewership shifted to news and the spike was exponential. A major shift from GECs to news was inevitable and visible and the channels did their best to hold on to their rates and monetise on the spike. This genre managed to rake in some ad revenues, yet inventory fill rate was lower than the normal average. April actually saw a dip in ad spends by almost 25 per cent Q4 of LY, but in May there was a massive spike of 120 per cent with retail and other clients making a beeline for the news genre.” 

    However, according to Menon, this growth in ad spends doesn’t necessarily mean more revenue for news channels. “If I give you an example, when the chief minister or the health minister is addressing the state via news channels, you can’t run commercials during that. So, advertisers buy the space on L-band, which costs around 97 per cent lesser than a slot for a video commercial. So, if you would have spent Rs 100 on a channel for video ads, you are spending only Rs 3 for the spot on L-band. Additionally, the inventory prices are kept low as the advertisers don’t have much money to spend. They are more concerned about paying their own people and keep their businesses afloat with the production-supply chain shut for most categories.  In terms of revenues, I believe they must have recorded a minimal growth of three to four per cent at max.” 

    Masteh shares that apart from the news genre, the ad spends from GECs were reallocated to digital media, which became a core part of the marketing strategy for even those brands which earlier refrained from it. He is hopeful that OTT will continue to grow and garner advertisers’ attention from here on. 

    As the lockdown eases, the industry is hoping to witness some progress in the advertiser as well as the consumer sentiment. 

    Hedge states, “Ease of lockdown has definitely seen an improvement in advertiser sentiment accompanied by the many relief schemes announced by the government in an effort to boost consumer sentiment and hence, demand. While the damage in Q1 of FY21 will take some time to heal, the additional forecast of economy contracting also needs to be considered by advertisers going forward. However, not advertising may not be an option as a short-term or long-term strategic call and hence, as the lockdown is being eased, we are seeing advertisers flocking back. TV, OOH and radio may still take more time to recover and as it happens, the competition will follow the competition.” 

    The industry is pinning its hope on the Onam season to bring a much-needed respite. 

    Menon says, “Onam counts for around 60 per cent of sales in the state and we are hopeful that will bring the advertisers back to the market. However, it will depend on the rains that we have. There are predictions for a good monsoon, but if the rains are heavy like the past two years, it is going to be a washout for us again.”  

    Hedge further adds, “August will also see the advent of festive season and it would be imperative for the advertiser to be visible. Also, by that time, lockdown would have eased even further. June is already seeing a much higher level of inquiries from advertisers compared to April and May. With originals making a comeback, July onwards, we should be seeing a fair degree of normal activity in terms of inventory consumption. Onam is an important festival in Kerala and is between 30 August to 2 September. That should be signaling a major recovery.” 

    But this recovery will be tampered by the gloomy forecast by the national and international bodies of contraction and recession, which however does not seem to be on top of the mind of advertisers and they would be looking at the most efficient extraction from media for their brands while the broadcasters/publishers will be looking to monetise demand uplift to also compensate for the loss of the first quarter, Hegde concludes.