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Tag: Mahesh Narayanan

  • ZEE5 announces Malayalam anthology, ‘Manorathangal’

    ZEE5 announces Malayalam anthology, ‘Manorathangal’

    Mumbai: ZEE5 has announced the launch of ‘Manorathangal,’ a monumental series that heralds a new epoch in Malayalam cinema. Set to premiere on 15 August, this magnum opus, conceived to honor the 90-year legacy of the literary titan Madath Thekkepaattu Vasudevan Nair, affectionately known as M.T., brings together an unparalleled constellation of South’s most illustrious actors and filmmakers. ‘Manorathangal’ is a cinematic tour de force, exploring the intricate duality of human nature against the backdrop of Kerala. Penned by the venerable M.T. Vasudevan Nair himself, the series unites the pinnacle of Malayalam cinema’s acting and directorial talent. Through nine interconnected stories the series spotlights paradoxes of human behavior, showcasing our capacity for both great kindness and base impulses. By probing the interplay between our noble and primal sides, this series offers a rich, nuanced portrayal of humanity that speaks to universal experiences and emotions. For the first time ever, such a huge cast and directors are coming together on ZEE5.

    The anthology comprises nine compelling stories introduced by Padma Vibhushan, Dr Kamal Haasan: ‘Ollavum Theeravum’ (Ripples and the River Bank), starring the legendary Mohanlal and directed by the acclaimed Priyadarshan, sets the tone for this extraordinary series. ‘Kadugannava Oru Yathra Kurippu’ (Kadugannava: A Travel Note) features the incomparable Mammootty under the direction of the talented Ranjith. ‘Shilalikhitam’ (Inscriptions) brings together Biju Menon, Shantikrishna, and Joy Mathew in a Priyadarshan-directed segment. ‘Kazhcha’ (Vision) stars Parvathy Thiruvothu and Harish Uthaman, directed by the visionary Shyamaprasad. ‘Vilpana’ (The Sale) features Madhoo and Asif Ali, helmed by the promising Aswathy Nair. ‘Sherlock’ showcases the versatile Fahadh Faasil and Zareena Moidu, directed by the innovative Mahesh Narayanan. ‘Swargam Thurakkunna Samayam’ (When the Doors of Heaven Open) boasts an ensemble cast including Kaillash, Indrans, Nedumudi Venu, Enji Panicker, and Surabhi Lakshmi, under the direction of Jayarajan Nair. ‘Abhyam Theedi Veendum’ (Once Again, In Search of Refuge) stars Siddhique, Ishit Yamini, and Nazir, directed by the renowned Santosh Sivan.

    ‘Kadalkkaattu’ (Sea Breeze) features Indrajith and Aparna Balamurali, directed by Rathish Ambat.

    ZEE5 India chief business officer Manish Kalra stated, “With ‘Manorathangal’, ZEE5 is bringing together an unprecedented array of Malayalam cinema’s finest talents under one roof. It is a celebration of the reverence and admiration MT Vasudevan Nair commands in the industry. His 90-year legacy as a literary giant and cinematic visionary is unparalleled, and we are deeply honored to have his story on ZEE5. This anthology not only celebrates MT Sir’s brilliance but also showcases the exceptional creativity of Malayalam cinema, which has garnered a devoted following across India and beyond. Recognizing the growing fandom and the universal appeal of these stories, we are dubbing ‘Manorathangal’ in Hindi, Tamil, Kannada, and Telugu languages so the viewers could watch it in their local language. At ZEE5, we are really looking forward to the premiere.”

    The director, Priyadarshan, stated, “Dreaming is a part of life, and I had dreamt of making films. It was a dream come true to make a film with MT Vasudevan Nair. This moment is very special to me as I am now making my 97th film. In the past, I had tried to create a film with MT Vasudevan Nair but couldn’t. I had almost given up on that dream, but then this opportunity happened, for which I thank God. I have fulfilled a big dream and have done two films in Manorathangal: ‘Olavum Theeravum’ and ‘Shilalikhithangal’. As Mohanlal mentioned before, my desire to make a film began with reading the script of ‘Olavum Theeravum’. I thank God for making this dream come true and wish MT Vasudevan Nair a very happy birthday.”

    Indrajit stated, “Manorathangal is the second film in which I had the opportunity to act as a hero in a script by MT Vasudevan Nair. Before this, I had acted in a full-length film under MT sir’s script, a privilege that might not be common among actors of my generation. I consider this experience the greatest gift I have ever received. MT has a close relationship with my father, and I have done a segment called Kadalkkattu based on MT sir’s short story Bandhanam. Although the stories were different, my father also acted in a film titled Bandhanam written by MT sir, which is one of my favorite films featuring him. I recall visiting MT’s house and speaking with him multiple times, and people close to MT have told me that MT loves me. I extend my best wishes to MT on this occasion.”

    Biju Menon stated, “Happy birthday, MT Vasudevan Nair! I have always wanted to act in a film by MT Sir, though I was uncertain if it would ever happen. Fortunately, it did, and the experience was a dream come true. I am happy to see many legends and share the stage with them. Wishing everyone a lot of luck and happiness.”

    Mammootty stated, “This evening is unique for Malayalam cinema, as anthology films are rare in our industry. Manorathangal will be an anthology that can be presented with pride, a vision running through the mind of the writer. There could be no other apt name for it. I have a close relationship with MT Vasudevan Nair and admire his youthful spirit. MT’s up-to-date knowledge of contemporary literature, new authors, and books in various languages is remarkable. Although I couldn’t read a book MT recently gave me, my daughter loved it, highlighting MT’s ability to stay relevant with the latest generation’s tastes. Initially, Ranjith and I planned to make the story of Kadugannava into a two-hour feature film. However, for this anthology, we decided to use that story, which I describe as a piece of MT’s soul. The film was shot in Sri Lanka and aims to evoke nostalgia among those who grew up reading MT’s works. Malayalees realised the literary value of scripts through MT’s writings, and I have tried to read all of MT’s stories. We recently agreed to have a short story by MT read in my voice. I extend my heartfelt congratulations to MT on the initiative of Manorathangal and wish him good health and long life as he celebrates his birthday.”

    Asif Ali stated, “Happy birthday, MT Vasudevan Nair! I am happy and proud to be present at this event. My first audition in front of MT sir was for the film Neelathamara, but I was told I didn’t have a Malayali look and couldn’t participate. It took thirteen long years before I was finally able to play a character written by MT sir. I acted in the film directed by MT sir’s daughter Aswathy, where I starred alongside Madhubala, and I am very happy about that.”

    Nadiya Moidu stated, “Happy birthday, MT Vasudevan Nair! I am proud to be a part of this project. After the film ‘Panchagni’ directed by Hariharan, I got another opportunity to act in an MT sir’s script through the film ‘Sherlock’ in Manorathangal. It was a privilege to work with Mahesh Narayanan and Fahadh Faasil. In addition to Fahadh, a cat was one of the main characters in the film. The script was very enjoyable, and I thank MT sir for making us all a part of history. It is a blessing to be here.”

    ZEE5 Original, ‘Manorathangal’ premieres on 15 August, bringing MT Vasudevan Nair’s literary genius to screens worldwide.

  • Netflix to stream Malayalam film ‘Ariyippu’

    Netflix to stream Malayalam film ‘Ariyippu’

    Mumbai: After a good response on the film festival circuit, Mahesh Narayanan’s Malayalam film, Ariyippu, is all set to stream on OTT platform Netflix. The film made history as the first Indian film in 17 years to compete at the Locarno Film Festival in the international competition section. The film is also nominated for the Asia Pacific Screen Awards 2022 and will premiere at the Busan International Film Festival on 12 October 2022.

    Ariyippu centres around the lives of a struggling Malayali couple who dream of migrating out of the country for a better life. The film also explores emotional, social, and marital imbalances in their relationship.

    Ariyippu is being screened at the BFI London Film Festival, Marrakech International Film Festival, and Hong Kong Asian Film Festival. As the film continues to tour other major film festivals across the world, audiences globally will soon be able to stream the film exclusively on Netflix.

    It is directed by Mahesh Narayanan and produced by Shebin Backer Productions and Kunchako Boban Productions in association with Moving Narratives.

    Narayanan said, “With the ongoing recognition and love for our film, we are extremely honoured that Netflix is bringing the film as direct-to-digital globally, which will help cinephiles across the world experience the film very soon.”

    Netflix India VP of content Monika Shergill commented, “At Netflix, we are constantly working towards bringing you the most entertaining and compelling stories. We are excited to bring Ariyippu (declaration), a powerful film on the complex theme of a man-woman relationship, directed by the acclaimed director and producer, Mahesh Narayanan, along with stellar performances by Divya Prabha and Kunchacko Boban. Just like Minnal Murali won immense love across the world, we want our members to be won over by the dramatic universe of Ariyippu on Netflix.”

  • Mahesh Narayanan appointed country manager for LinkedIn India

    Mahesh Narayanan appointed country manager for LinkedIn India

    MUMBAI: Professional networking website LinkedIn has announced the appointment of Mahesh Narayanan as the company’s country manager for India. He will handle his responsibilities from 7 January 2019.

    Previously, Narayanan has also served as the India managing director for Saavn and led Google India's mobile advertising business from 2010-2013. He also led the digital transformation and market-entry strategies for a host of marquee digital businesses such as Sociomantic Labs and AdMob among others in the past.

    On his appointment, Narayanan said, “I am grateful for the opportunity to further LinkedIn's vision and mission in an important market that is rapidly digitising.”

    Narayanan will be reporting to LinkedIn's Asia Pacific (APAC) region managing director Oliver Legrand and will join the company's Asia Pacific senior management team.

    To Narayanan’s appointment, Legrand said, “India continues to be a strategic market for LinkedIn, and we are pleased to have Mahesh join our team to take our business to its next growth chapter.” Further adding he said, “As we continue to invest in the market, Mahesh's strong track record in leading growth businesses and his deep market experience will bolster our efforts in India.”

    LinkedIn has over 59 crore members globally and more than 5.3 crore members in India. As LinkedIn's fastest-growing and largest market outside the US, India has seen its member base grow from 34 lakh members in November 2009 to more than 5.3 crore members in July 2018.

  • Digital success via differentiated content, good story-telling, partnerships

    Digital success via differentiated content, good story-telling, partnerships

    MUMBAI: Bollywood, Hollywood and sports content will certainly get you traction, but ultimately well thought out differentiated content, partnerships with platforms and targeted audience will not only get the eyeballs, but also return on investment for content creators on OTT platforms.

    This was the over-arching message from content creators and OTT platform operators at the session on content paradigm at Indiantelevision.com-organised conference related to OTT here yesterday, aptly themed Vidnet 2016.

    The panel included Abhimanyu Singh, CEO, Contiloe Entertainment, Mahesh Narayanan, MD, Saavn, Salil Kapoor, MD, HOOQ India, Uday Sodhi, EVP and Head Digital Business, Sony Pictures India, Varun Mathur, Co-Founder and Director VEQTA, Viviek Bhargava, MD and CEO iProspect and Yash Patnaik, Founder, Beyond Dreams Entertainment.

    The session’s basic underlying theme, highlighted by moderator Anil Wanvari, Founder and Editor-in Chief, Indiantelevision.com, revolved around the type of content that could work in the digital world while keeping in mind the needs of advertisers, agencies and investments.

    The variety of online content is vast, Sony’s Sodhi said, adding since the ecosystem is fairly new, consumption is from television content catch up. “There is a fair demand for movie viewing, including short films,” according to him as he pointed out sports too is majorly consumed by OTT subscribers.

    However, Sodhi was candid enough to admit that presently in an evolving eco-system it cannot be said with guarantee what works and what does not.

    As SonyLiv depends a lot on streaming of sports content on the platform, a question was raised whether programming differentiation on major OTT platforms was needed and also whether a global player like Netflix, focused on fictional series and movies, needs to re-strategize in India.

    Pointing out that OTT platforms ultimately will come out with their strengths, Sodhi said, “We come with a huge legacy of sports. We believe it works well for us and gives us an automatic connect between our users on TV and digital (platform), acting as an entry point for consumers.”

    While Sony Liv is banking on sports, HOOQ is finalising plans to launch in India as a VOD platform.

    Educating the uninitiated that HOOQ is a joint venture amongst Sony Pictures TV, SingTel and Warner Bros., HOOQ India chief Kapoor was of the opinion that the new digital evolution is about “pull and not push” and, therefore, “good content will get pulled (by consumers).”

    “All sorts of stories and entertainment can co exist in this (digital) space,” Kapoor said, adding that the criteria for success in the digital world were quality of content as people appreciate good content on every format.

    As per HOOQ, the criteria to measure the success of engagement is not downloads (of an app), but continuous engagement and number of active users.

    However, the experts on the panel did agree that since there is more television content, `catch up’ is a big issue presently. The next step ought to be and should be engagement of consumers with original content and the players are experimenting with that as to what’s relevant to digital natives.

    For example, Saavn, the music streaming app, has its own formula to engage audiences. The strategy for audio players is to package their content differently to provide a unique experience.

    Sharing the company’s varied ways of consumer engagement, Saavn’s Narayanan said an interesting property the company created was Saavn Live where live gigs happen on a stage in the company office with artistes performing at a pre-set time that goes live on Facebook.

    Saavn counts on social media to push its content and offers unplugged version of songs.

    The mechanism of how digital content is working has a big influence on advertising sector as well. iProspect’s Bhargava pointed out while previously brands found advertising cheaper than creating content, digital content creation has minimised cost encouraging brands to produce their own content.
    According to Bhargava, this gives brands an opportunity to engage consumers on their own platforms through licensed content and brand communication becomes easier.

    A digital advertising expert, Bhargava also felt that a shift in advertising pattern has happened past 2-3 years where a large chunk of a client’s budget has been dedicated to digital advertising. “This has given brands an opportunity to reduce advertising costs through content. Digital provides same amount of engagement in less money,” he added.

    But the question remains as to which content works and gives the correct RoI. The content creators on the panel were of the opinion that platforms and advertisers can only succeed with the right shows when a good story is created and told well. The message from the content creators was clear: better storytelling does work wonders.

    Contiloe’s Singh pointed out that television has witnessed a downfall in viewership as there was a “disengagement” with “discerning” viewers/consumers. “Platforms and (content) makers will have to shift to making differentiated content,” he explained, adding not only the plot, but storytelling method has to go undergo a change too.

    “There is a severe need to reinvent the way audiences are engaged with plots and characters,” Singh said, adding that the good news is India has a rich tradition of story-telling and an equally rich bank of tales.

    Though in today’s world there is palpable excitement about the digital eco-system, Patnaik from Beyond Dreams expanded the perspective highlighting that television, cinema and digital are separate platforms catering to the same audience and, hence, “viewership will fluctuate” according to quality of content.

    With the kind of buzz digital space is witnessing, brands, production houses and channels are launching their own platforms or attempting to. Could this clutter the digital space?

    Hinting that existing OTT platforms like Sony Liv could be used by content owners and creators, Sony’s Singh said not everyone needs to have their own platforms and, instead, they need to collaborate to create content.

    Yes, collaboration between content creators and platform operators did resonate with the panellists with most having their own perspectives.

    While Contiloe’s Singh supported the collaboration angle as a way forward, HOOQ’s Kapoor said that instead of everybody trying to do everything, partnerships should be explored.

    VEQTA’s Mathur added that sports as a segment is an under-served one in India and more variety in this space would add to the spice.

  • Digital success via differentiated content, good story-telling, partnerships

    Digital success via differentiated content, good story-telling, partnerships

    MUMBAI: Bollywood, Hollywood and sports content will certainly get you traction, but ultimately well thought out differentiated content, partnerships with platforms and targeted audience will not only get the eyeballs, but also return on investment for content creators on OTT platforms.

    This was the over-arching message from content creators and OTT platform operators at the session on content paradigm at Indiantelevision.com-organised conference related to OTT here yesterday, aptly themed Vidnet 2016.

    The panel included Abhimanyu Singh, CEO, Contiloe Entertainment, Mahesh Narayanan, MD, Saavn, Salil Kapoor, MD, HOOQ India, Uday Sodhi, EVP and Head Digital Business, Sony Pictures India, Varun Mathur, Co-Founder and Director VEQTA, Viviek Bhargava, MD and CEO iProspect and Yash Patnaik, Founder, Beyond Dreams Entertainment.

    The session’s basic underlying theme, highlighted by moderator Anil Wanvari, Founder and Editor-in Chief, Indiantelevision.com, revolved around the type of content that could work in the digital world while keeping in mind the needs of advertisers, agencies and investments.

    The variety of online content is vast, Sony’s Sodhi said, adding since the ecosystem is fairly new, consumption is from television content catch up. “There is a fair demand for movie viewing, including short films,” according to him as he pointed out sports too is majorly consumed by OTT subscribers.

    However, Sodhi was candid enough to admit that presently in an evolving eco-system it cannot be said with guarantee what works and what does not.

    As SonyLiv depends a lot on streaming of sports content on the platform, a question was raised whether programming differentiation on major OTT platforms was needed and also whether a global player like Netflix, focused on fictional series and movies, needs to re-strategize in India.

    Pointing out that OTT platforms ultimately will come out with their strengths, Sodhi said, “We come with a huge legacy of sports. We believe it works well for us and gives us an automatic connect between our users on TV and digital (platform), acting as an entry point for consumers.”

    While Sony Liv is banking on sports, HOOQ is finalising plans to launch in India as a VOD platform.

    Educating the uninitiated that HOOQ is a joint venture amongst Sony Pictures TV, SingTel and Warner Bros., HOOQ India chief Kapoor was of the opinion that the new digital evolution is about “pull and not push” and, therefore, “good content will get pulled (by consumers).”

    “All sorts of stories and entertainment can co exist in this (digital) space,” Kapoor said, adding that the criteria for success in the digital world were quality of content as people appreciate good content on every format.

    As per HOOQ, the criteria to measure the success of engagement is not downloads (of an app), but continuous engagement and number of active users.

    However, the experts on the panel did agree that since there is more television content, `catch up’ is a big issue presently. The next step ought to be and should be engagement of consumers with original content and the players are experimenting with that as to what’s relevant to digital natives.

    For example, Saavn, the music streaming app, has its own formula to engage audiences. The strategy for audio players is to package their content differently to provide a unique experience.

    Sharing the company’s varied ways of consumer engagement, Saavn’s Narayanan said an interesting property the company created was Saavn Live where live gigs happen on a stage in the company office with artistes performing at a pre-set time that goes live on Facebook.

    Saavn counts on social media to push its content and offers unplugged version of songs.

    The mechanism of how digital content is working has a big influence on advertising sector as well. iProspect’s Bhargava pointed out while previously brands found advertising cheaper than creating content, digital content creation has minimised cost encouraging brands to produce their own content.
    According to Bhargava, this gives brands an opportunity to engage consumers on their own platforms through licensed content and brand communication becomes easier.

    A digital advertising expert, Bhargava also felt that a shift in advertising pattern has happened past 2-3 years where a large chunk of a client’s budget has been dedicated to digital advertising. “This has given brands an opportunity to reduce advertising costs through content. Digital provides same amount of engagement in less money,” he added.

    But the question remains as to which content works and gives the correct RoI. The content creators on the panel were of the opinion that platforms and advertisers can only succeed with the right shows when a good story is created and told well. The message from the content creators was clear: better storytelling does work wonders.

    Contiloe’s Singh pointed out that television has witnessed a downfall in viewership as there was a “disengagement” with “discerning” viewers/consumers. “Platforms and (content) makers will have to shift to making differentiated content,” he explained, adding not only the plot, but storytelling method has to go undergo a change too.

    “There is a severe need to reinvent the way audiences are engaged with plots and characters,” Singh said, adding that the good news is India has a rich tradition of story-telling and an equally rich bank of tales.

    Though in today’s world there is palpable excitement about the digital eco-system, Patnaik from Beyond Dreams expanded the perspective highlighting that television, cinema and digital are separate platforms catering to the same audience and, hence, “viewership will fluctuate” according to quality of content.

    With the kind of buzz digital space is witnessing, brands, production houses and channels are launching their own platforms or attempting to. Could this clutter the digital space?

    Hinting that existing OTT platforms like Sony Liv could be used by content owners and creators, Sony’s Singh said not everyone needs to have their own platforms and, instead, they need to collaborate to create content.

    Yes, collaboration between content creators and platform operators did resonate with the panellists with most having their own perspectives.

    While Contiloe’s Singh supported the collaboration angle as a way forward, HOOQ’s Kapoor said that instead of everybody trying to do everything, partnerships should be explored.

    VEQTA’s Mathur added that sports as a segment is an under-served one in India and more variety in this space would add to the spice.

  • Saavn hires Mahesh Narayanan as global COO

    Saavn hires Mahesh Narayanan as global COO

    MUMBAI: Indian music streaming service Saavn is kicking off 2015 with a new appointment. The company has appointed Mahesh Narayanan as its global chief operating officer.

     

    Based out of Mumbai, Narayanan will oversee numerous functions of the company to encourage growth and support Saavn’s expansion in 2015. 

     

    Narayanan, who brings a decade of digital experience to Saavn, most recently led the India operations for German display advertising company, Sociomantic, which was acquired by Dunnhumby in April 2014, less than a year after he helped launch the company’s Mumbai-based operations.

     

    Prior to that he played a major role in planting the seeds of growth for Google India. He was the founding member of Google’s Direct Sales Operations in 2005, before joining the leadership team of mobile advertising network, AdMob. Following Google’s acquisition of AdMob in 2010, Narayanan returned to Google as mobile head for India.

     

    “Mahesh is an elite executive who is recognized as one of the top digital leaders in the world and brings a bright, uniquely experienced perspective to Saavn. He’ll be involved in 360 degrees of the company to help make everyone better and bring us into the next chapter of growth and revenue. We’re honored to have Mahesh on board, and he has already made a tremendous impact on the organization in his first few weeks with us. Businesses are built off great people. Mahesh is one of the best,” said Saavn co-founder and CEO Rishi Malhotra.

     

    “I am most passionate about digital technology and music. Saavn represents my vision of the ideal blend of both passions most aptly. I’ve had the opportunity to help many leading global technology media companies achieve success, and I genuinely believe that Saavn is primed for the same caliber of success. I am really excited about partnering with Rishi and the leadership team to take Saavn to a whole new league,” added Narayanan.

     

    Narayanan joins Saavn as the company enters its most significant phase of growth. In addition to crossing user thresholds (30 million unique users in 2014; 11 million monthly streaming users), Saavn is announcing several major milestones, including:

     

    1) Entering the 10-50 million downloads tier on Android, making it the most downloaded Indian music service in Google Play (International).  

    2) 6x increase in Saavn Pro subscribers from Q1 2014.

    3) 3x increase in streaming volume from Q1 2014.

    4) Approaching 200 million streams per month.

    5) 90% of users are on mobile.

     

    Saavn closed 2014 with partnerships with companies like Twitter, T-Mobile and Snapdeal, an industry-first content initiative with Sony Music, and a year-end infographic celebrating Saavn’s most active cities and users.

     

  • Mahesh Narayanan joins Tonic Media’s advisory board

    Mahesh Narayanan joins Tonic Media’s advisory board

    Mumbai: Digital agency Tonic Media has appointed of Mahesh Narayanan to its advisory board. Formerly with Google India as Mobile country head, Narayanan is credited with taking mobile advertising in India to the next level and also seen as one of the pioneers in the digital media space.

    Commenting on the new appointment, Tonic Media CEO Chetan Asher said, “Tonic has been growing at an incredible momentum and it is time we took it to the next level with a vision of dominating the digital space. We are honored to have someone of Mahesh’s stature bringing his invaluable experience. Together, we can add value to our clients’ businesses with new brand-building strategies.”

    Narayanan comes with over 15 years of experience across businesses in the mobile, adtech and consumer internet spaces. Speaking on this development, he stated, “Tonic Media has been successful in establishing themselves as a digital powerhouse with a great roster of clients across various industries. I look forward to sharing my technology and digital advertising experience with the Tonic team to help them become market-leaders.”

    Narayanan has held various senior leadership positions across global technology media companies such as Google, AdMob and Sociomantic. He spent seven years at Google India as the founding member of Google India’s direct sales operations in 2005 and helped lay the architecture for the growth of Google in India. He joined AdMob as the Country Manager for India in 2009 and moved back to Google after the acquisition of AdMob.

    He was named the Mobile Marketing Person of the Year at the Indira Marketing Excellence awards in 2011 and has also been featured in the Digital Power 100 list as one of the icons of India’s Digital ecosystem in 2012 by Impact – a leading advertising, media and marketing publication.