Tag: Mahesh Bhatt

  • Sahara TV readies comprehensive assembly poll coverage

    Sahara TV readies comprehensive assembly poll coverage

    With assembly elections to the some key states round the corner, Hindi general entertainment channel Sahara TV plans to provide comprehensive election coverage to its viewers. Branded as Chunav Sangram the programme will be a run-up to the elections followed by 24-hour live telecast on 24 February, 2002. 

    Elections are being held in the key states of Uttar Pradesh and Punjab as well as the new state of Uttaranchal (which was carved out of UP) and the northeastern state of Manipur. The time schedule of Chunav Sangram is as follows:

    4 February to 23 February, 2002  7 pm to 8 pm. 24 February, 2002 onwards  live non-stop coverage from 8 am on. 

    Starting 4 February, Sahara TV will air an hour-long election analysis programme anchored by Vinod Dua and eminent psephologist Ashok Lahiri. To make a strong impact with these discussions, Sahara TV has roped in names like Ashwini Minna, Mahesh Bhatt, Tarun Tejpal, JS Malhotra, Vivek Bharati, Shankarsan Thakur and Purshottam Agarwal who will form an exclusive panel of analysts. Besides these, the programme will also have senior politicians joining the studio discussions from time to time.

    The election special programme will take off with a benchmark projection poll indicating the likely positions of the parties in the forthcoming elections followed by a series of election related daily opinion polls.

    The hour-long Chunav Sangram will also include an interesting segment offering on-the-spot election related investigative stories by Nalini Singh highlighting issues like corruption, misuse of official machinery, use of guns, nepotism etc

    Commenting on this initiative, Priya Raj, V-P (publicity, promotion & PR), Sahara TV said: “The election special programme Chunav Sangram reiterates Sahara TVs commitment towards providing up-to-date and quality news coverage to our viewers. Chunav Sangram is a unique value added information package in todays clutter of news. Our focus on precision and quality achieved with the help of the state-of-art technology, a large team of newsmen and leading experts with our own inimitable Vinod Dua – will help viewers make sense of the current political scenario helping them to make an informed decision during the forthcoming elections.

    Sahara TV has made arrangements to provide 24-hour live telecast of these elections on 24 February involving 400 newsmen. Beginning from 8 am the programme will analyse the results in four states.

    Sahara TVs studios in Noida, New Delhi, Lucknow, Chandigarh, Dehradun and Imphal will be providing the necessary live inputs. Sahara TV will use its online VSAT connectivity to receive up-to-date election news from UP (Meerut, Agra, Kanpur, Gorakhpur, Varanasi, Allahabad, Bareily, Lucknow); Punjab (Chandigarh, Bhatinda, Amritsar, patiala), Uttaranchal (Dehradun, Nainital), Imphal and Delhi City Centre for the election coverage.

  • Sahara TV readies comprehensive assembly poll coverage

    Sahara TV readies comprehensive assembly poll coverage

    With assembly elections to the some key states round the corner, Hindi general entertainment channel Sahara TV plans to provide comprehensive election coverage to its viewers. Branded as Chunav Sangram the programme will be a run-up to the elections followed by 24-hour live telecast on 24 February, 2002. 

    Elections are being held in the key states of Uttar Pradesh and Punjab as well as the new state of Uttaranchal (which was carved out of UP) and the northeastern state of Manipur. The time schedule of Chunav Sangram is as follows:

    4 February to 23 February, 2002  7 pm to 8 pm. 24 February, 2002 onwards  live non-stop coverage from 8 am on. 

    Starting 4 February, Sahara TV will air an hour-long election analysis programme anchored by Vinod Dua and eminent psephologist Ashok Lahiri. To make a strong impact with these discussions, Sahara TV has roped in names like Ashwini Minna, Mahesh Bhatt, Tarun Tejpal, JS Malhotra, Vivek Bharati, Shankarsan Thakur and Purshottam Agarwal who will form an exclusive panel of analysts. Besides these, the programme will also have senior politicians joining the studio discussions from time to time.

    The election special programme will take off with a benchmark projection poll indicating the likely positions of the parties in the forthcoming elections followed by a series of election related daily opinion polls.

    The hour-long Chunav Sangram will also include an interesting segment offering on-the-spot election related investigative stories by Nalini Singh highlighting issues like corruption, misuse of official machinery, use of guns, nepotism etc

    Commenting on this initiative, Priya Raj, V-P (publicity, promotion & PR), Sahara TV said: “The election special programme Chunav Sangram reiterates Sahara TVs commitment towards providing up-to-date and quality news coverage to our viewers. Chunav Sangram is a unique value added information package in todays clutter of news. Our focus on precision and quality achieved with the help of the state-of-art technology, a large team of newsmen and leading experts with our own inimitable Vinod Dua – will help viewers make sense of the current political scenario helping them to make an informed decision during the forthcoming elections.

    Sahara TV has made arrangements to provide 24-hour live telecast of these elections on 24 February involving 400 newsmen. Beginning from 8 am the programme will analyse the results in four states.

    Sahara TVs studios in Noida, New Delhi, Lucknow, Chandigarh, Dehradun and Imphal will be providing the necessary live inputs. Sahara TV will use its online VSAT connectivity to receive up-to-date election news from UP (Meerut, Agra, Kanpur, Gorakhpur, Varanasi, Allahabad, Bareily, Lucknow); Punjab (Chandigarh, Bhatinda, Amritsar, patiala), Uttaranchal (Dehradun, Nainital), Imphal and Delhi City Centre for the election coverage.

  • ‘The Silent Heroes:’ Childish film for children

    ‘The Silent Heroes:’ Childish film for children

    It seems a nice idea to project differently-abled children in a challenging situation as a film to inspire other children. The Silent Heroes has been written and directed by a Mahesh Bhatt, not “the” veteran filmmaker Mahesh Bhatt.

    Priyanka Panchal along with four others educates deaf and mute students in Uttarakhand. The school is surrounded by the scenic mountains of the Himalayas. Priyanka’s colleagues, for one of whom she has special feelings, become victims of an avalanche while on an expedition in the mountains. He dies leaving his dream of training a bunch of his deaf and mute students into adventurous mountaineers. Priyanka rues both, losing her love as well as his incomplete dream.

    That is when she comes across Maanuv Bhardwaj, who specialises in survival tactics. The local mountaineering academy also gets involved and the project is taken up to train volunteer deaf and mute children for a mountain climbing expedition. It starts with training the kids. But, sadly for the children, Maanuv meets with an accident and is replaced by Simran Deep, a sadist without a cause, who acts bitchy for the sake of it and thinks it is futile to waste time on these children. She derides them all the time. She also makes sure she sets impossible targets for them.

    While she is setting up the climb for children, Simran and her help both fall off a cliff and are rendered inactive. Now the very children she derided and thought good for nothing, use their other gifts they have instead of speech and ability to hear. They tend to her. They use their basic training and carry her to a river to await a stray rafter. But, when no rafter comes along, they use their bedding sheets and empty water bottles to put together a makeshift raft to carry her to the closest place of humanity where she can get medical attention without which she would need amputation of her leg. 

    While the children are carrying her on a raft they created, help is on the way in the form of Maanuv and Priyanka. The raft is coming apart in the heavy current of Gangotri but, things work out eventually.

    This could have been an inspirational film for children. Instead, it is so slack and overly dramatised, that it is tough to sit through the film. The script just never stabilises and carries on painfully. As for direction, it is patchy. There are songs galore in the background, which do not mean anything. Editing is nonexistent. Background music is jarring. Performances are bad to passable.

    The Silent Heroes is a worthless film, which serves no purpose whatsoever.

    Producers: Kamal Birani, Mahesh Bhatt.

    Director: Mahesh Bhatt.

    Cast: Maanuv Bharadwaj, Priyanka Panchal, Mann Bagga, Simran Deep, Nirmal Kumar, TarunBhargav, Gurfareen Bano, Khwaish Gupta, Aashish Chauhan, Jaideep Rawat, SamrennBano, Prakhar Chamoli, Renu singh, ShwetaRawat, Radhika Chauhan, Nikhil Bhargav, Shalini Rawat.

  • The Epic Channel introduces Illusion videos for Facebook and Twitter

    The Epic Channel introduces Illusion videos for Facebook and Twitter

    MUMBAI: With the vision of strengthening their innovative digital content, the Epic Channel has launched an ‘llusion’ video feature on their Facebook and Twitter accounts.

    In fact, Epic is one of the first broadcasters to launch such a feature with their recent show, Khwaabon Ka Safar with Mahesh Bhatt.

    TV networks are increasingly using social media as an extended platform to capture content, encourage opinions and connect with their viewers. The Epic channel uses digital innovations to extend the experience of their shows with features like this. The channel created a series of digital activities beginning with the Epic at 10 campaigns across their social media assets to drive tune-ins for the show at 10 pm.

    The #EPICat10hashtag trended nationally during the campaign. The channel also pioneered one of the first Twitter alarm for India and planned a tie-up with QuizUp, a real-time trivia game. It is the only Indian brand to have its collection on the app. On Quizup, users compete against another over an interest led topic.

    The Epic channel MD Mahesh Samat said, “Innovation is the crux of our channel. The digital age has proved that content has to be platform agnostic and by creating these Illusion videos, we hope to move one step closer to our viewers. There’s quite a few more innovations lined up so keep watching our social media pages.”

    The Epic channel has successfully embarked its one year journey, introducing path-breaking innovations to keep the audience engaged. The channel offers a diverse variety of shows which are rooted with brilliant and captivating stories from Indian history.

  • Epic to celebrate one year mark with better programming

    Epic to celebrate one year mark with better programming

    MUMBAI: In the entertainment world abound with clutter, niche television channels have to fight an uphill battle in order to get the necessary traction from viewers. As the Indian cable and satellite industry slowly but surely moves towards digital addressable systems (DAS), more and more niche channels will be viable with digitisation cutting distribution costs.

     

    One such niche channel that’s in it for the long haul, is The Epic Channel, which is on the brink of completing a year on air. Launched on 19 November, 2014, The Epic Channel will be celebrating its first anniversary by offering two news shows to its viewers. What’s more the channel also went High Definition (HD) on the Tata Sky DTH platform recently.

     

    The first new finite show, which will go on air from 19 October is titled Khwaabon Ka Safar with Mahesh Bhatt and will be aired on Mondays at 10 pm. 

     

    The second show is titled Devlok by popular Indian author Devdutt Pattanaik and will be an exploration of gods, demons, curses. Set to premiere on 21 October, this will be aired on Wednesdays and Thursdays at 10 pm.

     

    Speaking exclusively to Indiantelevision.com, The Epic Channel founder and MD Mahesh Samat said, “We have a rich film history and with Khwaabon Ka Safar, we are looking at the big film studios in the industry, which have some history attached to it. And I think Mahesh Bhatt is the best person to narrate these stories. He has been in the industry for a long time now and knows the industry inside out. Another show that we have in the pipeline is Devdutt Pattanaik’s show Devlok in which he will talk about mythology.”

     

    Claiming its hold over the 10 pm slot is the channel’s campaign with the tagline – ‘Maaf Kijiye Abhi Dus Nahin Baje.’ “The campaign is doing quite well to claim the 10 pm TV viewing time to establish the association between the Epic Channel and the time slot,” Samat says.

     

    In a span of one year, the channel has enthralled audiences with epic mythological and historical series. Showcasing the mythology and history in a contemporary form has been the channel’s agenda.

     

    Stories by Rabindranath Tagore showcasing ‘epic’ tales like Choker Bali, Charulata, Atithi andKabuliwala amongst others brought etched characters created by Tagore to the small screen. Also the channel was seen recollecting old Bollywood stars in a nostalgic show set up with Javed Akhtar.

     

    With increasing penetration of HD television sets, more and more channels are now adding the HD feed to offer better consumer experience. Talking about the same, Samat says, “We have always been an HD channel. The idea was to launch the stories around Indian history and mythology in HD. All our shows have been produced and shot in HD. Our channel is uplinked and downlinked in HD. For various technical reasons, some MSOs transfer the channel differently, but from our end the strategy is to be one feed HD channel. The HD experience is necessary for the kind of shows we produce.”

     

    Stressing on how HD shows will change the way television is viewed in the country, Samat says, “The technology has evolved to meet consumers’ expectations. HD is definitely a better viewing experience and HD shows will change the way we watch television in India. We are likely to see an upsurge of HD in the coming year. From a consumer stand point, it is a far better experience so there is really no reason not to have HD.” 

     

    With The Epic Channel HD feed, Samat is also hoping that the channel will see an increase in the number of viewers due to the addressability factor.

     

    “I think the experience of mythological and all the great fiction and non-fiction viewing would be much better, which will result into more and more viewers coming in. I believe we are going to see increase in numbers of viewers as Epic is assessable in HD. A hike in advertising rates will eventually follow with a rise in viewership,” he informs.

     

    The Epic Channel has seen a lot of advertising interest from the automobiles sector amongst others. “More than viewership, we are a channel that reaches across the country and hence we have that reach. With HD, we are moving one step ahead in our target group, so we expect to see ad rates following the same,” asserts Samat.

     

    On the eve of the channel’s one year of operations, Samat shares the journey so far as well as the company’s future vision. “The overall journey has been pretty good. It’s a channel that delivered all the promises that were made in the beginning of the year in terms of stories and content. There is a new range of programming coming up from 19 October. We are pretty optimistic that in the next few months, higher viewership and ad sales will follow,” he says.

     

    The value of niche television channels is derived from the quality of viewers and not the size. Phase I & II of DAS is what enabled a niche like The Epic Channel to launch in the country. “The success of the first two phases of digitisation is what enabled a large number of channels to pull in viewers. Without it we would not have been able to launch Epic. So digitisation has played a vital role in the launch of the channel. Also, as digitisation continues, consumers will become more and more demanding and we will see a lot more content differentiation,” he says.

     

    Samat is of the opinion that with Phase III & IV of DAS, the industry is looking for transparency as well as having a better understanding of revenue stream and visibility. “All the good things associated with digitisation are exciting for the entire industry and not only for the broadcaster,” he adds.

     

    Not wanting to comment on the specifics of ratings and viewership, Samat says that overall The Epic Channel has received a good response from the industry as well as from viewers. “The channel has established a position in the mind of the consumers and eventually we have added a brand to the television ecosystem in India,” he signs off.

  • BO: ‘Hamari Adhuri Kahani’ disappoints with Rs 15.8 crore opening weekend

    BO: ‘Hamari Adhuri Kahani’ disappoints with Rs 15.8 crore opening weekend

    MUMBAI: Vishesh Films and the men behind the banner, Mahesh and Mukesh Bhatt are known to follow this sequence of one hit after a couple of flops. And, on that count as well as for the reason that Mahesh Bhatt had penned the script after a gap of almost a decade and a half, expectations were aplenty.

     

    However, Hamari Adhuri Kahani has come as a big disappointment with the film’s main culprits being the story and the scripting.

     

    What’s more, it is a totally regressive film for no reason and at an unjustifiable cost. For a change, critics as well as the audience seem to be on the same side on this one. The film has managed to collect Rs 15.8 crore for its opening weekend.

     

    Dil Dhadakne Do, a pretentious movie about a Delhi Punjabi family trying to put up a show of affluence despite dire situation, does not go well with the audience in general. The film finds patronage in few metros at select multiplexes. The film has many flaws and takes it audience for granted. It creates a number of tracks of various characters including a parallel love story but fails to sum them up in the end. The film has managed to put together Rs 54.4 crore for its first week thanks to lack of any challenging opposition and increased admission rates (which the distributor planned to continue throughout the week instead of the opening weekend as is the practice with major films but relented after the response to the film, which was weak). The film will scrap the bottom after its second weekend.

     

    Tanu Weds Manu Returns is the flavor of the season and the reason is Kangana Ranaut, the force behind the film with her captivating performance in a dual role. While the comparison to the first version may be unfair, which many feel was much better, this one will be five times bigger hit at the box office as things stand. Finally, the figures speak; opinions may differ. The film has an amazing third week befitting a Salman Khan starrer (or better) adding Rs 20.18 crore in its third week to take its three week tally to Rs 138.13 crore for three weeks.

    Piku adds Rs 1.05 crore in its week to take its five-week total to Rs 79.77 crore, whereas Gabbar Is Back collects Rs 30 lakh in its fifth week thus taking its five-week total to Rs 80.05 crore. 

  • ‘Hamari Adhuri Kahani’: What kahani?

    ‘Hamari Adhuri Kahani’: What kahani?

    MUMBAI: At times, Vishesh Films, the banner run by Bhatt Brothers, Mahesh and Mukesh, grab some media by tagging a film as based on Mahesh’s personal life. This time, they present Hamari Adhuri Kahani, reportedly based on the life of their father. The film, to avoid the travails of a period movie, is told in contemporary times. But, as a biography or inspired from someone’s personal life, it is a bizarre tale to tell!

     

    Vidya Balan specialises in arranging flowers. It is not clear if she is a florist or works for a hotel, which Emraan Hashmi plans to buy out. He is impressed by the way she does her flower arrangements and  sees her humane side. He is not familiar with such behaviour as he is a selfish go-getter. Emraan is a hospitality business tycoon already owning 108 hotels worldwide. Before adding any new property to his repertoire, Emraan conducts a test as to how the hotel is managed and how good the staff is.

     

    Having checked into the presidential suite of his target hotel, he instructs Vidya to put a ‘Do Not Disturb’ sign on his door since he hadn’t slept for 18 hours, he needed rest. Don’t the guests do such chores on their own instead of treating a florist like housekeeping help? Soon there is a fire on the top floor of the hotel close to the presidential suite occupied by Emraan. The staff, all of six or seven people (for such a huge hotel) run out of the hotel including the security personnel whose priority should have been to vacate the guest rooms first.

     

    Vidya has followed the herd of deserters but soon realizes Mr Hotel Tycoon is still in his room catching up on his 18 hour sleep. Vidya runs back in the hotel to alert Emraan and save his life. He seems to be the only guest in the hotel. Impressed by her flowers and her demeanour already, Emraan is overwhelmed by her loyalty and sincerity to her job and responsibilities. He has already fallen in love with her and wants her to join his Dubai hotel property and later wants her for himself.

     

    Vidya is a traditional Indian woman, married to Rajkumar Rao, whose name is tattooed on her forearm. She may say that she would never remove her mangalsutra and it will burn with her on the pyre when she is dead. But, for convenience, she never wears her mangalsutra when on the job. So much for mangalsutra and pyres!

     

    Though Vidya finds Emraan to be a nice man and never rejects his romantic advances, the Indian nari gets the better of her when Emraan proposes. She reveals that she is married, has a husband who is untraceable for the last five years; and she also has a child. She thinks he has deserted her, tells her child he is abroad while the police tell her he is somewhere in Bastar and has become a terrorist. Things get more puzzling as Rajkumar had left from Kolkata for Jharkhand but was traced in Bastar in Central India pointing a gun at some foreign tourist. The police has his picture aiming a pistol at the foreigners.

     

    Finally, convinced that her husband has strayed, Vidya agrees to Emraan’s advances. She falls in love with him. That’s the cue: it is time for Rajkumar to stage a comeback. It does not matter that he is a terrorist and there is a police posse posted right outside his house! His house has been empty for years but he is hiding under a bed, only God and the makers know why! The timing is perfect. Vidya has decided to return to becoming Indian nari again, tells off Emraan and returns home to find Rajkumar under the bed.

     

    Rajkumar, after all, was not a terrorist, but was forced into it, he explains. But, it is too late for him. Vidya has found love for the first time in her life in Emraan. While Rajkumar wants his legally wedded wife back, Emraan loves her so much that he is willing to stake his 108 hotels for her sake (there is a folklore about a shipping tycoon eons back in Western India who owned 99 ships, fell in love and staked his fleet for her sake. Even today, a lot of prime Mumbai property stands in the name of his trust.)

     

    It is unbelievable that the story of Hamari Adhuri Kahani is written by Mahesh Bhatt. It is banal. The proceedings are directionless. Music lacks appeal. Dialogue is pedestrian. Photography is uninspired. Editing this film would be a challenge. Most of the 131 minute run time of the film is between Emraan and Vidya and their romance, which is grossly unconvincing and lacks any sort of chemistry. Rajkumar starts the proceedings but vanishes till after interval (the fact that Vidya is married should have been kept till later when Emraan proposes to her). The fact that two men, a tycoon and a driver, are pining for her love is a bit farfetched. Since there is no scope for showing talent, none of the three oblige. Amala is the only pleasant presence on screen though only for a few minutes. Then there is a Dilton Doily (Archie comics) who plays Emraan’s sidekick whose very presence makes the audience laugh.

     

    Hamari Adhuri Kahani is a major let down coming as it does from Mahesh Bhatt’s penmanship and the rest joining to realise his vision or total lack of it. The box office prospects are very poor.

     

    Producer: Mukesh Bhatt

    Director: Mohir Suri

    Cast: Emraan Hashmi, Vidya Balan, Rajkumar Rao, Amala

  • After ‘Zakhm,’ ‘Hamari Adhuri Kahani’ loosely based Mahesh Bhatt’s parents story

    After ‘Zakhm,’ ‘Hamari Adhuri Kahani’ loosely based Mahesh Bhatt’s parents story

    NEW DELHI: Hamari Adhuri Kahani directed by Mohit Suri under the banner of Vishesh Films, is the last of a three-film contract between the production house and Fox Star Studios signed in October 2013.

     

    Interestingly, the film being released globally on 12 June is reported to be based on the love story of Mahesh Bhatt’s parents, Nanabhai Bhatt, Shirin Mohammad Ali and his stepmother. 

     

    Earlier, Mahesh Bhatt’s Zakhm was also said to be loosely based on the same story.

     

    The film stars Vidya Balan and Emraan Hashmi in the main roles apart from Rajkummar Rao, Sara Khan, Madhurima Tuli and Amala Akkineni in a cameo appearance.

     

    Written by Mahesh Bhatt along with Shagufta Rafiq, the film has music by Raju Singh and songs by Mithoon, Ami Mishra and Jeet Ganguly. 

     

    It is being distributed by Fox Star Studios.

  • Sony ushers in new programming with ‘Dil Ki Baatein’

    Sony ushers in new programming with ‘Dil Ki Baatein’

    MUMBAI: It has been struggling to regain lost ground in the Hindi general entertainment space for quite some time now. But, undeterred, the MulitScreen Media owned Sony Entertainment Television is taking another shot at attracting hordes of viewers to its prime time fare. In its first step towards that, the channel has launched a show called Dil Ki Baatein starring the popular TV actor Ram Kapoor in the lead. 

     

    “Sony has always prided in telecasting innovative shows. In the next 100 days we will be launching five new shows with interesting concepts as we believe there is an audience out there that exists for such content,” says SET senior executive vice president and business head Nachiket Pantvaidya.

     

    Dil Ki Baatein will be Kapoor’s come back to TV. He will be seen opposite Gurdeep Kohli. The show also stars Pankaj Dheer as Kohli’s father, whereas Mahima Makhwana and Ratna Shinde will essay the roles of the couple’s daughter and son respectively. 

     

    Dil Ki Baatein has been helmed by filmmaker Mahesh Bhatt and SET together. Sony took note of Bhatt’s narration about the concept a year and half ago.

     

    Talking about the concept of the show, SET senior vice president and marketing head Gaurav Seth says, “It is an unusual love story that brings out the struggle and various emotions of the family to the fore. It questions how far one can go for a loved one and to what extent? The show explores the complexities of human relationships and one’s emotional downfall when fate intervenes.”

     

    According to Seth, the biggest USP of the series is the role essayed by Kapoor. He will be portraying the role of a supportive husband to his cancer stricken wife, who faces a blood cancer relapse after two years. The programme has been produced by Guroudev Bhalla and Dhaval Gada from Bhatt’s production house, which also produced the show Udaan for Sony previously.

     

    “We have shot five different promos where Ram Kapoor is essaying a different role and emotion. In the first promo, for instance, he is seen conversing with God about his problems,” informs Seth.

     

    The promo was first launched on digital media, where along with active engagements from fan clubs, it trended at the top spot for five to 10 minutes. “For the first time, the promo itself registered one million views on YouTube,” says Seth.

     

    A robust marketing campaign has been planned across 35 Indian cities along with active OOH campaigns. Seth informs that the communication showing Kapoor along with a bald headed Kohli, has generated the necessary buzz. It has also generated 21 crore digital impression so far across various social media platforms. On Twitter, SET invited reactions from fans of how far would fans go for their loved ones.

     

    The show has LIC as the presenting sponsor and advertisers such as Otriven, Cadbury, KFC, Samsung Galaxy among others on board.

     

    Dil Ki Baatein, which went on air on 23 March, will be telecast from Monday to Thursday at 9:30 pm on Sony.

  • Mahesh Bhatt encourages debate on censorship at Elevate 2015

    Mahesh Bhatt encourages debate on censorship at Elevate 2015

    MUMBAI: Filmmaker-activist Mahesh Bhatt moderated a debate on the topic of censorship with Bollywood stalwarts Amit Khanna, Sudhir Mishra, Bhawana Somaaya and Ketan Mehta making their stand at The Third Eye’s program Elevate 2015, the second annual conclave held at The Club, Mumbai, this week.

     

    With a discussion on creating synergies between regulatory bodies and industry leaderships, the industry heavyweights mulled on how the Central Board of Film Certification (CBFC) and other regulatory authorities can look ahead in time and create a vision for creative communities; thus empowering audiences.

     

    Bhatt asked some thought-provoking questions. “Is there a role that the regulators really have to play in the digital age,” he wondered. “Is there a way for content creators to establish a non-confrontational dialogue with the government regulatory bodies?”

     

    Industry doyen Amit Khanna opined, “In the 21st century, given the way technology has allowed us to interact with each other, there is no role for anything called censorship in the audio-visual media.”

     

    “The censorship is no longer a possibility in any way in today’s digital age. This is the first time in history that such a thing is possible,” marked director Sudhir Mishra. 

     

    Director Ketan Mehta was blunt. “Censorship is corrupt and immoral exercise of power,” he said.

     

    Veteran journalist, author and an ex-member of the CBFC, Bhawana Somaaya pointed out that the Censor Board has a provision where filmmakers have a right to refuse and argue with the objections of the Board in their entirety. She felt that “censorship is being interpreted in a wrong way. It is being misunderstood. There are guidelines for it and they require some modifications.”