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Tag: Magnite

  • Cloudtv gives ads a new dimension with India’s first 3D CTV formats

    Cloudtv gives ads a new dimension with India’s first 3D CTV formats

    MUMBAI: Forget skipping ads now you might just stop and stare. Cloudtv, India’s first certified Smart TV OS, has switched on a bold new innovation in Connected TV: 3D Ad-Units. Rolled out across its OS-powered devices, the new format promises to shake up how brands pop on screen, offering advertisers a premium, non-intrusive showcase that sticks in the mind.

    Already powering 250-plus smart TV brands and reaching over 12 million users across Tier 1, 2 and 3 markets, Cloudtv is no stranger to scale. But with India’s Connected TV market projected to hit 25 million households by 2026, the company is betting that immersive, attention-grabbing formats will be the next frontier of advertising.

    Early tests suggest the gamble is paying off. In a collaboration with Aiyo, an AI-first content studio, Cloudtv deployed its 3D ads for nutrition brand Myfitness. The result? A 25 per cent higher completion rate compared to regular masthead video ads proof that audiences are more likely to stick with the story when the visuals literally stand out.

    For advertisers, the appeal is clear: a unique inventory that elevates campaigns beyond the flat, forgettable formats of traditional TV spots. For viewers, the difference lies in ads that engage without feeling like interruptions, creating a sleek, cinematic environment instead of clutter.

    Addressing this strategic announcement, Cloudtv COO and co-founder Abhijeet Rajpurohit said, “The launch of 3D ads positions Cloudtv at the forefront of CTV innovation, catering to the growing demand for premium, high-impact advertising solutions. As brands look for new ways to differentiate their messaging and drive deeper engagement, Cloudtv’s 3D ad inventory offers a compelling alternative that stands out in the CTV advertising space.”

    This isn’t the company’s only power play. Cloudtv has also rolled out a dedicated CTV advertising platform and struck a partnership with Magnite (NASDAQ: MGNI), the world’s largest independent sell-side ad company, to bring global heft to its marketplace. Alongside, a new website for brands, agencies and buyers now lets partners browse inventory, audience insights and campaign opportunities in one place.

    By pushing beyond the limits of flat formats, Cloudtv is essentially opening a new dimension in CTV advertising, one where brand storytelling is immersive, measurable, and hard to ignore. In a screen space that’s heating up fast, the platform may just have given itself the 3D edge.

  • CloudTV flips the switch on connected TV ads

    CloudTV flips the switch on connected TV ads

    MUMBAI: CloudTV has kicked off its entry into the adtech game with the launch of a new Connected TV (CTV) advertising platform — and it’s not going solo. The company has partnered with Magnite, the world’s largest independent sell-side ad platform, to unlock access to its 12 million+ screen footprint across India.

    With OTT consumption booming and linear TV losing steam, CloudTV’s move is perfectly timed. The platform promises brands direct access to high-value, lean-in audiences via a suite of features powered by Magnite’s SpringServe — from Programmatic Guaranteed (PG) deals to Private Marketplaces (PMPs) and dynamic Real-Time Bidding (RTB).

    The new ad platform also comes with a sleek microsite for media buyers, offering a front-row seat to inventory, insights, and integration opportunities. It’s a pitch for advertisers chasing the holy grail of reach, relevance, and ROI in a fragmenting screen economy.

    CloudTV’s play is clear: get advertisers thinking beyond traditional TV buys and lean into the power of smart screens — one programmatic ping at a time.

  • Streaming ahead of the curve with springserve’s ad tech revamp

    Streaming ahead of the curve with springserve’s ad tech revamp

    MUMBAI: Magnite is turning up the volume in the streaming ad world with the next-gen launch of its Springserve video platform, an upgraded OTT/CTV solution that fuses the precision of its award-winning ad server with the programmatic prowess of Magnite’s Streaming SSP. It’s a bold move aimed at simplifying ad delivery and maximising monetisation for major players like Disney, Roku, LG, Paramount, Samsung and Warner Bros. Discovery.

    Tailored for the evolving needs of global streaming giants, the platform now connecting buyers to 99 per cent of US streaming supply and has been validated by Jounce Media’s March 2025 Supply Path Benchmarking Report. For media owners, the new tech means smarter yield, streamlined workflows and real-time visibility across ad operations.

    “As the CTV space matures, there’s a significant opportunity to enhance the advertising process for media owners and buyers,” said Magnite president for revenue Sean Buckley. “We’re building this next generation of Spring Serve specifically to help our clients and partners stay ahead of these emerging opportunities. By unifying the programmatic layer as a complementary step in the buying process, not only does it give buyers greater transparency, predictability, and control over their ad placements, but it lays the foundation for more effective monetisation and yield management for media owners.”

    “Disney continues to expand our global streaming footprint in collaboration with Magnite—unlocking more premium inventory and making it even easier for advertisers to access our portfolio at scale,” said Disney SVP for addressable sales Jamie Power. “Together, we’re advancing a shared vision for innovation—one that prioritizes automation, flexibility, and smarter tools to help our partners drive meaningful impact in the live streaming space.”

    “Controlling demand sources and optimizing ad placements in real time is essential to our strategy,” said LG Ad Solutions SVP of operations Kelly McMahon. “SpringServe gives us the power to orchestrate everything in one platform balancing programmatic demand and direct deals more effectively, without compromising the viewer experience.”

    “Working with valuable partners like Magnite has enabled Paramount to further optimize our programmatic demand sources, driving greater efficiency and performance while preserving a seamless viewing experience for our audiences,” said Paramount SVP of partnerships Christopher Owen. “Continued advancements in programmatic play a meaningful role in our ongoing success both as a company and as part of the broader industry.”

    “Together with Magnite, we can create more opportunities for advertisers that offer platform transparency and flexibility across monetization, demand access, and user experience optimization,” said Roku SVP of global media revenue and growth Jay Askinasi. “SpringServe connects us more directly with DSPs, streamlining operations and augmenting revenue potential. This is an approach we believe will help attract greater advertising investment into the CTV ecosystem.”

    “Our long-standing partnership with Magnite has been instrumental in shaping our video monetization strategy, and we’re excited to partner with Magnite as they advance the SpringServe video platform,” said Warner Bros. Discovery SVP for revenue strategy and operations Jill Steinhauser. “We’re particularly looking forward to benefiting from the performance enhancements that enable faster ad loads and real-time pacing.”

    “Magnite helps fuel the premium, open internet,” said The Trade Desk SVP of inventory development Will Doherty. “Combined with tools like OpenPath, the next generation of SpringServe is accretive to advertisers and publishers and most importantly so consumers can continue to enjoy the content we all love like CTV, journalism and more.”

    “Magnite’s unified SpringServe platform offers significant clarity and cohesion in the streaming TV marketplace,” said Groupm US  chief media officer, Susan Schiekofer. “By providing deeper insight into the supply path and stronger alignment with premium inventory at scale, it empowers us to make smarter, faster buying decisions and ultimately deliver better outcomes for our clients.”

    “At OMG, we believe it’s a core right for advertisers to control and know where their ads deliver,” said Omnicom Media Group SVP of video and programmatic Ryan Eusanio. “Magnite’s SpringServe video platform helps us give our clients more control of their premium video strategy and enables better curation and targeting for campaigns.”

    The new SpringServe boasts a centralised deal dashboard, intelligent ad decisioning, automated routing for optimal ad delivery, and seamless integration with Magnite Access for data-driven targeting. It also simplifies operations with a revamped user interface and real-time reporting tools.

    As competition in CTV heats up, Magnite’s play positions it as the adtech partner of choice for streaming’s biggest names where precision meets premium, and innovation gets centre screen.

  • Spotify tunes up India’s advertising scene with Sax and gen AI

    Spotify tunes up India’s advertising scene with Sax and gen AI

    MUMBAI: Spotify is cranking up the volume on its advertising game in India, launching the Spotify Ad Exchange (Sax)  and unleashing its generative AI ads. This double-whammy aims to give advertisers a programmatic playground and AI-powered audio ad creation, all while tapping into Spotify’s legion of engaged listeners.

    ” Sax is a new programmatic offering that will give advertisers in India easier access to Spotify’s high-quality inventory and more opportunities to reach our highly engaged audience at scale,” declared Spotify sales head India Arjun Kolady. “We aim to make it easier for our client and agency partners to include Spotify as a part of their programmatic always on audience strategies. Globally, over 5,000 advertisers have tested Sax, and with the official launch, our goal is to ensure that all programmatic players can plug into it”. 

    Sax, fresh from a successful US and Canadian pilot, integrates with Google DV360, The Trade Desk, and Magnite, allowing advertisers to bid for ad space via real-time auctions. This means full addressability and measurement across audio, video, and display ads, with podcast ads soon to join the party. Spotify is also boasting a partner framework to help advertisers track their results across the wider digital ecosystem. 

    Quipped Kolady. “We’re streamlining media strategies, boosting efficiency, and giving brands access to high-impact formats.”

    But that’s not all. Spotify is also leveraging its AI chops to launch generative AI ads, which allows advertisers to create audio ads – scripts, voiceovers, and background music – in a matter of minutes. This is a significant leap from the current multi-day process, and it comes at no extra cost.

    “We want to make it easier for advertisers of all stripes to create top-notch audio ads,” Kolady explained. “Gen AI Ads will help them stay topical, relevant, and reach a massive audience.”

    Spotify’s move is a clear shot at dominating the Indian audio advertising space, blending programmatic prowess with AI-driven creativity. With Sax and Gen AI Ads, the team is  betting big on making Spotify the go-to platform for advertisers looking to make some noise.

  • Disney advances live streaming ad technology in the US

    Disney advances live streaming ad technology in the US

    MUMBAI: The Walt Disney Co has launched new advertising technology integrations to enhance live streaming monetisation on its platforms earlier this week. Advertisers can now programmatically bid on live inventory across Hulu and Disney+, including ESPN and ABC News content, through Disney’s proprietary ad server and Google’s Display & Video 360.

    Senior vice president of ad platforms Amy Lehman highlighted the advancement in ad technology, enabling automated workflows for live ad inventory. Senior vice president of addressable sales Jamie Power confirmed that platforms like Google’s DV360, The Trade Desk, Yahoo DSP, and Magnite are now certified to leverage viewership spikes during live events.

    The integration of Google’s Display & Video 360 instant deals via Disney’s real-time ad exchange (Drax) allows for rapid deal creation, streamlining the buying process. This builds on the existing Drax direct integration.

    Disney is also deploying dynamic ad insertion (DAI) for live events on Disney+, extending the technology already available on Hulu, to enable personalised ad experiences. Lehman emphasised Disney’s leadership in live streaming, combining technological expertise with ad technology to meet market demand.

    This move allows advertisers to target audiences during live events with increased efficiency and precision

  • Streaming surpasses traditional TV: Advertisers follow the trend

    Streaming surpasses traditional TV: Advertisers follow the trend

    Mumbai: As per an Ormax report, streaming has become India’s preferred choice for content consumption, boasting over 480 million OTT users. Its convenience and accessibility, allowing users to watch content anytime, anywhere, and on any device, have fueled this trend. The surge in smartphones, 4G feature phones, and widespread high-speed internet availability in urban and rural areas contribute to this shift, creating a new frontier for advertisers.

    Advertisers are capitalizing on streaming platforms’ interactive nature, crafting immersive and engaging ad experiences. Interactive ads seamlessly blend with content, enhancing the viewing experience and resonating better with audiences. Streaming also offers a wealth of data, enabling precise targeting and tailored campaigns, ensuring maximum impact and ROI. Brands are leveraging innovative placements and exclusive content to effectively engage audiences.

    According to a Magnite report, 80 per cent of Indian streaming audiences prefer ad-supported content over paying for an ad-free platform. This preference opens up opportunities for advertisers to drive brand awareness, engagement, and conversion. The report indicates that almost half of streaming users actively search for products featured in ads, and one in three makes a purchase based on these ads, underscoring the significant impact of streaming platform advertising on consumer behavior.

    Furthermore, 59 per cent of Indian streamers spend an average of 8 hours per week streaming content on the big screen at home. CTV advertising is gaining popularity among BFSI, e-commerce, automobile, and OTT categories, with an expected spending of $395 million by 2027, reflecting a remarkable 47 per cent CAGR growth.

    Despite the popularity of UGC platforms for on-the-go content consumption, CTV’s premium and engaging advertising environment sets it apart. Advertisers have more control over ad placement and brand association on CTV, making it a more effective advertising channel. A Kantar report highlights that 22 per cent of consumers are more likely to recall brands advertised on CTV than on a leading UGC platform.

    Over the past five years, there has been a 25 per cent decline in Pay TV subscribers, with over 200 million households unreachable by Pay TV, according to an EY-FICCI report. Advertisers are increasingly turning to digital routes, and the decline in Pay DTH subscribers further supports the preference for CTV. Linear TV has consistently declined, with a 6.2 per cent fall in subscription revenue in 2021 and the loss of 6 million Pay TV households.

    As streaming, especially CTV, continues to rise, advertisers are adapting strategies for enhanced ad experiences, focusing on creative storytelling and dynamic digital touchpoints. Technological advancements, evolving consumer preferences, and growing advertiser interest are propelling streaming’s strength. The first half of 2024 promises more immersive, powerful, and impactful ads, delighting both advertisers and consumers.

    The upcoming TATA IPL is expected to define the next phase of this evolution, with JioCinema unlocking cutting-edge ad innovations on CTV for an estimated 600-650 million viewers streaming the matches across devices for free. Advertisers have a golden opportunity to connect with their desired audiences among cricket fans in this ever-expanding streaming landscape.
     

  • Magnite expands global presence with opening of First India Office

    Magnite expands global presence with opening of First India Office

    Mumbai: Magnite (Nasdaq: MGNI), the largest independent sell-side advertising company, has announced the opening of a new office in Mumbai, which will serve as the company’s base across India. The move indicates the company’s commitment to providing support for publishers and buyers in one of the fastest-growing digital advertising markets in the world.

    “Programmatic adoption in India is forecasted to increase at a CAGR of 32 per cent until 2027, according to Magna Global,” said Magnite Asia managing director Gavin Buxton. ”Establishing a Magnite hub in Mumbai allows us to provide more hands-on support and help our clients navigate the changing market landscape. As advertisers continue to seek out the most comprehensive omnichannel ecosystem to reach their audiences, we’ll be able to more seamlessly connect them with the premium publishers we work with.”

    This year, Magnite introduced new advanced tools for streaming TV media owners in India, including Magnite Streaming and the SpringServe ad server, to help them better manage high-quality ad experiences across the video landscape. These developments have been met with strong marketplace demand and fuelled 185% year over year growth in CTV ad spend in India.

    Magnite continues to build out its team in India and most recently appointed Chandrahas Shetty as Demand Facilitation Lead. Other team members include Karnika Maroo, Senior Account Manager, Supply, Jerit Kunjumon, Account Manager, Supply, and Rohit Prasad Yeggina, Senior Account Manager. Together, they are focused on delivering great results for clients by ensuring they can leverage Magnite’s unique omnichannel capabilities.

  • AVIA releases Indonesia study on the untapped opportunity of premium OTT services for advertisers

    AVIA releases Indonesia study on the untapped opportunity of premium OTT services for advertisers

    Mumbai: The Asia Video Industry Association (AVIA) has released a study to understand the usage of different video services in Indonesia and consumer attitudes towards  them. The study looked at video across social media, user-generated content (UGC), linear TV, messaging  services and premium OTT. This is a follow-up to its study on Premium OTT – Building its Rightful Place in  the Digital Market, which was first released in September 2022 and focused on the Singapore market.

    Amongst Indonesian consumers, premium OTT is viewed as having the highest quality content. 75 per cent of  users of premium OTT services (such as Netflix, Vidio, Viu and WeTV) said it offered the best quality  content, higher than users of any other category of video. Of all 24 video platforms studied, five of the  top seven services ranked as offering the highest quality content were premium OTT.  

    Usage of premium OTT is also associated with the most positive emotions. When asked about feelings after watching an hour of different types of content, TV series and movies significantly outscored user generated content and social media in eliciting happiness and amusement.  

    While premium OTT is still at an earlier stage of development in Indonesia than free UGC and social media  services like YouTube and TikTok, it is clear that those who use premium OTT value it more. When asked  what video services they would first be prepared to forego, only one in the top ten services was premium  OTT, and the top 4 were all social media or UGC services.

    “We believe the power and opportunity of premium OTT is hugely significant and offers a real and  relatively untapped opportunity for advertisers in Indonesia. The proven quality of the environment, the  stickiness of the content and the positive emotions created by it are critical for advertisers, and this study  clearly demonstrates that. Given the dominance and high penetration of UGC and social media video  services in Indonesia, the fact that this smaller but growing category of premium OTT performed so well  in these categories is quite remarkable. We believe advertisers need to sit up and take note,” said AVIA CEO Louis Boswell.

    The full Indonesia study research deck and methodology can be found here. This study continues to build  on a regional research project started with a two part study conducted in Singapore in 2022 and 2023.  

    AVIA thanks its members Magnite, PubMatic and The Trade Desk for supporting the Indonesia research. 

  • Magnite onboards Chandrahas Shetty as demand facilitation lead in India

    Magnite onboards Chandrahas Shetty as demand facilitation lead in India

    Mumbai: Magnite has roped in Chandrahas Shetty as the demand facilitation lead in India. Shetty will lead the Magnite Demand Facilitation team in India, with a primary focus on building key strategic demand-side relationships with leading media agencies, DSPs and buyers in the country.

    Magnite managing director Asia Gavin Buxton said, “Shetty joins us with vast experience across the ad tech industry and brings a track record of exceptional growth and effective results in India and APAC. We are excited to strengthen the team with his unique perspective, particularly as we look to accelerate our growth throughout India.”

    Shetty joins Magnite from MediaMath where he was director of partnerships and successfully built out many of the company’s strategic DSP relationships. He brings a total of 13 years of experience to the role at Magnite, having previously held various senior positions at Oracle Advertising, Times Internet and Disney+ Hotstar.

    Shetty commented, “I’m excited to be joining Magnite and leading the demand team in India. I look forward to working closely with the team to help deliver great results for buyers by ensuring they can leverage Magnite’s unique omnichannel capabilities to tap into quality content.”

    Shetty joins the growing Magnite India team which includes senior account manager – supply Karnika Maroo, account manager – supply Jerit Kunjumon and senior account manager – Rohit Prasad Yeggina.

  • 64% Indian streamers are more receptive to ads on streaming platforms than social media: Magnite report

    64% Indian streamers are more receptive to ads on streaming platforms than social media: Magnite report

    Mumbai: Magnite, the independent omnichannel sell-side advertising platform, on Tuesday released a study entitled “India Embraces the Streaming Era” that found ads on streaming platforms capture more attention than ads on social media. Nearly two-thirds of India’s streamers (64 per cent) are more responsive to advertising on streaming platforms, with many stating they often search for the product (48 per cent) and make a purchase (33 per cent) after the fact.

    The study also found that free or ad-supported content is preferred to paying for an ad-free experience. 80 per cent of streamers prefer to watch ad-supported content versus subscribing to an ad-free platform for a monthly fee.

    “OTT is unmatched in its ability to engage viewers, and we commissioned this study to better understand consumption patterns across the rapidly growing Indian streaming audience,” said Magnite managing director, Asia Gavin Buxton. “One of the study’s key findings shows that OTT advertising outperforms other mediums like social media when it comes to attention and purchasing power. With three-quarters of video viewers streaming more now than a year ago, advertisers should be actively exploring this channel to reach the right audiences.”

    According to the study, two thirds of streamers prefer to watch streaming services over traditional TV, and streamers rank the quality of content, platform usability, and content discovery as the top factors driving their decision to stream. The majority (75 per cent) of streamers are streaming more video content than a year ago, and 66 per cent expect to stream more next year.

    “We are witnessing the next stage in streaming’s evolution—one where the lines between SVoD, AVoD, and FAST are being blurred as we see audiences continue to fragment,” said Samsung Ads, India senior director Prabhvir Sahmey. Whilst globally we’re seeing the major streaming giants introduce ad-funded and hybrid models, locally we’ve seen the adoption of these freemium models in India gain considerable viewership. It is exciting to see such a promising future for ad-supported streaming confirmed both recently in our TV ad engagement study and validated in this new report from Magnite.”

    “The migration of audiences from linear TV to streaming signals an opportunity for our clients who are looking to invest in CTV and incorporate TV buys into their overall advertising strategies with screen-agnostic planning,” said Omnicom Media Group chief digital officer, APAC Bharat Khatri. “With the breadth of available inventory increasing and the preference for streaming across India according to Magnite’s research findings, advertisers should take note of where viewership is moving and invest in OTT to reach highly engaged viewers watching their favourite shows. At the same time, we are seeing a big shift happening on the measurement front, with viewability amounting to three seconds or half of an ad flashed on rapidly scrolling screens. It’s easy to see a growing gap between the opportunity to be seen and actually being seen, thus the need of the hour is to start optimising based on attention to generate incremental value across creative, media planning, and buying, and in turn improve brand health and performance.”

    Additional key findings from Magnite’s study include:

     ●  Mobile commands the majority of streamers’ time, and 88 per cent of viewers reported a positive viewing experience on smartphones, comparable to the number that reported a positive viewing experience on TV screens.

    ●  Mobile is the top streaming device, but time spent streaming on CTV is growing as smart TVs are introduced into Indian homes. 59 per cent of streamers are now watching CTV and spending an average of eight hours per week streaming content on a big screen.

    ●  Live streaming is becoming mainstream. Nearly all streamers (86 per cent) said they watch live content through streaming platforms, with streaming being particularly prevalent across news, sports, and reality content. Streamers are more likely to watch live programming on streaming platforms than on traditional TV.

    Check the full report here. ( https://www.magnite.com/research/india-streaming-era/).