Tag: Madhuri Dixit

  • Madhuri Dixit new face of Intex Washing Machine, features in TVC

    Madhuri Dixit new face of Intex Washing Machine, features in TVC

    New Delhi: Recently signed brand ambassador Bollywood actress Madhuri Dixit has featured in the first television commercial for the Fully-Automatic Washing Machine of Intex Technologies. The 20-seconds TVC will be broadcast pan-India across all major GECs, news channels and regional broadcasts.

    Keeping in line with the company’s business strategy, the month long On-Air TVC will cover the Hindi heartland featuring in more than 25 key TV channels like Star Plus, Colors, Zee TV, Sony, Aaj Tak, Zee News etc. The regional outreach includes Southern and Western Indian market. The campaign will also feature in major women magazines and shown in cinema halls covering more than 30 cities.

    Intex Technologies Director Keshav Bansal said: “We are delighted to have Madhuri Dixit as the brand ambassador and the new TVC for our fully-automatic washing machine targets women who want smart washing in less time. Intex has always received phenomenal response for its products and we are confident with Madhuri endorsing our innovative product, it would further enhance our consumer connect.”

    Intex had recently signed film actress Madhuri Dixit as its brand ambassador for Refrigerators and Washing Machines for a period of two years, and she will be seen in the company’s TV commercials besides being the face of the company for a series of brand promotions and activations.

    Intex has been present in the washing machine segment since 2014 with a range of semi-automatic machines and washers. It has now added the all new fully automatic top-loading washing machine to its portfolio.

    The fully automatic model with 6.2 kg capacity has varied features that ensure superior performance with high quality. The unique Magic Filter ensures all lint inside the tub is captured for top quality filtering to deliver consistently effective cleaning results. The machine also comes with the Delay Start feature that helps in setting the delay start time from 1 hour to 24 hours. Washing machine has 10 pre-set programs to enable different types of washing requirements.

  • Producer, trade analyst and editor Vikas Mohan no more

    Producer, trade analyst and editor Vikas Mohan no more

    NEW DELHI: Renowned Bollywood analyst and film producer Vikas Mohan passed away today, aged 65. Mohan who was founder editor of the film trade paper ‘Super Cinema’ suffered a heart attack yesterday evening and was hospitalized. His end came early this morning.

    Mohan is survived by his wife and two sons who were presently working with him on his magazine. Mohan had undergone a by-pass surgery around two decades earlier.

    Vikas had produced the Gulzar-directed ‘Libaas’ in 1988 earlier which became a national award winner and later produced the film “Arzoo” in 1999 starring Akshay Kumar and Madhuri Dixit.

    The last rites were held this afternoon in the presence of a large number of Bollywood celebrities and media persons.

    Prior to launching ‘Super Cinema’, Mohan had been editor of ‘Complete Cinema’ which is now edited by his brother Kumar Mohan.

    Known to always help out filmmakers, at least nine other Bollywood films including ‘Shagird’, ‘No Problem’, ‘Action Replayy’, ‘Akrosh’, ‘Anjaane’ and ‘Page 3’ carried special or sincere thanks to him in the credits.

    Several Bollywood celebrities mourned the death of Mohan. They described him as a respected and wonderful human being.

    Megastar Amitabh Bachchan tweeted: “Vikas Mohan, senior journalist owner of Trade magazine, eminent member of film association passes away. Our prayers and condolences.”

    Filmmaker Karan Johar in a tweet called him a “a truly respected and loved member of our fraternity… Always helpful and supportive…thoughts and prayers to the family”.

    RIP Vikas Mohan…a truly respected and loved member of our fraternity…always helpful and supportive…thoughts and prayers to the family

    Filmmaker-actor Satish Kaushik paid condolences on the “demise of dear friend Vikas Mohan… May his soul rest in peace”. He tweeted: Sad to hear abt demise of dear friend # Vikas Mohan..my heartfelt condolences to @amul_mohan and mohan family..may his soul rest in peace..

    Veteran actor Anupam Kher said: “Deeply saddened to know about the demise of Vikas Mohan ji. Apart from a veteran film trade analyst, he was wonderful and helpful human being.”

    Filmmaker Hansal Mehta, saddened by the news of Mohan’s passing away, remembered him as an “always helpful and supportive” person.

    Actor Hrithik Roshan shared that Mohan was “one of the most dignified honest and respected journalist”, while actress Sophie Choudry said he was “always so full of life”.

    Bipasha Basu: You will be missed Vikas Mohanji. RIP Strength to Amul Mohan, Anshul and family.

  • Producer, trade analyst and editor Vikas Mohan no more

    Producer, trade analyst and editor Vikas Mohan no more

    NEW DELHI: Renowned Bollywood analyst and film producer Vikas Mohan passed away today, aged 65. Mohan who was founder editor of the film trade paper ‘Super Cinema’ suffered a heart attack yesterday evening and was hospitalized. His end came early this morning.

    Mohan is survived by his wife and two sons who were presently working with him on his magazine. Mohan had undergone a by-pass surgery around two decades earlier.

    Vikas had produced the Gulzar-directed ‘Libaas’ in 1988 earlier which became a national award winner and later produced the film “Arzoo” in 1999 starring Akshay Kumar and Madhuri Dixit.

    The last rites were held this afternoon in the presence of a large number of Bollywood celebrities and media persons.

    Prior to launching ‘Super Cinema’, Mohan had been editor of ‘Complete Cinema’ which is now edited by his brother Kumar Mohan.

    Known to always help out filmmakers, at least nine other Bollywood films including ‘Shagird’, ‘No Problem’, ‘Action Replayy’, ‘Akrosh’, ‘Anjaane’ and ‘Page 3’ carried special or sincere thanks to him in the credits.

    Several Bollywood celebrities mourned the death of Mohan. They described him as a respected and wonderful human being.

    Megastar Amitabh Bachchan tweeted: “Vikas Mohan, senior journalist owner of Trade magazine, eminent member of film association passes away. Our prayers and condolences.”

    Filmmaker Karan Johar in a tweet called him a “a truly respected and loved member of our fraternity… Always helpful and supportive…thoughts and prayers to the family”.

    RIP Vikas Mohan…a truly respected and loved member of our fraternity…always helpful and supportive…thoughts and prayers to the family

    Filmmaker-actor Satish Kaushik paid condolences on the “demise of dear friend Vikas Mohan… May his soul rest in peace”. He tweeted: Sad to hear abt demise of dear friend # Vikas Mohan..my heartfelt condolences to @amul_mohan and mohan family..may his soul rest in peace..

    Veteran actor Anupam Kher said: “Deeply saddened to know about the demise of Vikas Mohan ji. Apart from a veteran film trade analyst, he was wonderful and helpful human being.”

    Filmmaker Hansal Mehta, saddened by the news of Mohan’s passing away, remembered him as an “always helpful and supportive” person.

    Actor Hrithik Roshan shared that Mohan was “one of the most dignified honest and respected journalist”, while actress Sophie Choudry said he was “always so full of life”.

    Bipasha Basu: You will be missed Vikas Mohanji. RIP Strength to Amul Mohan, Anshul and family.

  • Celebrities & brands in 2015: The changing dynamics

    Celebrities & brands in 2015: The changing dynamics

    MUMBAI: Celebrities and brands go hand in hand and so do celebrities and controversies! No sooner has a celeb publicly said something even remotely scandalous, blasphemous, startling or offensive knowingly or unknowingly than a controversy has erupted… one which doesn’t take too much time to snowball into a “grave national issue” to be discussed on prime time across news channels! 

     

    And 2015 was one such year that saw many a celebs facing the wrath of the common man for putting their foot in their mouth on more occasions than one. Be it Shah Rukh Khan, Aamir Khan, Salman Khan or Aishwarya Rai Bachchan, they’ve all had their moment in the spotlight and for all the wrong reasons. When a controversy breaks, after the celebrity, the next thing that gets affected is either their unreleased movie or the brands that they endorse.

     

    Last year was a significant year when it comes to celebrity endorsements. While there weren’t any path breaking innovations, a few memorable campaigns like Tanishq Divyam’s Diwali campaign featuring Deepika Padukone and her family, Shah Rukh Khan’s Yepme campaign and Ranbir Kapoor in Saavn’s TVC commercial kept up the excitement quotient. There’s no denying the fact that an ad’s reach becomes tenfold when a celebrity gets onboard. From automobiles, life insurances to washing powders and vests — there’s not a single category left that hasn’t yielded to star power. But it was not all merry in endorsement land as several cases of endorsements gone wrong popped up in 2015.

     

    Brand endorsements that went wrong:

     

    Interestingly, while it is hard to name any celebrity brand campaign that stood out in 2015, one can easily name the ones that made it to the headlines for all the wrong reasons. We saw Aishwarya Rai Bachchan being hurdled with racial discrimination allegations for her Kalyan Jewellers ad.

     

    That aside, one of the biggest example would be Nestle’s Maggi, which came under the radar over permissible amount of lead in it. Several celebrities who had promoted the brand in the past, especially Madhuri Dixit and Amitabh Bachchan had to face the wrath of netizens for endorsing a brand that may have been harmful.

     

    So what do we take home from these instances of endorsements gone wrong (if they are)?

     

    “Not to ride on media wave and add to mass hysteria,” says KWAN Entertainment and Marketing Solutions CEO and MD Anirban Das Blah. “A lot of all the so called controversial brand endorsements we saw in 2015 were more of a media cook up than a real issue. Moreover, almost all of them had nothing to do with the celebrities, who endorsed the product.”

     

    Acknowledging the moral responsibility of a celebrity in carefully choosing the brands they endorse, Blah simply asks, “If a certain product is considered harmful for consumption, aren’t the dealers and shopkeepers who sold it for so many years equally or more responsible?”

     

    According to Blah’s observation, celebrities do their research with whatever information is available to the public. Unless one is expecting them to conduct their own lab test, one can’t really point a finger at them for supporting a brand they know to be true. “I also feel that the media needs to be more responsible in how it reports these issues instead of riding on the power of social media trends and ignoring the facts,” he adds.

     

    However, it is not always the celebrities who are at the far end of the stick. We saw the flip side of the relationship when, spurned by Aamir Khan’s public statement, several netizens took to social media to boycott his biggest endorsed brand of 2015 – Snapdeal. The Rs 30 crore deal, which took Aamir Khan to the fifth spot in the Forbes list of celebrities as per brand value, came under trial when several threatened to boycott the online shopping portal if the brand didn’t ‘snap’ its relationship with the star.

     

    Madison Mates CEO Darshana Bhalla, who handled the deal between Snapdeal and Khan, shares her take away from the entire incident. “In a situation like that of Snapdeal and Aamir Khan, the brand has got to hand hold. If they are distinctly sure of the communication, which came with having Aamir Khan on board, then even if there are ups and downs either from the brand’s side or the celebrity’s side, they have got to stay on. Because it is after a lot of analysis that the two parties have embarked on their journey together.”

     

    While Snapdeal issued an official statement saying that it was neither connected nor played a role in comments made by Aamir Khan in his personal capacity, at the end of the day, their association survived the storm.

     

    Changing ball game:

     

    What’s changing the game is undoubtedly the emergence of digital as an advertisement platform. A clear shift from the traditional to the digital medium has been seen and more so in 2015. More and more brands are moving from plastering vanilla deals through electronic and print media to YouTube and social networking sites like Facebook, Twitter, and Instagram for their trend value.

     

    What does that imply for celebrity endorsements? Multi-platform entertainment management company, Exceed CEO Uday Singh says that it offers a sea change in the way endorsements are looked at.

     

    “Earlier we used see celebrities at several on-ground activation events. Getting a big star onboard generally would guarantee several hundred footfall for the events. But times have changed now. Now instead of on-ground activation, online activations are being preferred. If a brand can get an Amitabh Bachchan onboard, who has one of the highest number of followers on social media, a single message from him can reach millions of people. The beauty further lies in the fact that the result is instantaneous and measurable,” Singh explains, adding that he finds the current changes in the advertisement sphere quite exciting.

     

    When asked if the standard for hiring a star to communicate a message for a brand would eventually depend on their social media traction, Singh says, “The parameters aren’t that singular. There are more than one or two factors, which marketers and brand managers consider when signing a deal with a celebrity. The person has to stand for something and has to be relatable to the brand’s target group.”

     

    Seconding Singh, Bhalla adds, “Between 2014 and 2015, the industry saw a slight paradigm shift in how advertising is treated. We noticed a unique focus on multiple platforms viz-a-viz electronic and print ads that we were so used to. Digital and mobile phones have made advertising more personal and targeted. The rapid growth of e-commerce has also led to an increased traction on digital platforms. Stress is given on content and brands are opting for a more narrative approach to their brand communication that emotionally connects consumers with the products. This opens a huge opportunity for celebrity endorsements. Celebrities have an advantage when it comes to forming those bonds and connecting with consumers emotionally,” she says.

     

    Celebrity or not, the 30 second TVC formula is a dying breed, says Blah. The advertising world is fast moving to digital and soon mobile will outdo television in terms of reach. Bhalla says, “The growing need to have a personal connect with consumers will lead brands to take the celebrity approach as well.”

     

    Noticing the shift in the way a brand endorsement is approached, Blah adds, “Gone are the days when actors were required to fit into a type cast to be able to join the brand wagon. Where action heroes would address certain brands, while actresses would represent glamorous products. Today, endorsements are not strategic calls but a tactical necessity on the part of the marketers to retain their USP, and celebrities are nothing more than the models who act in the TVCs, albeit with a larger reach that the marketer needs.”

     

    The number game:

     

    What exactly is a successful celebrity campaign? Is it by its content, how many calls the brand’s sales teams get after the campaign, or by how long people retain an ad in their memory.

     

    “While talking about a good campaign done with a celebrity, we are often caught analysing the creative input and the content, which is a subjective matter, if you ask me. Creatively appealing or not, ultimately what matters is how much a particular campaign and a star’s presence has helped the brand achieve its communication target. In short, how many sales call they receive,” Bhalla puts across straightforwardly.

     

    With relevance as the key, the profit and loss effect of an ambassador over a brand is the ultimate judge of that celebrity’s brand value. Going by that formula, Bhalla acknowledges that Snapdeal has worked really well for Aamir Khan, not to mention it was one of the highest grossing endorsement deals of the year worth approximately Rs 30 crore.

     

    Perhaps it has to do with the actor preferring to sign at least a year or two long contracts, instead of per day deals like most celebrities. “Ranbir Kapoor and Aamir Khan are two celebrities, who prefer to sign long term campaigns and only come onboard with a brand with brand communication in mind. This also puts them on the top of the list of highest paid celebrities for endorsements,” Bhalla says.

     

    An executive from a celebrity brand management company shares on condition of anonymity that if one were to break up these two actors’ endorsement fees on a per day basis, Aamir Khan can charge up to Rs 3 – 4 crore per day for an endorsement, while Ranbir Kapoor can ask for Rs 2.5 – 3 crore.

     

    “The high rates don’t necessarily effect a celebrity’s net earnings from endorsements. While Aamir and Ranbir charge a ton for a single endorsement, they are not onboard with too many brands,” says Blah.

     

    On the other hand, actors like Shah Rukh Khan, who recently reclaimed his top rank in the Forbes list of Indian celebrities in terms brand value in 2015, may be working with over 25 brands at a time. Sources share that SRK commands anything between Rs 2 – 3 crore as his per day endorsement fee.

     

    While Blah asserts that SRK seldom strikes a long term deal with a brand, Singh begs to differ. “There is a certain charm about Shah Rukh Khan for which brands can’t leave him. His long term association with Videocon shows that the actor must be doing something right for them to be carrying on with him. Even brands like Tag Heuer, which have recently signed Ranbir Kapoor for one of their promotions, are still continuing with their contract with Shah Rukh Khan. He is undoubtedly the king in the endorsement world in India,” stresses Singh.

     

    Going by the figures shared by a source, who works closely with the stars, SRK, Aamir and Ranbir are closely followed by Salman Khan with a per day endorsement fee of Rs 2 – 2.5 crore. On the other hand, cricketers Virat Kohli and MS Dhoni, actors Deepika Padukone and Akshay Kumar all charge in the range of Rs 1.2 crore approximately, followed by Katrina Kaif and Kareena Kapoor at Rs 1 crore. Endorsement fees of actors like Shahid Kapoor, Farhan Akhtar and Priyanka Chopra fall in the Rs 75 lakhs per day range.

     

    While the Khans continue to lead the number game, even though the year wasn’t the best for the Dabangg hit-maker, industry experts unanimously agree that Akhtar emerged as the new face of endorsement for several brands in 2015.

     

    “He has carved a niche market for himself as an urban man in a scenario where every other actor is either too young or has too much mass appeal. Brands looking for a man of credibility to communicate for their premium products, have only so many options to choose from. This was a market initially led by Saif Ali Khan, and now Farhan Akhtar is doing amazing well for similar products like Asian Paints and Chivas,” says Blah.

     

    Another new kid on the block to watch out for, says Singh, is Varun Dhawan. “The boy has chosen his films very carefully. While he has done roles that strike a chord with a masses, he has also appealed to the niche market. Starting with 2015, one can look forward to seeing him in several brand campaigns in the upcoming year as well.”

     

    When it comes to newcomers and new faces, 2015 has been a busy year for the likes of Alia Bhatt, Kriti Sanon, Shraddha Kapoor and Jacqueline Fernandes says Blah, adding that these ladies will continue to command television screen time, visibility through OOH campaigns as well as digital footprints in 2016 as well.

     

    Over all, experts foresee an exciting year ahead for celebrity endorsements albeit with their share of controversies.

     

    As long as India remains a country that is driven by visual communication for quick and effective reach, celebrity endorsements will continue to dominate the advertising space, be it electronic, print or digital.

  • Tata Sky partners Madhuri Dixit for interactive dance service

    Tata Sky partners Madhuri Dixit for interactive dance service

    MUMBAI: After launching the Actve Fitness service in association with Suniel Shetty, direct to home (DTH) service provider Tata Sky has now partnered with Madhuri Dixit Nene and Dr. Shriram Nene’s RnM Moving Picture to launch a new interactive service ‘Dance Studio.’

     

    The service will be powered by Dance with Madhuri (DWM) and will enable Tata Sky’s subscribers to learn various dance forms in the comfort of their homes.

     

    Priced at Rs 59, this standalone service, which is not part of Tata Sky’s value added services (VAS) standard package, is expected to target viewers from all demography, across its 15 million customer base. Launching ad free on a subscription only basis, the service will be free for the first 10 days. 

     

    “Dance is universal and after going through a customer feedback survey and researching on consumer insights, we realised that dance cuts across all our target audience – kids, parents, grandparents. For that matter dance as a sector had a huge demand and was under-catered from an ‘at home service’ perspective. So we decided to go ahead with it. The idea was to provide our customers with a service that helps them learn quick steps from the best of dance teachers from all genres in the industry and Dance With Madhuri was an obvious choice,” said Tata Sky chief commercial officer Pallavi Puri.

     

    Off late, the DTH player has launched a slew of interactive VAS services. When asked if video on demand (VOD) and VAS can become a sustainable revenue generating service for the company, Puri says, “For Tata Sky, both VOD and VAS services are two areas that we will be focusing on. These are services, which are distinct to Tata Sky. Our consumers know us for providing them with these unique services, so we will continue to expand them.”

     

    The launch will be complemented with an engaging digital campaign #DanceForHappiness that the DTH player released through their social networking arms earlier this week, thereby going digital first for their marketing and promotions. Tata Sky ran a contest on its Twitter page and the winners were felicitated during the service’s launch. The launch also saw the release of a series of TVCs focused on Dance Studio, featuring Madhuri Dixit.

     

    Explaining the theme behind the campaign, Tata Sky chief marketing officer Malay Dixit says, “Our research revealed that the expression of happiness across the country is instinctively through dance. That was the start of conceptualising the Dance For Happiness campaign, which later incorporated different factors that shape our reasons to learn dancing in the first place. This was the brief that we gave to Prime Focus – our creative partner for this campaign’s marketing and promotions.”

     

    The DTH operator’s home channel is the principal  point of communication and promotion for the new service.

     

    Breaking down the different functions, the entire campaign is aimed to serve. “While the header for the campaign remains Dance For Happiness, we have broken it down into two sections. Since it’s a new product, some parts of the campaign will need to address what the product delivers and the other half will cater to its emotional relevance with consumers. So the campaign will be a mix of product explanation, price point address and the emotion behind dancing,” he explains. 

     

    While he asserts that having a celebrity onboard a campaign does amplify the reach, the core of any product offering is the concept, which needs to be solid. That being said, Madhuri Dixit being the face of DWM, and the brand’s overall reach made it easier to propagate the message to Tata Sky’s consumers, Dixit adds.

     

    This association makes a big brand integration on part of RnM Moving Pictures, run by the husband – wife duo. When asked what that means for the start up,  Dr Nene says, “Being a start up, the key was to figure out sustainability, and how we can make it palatable and affordable at the same time. This particular joint venture opportunity with Tata Sky takes DWM to 15 million households. Individuals can access world class dance lessons at just Rs 59. Therefore, one significant part of our scope is to go out and partner with different brands and services that fits well with what we want to achieve, and Tata Sky just fits the bill like a hand to a glove.”

     

    He adds that Tata Sky also facilitates DWM to penetrate Tier II and III audience, a demographic which is harder to reach out for a digital start up like them. “The challenge has always been to reach out to the mass beyond the metros, and non uniform broadband coverage and internet availability has always hindered us in that respect. But with Tata Sky onboard, we can easily leap over this hurdle,” says an enthusiastic Nene.

     

    Apart from their DTH partnership, RnM Moving Pictures is also looking to expand its services internationally, starting with the United States and gradually moving to Dubai and the UK.

  • NDTV’s Indianroots.com adopts new marketing mantra to target tier II & III cities

    NDTV’s Indianroots.com adopts new marketing mantra to target tier II & III cities

    MUMBAI: At a time when every e-retail venture is shouting from rooftops about multiple discounts, exclusive offers and cashbacks, NDTV Ethnic Retail’s venture Indianroots.com has come up with a TVC showcasing their style and range.

     

    In a bid to target consumers in Tier II and III cities, the e-retail venture, which offers a range of Indian ethnic wear along with antique showpieces, has rolled out a nationwide campaign called ‘Inherently Indian,’ which will have presence on TV, outdoor and digital.

     

    The ‘Inherently Indian’ TVC, which was launched on 15 August, 2015 has already started appearing across NDTV channels and will also have presence on digital platforms. The brand strategy was conceptualised and created by Brandmovers India.

     

    Speaking to Indiantelevision.com, NDTV Ethnic Retail CEO Rahul Narvekar says, “We are currently mulling on whether we should put the TVC on other channels too. The ad brief had two major parts. Firstly, we wanted to depict our Indianess and the wide range of products.  And secondly we wanted to break the clutter. That’s the reason why we have not mentioned anything about discounts and pricing anywhere in the ad.”  

     

    Narvekar is happy with the response that the Soumik Sen directed TVC has garnered so far. “We have been trending on Facebook. We got calls from veteran Bollywood stars and other dignitaries praising the TVC and hence I am very delighted with the response.”

     

    Indianroots has recently raised additional funding for its expansion plans. “We want to be market leader when it comes to ethnic wear. In the last financial year, we garnered top line sale of Rs 61 crore and this year we want to grow further.”

     

    Narvekar added, “The new TVC will help establish our positioning around the idea of “Inherently Indian” in a visual manner and will beautifully blend fashion and story-telling, while highlighting typical quirks of our country. IndianRoots is a firm believer in Make In India and our TVC conveys the uniqueness and immense potential in this message. With this commercial, we aim to capture the attention and increase the recall value of Indianroots within the Tier II and III customer base of our country.”

     

    NDTV Ethnic Retail marketing head Paroma Sen said, “Indianroots has come a long way in the last two years, building up a strong foundation and business within and outside India. Coming in before the kickoff of India’s festive season this year, the TVC explores the moods and sentiments that every Indian will identify with. This TVC will help Indianroots build awareness in growing markets, and help us connect with our customers at a very human and emotional level.”

     

    Brandmovers India co-founder & managing director Suvajyoti Ghosh added, “Agencies, in general, do not rope in Bollywood directors to direct a TV spot, but in this case, we wanted Soumik’s unique story-telling vision to come through and create great cinematic quality. To keep it real, we avoided casting the typical model figure, and instead chose to portray the real, modern woman, with a distinct candour.”

     

    “The TVC is marked by a languorous verse narrative in Hindi written in-house and is centred around the concept of identity and beauty and how little Indian things are embraced everyday through the attires worn by women,” added Ghosh.

     

    Sen said, “Indian fashion is evolving and Indianroots is one of the harbinger of this revolution in Indian wear. The portal has always reinforced the notion that Indian fashion can also be stylish and modern hence, we wanted to create a commercial that talked about modern women embracing ethnicity. The modern Indian woman is someone who embraces her traditional roots with elan, and wears it every day. Capturing this on film implied making tradition chic and urbane, and bringing out her inner beauty. This was challenging, but it was a fun, monsoon shoot.”

     

  • After Madhuri Dixit, Shahid Kapoor debuts as judge on ‘Jhalak Dikhhla Jaa’

    After Madhuri Dixit, Shahid Kapoor debuts as judge on ‘Jhalak Dikhhla Jaa’

    MUMBAI: Colors popular dance reality show Jhalak Dikhhla Jaa has always given popular stars a platform to debut on TV as a judge. Madhuri Dixit being the biggest example, who was a part of the Jhalak panel for three years.

     

    To focus on other projects, Dixit has decided to take a break from the show this year. Replacing her will be critically acclaimed actor and dancer, Shahid Kapoor as a judge on the show.

     

    Kapoor will take viewers on a whirlwind journey of his dance roots that have been instrumental in catapulting his acting career as well.

     

    Colors CEO Raj Nayak believes that television has become the primary choice of engagement for the film industry with its reach and direct audience connect making it centre stage for mainstream popular entertainment. 

     

    He said, “At Colors, we have a legacy of providing the perfect platform to the biggest names from the film industry like Salman Khan, Anil Kapoor , Akshay Kumar, Rohit Shetty , Anupam Kher  Priyanka Chopra , Madhuri Dixit-Nene etc among others, to move one step closer to their viewers through interactive and engaging formats. We are excited to welcome Kapoor to the Colors family through his TV debut as judge on Jhalak Dikhhla Jaa; on the back of the box-office success of his latest films, with the most recent feather on his cap by bagging the top honours at IIFA.”

     

    Kapoor added, “When I first took up dancing, I had the privilege to work closely with some great mentors who not only honed my dance skills, but also helped me to shape my personality. As I join the Jhalak Dikhhla Jaa family as its judge, I am looking forward to share my learnings and experience with the contestants. Being a dancer brought discipline to my life and changed it completely; I’m now hoping to transfer some of the knowledge towards shaping the young and talented choreographers in our country.”

     

    “Kapoor’s appeal is enormous across age groups, especially amongst youth who take inspiration from his career graph from being a dancer to becoming one of today’s most sought after actors. His understanding of dance is unparalleled and his contribution to Jhalak Dikhhla Jaa will enable us to raise the bar of entertainment that the show brings to viewers year-after-year. Having said that, we would also like to thank Madhuri Dixit-Nene for being the ultimate connoisseur of Jhalak; this journey would not have been possible without her.”

     

    As per sources close to the development, the show is going on floors from 29 June and will go on-air in July. 

  • Colors set to launch ‘The Anupam Kher Show’ season 2 in July

    Colors set to launch ‘The Anupam Kher Show’ season 2 in July

    MUMBAI: “You could dream and stop or believe and reach the stars” was the core message of Hindi general entertainment channel (GEC), Colors, promised last year and delivered through its talk show – The Anupam Kher Show – Kucch Bhi Ho Sakta Hai.

     

    After having a popular stint last year, The Anupam Kher Show is all set to have its second season with an hope to extract more jewels of experience from celebrities and making them the shining beacon of possibilities for the audiences. The channel continues to have Jyothi Laboratories’ Henko as the ‘powered by’ sponsor.

     

    The show is expected to go on-air in July and will continue to be a Sunday property.

     

    The Anupam Kher Show is a format that has not been explored much but definitely experimented with by Hindi GECs. With this show, the genre saw a re-birth.

     

    Hosted by veteran actor – Anupam Kher, the show gave an unprecedented glimpse into the lives of celebrities, as they revealed stories of faith, hope, struggle, victory and success.

     

    Produced by Actor Prepares Productions, season one saw prominent celebrities like Shah Rukh Khan, Alia and Mahesh Bhatt, Vidya Balan, David and Varun Dhawan, Akshay Kumar, Kangana Ranaut, Kapil Sharma, Parineeti Chopra and Aditya Roy Kapur, Sonam Kapoor and Arjun Kapoor, cricketer Yuvraj Singh, Om Puri and Naseeruddin Shah on the show.

     

    In order to take the show a notch higher this season, Colors and Kher’s endeavour is to create a comfortable setting for the celebrities to share interesting anecdotes from their lives, which propelled them to achieve the goal they had set for themselves.

     

    This season the line-up of celebrities include Kajol, Anil Kapoor, Madhuri Dixit, Priyanka Chopra, Boman Irani, Irrfan Khan and Gulzar amongst others.

     

    Unlike other chat shows where celebrities come to promote their movies, the beauty of The Anupam Kher Show is that it involves no movie integrations, is completely non-scripted and sans cue cards.

     

    Though Kher had made the second season announcement a while back on Twitter, Colors CEO Raj Nayak made an announcement at the IIFA Awards 2015 this past weekend in Kuala Lumpur.

     

    Kher’s tweet read, “Thank you @ColorsTV & @rajcheerfull for another season of #TheAnupamKherShow. Let’s share more inspiring stories.”

     

    Sources inform that all the 12 episodes have been canned at Yash Rah Studios, Mumbai.

     

    Background

     

    The Anupam Kher Show – Kucch Bhi Ho Sakta Hai is an extension of Kher’s autobiographical play Kuch Bhi Ho Sakta Hai where he has openly spoken about his failure and how he manipulated his destiny. The thespian through the conversations with Bollywood’s biggest celebrities plans to uncover the hidden chapters from their book of life, stories of their resilience, heart breaks, triumphs and how they’ve turned every obstacle into a milestone just the way he resurrected his own life.

     

    When compared to earlier talk shows such as Movers and Shakers on Sab, Jeena Isi Ka Naam Hai on Zee TV, Issi Ka Naam Zindagi on Star Plus and Koffee With Karan season 4 (repeats) on Star Plus, The Anupam Kher Show was rated the highest in terms of viewership for the launch episode.

     

    According to data provided by the channel, The Anupam Kher Show opened with 2,591 TVTs in week 28, whereas Movers and Shakers recorded 2,283 TVTs,Issi Ka Naam Zindagi registered 1,089 TVTs and Koffee With Karan season 4 had garnered 738 TVTs.

     

    According to Nayak, people’s perception was that talk shows don’t get the ratings and by achieving the title of highest rated show during launch, he believed the show had managed to get both, perception and ratings.

  • Season 7 promises ‘jhalak’ of unheard dance forms

    Season 7 promises ‘jhalak’ of unheard dance forms

    MUMBAI: Bollywood, jazz, hip-hop, salsa, waltz… if you think you’ve seen it all, the upcoming season seven of Jhalak Dikhla Ja seven, Colors’ popular dance reality show, promises many more dance forms from around the world that you’ve never heard of, let alone seen.

    7 June onward, audiences will be treated to a bigger, better, bolder edition of JDJ every Saturday and Sunday night on Colors at 9pm.

    A premium television property modeled on the international show Dancing with the Stars, JDJ will see 13 celebrity contestants battling it out for the best dancer title. Dancing diva Madhuri Dixit will be back as the judge and will be seen performing some of the new dance forms.

    This season, Karan Johar, who seemed to be the easiest to please judge until now, will take on a no-nonsense avatar focusing purely on performance. Remo will sport a grunge look to go with his surly demeanor and promises to be a hard taskmaster where contestants are concerned.

    Joining the jury will be Ukranian dance expert and winner of Dancing with the Stars Maksim Chmerkovskiy, taking the competition to a global level.

    This season, viewers will see new hosts in Ranvir Shorey and last season’s winner Drashti Dhami. Performances will no longer be confined to the stage but will venture outdoors as well. Upping the ante, Salman Yusuff Khan and Lauren Gotteib will take on the role of adversaries and challenge contestants in an exciting dance combat.

    Popular comic Sudesh Lehri will provide comic relief in the all dance routine.

    About the new season, Colors CEO Raj Nayak says, “We are very excited because this time, we are trying a lot of new things. We have lots of new elements, lots of tadka, and you will see this season leaping to another level.”

    Laughs Dixit, “Contestants have to learn to earn it, and the new anchors will too have to earn it.”

    Says Nayak, “It’s always been tough. But this time, we are going to make it that much tougher. We are going to take contestants out of their comfort zones and India will get to see forms of dancing they have never seen on any other dance show ever.”

    BBC Worldwide India SVP and GM and content head, Asia, Myleeta Aga, who makes it a point to start penning down ideas for the next season as soon as one season starts, “Colors is an amazing broadcaster to work with. They are real supporters of content and they understand the importance of making a production work about scale, think of innovation. It is a great partnership.”

    Nayak says of all the elements, casting is most difficult. “It is the most difficult thing, because people who want to come on the show are the people we don’t want, and people who we want on the show don’t want to come on the show and it takes a lot of convincing,” he laughs.

    This season, the celebrities demonstrating their dancing chops include Kritika Kamra, Mouni Roy, Purab Kohli, Karan Tacker, Sophie Choudry, Pooja Banerjee, Ashish Sharma, VJ Andy, Shakti Mohan, Akshat Singh, Sukhwinder Singh and Kiku Sharda in his avatar as Palak (of Comedy Nights with Kapil) and S Sreesanth.

    Explaining the selection process, Colors digital head Vivek Srivastava says, “Dancing ability is the number one criteria while selecting any celebrity. The other aspects of the casting have to be differentiated. You have to have the best mix people and that is what we have achieved this time.”

    Adds Nayak, “They are coming and becoming vulnerable in the public eye especially when they are all celebrities. For them to come and participate needs a lot of courage and conviction. People who come on the show come to win and that is why you see a lot of hard work going into the show.”

    For Aga, maintaining the standard has been most challenging. “People have an expectation on Jhalak and we can’t afford to lose that. Every season is about re-inventing, adding new elements and yet sticking to the things that work well,” she says.

    As for sponsors, Cadbury Bournvita has come on board as the presenting sponsor of the show for the third time in a row. Besides, Colors has roped in Gionee Smartphones as the powered by sponsor. The latter was also one of the sponsors of Colors’ Khatron Ke Khiladi. The associate sponsors are Ultratech Cement, Liberty Shoes, Ruchi Soya, Johnson & Johnson’s Clear & Clear and Luminous Water Purifier.

    Interestingly, according to sources, the channel has increased its ad rates by 15-18 per cent over the last year. Cadbury is said to have shelled out around Rs 12-16 crore and Gionee a little less than that. The associate sponsors have been charged around Rs 5 crore and the channel is asking for Rs 3- 3.5 lakh per 10-second ad spot.

    Sources from the channel indicate that the show breaks even every season and makes profit. This season, it is looking at 20-30 per cent growth in ad revenue as compared to last year. Industry experts believe that Colors could rake in Rs 70-75 crore ad revenue this season.

    Talking about advertisers’ response, Srivastava says, “The channel like always has got fabulous response from the advertisers. Jhalak never had problems with sponsorships; in fact we had the problem of plenty.”

    Marketing and promotion

    Colors is all set to promote its marquee property in a big way. While the promos are already on-air, the show will also be marketed through other mediums like radio, cinema, digital and ground activations.

    As part of ground activations, the channel is going all out in smaller markets, including LC1 markets. Branded autos with speakers will play the signature tune of the show. The 15-day activity will speak of how the show is different this time.

    “The challenge is to make the new season as entertaining and as challenging as the last one,” says Srivastava.

    Digitally speaking, contests have been designed on a huge scale where viewers will post their take on the show’s best moments. Those who post the best comments will be given an opportunity to meet their favorite celebs and also perform with them. It will be the ‘Do Your Jhalak moment’.

    Says Nayak, “The idea this time is purely about connecting with their favorite contestants and stars. So, it is all about background stories, what is happening in your lives, it is not just about what is happening on Saturdays and Sundays when the show goes on-air, but it is about what happens seven days a week.” Nayak believes that the channel has a great marketing team who is good in spending and getting good hit for the buck.

    There is a website http://colors.in.com/in/jhalak-dikhhla-jaa, where there are various sections where one can come to know about behind the scenes, promo videos, pictures and profiles of the contestants.

    While industry experts reveal that the marketing spend would be around Rs 6-8 crore, Srivastava simply says, “Jhalak is a big non-fiction property for Colors, and year-on-year we spend as much as we think it deserves and Jhalak is our marquee property. We would do justice to our property.”

  • Gulaab Gang: Colourless

    Gulaab Gang: Colourless

    MUMBAI: There are a whole lot of enthusiastic new filmmakers who want to be launched and they are often impressed by a local story, episode or a character that they think, it is a subject apt for a film. But biopics are not accepted in India generally. Even a film like Gandhi only just managed to scrape through. The others, whether on Nehru, Bose, Patel or Ambedkar have been box office disasters.

    The story of Gulaab Gang emanates from a real-life UP character, Sampat Pal Devi, who commandeers a gang of women adorned in pink saris. The gang’s agenda is to get justice for the poor ill-treated women of the area. The makers deny that the story is based on the life of Sampat Pal Devi and even run a slide at the beginning to the effect, but the similarities of not only the basic concept but even the events and incidents are the kinds Devi dealt with. In which case, coincidences to a real life character abound in this film.

    Madhuri Dixit is beaten black and blue by her step mother even as her father looks on. But she is determined to learn to read and write. Next thing you know, Madhuri has suddenly turned into a middle-aged woman who runs this gang-cum-NGO described as Gulaab Gang. Her campus looks like one from a Bruce Lee Kung Fu film teaching a bunch of Chinese students the art of self-defence, except that here there are pink-sari-clad women trying their hands on lathi wielding.

    Producer:  Anubhav Sinha.

    Director: Soumik Sen.

    Cast: Madhuri Dixit, Juhi Chawla, Tannishtha Chatterjee, Priyanka Bose, Divya Jagdale.

    In a poorly conceived script, nobody seems to care for Madhuri and her pink brigade or seems oblivious of it because the crimes against women abound in her region! Her reputation is not enough; every time, she has to demonstrate the power of her lathi brigade! After a couple of demos to establish the might of Gulaab Gang, the routine sets in. The film proceeds to show the same politicians vs police vs ordinary citizen saga which finds its roots in post emergency antiestablishment era of filmmaking.

    It is time to pit Madhuri against her bete noire, Juhi Chawla. She is an overambitious widow of a politician with dubious credentials. She is a well established leader doing very well for herself and her party. Yet she decides to cross swords with Madhuri for no apparent reason. It is only one of the incidents of several for which there is no explanation. Things happen with no reason. The film loses its viewer every few minutes.

    While Madhuri and Juhi are pitted against each other for nothing, the usual caricatures hanging around a politician and well-meaning Taus hanging around Madhuri abound.

    Except for using real life incidents from Sampat’s life, the film has nothing original to offer.  These incidents, which needed to be cemented together to make this into an interesting narration is grossly missing. The direction is shoddy when not amateur; the director has no clue as to his medium or the theme. Dialogue is poor. Editing could have worked to halve the film’s length. The use of music is pretentious with little relevance. Madhuri tries to portray a combination of Santokben Jadeja (Vinay Shukla’s Godmother) and Dhankor Ba (Supriya Pathak in Ram Leela); what is she, a social worker or a don? Juhi is a poor version of her former self.

    Gulaab Gang is an arduous watch; a punishment to sit through.

    Queen: Marry Go Round

    Queen is a coming of age movie. While we keep making the odd coming-of-age hero-oriented film now and then, their scripts remain half-baked. Queen is about a girl on the verge of her marriage who gets a second chance to see the world and come out of her cocoon.

    Kangana Ranaut is Rani and her boyfriend has dubbed her queen. Kangana is from a traditional Punjabi halwai family leading a disciplined life. She is the obedient, home-to-college/college-to-home type. Rajkummar Rao, the son of a family friend, is besotted with her simple beauty and starts chasing her. Since the families know each other, a marriage date is soon fixed.

    Producers: Anurag Kashyap, Vikramaditya Motwane.

    Director: Vikas Bahl.

    Cast: Kangana Ranaut, Rajkummar Rao, Lisa Haydon.

    Rajkummar is now a foreign-returned groom, having just got back from finishing his education in London. A couple of days before the marriage date, his foreign experience catches up with him. He does not want to marry Kangana anymore; she does not seem his type. He breaks the news to Kangana while his folks do so to her parents.

    Kangana is devastated. Any girl from a traditional family who has known only one man in her life, her groom to be, would be. After spending a couple of days locked up in her room, she emerges to face the world. She has the ticket and the visa to visit Paris, the trip was planned as her honeymoon trip and she decides to make it a solo honeymoon trip.

    A shy and scared Kangana discovers herself in this strange land with a language she does not understand. She befriends the hotel waitress, a single mother, Lisa Haydon, who has some Indian genes in her and can mutter some Hindi. After spending a few days in Paris, Lisa packs her off to Amsterdam. The travel, she feels, will help Kangana and help change her outlook.

    It is time for Rajkummar to miss Kangana and he is back on her spur. He wants to rekindle the romance and even feels jealous when he sees her in the company of other men. But Kangana is in no hurry. She wants to complete her tour. Decisions about life can always be taken at leisure.

    Queen is a simple but nice story about traditions vs breaking the shackles. Foreign locations make it a bit more watchable. The film rests solely on the shoulders of Kangana and she does justice to her role. Rajkummar does not fit the romantic hero any which way you look at it; not even if you think of a middle class family. The supporting cast is apt. Songs are well choreographed. Direction is good.

    Queen is a watchable film but suffers due to face value and exams. It will get praises but little from the box office.

    Total Siyapaa: Total Waste

    Total Siyapaa is an idea worth exploring. It is about an independent-minded Indian Punjabi girl falling in love with a Pakistani Punjabi boy in a neutral land that is England. Alas, Total Siyapaa may have the initial idea, but the film fails to develop into something more substantial and falls flat on execution.

    Yaami Gautam is taking her Pakistani boyfriend, Ali Zafar, home to meet her parents, Kirron Kher and Anupam Kher. While Yaami awaits his arrival, Ali is in constant touch with her and mentions having brought a bomb of a gift for her. A Pink Panther kind of cop, gnawing on his doughnut, happens to pick up the word ‘bomb’ and, instead of his girlfriend’s house, Ali finds himself in a police lock up. The level of humour the film plans to unleash on the viewer established, the film proceeds to dish out more of the same.

    Producers: Neeraj Pandey, Shital Bhatia.

    Director: Neeraj Pandey.

    Cast: Ali Zafar, Yaami Gautam, Anupam Kher, Kirron Kher, Sara Khan.

    Even while the debate on acceptance of a prospective Pakistani son-in-law continues, he is already ordered around by Kirron and made to do household chores. In an attempt to defrost soup, the container slips out of Ali’s hands, goes straight out of the kitchen window and lands on Anupam’s head, knocking him unconscious. The police, it is made to look, don’t take too kindly to the Pakistanis and Yaami does her best to keep Ali away from the scene of this accident not knowing the man lying unconscious on the street is her very own father.

    When it is realised that the victim could well be Anupam the action shifts in his direction. Efforts to create funny situations out of his hospitalization, his encounter with a hooker and his family’s search for him don’t succeed. There is no comedy; the situations are just not funny enough. There are some side tracks like Yaami’s sister, Sara Khan, who has had a fight with her husband and has come to stay with her parents, and a running tiff with the Pakistani neighbors. The grandfather’s track is juvenile.

    Performances are generally mediocre. Yaami is okay. Ali can’t act and ends up making awkward gestures with his hands. Kirron does what she is expected to do: play a loud Punjabi woman. Anupam is wasted. Sara Khan does well while the best of the lot is the child who plays Sara’s daughter; she is the only natural one.

    The script is loose and lacking in substance, which makes the direction as uninspiring. The film has two good songs in Nahi maloom….. and Chal Buleya

    A poor fare with indifferent public response, Total Siyapaa faces the threat of discontinuation from cinema halls mid-week.