Tag: Los Angeles

  • Anita Dongre shines in Beverly Hills

    Anita Dongre shines in Beverly Hills

    MUMBAI: Anita Dongre has brought a touch of Rajasthan to Rodeo Drive country. The celebrated Indian designer has opened her 3,000 square feet  flagship boutique on Wilshire Boulevard, Beverly Hills, becoming the first Indian designer to debut a store in this iconic fashion district.

    This new outpost is Dongre’s fourth international store after New York and Dubai, a milestone that underscores her mission of “taking India to the world.”

    Co-hosted by Mindy Kaling and Poorna Jagannathan, the launch saw a gathering of South Asian trailblazers from Hollywood and fashion, including Jay Shetty, Payal Kadakia, Richa Moorjani, Deepica Mutyala, and Nidhi Sunil, among others. Together, they celebrated a designer who has long woven culture, craftsmanship, and conscience into couture.

    The store itself feels like a serene slice of Rajasthan, its hand-painted Pichhwai walls, embroidered cushions, and bespoke wallpaper handcrafted by Indian artisans. Every corner reflects Dongre’s signature balance of mindful luxury and timeless artistry.

    At the centre stands a striking elephant matriarch and calf installation from The Great Elephant Migration, an art movement supporting sustainability and indigenous craft communities. Made from invasive lantana weeds, the sculptures are both art and activism, a fitting metaphor for Dongre’s eco-conscious vision.

    “Every creation we make is touched by the hands of skilled women artisans whose stories inspire our work,” said Dongre. “Bringing their artistry to Beverly Hills isn’t just about fashion, it’s about giving India’s craftspeople the global platform they deserve.”

    Rooted in Rajasthan yet globally resonant, Dongre continues to redefine what modern Indian luxury looks like: authentic, ethical, and exquisitely made. With her Beverly Hills store, she adds another glittering thread to her international legacy.

  • Netflix lends support to those affected by fires in LA

    Netflix lends support to those affected by fires in LA

    MUMBAI: In response to the devastating wildfires that swept across Southern California, Netflix and its co-CEOs, Ted Sarandos and Greg Peters  stepped up to support those affected. At least that’s what Sarandos  assured  in a blog post last week that the company was committed to aiding  employees and the wider community during this difficult time.

    “Many of our employees and creative partners have been directly impacted by this disaster,” Sarandos stated.

    To facilitate recovery efforts, Netflix has pledged a substantial $10 million donation. This funding will be distributed among several organisations, including the Los Angeles Fire Department Foundation, California Community Fund Wildfire Recovery Fund, World Central Kitchen, Motion Picture and Television Fund, and Entertainment Community Fund, aiming to provide immediate relief and ongoing support.

    In addition to financial contributions, Netflix is directly assisting affected employees, including offering temporary housing solutions for those who have lost their homes. The company is also implementing a double-match for all employee charitable contributions through its giving program.

    Sarandos expressed gratitude to the firefighters and first responders tirelessly battling the flames. “These heroes have been saving lives and communities with little rest,” he remarked.

    Reflecting on the spirit of Los Angeles, Sarandos, a long-time resident, noted, “For many, LA is more than just palm trees and movie stars; it’s a family of hardworking individuals from diverse backgrounds.”

    He higlighted the community’s resilience, stating that while many dreams may currently feel distant, the capacity to rebuild is strong.

    “The next few years will pose challenges, but we will come back stronger than before,” he concluded. 

  • Trailer Park Group names Tamagna Ghosh as managing director APAC

    Trailer Park Group names Tamagna Ghosh as managing director APAC

    Mumbai: Entertainment marketing and content production company Trailer Park Group has announced the appointment of Tamagna Ghosh as managing director for Asia Pacific and China (APAC) on Wednesday.

    It has rolled out the next stage in its APAC expansion strategy. It has also appointed Gina Grosso as SVP of global production as well as made a significant investment in state-of-the-art technology.

    In his new role, Ghosh is charged with driving the firm’s bold expansion strategy across the APAC entertainment and the gaming market landscape, including organic growth as well as M&A activities to scale Trailer Park Group’s on-the-ground presence and offering in the region.

    Ghosh joins Trailer Park Group from Amazon in Mumbai, India, where he spent six years as head of creative marketing for Prime Video, leading marketing and original music creation efforts for the most popular IN Original titles including The Family Man, Mirzapur, Paatal Lok, and Made in Heaven. A veteran in the media and entertainment sector, Ghosh has held previous creative leadership positions in Walt Disney Studios, where he introduced India localized theatrical marketing strategies for iconic franchises like such as Avengers and Star Wars, Jungle book.

    “We could not be more excited to announce this next phase in our growth plan for the APAC region, and to welcome Tamagna and Gina to the Trailer Park Group leadership team,” said Trailer Park Group CEO Rick Eiserman.

    He added, “APAC is one of the world’s largest growth markets and our investments in this region are crucial to meet our clients’ global demands. Both Tamagna and Gina’s impressive backgrounds and deep industry experience make them exceptionally well-qualified to help us grow our business throughout the region.”

    “I’m honored and energized to partner with Trailer Park Group during this exciting time of growth and innovation in APAC and lead the charge for its next level of growth in this region,” said Tamagna Ghosh on his appointment.

    “I have watched the creative economy boom in India and APAC for more than a decade, and yet its full potential is still untapped. I am excited to join forces with White Turtle Studios, bring in industry leading partners like Art Machine and Trailer Park, and can’t wait to build a world-class creative powerhouse to nurture and amplify the region’s creative talent and open up opportunities to be a part of the global creative workforce,” he added.

    In addition to Ghosh, Trailer Park Group has appointed Gina Grosso as SVP of Global Production, a newly created role that will see Grosso streamlining the production integration and workflow between all of Trailer Park Group’s global operations and connecting its network of studios globally for clients. Prior to this, she was with Publicis Groupe where she held the role of Head of Production and Operations for North America, Grosso is an experienced production and operations lead with a demonstrated history of leading five production studios simultaneously across North America, while connecting and aligning multiple studios across Latin America, and Europe.

    On her new role, Gina Grosso commented, “My goal in this role is ambitious, yet simple: create seamless and scalable workflows across offices and territories so our teams around the world can create, with flawless execution, more of the exceptional, award-winning content our clients expect. I look forward to partnering with Rick, Tamagna, and the rest of the Trailer Park Group leadership team as we transform the company into a 24/7 content, creative, and production network, and tap into the best talent globally.”

    Trailer Park Group, which works with many of the world’s largest media and technology companies, networks, studios, and streaming platforms such as Amazon, Disney, HBO, Netflix, and Xbox, has long been committed to providing an industry-leading security and technology infrastructure. As the company broadens its reach in locations around the globe, it has invested significantly in high-speed, global asset management technology and point-to-point workflow options—for even the most secure projects.

  • Moonbug eyes the Indian kids’ content market

    Moonbug eyes the Indian kids’ content market

    MUMBAI: Kids-focussed entertainment company Moonbug is betting big on the Indian market with its wide bouquet of appealing kid fare for pre-school children. The company – which acquires, creates and distributes content for kids – is in active discussions with some of the leading platforms in India.

    The London-headquartered company views India as a key market when it comes to selling its engaging kids content, especially in the context of the proliferation of digital platforms in the country, says Moonbug EMEA head Nicolas Eglau. 

    “We would love to work with leading platforms, studios and brands to put Moonbug characters into the hearts and minds of Indian families. The response from the Indian market so far has been very encouraging. And we feel very bullish about India’s prospects in 2020. We are exploring different opportunities within India and are working with both media platforms as well as ed-tech companies like Byju to create even more educational content for our viewers and their families,” Nicolas told Indiantelevision.com in an email interview.

    Moonbug seeks to establish itself as a brand known for high-quality, fun, safe and educational kids programming across India. “We’re looking to have a 360-degree exploitation, meaning we’ll be licensing everything from content to toys to merchandising, etc. We have a lot of new licensing deals in the coming months globally, so be on the lookout,” he said optimistically.

    India is a massive market for Moonbug as the country is beginning to explode in the field of kids’ programming, especially on digital platforms. Nicolas says that Indian parents are particularly interested in safe and fun content with learning benefits, and this is exactly what Moonbug creates, making its content especially popular. 

    According to him, India is an exciting space as more platforms and revenue models such as AVOD, SVOD and TVOD emerge that cater to the fragmented market.

    Founded in 2018, Moonbug is one of the prominent digital kids IP owners in the world with its main office also in Los Angeles. Moonbug, which attributes its success to a strong data-backed content strategy, was the third largest kids’ entertainment media organisation in January this year in terms of minutes watched, as per Tubular’s Audience Measurement solution.

    Moonbug currently has relationships with 70+ streaming platforms on both local and global scale, including Netflix, Hulu and Roku. “And we are always looking for new licensing partners. We currently license our IPs to these different platforms for an agreed amount of time and in the preferred language(s). Two of our most popular IPs are Little Baby Bum and Supa Strikas, which just premiered on Disney India,” Nicolas said. 

    With regard to associations and the content licensing system, Nicolas said that the company takes a strategic, agnostic approach and syndicates its content through numerous channels, OTT platforms and on-demand services.

    There is no dearth of content-makers for kids in India. What then is Moonbug’s USP to stand out from the rest? What then distinguishes Moonbug from the others, according to Nicolas, is the fact that it has a unique content offering that is created to be a natural part of a child’s upbringing. “Our wholesome content is focused on healthy values and allowing kids to learn essential life skills, often based on familiar nursery rhymes and music. While local content and IPs have been introduced recently, the market is large and foreign IPs are getting a lot of traction.”

    The Indian market, he feels, is pretty similar to the West in terms of kids’ content. While there are of course many languages across the country, he has found that there are many common themes in terms of content interests.

    He foresees India as a prominent content-consuming market with the proliferation of more OTT players. “These platforms are not afraid to experiment and thus we’ll start to see more content being consumed across all consumer touchpoints, especially mobile,” he stated.

    Nicolas is pretty much amazed by the fact that the world is a large pool of rewatch-happy kids. “One of the biggest trends we’ve witnessed across the globe is that kids are repeating their viewing patterns on all platforms. Instead of looking for the newest or latest content/videos, they look for what’s familiar. Kids will spend hours watching and re-watching their favorite characters and are interacting with these characters more.”

    Regarding the Asian market in particular, he said: “We’ve also found that Asian parents, in particular, are keener on learning, especially hard skills like math and reading. However, given all that is happening right now in the world, parents everywhere are looking for more educational content to keep kids busy while at home. We’re continuing to focus on pushing this content and are using these findings to help develop more educational-focused storylines.”

  • Tulsea hires Suchir Batra as SVP: reports

    Tulsea hires Suchir Batra as SVP: reports

    MUMBAI: Talent and content management company Tulsea has hired WME business affairs executive Suchir Batra as SVP, according to a report by Deadline. Batra will lead the company’s expanded international business based in Los Angeles.

    He will leverage his experience as an entertainment lawyer, agent and biz-affairs executive to come up with opportunities that are aligned with Tulsea’s plans and presence in India. He will also work with subsidiaries in India and Africa to generate more opportunities for Tulsea’s roster of talent, corporate and production company clients.

    Batra has previously worked at Fullscreen and Greenberg Traurig. He was also an agent at William Morris Agency before the Endeavor merger, helping to launch William Morris Consulting in the UK.

    Mumbai-based Tulsea, founded by Datta Dave and Chaitanya Hegde, has helped in getting writer and director talent for TV series and films including Sacred Games, Leila, Ghoul, Mirzapur, Made in Heaven, Metro Park, Brown Nation, Lipstick Under My Burkha, Udta Punjab, NH10, Masaan and Uri: The Surgical Strike.

    Additionally, Tulsea is also a strategic advisor for international and domestic studios, production companies and platforms.

  • Los Angeles Tourism partners with Sonam Kapoor in new campaign

    Los Angeles Tourism partners with Sonam Kapoor in new campaign

    MUMBAI: Los Angeles is no stranger to star power, so when it came time to showcase the city’s thriving arts and culture, culinary, sports and hotel scenes to Indian travelers, Los Angeles Tourism looked no further than one of India’s favourite couples, Sonam Kapoor and Anand Ahuja. The destination has featured the duo in its latest digital marketing campaign.

    Tapping into Sonam and Anand’s passion for reading, vegan cuisine, the film industry, basketball, art, and more, the four-episode campaign shows them visiting the legendary Los Angeles County Museum of Art, experiencing the one-of-a-kind Warner Bros. Studio Tour Hollywood, tasting Chef Esdras Ochoa’s famous vegan tacos at Salazar and vibing at the hot Hollywood Roosevelt Hotel. Paid content will run on Facebook and through a partnership with Times of India, while Sonam will also be posting content on her social media accounts.

    Los Angeles Tourism began investing in travel trade efforts in India back in 2016 and consumer marketing efforts began in 2017. In 2018, the city welcomed more than 130,000 visitors from India, a 5.1 per cent year-over-year increase. On average, Indian travellers spend 8.6 nights in Los Angeles with research indicating sightseeing (95per cent), shopping (77per cent) and art galleries & museums (37per cent) as top preference.

    The destination aims to grow its share of visitors from India and will undertake continued trade and consumer marketing initiatives throughout 2019 to include thematic familiarisation tours, trainings and more.

  • DNEG wins its fifth VFX Oscar – second consecutive win

    DNEG wins its fifth VFX Oscar – second consecutive win

    MUMBAI: DNEG, Prime Focus’ creative services arm, was recognized at the Oscar’s in Los Angeles for the work on First Man with a 5th Academy Award for Best Visual Effects.

    This is DNEG’s second consecutive VFX Oscar, with Paul Lambert winning the award last year as VFX Supervisor on director Dennis Villeneuve’s Blade Runner 2049, and it means DNEG has now received the Best VFX OSCAR for four out of the last five years. DNEG’s Academy Award-winning VFX Supervisor Paul Lambert and DNEG DFX Supervisor Tristan Myles accepted the award for ‘Best Visual Effects’ for their outstanding in-camera FX work on First Man, alongside Miniature Effects Supervisor Ian Hunter, and Special Effects Supervisor J.D. Schwalm.

    DNEG won its first VFX OSCAR in 2011 for work on director Christopher Nolan’s mind-bending thriller Inception.  This was followed by another collaboration with Nolan on the sci-fi blockbuster Interstellar, which won in 2015. In 2016, DNEG accepted the VFX OSCAR for work on Alex Garland’s directorial debut Ex Machina, followed by Blade Runner 2049 last year.

    Speaking about the award, VFX Supervisor Paul Lambert said: “It’s such a great honour to have won this wonderful award. We did things a little bit differently in terms of the visual effects for First Man so being recognised by the Academy is all the more special. It goes without saying that none of this would have been possible without our amazing cast and crew throughout the project – pre-production, the shoot and everybody in post — All of us led by the truly inspirational Damien Chazelle.”

    “Huge thanks to the producers of the movie: Marty Bowen; Wyck Godfrey; Isaac Klausner and Adam Merims; Universal VFX  Heads Jennifer Bell and Bill Tlusty; my VFX Producer Kevin Elam; and a big shout out to Michelle Eisenreich and all my people at DNEG Vancouver. We seem to have done it for the second year running!”

    Meanwhile, DFX Supervisor Tristan Myles, said: “Wow! What an achievement to have won this prestigious award! Special ‘Thank You’ to the talented VFX team back home in Vancouver, without whose fantastic work this would not have been possible.”

    DNEG CEO, Namit Malhotra, said: “It’s a huge honour for the team’s work on First Man to be recognised with an OSCAR. While our primary focus is always on supporting the amazing storytellers we work with through the creation of state-of-the-art effects, it’s fantastic for our global teams to be recognised by the industry for their hard work and dedication.

    “We are massively grateful to the director, Damien Chazelle, for having the confidence in our teams and technology to push the boundaries of visual effects.”

  • Hollywood with Sarah Idan

    Hollywood with Sarah Idan

    WION is introducing an entertainment television series that will be hosted by Miss Iraq 2017, Sarah Idan, from the city of Los Angeles. Starting February 2, 2018, ‘Hollywood with Sarah Idan’ promises to bring viewers upto speed with all the happenings in Hollywood. The television series will feature the biggest film releases, celebrity news, interviews with Hollywood bigwigs, the latest music albums,  highlights from Award shows as well as the red carpet. In a nutshell, the show will bring to you everything that you need and want to know about Hollywood.

    Sarah Idan became the first Miss Iraq to participate in a Miss Universe contest after a gap of 45 years. The 27-year-old is the second Iraqi woman in history to represent her country at an international pageant, a fact that brought  her a lot of public and media attention worldwide.  She grew up in Baghdad and started working for the United States Army as a linguist when she was only 18 years old – this ultimately granted her the opportunity to travel the US and earn her degree in Music in Los Angeles. She’s a recognised musician in the Middle East and known for her Music in an Egyptian film.

    Sarah’s fearless personality and penchant for speaking her mind have made her quite popular among those who aim to break cultural limitations and bring about a positive change in the society. She received death threats for taking a selfie with her Israeli counterpart, Adar Gandelsman. The controversy first arose on Nov 13, 2017 when she posted a selfie with Miss Israel with the caption ‘Peace and Love from Miss Iraq and Miss Israel’. It backfired in ways that she could not have imagined. Having a dual citizenship in the United States helped her escape prosecution in Iraq.

    Now based in LA, she will be hosting ‘Hollywood with Sarah Idan’ exclusively  on WION.  She is excited to team up with the international news channel  for this television series as it combines her passion for Movies, Music, Arts and Public Communications.

  • X-Men: Apocalypse is set for 11 June on Star Movies

    MUMBAI: What do you do when you’re up against a God? Apocalypse, the first and most powerful mutant has awakened and along with the four horsemen he recruits; is determined to destroy the world as we know it. All hope for survival is futile, but the young mutants will have to step up as X-Men in their biggest challenge yet. A battle no true superhero fan can ignore.

    Directed by Bryan Singer, the ninth installment in the X-Men film series and a sequel to X-Men: Days of Future Past, X-Men: Apocalypse will premiere on Sunday 11th June, at 1pm & 9pm only on Star Movies.

    X-Men: Apocalypse offers a perfectly cohesive combination of action, drama, science and fantasy to deliver a compelling narrative with some top-notch special effects and prodigious action sequences. It combines the color, wonder and exuberance of a real comic book with gloriously cinematic storytelling that results in an action-packed ninth installment of the X-Men franchise.

    A superhero movie’s strength lies in its capability to win over the audience and this film has managed to become a huge success story in the X-Men franchise leading the box office across most markets globally. Speaking to the Los Angeles Times, director Bryan Singer said, “Our movie is all about our characters. I mean, yes, there is that stuff — the big stuff, I guess you’d say – and the audience will get their fair share of that. But ultimately, it’s about the characters.”

    As the fate of the Earth hangs in balance, will the X-Men be able to defeat a God? Witness X-Men: Apocalypse on Sunday 11 June 2017 at 1:00 PM and 9:00 PM on Star Movies and Star Movies HD.

  • Tata Comm building global cloud-based media platform for VICE Media

    MUMBAI: Tata Communications is building a global cloud-based media platform for VICE Media to enable the company’s producers and editors around the world to collaborate as if they were together in the same location. This represents a major shift in how VICE Media’s 5,000 employees work together.

    Previously, VICE Media stored its content on premise which made teamwork challenging between different studios.

    Tata Communications, a leading provider of A New World of Communications™, has been chosen by VICE Media to build a high-performance, completely cloud-based platform for global media asset management, storage, content contribution and distribution. It will enable VICE Media to capture content anywhere in the world, and quickly make it available to hundreds of editors in production centres in New York City, Los Angeles, Washington DC, Toronto and London, for publishing and broadcasting across VICE Media channels.

    The new platform is underpinned by Tata Communications’ Media Ecosystem, which offers VICE Media a full set of media solutions. It includes the Video Connect service, which complements VICE Media’s local area network and provides the company with a global area network of video contribution and IP connectivity. With speeds of up to 10Gbps, Video Connect enables a seamless transfer of video files and remote collaboration between VICE Media teams across different geographies as if they were in the same location.

    The Media Ecosystem is also equipped with Tata Communications’ IZO™ Cloud Storage, which provides VICE Media with secure, reliable private cloud-based media storage for read-write access and archival of data-intensive video files. Previously, some of these files were stored on-premise which made teamwork challenging between different studios. All VICE Media’s files, including videos in HD, 4K and UHD formats, are also now replicated in multiple private cloud locations around the world in real-time for back-up and disaster recovery. Additionally, Tata Communications has integrated VICE Media’s media asset management and file acceleration tools into the new bespoke platform, creating an end-to-end solution for around 5,000 VICE Media employees around the world.

    VICE Media’s offering spans across broadcast and OTT channels such as VICE News, VICE Sports, Noisey (music), Motherboard (technology and science), Broadly (women’s interest), i-D (fashion) and Tonic (health and fitness), among many others. Content on these channels consists of news reports, live and recorded events, documentaries and a wide range of other types of videos.

    “We need to be able operate seamlessly across all platforms to reach a global audience with our content,” said VICE Media vice president of IT Ariel Rubio. “To do this, we need a powerful, well connected platform that enables us to collaborate as if we were together in the same location. Working with Tata Communications, we are able to get a LAN experience in a WAN environment, underpinned by the company’s global network.”

    “VICE Media’s needs reflect a growing trend in the media and entertainment market, whereby there is a huge pressure to quench audiences’ thirst for live events, big and small, as they happen around the world, and bring viewers enhanced experiences through higher quality formats such as 4K and UHD,” said Tata VP & GM – global media and entertainment services Brian Morris.

    “In this high-pressure environment that is being transformed by digital technologies, you need an infrastructure that is completely integrated across media asset management, storage, content contribution and distribution. That is what we are creating for VICE Media, with the aim of empowering the company continue on its path of phenomenal growth in this rapidly evolving market.”

    “VICE Media is a new media company using IP-based broadcast infrastructure to achieve greater velocity and overcome geographical boundaries,” said ABI Research VP Sam Rosen. “Tata Communications provides the glue that holds this solution together with IP transport and storage capabilities, bringing content to central locations, between central locations and studios, and feeding the distribution network when assets are ready to publish. The use of IP within broadcast supports the need for rapid support of nascent standards including 4K, 8K, high dynamic range (HDR) and 360 video.”

    Tata Communications’ media and cloud services are underpinned by the world’s largest subsea fibre network of its kind, creating an end-to-end, completely integrated solution for VICE Media. Today, over 25% of the world’s Internet routes travel over Tata Communications’ network and the company is the only Tier-1 IP network provider that is in the top five by routes in five continents.