Tag: Live Sports

  • Ishan Chatterjee steps in as JioStar’s new sports and live experiences boss

    Ishan Chatterjee steps in as JioStar’s new sports and live experiences boss

    MUMBAI: Ishan Chatterjee has been named chief executive – sports and live experiences at JioStar, stepping into the hot seat vacated by Sanjog Gupta, who now helms the International Cricket Council (ICC) as its chief executive officer.

    Chatterjee will continue to juggle his responsibilities as chief business officer – sports revenue, SMB & creators, even as he steers JioStar’s live sports ambitions. He joined the media giant in 2024 (then JioCinema), following a 13-year innings at Google, where he was last managing director of YouTube India.

    A Wharton and St. Stephen’s College, Delhi alum, Chatterjee has done time at McKinsey & Co and Hindustan Unilever.

    With nearly 20 years of skin in the game across media, consulting, and consumer goods, he now takes the pitch at JioStar with a stacked playbook.

  • Spotv’s game-changing playout tech: Fast, reliable & future-ready

    Spotv’s game-changing playout tech: Fast, reliable & future-ready

    MUMBAI: When it comes to live sports, there’s no room for buffering, glitches, or lag—unless you want angry fans and viral memes.

    South Korea’s leading provider of linear and digital sports content, Spotv knows this all too well. To keep the action seamless across southeast Asia, the broadcaster has rolled out a turnkey, fully automated playout system from Imagine Communications, ensuring top-tier reliability and rapid turnaround times.

    Broadcasting from a state-of-the-art teleport and broadcast centre in Cyberjaya, Malaysia, Spotv’s setup is powered by Imagine’s Versio™ integrated playout platform and ADC™ automation. This future-proof ecosystem is built to scale with evolving demands, simplifying operations while delivering world-class transmission.

    Why the upgrade? Spotv isn’t just any sports network—it’s the go-to destination for Wimbledon, the U.S. Open, MotoGP™, Roshn Saudi League, and Major League Baseball, among others. As the audience demand for high-quality sports broadcasting continues to skyrocket, Spotv sought a robust, flexible, and proven solution to keep up with the pace. And that’s where Imagine Communications came in.

    “Imagine Communications understood our requirements and equipped us with a tightly integrated, highly reliable playout infrastructure that can grow as our needs change,” said Spotv head of broadcast operations and engineering Prakash Maniam. “We know that many media companies around the world have successfully deployed Imagine playout technology, and we are confident that our modern, new system will be able to support our channel playout requirements for years to come.”

    Spotv’s newly deployed 6+2 channel origination workflow runs on Imagine’s Versio playout system, featuring embedded ADC automation software. The system integrates seamlessly with more devices and business systems than any other automation product, ensuring a smooth, end-to-end workflow.

    Here’s the play-by-play of how it all works:

    . High-performance video servers: The Nexio+™ AMP® servers with automatic input format detection take care of ingesting content effortlessly.  

    . Seamless content management: The Versio Content Portal and Nexio Motion™ asset management software ensure that the right content is prepped and loaded for playout—way before game time.

    . Less hardware, more efficiency: Versio reduces the number of physical devices needed in Spotv’s transmission chain, enabling a leaner, more efficient operation.

    . Single-user interface: Spotv’s team can now monitor and manage playout seamlessly from a single interface—because who needs unnecessary complexity?

    Spotv’s selection of Imagine Communications’ technology isn’t just about keeping things running smoothly today—it’s about preparing for tomorrow’s broadcasting needs. The Versio platform’s scalability allows Spotv to easily expand and adapt to new content demands, ensuring it stays ahead of the game.

    And it’s not just Spotv that’s impressed. Imagine Communications is celebrating yet another successful implementation of its cutting-edge technology in the global sports broadcasting industry.

    “We are honoured that Spotv has joined the ranks of leading global media companies who have made Versio their playout platform of choice,” said Imagine Communications SVP & GM EMEA and APAC, Mathias Eckert. “This implementation reflects Spotv’s commitment to excellence in live sports broadcast in the region and will enable them to work more efficiently today and prepare for whatever their future holds.”

    The new playout system at Spotv was implemented in collaboration with local Imagine partner and systems integrator JAA Systems (JAA.S).

  • FanCode crowned India’s numero uno sports app, ranks ninth globally

    FanCode crowned India’s numero uno sports app, ranks ninth globally

    MUMBAI: FanCode has officially made history.

    Crowned India’s most-downloaded sports app and ranked ninth globally, it continues to redefine how fans experience sports, as per the Sensor Tower State of Mobile 2025 report.

    By the numbers:

    . Third among all sports apps in India for total downloads in 2024.

    .  Number one in Asia-Pacific for in-app purchase growth – premium sports content is booming!

    .  Eight in Asia-Pacific for monthly active users, proving FanCode keeps fans engaged.

    Built by fans, for fans, FanCode co-founder Yannick Colaco shared on LinkedIn, “Five years ago, we set out to change the way Indian sports fans engage with their favourite games. Seeing FanCode become a daily habit for millions is amazing. And trust me, we’re just getting started!”

    Co-founder Prasana Krishnan added, “Being recognised as India’s top sports entertainment app and ranking among the top sports apps globally is a testament to the passion of our users and the dedication of our team. In just over five years, we’ve come a long way to deliver a world-class sports experience.  And there’s lots more to come.”

    FanCode ensures fans never miss a match. 

  • Amagi launches cloud-based live orchestration platform Amagi Live

    Amagi launches cloud-based live orchestration platform Amagi Live

    Mumbai: Cloud-based Software-as-a-service (SaaS) company Amagi has announced the new and enhanced version of its premium live orchestration platform ‘Amagi Live’. The cloud-based platform enables content owners to spin up channels in minutes or orchestrate broadcast-grade live events on the go. It also offers cloud-based master control features for ‘breaking news’ and multi-event live sports orchestration workflows. It can be operated from any remote corner of the world using a simple web dashboard.

    Through this service, Amagi is addressing the growing appetite for sports and news on linear OTT. News has seen explosive growth on OTT and free-ad-supported streaming TV (FAST) platforms with 56 per cent of the total content consumed. A study by Amagi indicated that 30 per cent of cable TV viewers have shown strong intent to cut the cord if they can stream their favourite news and sports content on OTT platforms. “The numbers indicate that live video streaming is poised for tremendous growth in the coming months/years,” said the statement.

    Amagi Live allows users the ability to insert a wide range of advanced graphics, auto-recording of live events that are then delivered as delayed playback, automation of live streams to OTT with machine learning systems, reduced need for multiple live operator personnel, easy scheduling of ad breaks in the live playlist and multi-source, multi-protocol content ingestion.

    For 24/7 live linear channel operators, particularly 24/7 news and sports channels, Amagi Live enables the orchestration of various live production-master-control tasks including the ability to switch between up to four feeds in single live event production and advanced 4K UHD delivery including tone mapping.

    “Viewers of live content are uncompromising in their demand for the quality viewing experience,” said Amagi co-founder KA Srinivasan. “Amagi Live powers content brands to create a broadcast-grade experience, especially with premium sports live events and news in a scalable, reliable and cost-effective manner.”

    “We’ve launched a tremendously successful sports channel on ad-supported platforms with Amagi as our partner,” said Tennis Channel International senior vice president Andy Reif. “The use of advanced automation has made the ad and live break insertions seamless for us, while the superior graphics capabilities have led to stellar content display. The user experience this platform delivers is not only delightful but unparalleled in the industry.”

  • Broadpeak’s mABR solution optimises Live sports OTT delivery in Italy

    Broadpeak’s mABR solution optimises Live sports OTT delivery in Italy

    Mumbai: Broadpeak, a provider of the content delivery network (CDN) and video streaming solutions for content providers and pay-TV operators worldwide, together with Italian telco operator TIM, is optimising live sports OTT delivery with an advanced multicast ABR (mABR). Using Broadpeak’s mABR solution, TIM is delivering Live third-party sports content to subscribers with an improved quality of experience (QoE).

    “Thanks to Broadpeak’s mABR solution, which optimizes network performance for streaming services, we provide the best technology for assuring an excellent customer quality of experience,” said TIM’s head of technology and innovation Crescenzo Micheli. “As a pioneer of multicast ABR technology, Broadpeak has solid experience and a reputation for delivering superior-quality live OTT content.”

    Broadpeak’s mABR solution includes the BkE200 transcaster server, nanoCDN™ agent, SmartLib library, BkM100 video delivery mediator, BkA100 analytics, and BkA200 video delivery monitoring. The BkE200 transcaster server pulls source ABR streams and embeds them into multicast, reducing delivery costs while also solving scalability and potential quality issues.

    “Streaming quality must be perfect in order to better enjoy OTT content, thanks to ultra-broadband connections,” said Broadpeak president and CEO Jacques Le Mancq. “TIM is leading the way for premium OTT delivery with our mABR solution, which will support live OTT delivery on smart TVs and other connected devices.”

    CVE, the prime contractor, ensured a smooth deployment, providing outstanding coordination and local support.

    “This project is significant for CVE because we’ve invested heavily in video-over-IP technology throughout the years,” said CVE’s CEO Luca Catalano. “CVE is happy to be an active part of the delivery of the mABR solution available for CDNs. This is an important milestone for the transition of the video world toward IP, and we’re proud that our IP knowledge and expertise made such a big, positive contribution to the deployment of the Broadpeak mABR solution.”

  • GUEST COLUMN: How to combat streaming piracy with OTT’s broken protocol?

    GUEST COLUMN: How to combat streaming piracy with OTT’s broken protocol?

    Mumbai: With vast sums of money to be made, it’s not surprising that streaming pirates are continually upping their game to keep their highly profitable illegal businesses afloat.  A recent global study conducted by Ampere Analysis for Synamedia found that sports streaming piracy alone is worth over $28 billion and the Global Innovation Policy Centre places the global TV industry’s losses from digital piracy between $39.3 to $95.4 billion per year.

    From Bollywood and Hollywood blockbusters to LIVE sports including IPL and women’s football, streaming piracy has reached an industrial scale in India. Within minutes of release, stolen content is circulated, exchanged and sold on open internet sites and social media platforms, such as Telegram and WhatsApp, as well as on closed subscription-based pirate networks and dedicated OTT applications. Some illegitimate, subscription-based pirate services are now so good that consumers think they are using the brand’s own service, damaging the brand of the legitimate service and preventing upsell opportunities.

    But with superior intelligence and the appropriate technology and legal procedures in place, the industry can stay one step ahead, protect its revenue streams and stop criminals siphoning off billions in revenue that rightfully belong to content owners and services providers.

    Pirate profiteers raise the stakes

    Although low quality pirate content filmed surreptitiously in cinemas is still available, as more consumers switch to digital platforms, pirates are using increasingly sophisticated ways to steal content – and deliver it in pristine quality.

    And the pirates’ methods have advanced considerably since they simply exploited “the analogue hole”: in other words, stole content from the HDMI ports of Set Top Boxes. As license owners and operators have increased their protection methods, cracking down with a combination of source-detection and disruption technologies as well as legal action, pirates have been hunting for new and more concealed ways to source content and find the weak link in the chain.

    From Digital Rights Management (DRM) hacking as seen recently with Widevine, to bypassing client watermarking and manipulating legitimate OTT applications, today’s streaming pirates have found ways to steal not just high-quality content but entire OTT services, including redistributing directly from the service provider’s content delivery network (CDN).

    Sourcing, aggregating and distributing content

    A quick Google search will quickly take you into a world of organised crime: industrial scale professional hackers, criminal technology experts with content aggregators, content wholesalers and content resellers conducting the biggest criminal heist the world has ever seen.

    Current anti-piracy approaches – such as DRM, client hardening and concurrency restrictions are simply scratching the surface of OTT piracy and pirates continue to profit.

    Using the intelligence provided by our operational security team and with access to pirates’ scripts, we have unearthed the root source of this problem – the OTT protocol is broken. The technology of OTT delivery makes it simple and cheap to set up as a pirate operator. Pirates don’t necessarily need to break the DRM to steal content. Using pirate servers and clients, pirates are hacking the OTT protocol to get the DRM license and redirect pirate clients to legitimate service and content providers’ CDNs.

    With little to no acquisition or content costs, pirates have become ultimate media super-aggregators. They can bring highly-sought after content together at an unbeatable price with no geo restrictions or competition law challenges – and then redistribute the stolen content to their paying customers at the expense of the video service provider by using their infrastructure undetected. 

    Protecting content across the ecosystem

    With an understanding about the methods used and insight into how pirates operate, Synamedia has developed the industry’s first solution to systemically address the inherent weaknesses that make it easy for pirates to not only steal content but also entire OTT services, including gaining access to the service provider’s CDN.

    Synamedia OTT ServiceGuard makes it possible to securely distribute content on open platforms by validating that only legitimate subscribers and applications are granted authorised access and receive content. It gives each client a unique identity that is not cloneable and allocates secure keys for signing service requests, ensuring all client messages are validated for their authenticity and origin. This has a critical role to play in protecting content, but tackling piracy requires an all-round team approach, blending pre-breach approaches with proactive detection and disruption technologies and solutions.

    Synamedia’s unrivalled intelligence-based model leverages AI technologies alongside human intelligence – including undercover investigators and cyber security, psychology, criminology, and sociology experts – to monitor and map the piracy supply chain, detect, deter and disrupt piracy and orchestrate anti-piracy activities and legal and technical takedowns.

    The financial rewards on offer and the ease of set-up – combined with the low risk of arrest or meaningful punishment – means the problem of piracy will not go away.  But, by making life as difficult as possible for both pirates and viewers of illicit streams and making legal subscriptions more attractive, content owners and rights holders can not only protect their content investments, but video service providers can cut infrastructure costs and create the opportunity to capture new subscribers.

    (Deepak Bhatia is general manager and head of sales, India at Synamedia. The views expressed in this column are personal and Indiantelevision.com may not subscribe to them)

     

  • Back on Track: Dream Sports Foundation lends support to sports professionals

    KOLKATA: Dream Sports Foundation (DSF), the philanthropic arm of Dream Sports has successfully supported over 3,500 sports professionals across 29 sports during the pandemic as part of its Back on Track programme launched last year.

    Out of the 3,500 beneficiaries, 3,300 are current and retired athletes, over 100 are coaches, and more than 70 are sports support staff and journalists. The beneficiaries are from 24 states and three union territories in India, it said on Friday.

    The onset of the Covid 19 pandemic has disrupted life at many levels leading to job and income loss across industries and sectors, including sports and the programme has been able to help people in need from the sports industry by providing financial aid, training, and sports equipment support, coaching, proper diet and nutrition, monthly stipends, and hygiene kits.

    To ensure that the aid reached the most affected members of the Indian sports ecosystem, DSF also helped 16 NGOs across the country, including Nav Sahyog Foundation, Dribble Academy, Nagaland Football Foundation, The Right Pitch, The Ball Project, and many more. DSF supported sports journalists through the Playfield magazine initiative who had lost their jobs due to the COVID crisis. 

    Speaking about the programme, Dream Sports & Dream11 COO & co-founder Bhavit Sheth said, “Owing to the lack of opportunities and resources due to the pandemic, many sports professionals and athletes were giving up on their dreams as they were unable to sustain themselves. We wanted to help them land on their feet and take strides towards their personal and sporting goals through ‘Back on Track’. We are glad that we could reach several sports beneficiaries pan-India and provide integral support within the last nine months.”

    One of the beneficiaries of ‘Back on Track’ is Rani Laxmi Bai Sports Academy, Bihar, which gives girls from disadvantaged backgrounds the opportunity to play sports at state, national and international levels. Academy’s founder, Sanjay Pathak said, “We are grateful for such initiatives that have made a significant difference for our 55 senior students, who play football and handball. They have helped in retaining their dreams of playing sports, especially during these difficult times. The girls played with a single pair of shoes for one whole year, but thanks to Dream Sports Foundation’s support, they now have multiple pairs of high-quality shoes and sports kits essential for national-level players. The monetary support is also helping us provide better nutrition to the students.”

  • Sony launches new regional channel ahead of UEFA, Copa America

    Sony launches new regional channel ahead of UEFA, Copa America

    KOLKATA: Football fans in India can gear up for the biggest football festival with two of the most prestigious international football tournaments, UEFA EURO 2020 and Copa América 2021 on the Sony Pictures Sports Network (SPSN). The network has announced a range of programming initiatives for the tournaments to bring the global marquee events closer to viewers in India.

    SPSN will telecast UEFA Euro 2020 in six languages to reach out to a wider audience across India: English, Hindi, Bengali, Tamil, Telugu and Malayalam. The tournament will go live on Sony Ten 2, Sony Ten 3, Sony Six and Sony Ten 4 channels and also live streamed on SonyLIV.

    Football fans can also enjoy Copa América 2021 on the network which will feature some of the biggest names like Lionel Messi, Neymar Jr, Dani Alves, Gabriel Jesus, Alisson Becker, James Rodriguez, Roberto Firmino, Paolo Dybala, Sergio Aguero and more. Copa América will be telecast live in five languages: English, Bengali, Tamil, Telugu and Malayalam.

    New regional channel:

    Notably, UEFA EURO 2020 and Copa América 2021 will also be telecast on SPSN’s new regional language sports channel, Sony Ten 4, which will be available in Tamil and Telugu languages across the southern region of Tamil Nadu, Andhra Pradesh and Telangana.

    The channel launch is in-line with SPSN’s commitment to foster a multi-sports culture in the country while providing fans with an unparalleled viewing experience of their favourite sports, the broadcaster stated. SPSN has roped in actor Rana Daggubati as the face of the channel and he will also be promoting WWE’s programming in Tamil and Telugu.

    Programming initiatives:

    UEFA EURO 2020 will also bring back the much-loved LIVE Studio Show Football Extraaa hosted by familiar faces, Manas Singh and Arpit Sharma.  The line-up of distinguished panellists to provide opinions, insights and analyses include International (former) footballers Louis Saha, Luis Garcia, Don Hutchison, David James, Terry Phelan, Mark Seagraves, Ashley Westwood and Jofre Mateu. The team of Indian football specialists on the show will include Indian legend, Bhaichung Bhutia and current superstars such as Indian Captain Sunil Chhetri, Gurpreet Singh Sandhu, Sandesh Jhingan and Robin Singh. SPSN will also have Andy Mitten, Adriano Del Monte and Eisha Megan Acton, reporting live from the ground across match venues and taking the viewers closer to the action.

    The tournaments that are being covered in multiple languages making it more accessible for viewers across India will feature a gamut of the most prominent football commentators in the country. The Hindi feed will be presented by Manish Batavia, Atish Thukral, Raman Bhanot and Sunil Taneja while the Bengali feed will have Pradip Roy, Pallab Basu Mallik, Debjit Ghosh and Kaushik Varun as part of the commentator panel.

    The Tamil feed will feature Pradeep Krishna M., Sudhir Sreenivasan, Abhishek Raaja and Nallappan Mohanraj while the Telugu feed will be showcased by Sandeep Kumar B., Sudheer Mahavadi, Joseph Antony and Norman Swaroop Isaac. Fans can also watch the Malayalam feed presented by Shaiju Damodaran, Jopaul Anchery, Eldho Paul Puthussery and Bineesh Kiran.

    “Sony Pictures Sports Network is committed to presenting our viewers with the best sporting action in the world and UEFA EURO 2020 is at the forefront of it. UEFA EURO 2020 is considered one of the toughest tournaments in the world because of the high quality of the participating teams and players. Our exhaustive coverage for the tournament to serve our viewers in six different languages and a comprehensive English language studio featuring prominent names like Louis Saha, Luis Garcia, Don Hutchison, David James, Bhaichung Bhutia and Sunil Chhetri,” Sony Pictures Networks India sports business chief revenue officer, distribution and head Rajesh Kaul said.

    “We will also be telecasting Copa América 2021 which will feature, among others, Brazil and Argentina, two of the most popular international football teams in the country. We are presenting a football festival for sports fans in India with both UEFA 2020 and Copa América. We are presenting over 75 matches across 30 days and viewers can expect six to ten hours of daily live coverage of all the biggest and most popular international football teams competing in these two events,” Kaul added.

    The 16th edition of UEFA EURO 2020 will have 51 games for fans to enjoy over a period of 30 days. Rome’s Stadio Olimpico will host the opening match on 12 June while the finals on 12 July will be held inside the iconic Wembley Stadium in London. The opening round of matches from 12 June to 23 June will feature some thrilling encounters such as England vs Croatia, France vs Germany, Portugal vs Germany, Portugal vs France and many more.

  • Brands respond with optimism, as pandemic throws up new challenges

    Brands respond with optimism, as pandemic throws up new challenges

    KOLKATA: The absence of live sports during the pandemic has not only been felt by fans, but by brands and advertisers alike. Even when the games returned, they remained restricted to empty stadiums with players inside a bio-bubble. Despite the challenges, sport is not losing its charm even during these uncertain times, especially cricket.

    So it was no surprise, when the much-awaited Indian Premier League (IPL) broke all viewership records after its return last September. The 13th edition of the cash-rich league breathed life into the distressed advertising sector which was hit hard by the extended lockdowns. Eventually when the tournament returned this year in April, the hopes were high. But they came crashing down, when the league had to be suspended midway amid the worsening situation in the country, battling it’s worst ever health crisis.

    While the Board of Cricket Control in India (BCCI) is still looking for another window to finish the rest of the tournaments, advertisers remain optimistic. If the next window is in September later this year, the consumer sentiment will be at its peak, opined DDB Mudra Group Integrated Media country head, managing partner Rammohan Sundaram. The chances of reaching out to a bigger audience will increase as more people are expected to watch. So, it would be more positive for business compared to March, Sundaram added.

    He was speaking at ‘Brands and live sports in the pandemic times’ organised by Indiantelevision.com, moderated by founder, CEO and editor-in-chief Anil Wanvari and attended by Havas Media Group India CEO Mohit Joshi, upGrad India CEO, Arjun Mohan, Mobile Premier League (MPL) corporate development, investors relation SVP Joe Wadakethalakal and DDB Mudra Group Integrated Media country head, managing partner Rammohan Sundaram.

    “It was the right decision to not run IPL 2021 that time, as it would have appeared very tone-deaf,” said upGrad India CEO Arjun Mohan. “By the time it returns, the mood of the nation will change. upGrad can look forward to creating campaigns around it.”

    “Keeping aside the economic situation and the mood of the country in the pandemic, I think the big breach was in regards to the bubble which should not have ideally happened. IPL is not ready to handle the pandemic situation in India,” Sundaram added.

    Havas Media Group India CEO Mohit Joshi also agreed it was a good decision to take off IPL while bio bubble security was already broken. However, he noted that IPL is a very big component of P&L, it builds a strategy for the entire year. Overall, the sports genre is itself important for the agency.

    Mohan also agreed that any brand that is advertising in India cannot ignore sports. Fundamentally, the way upGrad looks at live sports is the reach and width it offers, so it prefers Cricket. The brand has tried multiple other sports too like the English Premier League (EPL) which has very loyal committed fans.

    However, the scale of those sports does not give many reasons for the brand to invest now. When a brand’s objective is to achieve reach through various campaigns, cricket qualifies for now. He also noted that Kabaddi may reach there in the future.

    Mobile Premier League (MPL) corporate development, investors relation SVP Joe Wadakethalakal shared the increasing interest among the e-sports platform to engage with sports that have the broadest reach. So it focuses primarily on cricket for brand-building activities. It also finds value in international cricket if team India is involved.

    Joshi said that he has been fortunate enough to have clients who go beyond Cricket. For example, Tata Motors associated with Kabaddi for its trucks. However, ROI and investment were very different indeed. But even brands invest in other sports, the spends are largely skewed towards cricket.

    “We are planning to launch a sports marketing division. There is a holistic approach that one needs to take to understand what sporting events can deliver,” Sundaram added.

    However, all the experts agreed that brands should be agile in these uncertain times. Rather than planning for the entire year, the agencies and brands should look at a month or even for two weeks. “One has to be short-term focused with a long-term strategy,” Joshi summed up.

  • IPL 2021: Star India garners cumulative reach of 352 million in 26 matches

    IPL 2021: Star India garners cumulative reach of 352 million in 26 matches

    KOLKATA: After a span of two years, the Indian Premier League (IPL) kicked off on home soil with much pomp and show during the quarter when it’s routinely played. However, with the alarming peak in Covid cases across the country, the Board of Cricket Council India (BCCI) came under intense pressure to suspend the tournament. As soon as the bio bubble was breached, the writing on the wall was clear – the board had no choice but to call off the event for the time being. Despite the controversy surrounding the IPL this time around, it has nevertheless entertained viewers in its nearly month-long run, perhaps serving as a distraction from the negativity all around, if one goes by the numbers.

    According to latest data, Star India network has garnered a cumulative reach of 352 million in the first 26 matches of IPL 2021, compared to 349 million in the corresponding number of matches in IPL 2020 (Source – BARC TG: 2+U+R). Since acquiring the media rights for the league, Star and Disney India have tremendously grown the league year-on-year. The upward trend reflects the loyalty of the fans and the popularity of the Indian Premier League.

    “We are humbled with the response to IPL 2021. While it’s heartening to know that more viewers tuned in to watch this IPL season than the one in 2020 (at the same stage of the tournament), we still believe that postponing the season was the right decision to ensure the safety of everyone involved and in line with the prevailing situation in the country,” said a Star Sports spokesperson.

    The IPL megacast with nine different feeds in multiple languages along with broadcast innovations – such as simulated crowd sound and dynamic audio – kept viewers equally engaged as the last season. The Star India network had earlier announced that it had clocked 323 million total impressions for the opening match of Vivo IPL 2021.

     The curtain raiser between defending champions Mumbai Indians and Royal Challengers Bangalore received a tremendous response, bigger than opening matches of all other IPL editions held previously (other than Dream11 IPL 2020) and 42 per cent higher than the 2019 season. This year, nearly every third TV-owning household in India watched the opening match live.