Tag: licensing

  • Disney tops licensing table with $62 billion haul in 2024

    Disney tops licensing table with $62 billion haul in 2024

    MUMBAI: The world’s biggest brand owners have turned emotional connections into cold, hard cash. Disney sits atop a licensing empire worth $62 billion in retail sales, nearly doubling the revenue of its closest competitor as the global licensing market surged to over $307 billion in 2024—a tidy $26.7 billion increase from the previous year.

    License Global’s annual rankings reveal an industry that thrives on nostalgia, fandom and the human need to belong. While economic uncertainty grips consumers elsewhere, licensed products—from Pokemon pyjamas to Marvel mugs—continue their relentless march through shopping baskets worldwide.

    The top ten licensors generated $208bn in retail sales during 2024, up from $192 billion in 2023. Over the past five years, these corporate titans have collectively raked in more than $1 trillion, proving that emotional attachment trumps rational spending when wallets tighten.

    Disney’s dominance reflects the mouse house’s unrivalled stable of beloved characters spanning generations. But the chasing pack tells a different story. Authentic Brands Group, which corrals sports and lifestyle brands including David Beckham and Champion, claimed second place with $32bn. People Inc (formerly Dotdash Meredith) rounded out the podium with $26.7 billion, followed by NBCUniversal at $17 billion.

    The full top ten includes Hasbro ($16.1 billion), Warner Bros Discovery ($15 billion), The Pokemon Co International ($12 billion), Bluestar Alliance ($10 billion), Mattel ($8.8 billion) and Japan’s kawaii kingpin Sanrio ($8.4 billion).

    “What is remarkable about this year’s report is how it demonstrates the resilience of emotional connections in consumer decision-making,” says License Global content director Ben Roberts. Even as economic pressures mount, consumers prioritise brands that matter to them personally, creating loyalty that transcends market forces.

    The data suggests a generational handover is brewing. Millennials currently lead licensed product purchasing at 28 per cent, but Generation Z is expected to seize the crown in 2025-26, while Generation Alpha grows to 22 per cent relevance. Fashion dominates growth categories, with 70 per cent of brand owners highlighting apparel as a key opportunity, followed by toys and games (54 per cent) and food and beverage (52 per cent).

    The industry’s expanding reach is evident in its newcomers. First-time entrants include Lego, Legendary Entertainment and Gordon Brothers, reflecting licensing’s broadening appeal as brands seek deeper consumer relationships.

    As digital platforms reshape commerce, successful licensors are building integrated experiences across physical, digital and hybrid channels. Brands with agile strategies on Roblox, TikTok and social commerce platforms are positioning themselves to lead the next wave of consumer engagement.

    The licensing juggernaut shows no signs of slowing. In an era where consumers crave authentic connections, brands that can tap into personal identity and shared experiences have found the ultimate recession-proof formula.

  • Netflix India promotes Vibha Chopra

    Netflix India promotes Vibha Chopra

    MUMBAI: Recently, she has been posting on Linkedin only when she gets a promotion. Two years ago, Vibha Chopra had put out an update on the professional site when she moved on from Amazon Prime Video to Netflix as head of Hindi film licensing in India.

    On 13 November,  once again she used the platform to  announce that she had been promoted in the Ted Sarandos-headed organisation. “Stoked to share that I am starting my new position as director – Hindi film licensing at Netflix, India,” she stated on Linkedin.

    Chopra has come a long way from the time she was heading global syndication and international film distribution at Zee Entertainment for two years. And prior to that the fitness enthusiast headed Zee Film Studios International in Mumbai for four years. Before that Chopra spent a good three years at Zee America as vice-president brand solutions and special projects. 
     

  • Gayathiri Guliani named VP of licensing & content partnerships, Lionsgate South Asia

    Gayathiri Guliani named VP of licensing & content partnerships, Lionsgate South Asia

    Mumbai: Global media company Lionsgate India has named Gayathiri Guliani as vice president of licensing and content partnerships, Lionsgate South Asia.

    A media specialist with experience of over two decades in the creative and business side of the entertainment industry, Guliani will be closely working with Lionsgate South Asia and networks-emerging markets Asia managing director Rohit Jain, said the company in a statement.

    “We at Lionsgate are thrilled to have Gayathiri as the newest member in the team. Her rich knowledge of the media and entertainment landscape in India & South Asia will help our rapid growth and pace immensely,” said Jain on the new appointment.

    With over 23 years of experience in planning, strategising, content development, green lighting process of the local content films, Guliani has in-depth knowledge and understanding of the licensing markets in India and globally. She has marketed and distributed content to over 70 territories worldwide.

    She has worked with well-known entertainment brands like Star TV, Channel V, Viacom 18, Reliance Entertainment Group, and Sahara One Motion Pictures to name a few. Prior to joining Lionsgate India, she was with Sony Pictures India as director of international business and revenues. She is a key opinion leader in various forums like FICCI and a recipient of the youngest achiever award for international distribution.

    “It is a privilege to be a part of a company that holds a strong brand legacy that’s iconic. Excited about taking the vision ahead and building new partnerships. I’m looking forward to establishing path-breaking milestones with the help of the Lionsgate India team,” stated Guliani.

  • Audience is understanding importance of licensed merchandise: Saugato Bhowmik

    Audience is understanding importance of licensed merchandise: Saugato Bhowmik

    MUMBAI: You walk into a kids store and you see Sponge Bob backpacks, a sipper of Lightning McQueen from Cars, or a t-shirt with the word Barbie embossed on it. Licensed merchandises are everywhere today.

    The retail licensing business in India is estimated to be worth $1.26 billion where entertainment license is valued at $406 million, sports licensing at $30 million and fashion licensing at $594 million. However, Indian brands make up less than 10 per cent of licensing and merchandising activity in India. 

    The Indian licensing and merchandising market is primarily dominated by Disney followed by Viacom18 and Turner (Cartoon Network). While Disney merchandise has been available in India for over 30 years, Viacom entered the business only 8 years back and already has a large share in the segment. 

    Viacom18 Consumer Products is a significant player in the ever-growing consumer products space with its diverse portfolio. Viacom18 has channels including Colors, Nickelodeon, Comedy Central, Vh1 and MTV and sells licensed merchandises for its marquee characters including perfumes, jewellery, footwear, watches, bottles, tiffin boxes, apparel, backpacks, jackets, beauty products, etc. 

    The advancements in technology and expanding marketplaces have been key to successful licensing programmes in India in the last few years. But local trademark owners and licensees need to now follow in the footsteps of international brands and adopt licensing as a core revenue stream.

    While the licensing business is pretty fascinating, it has its own challenges. While you may be able to buy a licensed product in a store or a mall at Rs 200, you will find the same product being sold at street corners for Rs 100. Counterfeit is a huge challenge for the industry and though it can’t be completely eradicated, it can, however, be reduced by exercising raids and creating consumer awareness.

    License India recently concluded its trade show India Licensing Expo 2018 for the budding licensing fraternity to apprise themselves on the concept of licensing as a business module, and explore exhibited licensing opportunities in multiple product categories. The show gathers the potential of the industry to network and connect, to further explore possibilities to grow bigger and faster in the given peripheries. 

    Indiantelevision.com spoke exclusively to Voot Kids, INS and consumer products business head Saugato Bhowmik and Viacom International Media Networks London VP licensing and business development Dan Frugtniet where they discussed the licensing business in India, the scope and challenges, their target consumer and much more. Excerpts:

    Licensing is relatively new in India as an organised sector. How do you view the segment? 

    Saugato Bhowmik: Licensing is an exciting business where India has grown rapidly. It is a young industry and there are a lot of brands that have come to India which have been led by us and our friendly competitors but we still need more brands to come in.

    How big is the licensing sector in India? What is the market size?

    Saugato Bhowmik: As per our estimate, the licensing business today is around $1.4 billion of retail sales which includes all kinds of licensing — fashion, sports, entertainment and characters. Viacom18 operates in about 40 per cent of the licensing segment which is in entertainment and character licensing and some part of the sports licensing. It has been an exciting journey for the last 5-6 years for Viacom18 consumer products because we have grown rapidly. 

    What is Viacom18 Consumer Product’s market share in the licensing business?

    Saugato Bhowmik: There is no way to identify the market share of any player as there are no syndicated industry reports that suggest market share. Also, it’s difficult to identify the market share of a business that is a horizontal multi-category business. However, what we’ve learnt from our partners is that Viacom18 Consumer Products is the second largest consumer product business in India. The number one player has been in India for 30 years, whereas we have been here for only 6-7 years but we have grown aggressively in the last five years.

    But licensing as a business is still expensive in India…

    Saugato Bhowmik: If you are going to add the value to the brand to a product, that price incremental will happen. Yes, some licensed merchandises like toys, hard lines are important because a lot of the manufacturing base is not yet in India. The Indian government, on the contrary, wants the manufacturing to move to India because that is when the pricing will go down and the industry will grow further. It’s slow going on that front, but we expect that in the upcoming years, as more consumers move into this piece, the demand will grow and you will see manufacturing base growing further. 

    What are your most popular characters for licensing and merchandising?

    We are primarily structured around our brands SpongeBob, Teenage Mutant Ninja Turtle, Dora, Shimmer and Shine and others. We also have Viacom18’s own homegrown animation that has been tremendously successful. Motu Patlu, Gattu Battu, Shiva and Rudra have been some of our exciting properties. Motu Patlu is in the top three brands in India at any given time. We are also seeing spectacular results with Shivaas well.

    You are here at the India Licensing Expo 2018. What is Viacom18 looking at from this licensing expo?

    Dan Frugtniet: India Licensing Expo is a place where common shareholders, stakeholders, licensees, licensors get together to build the industry. We need much more of this. We are a huge believer in these trade shows and expect the footfall to increase over the years. These trade shows are for long term building and commitment on partnership and trust because we need to meet our partners in person. It’s important to have domestic market trade shows where we can help home grown stakeholders have a meeting place but also where all licensors can come and expand their business by meeting their partners.

    What are the key challenges in this sector? What’s your plan to overcome them?

    Saugato Bhowmik: There are a lot of challenges for licensing business in India in terms of infrastructure, retail fragmentation and depth of audience. But all the metrics are in the right direction and the economy is in the right direction. The e-commerce is headed in the right direction and the audience is now understanding the importance/worth of licensed merchandise. We are getting better at it with more licensees coming into the business, more distributors being added to the business, more manufacturers and retailers coming in. The industry is headed in the right direction but we have to continue investing as there is no easy growth. It’s still a long distance to go before licensing as an industry becomes massive yardstick business like it is in the UK and US.

    Today, there are several international brands present in the market that have become kids’ favourite. Is there a competition and challenge for you to create distinguished products?

    Saugato Bhowmik: There is no such theory to prove it and it’s all about brand love. Different people get attached to different brands. A fan of Motu Patlu who is five years old is obsessed with Motu Patlu. The concept of international and domestic doesn’t exist in kids’ head and it’s the characters that they fall in love with. This domestic v/s international characters may be the theory for adult audiences where they may view international brands as more premium. But I can’t really comment on it.

    What about Roadies merchandise? We don’t get to see them a lot. What are your sales points for them?

    Saugato Bhowmik: You can find Roadies collection on e-commerce sites. Earlier we had done several deals in the apparel and eyewear category. We have exited a lot of existing partnerships. We are going a little slow on youth space because we want the right partnership to happen for both MTV and Roadies. For youth, we don’t want to get a deal with smaller partners. While partnering with someone, we look at the product aesthetics, distribution, ability to market as it has to be at a different level altogether, which is why are taking it slow and selectively appointing partner.

    The time between your deciding on launching merchandise and it actually hitting the shop is huge! How do you strategise on what to launch and what to miss?

    Dan Frugtniet: There is nothing worse for a brand owner than its product launch not working because it reflects badly on us. There’s a lot of time, energy and money that goes behind it and that’s why it is best to invest cautiously on youth market as it’s very difficult to identify what is hot and what is not for the target demographic as it changes rapidly and our deals are not fast. It may take us 3-6 months to get the contract signed, followed by 3-9 months to get the product produced, shipped and listed on stores. You’re talking 12 months which is the quickest you can get a product out in the market. By that time, some of the trends have gone! We have to be extremely cautious about what we launch and select the properties with a detailed eye. 

    Where do you see most of your consumers coming from that want to buy merchandise?

    Saugato Bhowmik: At the moment, most of our consumers come in from six metros but over the next 3-4 years, I do predict that half of our audiences will come from beyond the metro cities because of e-commerce and a lot of local animation licensing taking off.

    What’s your distribution strength and how do you plan on penetrating rural India?

    Saugato Bhowmik: We want to tap into everyone from rural and urban equally. We want to tap into people from all kinds of economy strata and not just have one kind of consumers but have a wide portfolio. 

    What are your online sales like?

    Saugato Bhowmik: E-commerce definitely gives us a lot of access into cities and towns where we did not have any presence in. But, discoverability has always been a challenge on online platforms and we work with our partners to improve our discoverability. 

    How do you choose your partners?

    Saugato Bhowmik: For us to decide on a successful partnership, we ensure the partners have enough expertise and professionalism. Product quality is most important and ensuring the partner has good distribution is also needed.

    Do you think counterfeit is a challenge for the licensing industry or does it not bother you?

    Saugato Bhowmik: Imitation products only get sold if there’s a demand and it makes us happy to see that there is a demand. We do take actions from time to time to send the message out but today, license merchandising business is not yet equipped to address everyone in the Indian market and gradually over a period of time, counterfeiting will go away as our technology and reach gets better. It’s what happened to music streaming, where there was a point when nobody paid for music streaming but today music piracy has gone away. Technology changed the game for them and while it might not change the game completely for us but technology will change the industry.

    Dan Frugtniet: We have reduced counterfeit with direct action by raids and seizures. I think it’s important to educate the consumers about the health risks of giving imitated toys to their kids. If not today, these things will eventually stop.

    How do you view the licensing business in India going forward?

    Saugato Bhowmik: I think more and more players will keep coming in because the industry is going to grow. I think a lot of international players will come in and a lot of Indian brands will also start to understand the licensing business and they will get into it.

    What is your strategy and plan for Viacom18 Consumer Product growth? How do you want to take the business forward?

    Saugato Bhowmik: The plan is to just keep growing very aggressively in high double digits every year because we want to make it a large scale profitable business. We want to continuously grow our existing brand portfolio and bring in more brands, open new categories and new experiences categories. A lot of hard work ahead but an exciting time.

  • HBO assigns Black White Orange as licencing agent for GOT

    HBO assigns Black White Orange as licencing agent for GOT

    MUMBAI: Time Warner’s television subsidiary HBO has assigned Black White Orange Brands as its official licensing and merchandising agent in India for Game of Thrones (GOT). This partnership brings new opportunities for the channel to build on the worldwide GOT fan base by developing officially licensed products for its followers in India.

    The brand licensing company will help to ensure that Indian fans are not far behind in building their own GOT memorabilia collections by paving the way for HBO to partner with companies to develop merchandising and retail opportunities for the show in a market that consumes the property on a level at par with international audiences.

    “This is a huge achievement for us at Black White Orange, and to say we are ecstatic would be underplaying the surge of emotions we’re feeling. Game of Thrones fans get transported into the world of Westeros when watching the show and are eager to extend that experience into their everyday lives. We’re honored & excited to work with HBO, who have instilled faith in a young team like ours, to make that possible for the show’s many fans across India,” said Black White Orange Brands founder and CEO Bhavik Vora.

    Internationally, HBO Global Licensing has created a robust catalog of GOT products, from conventional categories such as apparel, figures, collectibles and digital games to specialty categories such as special edition board games and a range of craft beers. Black White Orange will represent HBO in India to develop licensed products like apparel, wall décor, drinkware, stationery, and other collectibles.

    It has also signed on leading brands like NBCUniversal, Sesame Street, Brand YouWeCan, The Emoji Company and bCreative.

  • HBO assigns Black White Orange as licencing agent for GOT

    HBO assigns Black White Orange as licencing agent for GOT

    MUMBAI: Time Warner’s television subsidiary HBO has assigned Black White Orange Brands as its official licensing and merchandising agent in India for Game of Thrones (GOT). This partnership brings new opportunities for the channel to build on the worldwide GOT fan base by developing officially licensed products for its followers in India.

    The brand licensing company will help to ensure that Indian fans are not far behind in building their own GOT memorabilia collections by paving the way for HBO to partner with companies to develop merchandising and retail opportunities for the show in a market that consumes the property on a level at par with international audiences.

    “This is a huge achievement for us at Black White Orange, and to say we are ecstatic would be underplaying the surge of emotions we’re feeling. Game of Thrones fans get transported into the world of Westeros when watching the show and are eager to extend that experience into their everyday lives. We’re honored & excited to work with HBO, who have instilled faith in a young team like ours, to make that possible for the show’s many fans across India,” said Black White Orange Brands founder and CEO Bhavik Vora.

    Internationally, HBO Global Licensing has created a robust catalog of GOT products, from conventional categories such as apparel, figures, collectibles and digital games to specialty categories such as special edition board games and a range of craft beers. Black White Orange will represent HBO in India to develop licensed products like apparel, wall décor, drinkware, stationery, and other collectibles.

    It has also signed on leading brands like NBCUniversal, Sesame Street, Brand YouWeCan, The Emoji Company and bCreative.

  • Toonz ropes in Baseline as exclusive licensing & merchandising partner

    Toonz ropes in Baseline as exclusive licensing & merchandising partner

    MUMBAI: Toonz Media Group has signed a multi-year global deal with sports marketing and licensing company Baseline, as its exclusive licensing and merchandising partner.

     

    Baseline with its expertise in marketing and licensing will offer sales and marketing support to the company.

     

    Toonz has several cartoon characters of which some are self created and some are acquired from the likes of Walt Disney, Turner, Nickelodeon, Sony, Universal, BBC, Paramount, Marvel and Hallmark. Baseline’s prime objective is to promote Toonz Media Group’s character in the South Asia region.

     

    Baseline managing director Tuhin Mishra said, “Licensing is a very important vertical of our overall company business. When an opportunity came to join hands with the premier licensing company like Toonz Media Group, we jumped at it as Toonz Media comes with a huge repository of brands that it owns or has acquired over a period of time.We are sure it will be a mutually beneficial partnership in the times to come.”

     

    Toonz Media Group CEO P Jayakumar added, “L&M forms an integral part of Toonz Media Group’s business strategy. It was indeed a delight to know that Baseline Ventures’ vision and ideology were in perfect synchrony with ours. We plan to collaborate with them on all our existing brands and also our new brands in the future. We look forward to a robust and fruitful partnership.”

  • DQ Entertainment’s Method Animation gets much needed nudge

    DQ Entertainment’s Method Animation gets much needed nudge

    MUMBAI: DQ Entertainment (DQE), a leading animation, gaming, live action, entertainment production and distribution group, has announced the reorganisation of its French sister company Method Animation, in which it holds a 20 per cent equity stake. Method Animation has collaborated with Onyx Films and Chapter 2 to create ‘On Entertainment Group’ which will be the holding company for the three French subsidiary companies.

     

    With the combined portfolio that includes a huge library of titles and group revenues, the enlarged French group automatically climbs the pedestal to become one of the leading animation and film production companies in Europe. The new On Entertainment group has revenue of €34 million and an operating profit of €5.2 million. DQ Entertainment pictures will continue to hold a 20 per cent stake in Method Animation.

     

    On Entertainment is aiming to grow rapidly over the next five years for which it has even raised its investment. It will provide increased liquidity to the group and fund future productions through a fundraising of €10 million from Ohana Capital, a Canadian corporate investment fund, Gallic entrepreneur Laurent Dassault’s holding company LDRP, and AB Group, one of France’s biggest rights-brokers and the owner of 14 pay-TV channels. AB will provide minimum guarantees in future shows/TV Series, while Ohana Capital has expertise in licensing and merchandising.

     

    “The group intends to create two films per year with significant budgets that are intended for worldwide distribution,” said Chapter 2 CEO Dimitri Rassam. Method Animation CEO Aton Soumache said, “We are working on creating a catalogue of characters that can be monetised in various markets.”

     

    DQ Entertainment CEO Tapaas Charkravarti, commented: “We look forward to partnering with On entertainment on new  productions, combining the unique strengths and resources that the two groups represent.”

     

    On Entertainment’s projects for 2014 and 2015 include the feature film Paradise Lost based on the life of Pablo Escobar with Benicia DelToro and Josh Hutcherson starring in the €20 million budget film; Le Petit Prince, an animated feature film at a budget of €57 million euros has already been closed. It is directed by Mark Osborne and slated for a Global release in second half of 2015.

     

    DQ Entertainment and Method Animation have together undertaken several productions such as Le Petit PrincePeter PanProdigiesCharlie ChaplinLe Petit NicolasIron Man (a flagship series of Marvel characters) and several others at a combined production budget of about €90 million. At the same time, Robin Hood Season-1, Second season of The New Adventures of Peter Pan, English-language live­ action/animation hybrid TV Series of The Seven Dwarfs and Me, and several other famous brands are in the development.

  • Get ready to live your princess dream with the second edition of disney princess academy

    Get ready to live your princess dream with the second edition of disney princess academy

    MUMBAI: Due to popular demand the Disney Princess Academy will return to India beginning January 5th till February 2nd, 2014. This year the Academy will be even bigger with three additional cities added to the tour including, Bangalore, Mumbai, Chandigarh, Chennai, Cochin, Pune, Kolkata and Delhi. The Academy will give 3600 Princess hopefuls the opportunity to attend and be a part offun-filled activities including makeover, dancing, etiquette training, tiara making and even a chance to meet their favourite Disney Princesses. Eight Lucky winners (one from each city) will also get a chance to be a star on Disney Channel!

    At the Disney Princess Academy, each participant will be groomed into real world princesses through a complete makeover and lessons in positive values such as compassion, intelligence, kindness and grace which the Disney Princesses personify the world over. Participants will also get a chance to be a part of Art and Craft session where they will learn to make their own tiara and take part in Dainty Dancing workshop. The event culminates with a Royal ball where fans will have the opportunity to meet and take pictures with their favourite Disney Princesses.

    “Our Princesses are timeless, ageless and personify values that kids love and parents trust. Through the second edition of Disney Princess Academy we hope to provide our fans with an opportunity to live their Princess dream and meet their favourite characters. The Academy also encourages moms & daughters to participate together giving them an opportunity to bond and create lifelong memories”, said Roshini Bakshi, managing director, Licensing & Retail, Disney UTV.

    Fans and their parents can win a chance to be a part of Disney Princess Academy 2014 by simply buying any Disney product and loggingonto www.disney.in/dpa
    Disney gives Princess Fans an opportunity to experience its characters through an array of stylish and fun merchandise:

    •    An exciting range of Disney Princess role-play, which includes wands, tiaras, fashion accessories, Princess dolls, role-play sets, accessory backpacks to fulfil every little girls dream to be a Disney Princess. Available at a starting price of INR 99
    •    Little Princesses can bring to life their favourite Disney Princess stories through a range of home products such as electrical, wall décor, ceramic tableware, melamine tableware, fans, bed linen, door mats, towels, bathroom accessories and much more. Available at a starting price of INR 49

    •    Girls can wear their favourite Disney Princess through a range of fashion apparel such as t-shirts, skirts, dresses, shorts and accessories like costume jewellery, socks, footwear, watches, sunglasses and prescription frames. Available at a starting price of INR 99
    •    Experience the magic of Disney Princess through storybooks, colouring & activity books and learning aid books at a starting price of INR 50

    •    Little Princess fans can also carry their favourite Princesses to school with fun back to school products from school bags to pencil boxes to colouring and stationery sets to lunch boxes, sippers and water bottles and much more. Available at a starting price of INR 20

    •    To bring back the Princess memories, Disney has also launched Little Mermaid Diamo
    nd Edition DVD at INR 499, Disney Princess Collector’s Edition (11 DVDs) at INR 2999, Magical Wishes Pack (with 5 DVDs) and Enchanted Tales Pack (with 5 DVDs) at INR 999.

    •    Princess fans can also be a part of the magical world of Disney Princesses by tuning on to Disney Channel and witnessing the enchanting Disney Princess stories including Cinderella, The Little Mermaid and Beauty & The Beast in December 2013 and Tangled movie premiere in January 2014

    The range is available across all the leading retail stores including Shoppers Stop, Big Bazaar, Lifestyle, Reliance Footprint, Landmark, Crosswords, and Hamleys and on online portals like Babyoye.com, Flipkart.com and more.

  • TRAI issues DTH licensing consultation paper; Dish TV given extension

    TRAI issues DTH licensing consultation paper; Dish TV given extension

    NEW DELHI : Currently, India has six pay DTH operators, apart from the free-to-air DD Direct Plus operated by Doordarshan. Dish TV, was the first DTH licencee which got the wireless operating licence (WOL) for starting its DTH services on 1 October 2003. The other five DTH operators got the WOLs during 2006 to 2008. Dish TV‘s licence was due to expire on 30 September 2013. The DTH Guidelines are silent on the course of action to be adopted after expiry of the 10 year licence period.

    As the time left before the due date of expiry of the licence period for the first licencee (Dish TV) was ‘simply not sufficient for TRAI to follow the due consultation process,‘ it suggested some interim measures on 11 September to the Minister for the protection of the interests of consumers and keeping in view the large subscriber base of the said licencee.

    It was suggested that, in the interim, the Ministry may consider allowing Dish TV to continue its operations/services on the existing terms and conditions subject to Dish TV renewing the existing bank guarantee and a suitable undertaking that once the final policy in this regard is laid down by the government, the said DTH operator will comply with that policy for the interim period also. Any financial obligations arising from the change in policy shall also be honoured.

    The existing DTH Guidelines provide for the issue of a licence for 10 years. They do not explicitly provide for an extension or a renewal, implying that at the end of the 10-year period of validity, the licence expires.

    TRAI has noted that ‘starting a DTH business entails a huge investment of resources. It would, therefore, be a reasonable expectation on the part of DTH licencees that, on the expiry of the initial 10 year licence, they would be eligible to apply for issue of a new licence so that they can continue their business.‘

    DTH broadcasting services were opened up in the country in 2001. On 15 March 2001, the government issued the ‘Guidelines for obtaining licence for providing Direct-to-Home (DTH) broadcasting service in India’ (hereinafter referred to as ‘DTH Guidelines’). These guidelines prescribe the eligibility criteria, the procedure for obtaining the licence to set up and operate DTH services in India, and the basic terms and conditions/obligations reposed in the operators.

    After a company applies for a licence, the Ministry obtains the security clearance from the Home Ministry and clearance for usage of satellite from the Department of Space. Once the clearances are obtained, the player is asked to pay the entry fee of Rs 10 crore. On payment of the entry fee, the Ministry communicates its intent to the applicant to issue a licence, after which it needs to approach the Wireless Planning and Coordination (WPC) for Standing Advisory Committee for Frequency Allocation (SACFA) clearance. Once the SACFA clearance is obtained, the company has to give a bank guarantee of Rs 40 crore and sign the licence agreement with the Ministry.

    After this, the company has to apply to WPC for obtaining the WOL. The duration of the DTH licence is 10 years from the date of issue of the WOL. Licences to establish, maintain and operate the DTH platform are granted under Section 4 of the Indian Telegraph Act 1885, and the Indian Wireless Telegraphy Act, 1933.