Tag: Kushal Punjabi

  • What can industry learn from Kushal Punjabi’s suicide?

    What can industry learn from Kushal Punjabi’s suicide?

    MUMBAI: When Yama comes knocking, no one can hold back his embrace. But most of us hope that it is not our door he is choosing to knock.

    Actor Kushal Punjabi’s decision to open his door and rush into Yama’s arms came as a shocker to many.  Including us. A relatively senior actor at 42, Kushal chose to hang himself in his Bandra west, alone, close to midnight, just a day after Christmas.

    He had been a part of many of our functions, including indiantelevision.com’s The Indian Telly Awards and we had spoken and written about him on numerous occasions on Tellychakkar.com. Kushal was normally reticent, reserved, shy to an extent in public places, but he opened up amongst friends. And more so when he came on stage to dance, he set the stage alive with his sharp moves.

    Kushal’s physical fitness was above par.  A sports fanatic, he played football, took part in athletics and swimming in school and college and even after that when he evolved into a fine, sensitive actor who did both films and TV.  His muscular, toned and sinewy physique clearly marked him out from amongst many of his peers.

    A flat close to the posh Pali Hill Area in Bandra. A foreign wife and a kid all of three years, who he doted upon.  It looked like he had everything going for him?

    Then what triggered him to take the step of ending his life? Co-actor Chetan Hansraj says he was low a few days before his death, as his wife and he were separated and he was not keeping well.  And he never imagined that he would take the extreme step. A suicide note clearly blamed no one.

    But his is not the first case of actors who cut short their life on earth. Pratyusha Banerjee is the most famous case. Nafisa Joseph,  Viveka Babajee, Kuljeet Randhwa are some of the more famous ones who committed suicide while being a part of the Indian TV world. There are others too who went the same way: Bengali TV actor Disha Ganguly, Payel Chakraborty, Moumita Saha, and Telugu TV anchor  Nirosha are some of the names who come to mind.

    Most of them were young like Punjabi, some even younger. It clearly points to the malaise in the TV and celebrity industry – that it is a lonely journey most make. Today, you are wanted, tomorrow you are not. And the pressure to perform is intense, so intense – that only the tough can see it through.

    For the small towners, the glamour, the fame is exciting and hence they plunge deep into tinsel town. Getting the big break is excruciating requiring numerous visits to productions houses for auditions, and casting directors. Some audition rejections are heart wrenching. However, once they are past that and they get known, the roles trickle in for some, for others, they come in a smooth flow. For a relative few, it is stardom, beyond or  just like they imagined. But once they get known, keeping up with their peers in lifestyle, in terms of performance, brings with it added pressure. Then come the friendships, relationships and the inability to cope with their demands because of the filming schedules. This puts further pressure. Some cope; some don’t and drop out. Others stick on and suffer the highs and the lows. And a select few go the way of ending their lifes when they can’t cope.

    Industry needs to understand this. Broadcasters, producers and the actor associations. The Cine & TV Artistes Association does have resources in house to help members cope with their psychological needs. But is it enough? What more can be done? Can regular workshops to help actors address their emotional traumas be organised? And these workshops should be in good venues so that even the better off actors can attend and take part in them.

    Can the financial corpus they have to assist actors  in dire need be enlarged? Can donations be attracted to from production houses and the broadcasters and from corporate India?   Can peer groups addressed periodically by psychologists be set up within each TV show set to understand each actor’s pressures and help them address these?

    The warning bells are ringing. Too many in TV industry have died young. Will we wait for more?

  • Sony Liv forays into original digital programming with ‘#LoveBytes’

    Sony Liv forays into original digital programming with ‘#LoveBytes’

    MUMBAI: Multi Screen Media’s (MSM) OTT platform Sony Liv has set its foot into original web programming with the launch of its signature series #LoveBytes. Going online from 7 September, the web series has been exclusively made for the digital platform and is centred on an urban Indian romance, which is relatable for the digital destination’s millennial audience.

     

    The web series is unlike regular television soaps as it deals with the real life situations between a young couple. The digital platform through this offering invites viewers to take a sneak peek into their daily lives. Sony Liv has created a 360 degree marketing campaign with video blogs and social connect with the protagonists to market the show.

     

    Multi Screen Media EVP and head – digital entertainment Uday Sodhi says, “From launching digital premieres of the world’s best entertainment properties to becoming the country’s first digital VOD platform to produce a song, Sony Liv has been at the forefront of innovation. With our signature series #LoveBytes, we offer consumers a digital-first experience like never before. The fact that the show has been made as an independent, exclusive series for Sony Liv also bolsters the widespread popularity of the digital destination. With this, Sony Liv becomes the first digital OTT platform to foray into original production. Setting a benchmark in the video entertainment space, we plan to further invest in original content with new concepts and ideas.”

     

    Sodi informs Indiantelevision.com that the show will have 26 episodes, wherein two episodes will be released per week. “This is just the beginning. Liv will come up with a series of original shows, which will be exclusively produced for the digital platform,” he adds.

     

    Sony Liv has been seeing a year on year growth of 35 per cent on mobile advertising, which, according to Sodhi is indeed encouraging. “The ecosystem will also be enhanced with technical upgradations like 4G,” he says.

     

    While currently Sony Liv follows the advertising based revenue model, Sodhi says that depending on the scenario and market insights going forward, the company may evaluate the possibility of a subscription based platform.

     

    Directed by Vishal Mull, #LoveBytes stars Kushal Punjabi and Sukhmani Sadana. Each episode of the show plays out the trials and tribulations of the leading characters Ananya’s and Abhishek’s romantic relationship.

     

    Ananya Singh is a 26-year old girl from Lucknow who has been working in Mumbai for the last six years. Simple, not very social and rather homely, Ananya is possessive and doesn’t quite understand or appreciate all the female attention her boyfriend gets. Abhishek on the other hand, is a 28 year-old copywriter in a media firm. A party animal, he is best described as driven, ambitious and affable all at once.

     

    With a deliciously urban and youthful flavor, the series underlines what makes these two very different individuals click and sometimes clash, the show also elucidates all those things that are necessary for an urban Indian relationship to sustain itself and the daily challenges that come in the way.

     

    The theme of the show has been specifically crafted keeping Sony Liv’s cosmopolitan viewership in mind. Viewers can delve into this entertaining and delightful world of squabbles, love and drama on the Sony Liv website or mobile app, anytime anywhere.

     

    While the presenting sponsor for the show is Integriti, the associate sponsor is Caprese. The radio partner for #LoveBytes is Fever 104 FM, beverage partner is Café Coffee Day and outdoor partner is Bright Advertising.

  • ‘Alone’: Better left alone

    ‘Alone’: Better left alone

    MUMBAI: Alone has two selling points: First, it is directed by Bhushan Patel (Ragini MMS 2). Second, it stars Bipasha Basu, who exudes enough sex appeal for the audience of the voyeur kind, a mandatory ingredient in a contemporary horror films.

    Inspired by the 2007 Thai film of the same name, the movie is shot in Kerala to make it visually appealing. Bipasha plays a double role. She and her twin sister have promised to always stick by each other. Bipasha has to rush home to Kerala with her husband, Karan Singh Grover, when her mother meets with an accident. Her return takes her into past memories about her dead twin.

    Soon Bipasha starts experiencing a strange phenomenon. She feels the presence of her dead sister. Only she can feel this. She explains her situation to Karan but he thinks this is because she is missing her sister. However, Karan takes Bipasha to a psychiatrist friend who thinks it is beyond science. The couple then indulge in romance and songs.

    Producer: Panorama Films

    Director: Bhushan Patel

    Cast: Bipasha Basu, Karan Singh Grover, Zakeer Hussain

    The mandatory Babas claiming to get rid of ghosts and spirits and other such mumbo jumbo included, what the film never does is scare you. This is because it has nothing new to show. All this and much better stuff has preceded Alone. What actually happens is that the supposedly scary scenes only make you laugh.

    Those who made it to the cinema halls after watching the promos will not find in the film what they saw in promos. There are some intimate scenes and a lot of skin on display from both, Bipasha as well Karan but, again, nothing that a seasoned moviegoer has not seen before.

    In an effort to Indianise a borrowed foreign film, the length stretches to 133 minutes, which is a tad too long for a ‘scary’ movie. The film has some good numbers in Katra katra…. and Chaand aasman se lapataa.. but  they do lessen the impact of a scary film.

     Direction is average with no spark. The script can aptly be described as loose. One thing the film needed was some sharp editing. The belief that low light can make a horror film more effective, even if true, does not work here.

     With little scope, the performance by Bipasha is fair while Karan is there just for his body mass.

     Alone is mediocre fare with no drawing power as far as its stars go.

    ‘Crazy Cukkad Family’: That’s not entertainment!

    Crazy Cukkad Family is like a stage play, implausible but zany. It is more like a farce. It is about a family, which does odd things and may remind you of the 2007 film, Buddha Mar Gaya, starring Anupam Kher. The film is about a dysfunctional family of four siblings, all failures. To give a contemporary touch, one of them is gay.

    Producer: Prakash Jha

    Director: Ritesh Menon

    Cast: Swanand Kirkire, Shilpa Shukla, Kushal Punjabi, Siddharth Sharma, Kiran Karmarkar, Ninad Kamat

    Swanand Kirkire, Shilpa Shukla, Kushal Punjabi and Siddharth Sharma gather at their grand family home when their father slips into his third coma. Hoping this once he does not regain conscious, all four are keen to know what is for them in their filthy rich father’s last will. The four have their own traits; they need the money for various reasons. There is no family feeling or love for each other. Before the will can be read, a condition applies: for inheritance, all four have to be married. The siblings devise their individual ways out of this condition.

    While all four are failures in their respective lives, they try to conceal this fact from others. However, they can’t hide their real standing from each other for long as each kin’s secret is out.

    The father has no long term plan to remain in coma or to kick the bucket. He soon regains consciousness only to reveal that in the old filmy style, he has bequeathed all his wealth to the ‘wafaadar’ servant of the house. However, the servant is not selfish and asks his boss to leave his all for the children on the condition that they spend time with him every year!

    Even in this 90 minute farce, the makers needed a narrator who interrupts at regular intervals to explain to the viewer what is happening: either they think the viewer is dumb or they know their inability to let the script and the visuals do their job.  It is a passé theme further marred by bad scripting. Resultantly, the debutant director, Ritesh Menon, is totally at sea. The film boasts of an item number, Sexywala pakoda, in an otherwise mundane music score. Swanand Kirkire emerges the best while Shilpa Shukla is fair. The rest pass muster. Crazy Cukkad Family is a lost cause.

  • Prakash Jha’s ‘Crazy Cukkad Family’ gets U/A certificate

    Prakash Jha’s ‘Crazy Cukkad Family’ gets U/A certificate

    MUMBAI: The latest comedy film under the highly reputed Prakash Jha productions entitled ‘Crazy Cukkad Family’ has been granted a U/A certificate by the Film Censor Board of India without a single cut.
     

    This film which is about a dysfunctional Beri family stars an ensemble cast which includes Swanand Kirkire, Shilpa Shukla, Kushal Punjabi, Siddharth Sharma, Ninad Kamat and Nora Fatehi.

     

    The director of the upcoming comedy Ritesh Menon said, “When you try something new and your vision and voice is respected by the Censor board or any other governing body it is very reassuring. The film’s intent is to send out a positive message about modern day relationships and ultimately is to entertain. I am glad the audience will watch exactly what we have made. “

     

    This family film is slated for release on 16 January 2015.